英国文学 17世纪.docx

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英国文学17世纪

PartThree

TheSeventeenthCentury

(1640-1688)

Chapter1:

RevolutionandRestoration

一、SocialBackground

The17thcenturywasoneofthemosttempestuousperiodsinEnglishhistory.ConflictsandclashesappearedbetweentheKingandtheParliament,whichrepresentedthebourgeoisclass.

In1642,acivilwar(Englishrevolution)brokeoutbetweenCharlesIandtheparliament.Atlast,theroyalistsweredefeatedbytheparliamentarmyledbyOliverCromwell(1599-1658).In1649Charles

(1600–1625–1649)wasbeheaded,andEnglandwasdeclaredtobeacommonwealth.

AfterthedeathofCromwell,theparliamentrecalledCharlesII(1630–1660–1685)toEnglandin1660andmonarchywasrestored,andthenfollowedtheRestorationPeriod.

In1688,thebourgeoisieinviteWilliam,princeofOrange(1650–1689–1702)fromHollandtobekingofEngland.Thisiscalledthe“GloriousRevolution”.ThisbloodlesseventcompletedthebourgeoisierevolutionandmodernEnglandwasfirmlyestablished.

二、TheEnglishRevolutionandPuritanism

TheEnglishrevolutionwascarriedoutunderareligiouscloak.So,EnglishrevolutionalsocalledthePuritanrevolution.ThePuritanMovementaimedtomakemanhonestandtomakemanfree.

Puritanismwasthereligiousdoctrineoftherevolutionarybourgeoisieduringthisperiod.Itpreachedthrift,sobriety,hardwork,butwithverylittleextravagantenjoymentofthefruitsoflabor.Worldlypleasureswerecondemnedasharmful.Thiswaspreciselytheoutlookneededbythebourgeoisiefortheaccumulationofcapital.SointhetriumphofPuritanismunderCromwell,severelawswerepassed,manysimplepleasureswereforbiddenandanausterestandardoflivingwasforceduponanunwillingpeople.TheLondontheaterswereclosedin1642.

ThecriticismismadethatthewildoutbreakofimmortalitywhichfollowedtheRestorationwaspartlyduetotheunnaturalrestrictionofthePuritanera.Thecriticismwasjustbutwemustnotforgetthewholespiritofthemovement.Puritansfoughtforlibertyandjusticeoverthrewdespotismandmademen’slifeandpropertysafefromthetyrannyofrulers.

三、Literatureofthe17thcentury

Englishliteratureoftherevolutionandrestorationwasverymuchconcernedwiththetremendoussocialupheavalsofthetime.

1.LiteratureoftheRevolutionPeriod

Generalcharacteristics

①TheRevolutionPeriodwasoneofconfusioninliteratureduetothebreakingupoftheoldideals.ThePuritansbelievedinsimplicityoflife.Theydisapprovedofthesonnetsandthelovepoetrywritteninthepreviousperiod.Literaturewasasdividedinspiritaswerethestrugglingparties.

②LiteratureinthePuritanAgeexpressedageandsadness.Evenitsbrightesthourswerefollowedbygloomandpessimism.

③RomanticardorcannotbefoundinliteratureofthePuritanperiod.

④JohnMilton(1608-1674),whoseworkwouldglorifyanyageandpeople,andinhisworktheindomitablerevolutionaryspiritfounditsnoblestexpression.Forthisreason,thisperiodisalsocalledAgeofMilton.

⑤Themainliteraryformoftheperiodwaspoetry.BesidesMilton,thereweretwoothergroupsofpoets,theMetaphysicalPoetsandtheCavalierPoets.

1)MetaphysicalPoets

TheMetaphysicalPoetsappearedinEnglandataboutthebeginningofthe17thcentury.Theysoughttoshattermythsandreplacethemwithnewphilosophies,newsciences,newworldandnewpoetry.Witharebelliousspirit,theyfavoredinpoetryamorecolloquiallanguage,asinglemindedworkingofonetheme.Besides,theytendedtologicallyreasonthethings,esp.emotions,psychologicallyanalyzetheemotionsofloveandreligion,lovethenoveltyandtheshocking,usethemetaphysicalconceits,andignoretheconventionaldevices.Theworksofthesepoetsarecharacterizedbymysticismincontentandfantasticalityinform.

2)CavalierPoets

AnotherschoolofpoetryprevailingintheperiodwastheCavalierPoets.Mostofthesepoetswerecourtiersandsoldiers.Theysidedwiththekingtofightagainsttherevolution.TherepresentativesofthisschoolareSirJohnSuckling(1609-1642),RichardLovelace(1618-1657),ThomasCarew(1595-1639),andRobertHerrick(1591-1674).

2.LiteratureoftheRestoration

RestorationliteratureisdeeplyinfluencedbyFrenchclassicaltaste.ItisaperiodofFrenchinfluence.

Generalcharacteristics

①Thetendencytovulgarrealisminthedrama.Restorationwriterssoughttopaintrealisticpicturesofacorruptsociety.

②Ageneralformalism.Theyproducedcoarse,lowplayswithoutinterestormoralsignificance.

③Thedevelopmentofasimplerandmoredirectprosestyle.

④Theprevalenceoftheheroiccouplet(twoiambicpentameterlineswhichrimetogether)inpoetry.

Chapter2:

Writersinthisperiod

一、JohnMilton(1608-1674)

1.Lifeandliterarycareer

MiltonwasborninLondonin1608.HiseducationbeganatSt.Paul'sschool,thenhewentontodistinguishhimselfatCambridgeUniversity,wherehegraduatedB.A.in1629,andM.A.in1632.HisfirstworkisanodeOntheMorningofChrist’sNativity(1629).

AfterleavingCambridge,heretiredfornearlysixyearstohisfather'scountryhouseinHorton,wherehedevotedhistimechieflytofurthermasteryofthewholerangeoflanguages,literature,science,theology,andmusic.Duringthisperiod,MiltonwroteL’Allegro(1632),IlPenseroso(1632),Lycidas(1638),Comus(1634).

In1638heleftEnglandtocompletehiseducationwithtwoyearsoftravelinEurope,France,SwitzerlandandItaly.Whenhereturnedhomein1639,Englandwasonthevergeofacivilwar.Hesoonplungedhimselfintothestruggleandgaveallhisenergiestothewritingofpamphletsdedicatedtothepeople’sliberty.

MiltonwasmarriedtoMaryPowellinJune1642,butthemarriageprovedtoanunhappyone.SoforseveralyearsMiltonissuedpamphletsinwhichhearguedthatallEnglishmenshouldhavetherighttogetadivorce.In1644,hepublishedAreopagitica,asadeclarationofpeople’sfreedomfrompress.

AftertheRevolutionsucceeded,MiltonbecameLatinSecretarytