讲义327 李云老师 《新题型讲义》.docx

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讲义327 李云老师 《新题型讲义》.docx

讲义327李云老师《新题型讲义》

 

新题型

三大题型一个对策

 

三大题型一个对策——立足结构,承上启下

一、三大题型

1.标题内容搭配题:

一篇长度约500词的文章,有6~7段文字以及6~7个小标题。

这些标题分别是对文中某一段落的概括、归纳或举例,要求考生将标题和各段内容一一搭配。

2.完形填句、段题:

一篇长度为500~600词的文章,其中有5段空白,文章后有6~7段文字。

要求考生根据文章内容从这6~7段文字中选择能分别放入文章中5个空白处的5段。

3.排序题:

一篇长度为500~600词的文章,各段落的原有顺序被打乱。

要求考生根据文章的逻辑思路将其重新排序。

二、真题展示

1.标题内容搭配题

2016PartB

Directions:

ReadthefollowingtextandanswerthequestionsbychoosingthemostsuitablesubheadingfromtheA-Gforeachofthenumberedparagraph(41-45).Therearetwoextrasubheadings.MarkyouranswersontheANSWERSHEET.(10points)

[A]Createanewimageofyourself

[B]Haveconfidenceinyourself

[C]Decideifthetimeisright

[D]Understoodthecontext

[E]Workwithprofessionals

[F]Makeitefficient

[G]Knowyourgoals

Nomatterhowformalorinformaltheworkenvironment,thewayyoupresentyourselfhasanimpact.Thisisespeciallytrueinfirstimpressions.AccordingtoresearchfromPrincetonUniversity,peopleassessyourcompetence,trustworthiness,andlikeabilityinjustatenthofasecond,solelybasedonthewayyoulook.

Thedifferencebetweentoday’sworkplaceandthe“dressforsuccess”eraisthattherangeofoptionsissomuchbroader,Normshaveevolvedandfragmented.Insomesettings,redsneakersordressT-shirtscanconveystatus;inothersnotsomuch.Plus,whateverimagewepresentismagnifiedbysocial-mediaserviceslikedecadeortwoago.Millennials,itseems,facetheparadoxofbeingtheleastformalgenerationyetthemostconsciousofstyleandpersonalbranding.Itcanbeconfusing.

Sohowdowenavigatethis?

Howdoweknowwhentoinvestinanupgrade?

Andwhat’sthebestwaytopulloffonethatenhancesourgoals?

Herearesometips:

41.________________

Asanexecutivecoach,I’veseenimageupgradesbeparticularlyhelpfulduringtransitions--whenlookingforanewjob,steppingintoanewormorepublicrole,orchangingworkenvironments.Ifyou’reinaperiodofchangeorjustfeelingstuckandinarut,nowmaybeagoodtime.Ifyou’renotsure,askforhonestfeedbackfromtrustedfriends,colleagues,andprofessionals.Lookforcuesabouthowothersperceiveyou.Maybethere’snoneedforanupgradeandthat’sOK.

42.________________

Getclearonwhatimpactyou’rehopingtohave.Areyoulookingtorefreshyourimageorpivotit?

Foroneperson,thegoalmaybetobetakenmoreseriouslyandenhancetheirprofessionalimage.Foranother,itmaybetobeperceivedasmoreapproachable,ormoremodernandstylish.Forsomeonemovingfromfinancetoadvertising,maybetheywanttolookmore“SoHo.”(It’sOKtousecharacterizationslikethat.)

43.________________

Lookatyourworkenvironmentlikeananthropologist.Whatarethenormsofyourenvironment?

Whatconveystatus?

Whoareyourmostimportantaudiences?

Howdothepeopleyourespectandlookuptopresentthemselves?

Thebetteryouunderstandtheculturalcontext,themorecontrolyoucanhaveoveryourimpact.

44.________________

Enlistthesupportofprofessionalsandsharewiththemyourgoalsandcontext.Hireapersonalstylist,orusethefreestylingserviceofastorelikeJ.Crew.Tryahairstylistinsteadofabarber.Workwithaprofessionalphotographerinsteadofyourspouseorfriend.It’snotasexpensiveasyoumightthink.

45.________________

Thepointofastyleupgradeisn’tto becomemorevainortospendmoretimefussingoverwhattowear.Instead,useitasanopportunitytoreducedecisionfatigue.Pickastandardworkuniformorafewgo-tooptions.Buyallyourclothesatoncewithastylistinsteadofshoppingalone,onearticleofclothingatatime.

2.完形填句、段题

2012PartB

Directions:

Inthefollowingtext,somesentenceshavebeenremoved.ForQuestions41—45,choosethemostsuitableonefromthelistA-Gtofitintoeachofthenumberedblanks.Therearetwoextrachoices,whichdonotfitinanyoftheblanks.MarkyouranswersonANSWERSHEET1.(10points)

Thinkofthosefleetingmomentswhenyoulookoutofanaeroplanewindowandrealisethatyouareflying,higherthanabird.Nowthinkofyourlaptop,thinnerthanabrown-paperenvelope,oryourcellphoneinthepalmofyourhand.Takeamomentortwotowonderatthosemarvels.Youaretheluckyinheritorofadreamcometrue.

Thesecondhalfofthe20thcenturysawacollectionofgeniuses,warriors,entrepreneursandvisionarieslabourtocreateafabulousmachinethatcouldfunctionasatypewriterandprintingpress,studioandtheatre,paintbrushandgallery,pianoandradio,themailaswellasthemailcarrier.(41)__________________.

Thenetworkedcomputerisanamazingdevice,thefirstmediamachinethatservesasthemodeofproduction,meansofdistribution,siteofreception,andplaceofpraiseandcritique.Thecomputeristhe21stcentury’sculturemachine.

Butforallthereasonstherearetocelebratethecomputer,wemustalsotreadwithcaution.(42)__________________.Icallitasecretwarfortworeasons.First,mostpeopledonotrealisethattherearestrongcommercialagendasatworktokeeptheminpassiveconsumptionmode.Second,themajorityofpeoplewhousenetworkedcomputerstouploadarenotevenawareofthesignificanceofwhattheyaredoing.

Allanimalsdownload,butonlyafewupload.Beaversbuilddams,birdsmakenests.Yetforthemostpart,theanimalkingdommovesthroughtheworlddownloading.Humansareuniqueintheircapacitytonotonlymaketoolsbutthenturnaroundandusethemtocreatesuperfluousmaterialgoods—paintings,sculptureandarchitecture—andsuperfluousexperiences—music,literature,religionandphilosophy.(43)__________________.

Forallthepossibilitiesofournewculturemachines,mostpeoplearestillstuckindownloadmode.Evenaftertheadventofwidespreadsocialmedia,apyramidofproductionremains,withasmallnumberofpeopleuploadingmaterial,aslightlylargergroupcommentingonormodifyingthatcontent,andahugepercentageremainingcontenttojustconsume.(44)__________________.

Televisionisaone-waytapflowingintoourhomes.Thehardesttaskthattelevisionasksofanyoneistoturnthepoweroffafterhehasturnediton.

(45)__________________.

Whatcountsasmeaningfuluploading?

Mydefinitionrevolvesaroundtheconceptof“stickiness”—creationsandexperiencestowhichothersadhere.

[A]Ofcourse,itispreciselythesesuperfluousthingsthatdefinehumancultureandultimatelywhatitistobehuman.Downloadingandconsumingculturerequiresgreatskills,butfailingtomovebeyonddownloadingistostriponeselfofadefiningconstituentofhumanity.

[B]Applicationslike,whichallowuserstocombinepictures,wordsandothermediaincreativewaysandthensharethem,havethepotentialtoaddstickinessbyamusing,entertainingandenlighteningothers—andengenderingmoreofthesame.

[C]Notonlydidtheydevelopsuchadevicebutbytheturnofthemillenniumtheyhadalsomanagedtoembeditinaworldwidesystemaccessedbybillionsofpeopleeveryday.

[D]Thisisbecausethenetworkedcomputerhassparkedasecretwarbetweendownloadinganduploading—betweenpassiveconsumptionandactivecreation—whoseoutcomewillshapeourcollectivefutureinwayswecanonlybegintoimagine.

[E]ThechallengethecomputermountstotelevisionthusbearslittlesimilaritytooneformatbeingreplacedbyanotherinthemannerofrecordplayersbeingreplacedbyCDplayers.

[F]Onereasonforthepersistenceofthispyramidofproductionisthatforthepasthalf-century,muchoftheworld’smediaculturehasbeendefinedbyasinglemedium—television—andtelevisionisdefinedbydownloading.

[G]Thenetworkedcomputeroffersthefirstchancein50yearstoreversetheflow,toencouragethoughtfuldownloadingand,evenmoreimportantly,meaningfuluploading.

3.排序题

2014PartB

Directions:

Thefollowingparagraphsaregiveninawrongorder.ForQuestions41-45,youarerequiredtoreorganizetheseparagraphsintoacoherenttextbychoosingfromthelistA-Gandfillingthemintothenumberedboxes. ParagraphsAandE havebeencorrectlyplaced.MarkyouranswersontheANSWERSHEET(10points)

[A]Somearchaeologicalsiteshavealwaysbeeneasilyobservable—forexample,theParthenoninAthens,Greece,thepyramidsofGizainEgypt;andthemegalithsofStonehengeinsouthernEngland.Butthesesitesareexceptionstothenorm.Mostarchaeologicalsiteshavebeenlocatedbymeansofcarefulsearching,whilemanyothershavebeendiscoveredbyaccident.OlduvaiGorge,anearlyhominidsiteinTanzania,wasfoundbyabutterflyhunterwholiterallyfellintoitsdeepvalleyin1911.ThousandsofAztecartifactscametolightduringthediggingoftheMexicoCitysubwayinthe1970s.

[B]Inanothercase,AmericanarchaeologistsRenéMillionandGeorgeCowgillspentyearssystematicallymappingtheentirecityofTeotihuacanintheValleyofMexiconearwhatisnowMexicoCity.AtitspeakaroundAD600,thiscitywasoneofthelargesthumansettlementsintheworld.Theresearchersmappednotonlythecity’svastandornateceremonialareas,butalsohundredsofsimplerapartmentcomplexeswherecommonpeoplelived.

[C]Howdoarchaeologistsknowwheretofindwhattheyarelookingforwhenthereisnothingvisibleonthesurfaceoftheground?

Typically,theysurveyandsample(maketestexcavationson)largeareasofterraintodeterminewhereexcavationwillyieldusefulinformation.Surveysandtestsampleshavealsobecomeimportantforunderstandingthelargerlandscapesthatcontainarchaeologicalsites.

[D]Surveyscancoverasinglelargesettlementorentirelandscapes.Inonecase,manyresearchersworkingaroundtheancientMayacityofCopan,Honduras,havelocatedhundredsofsm

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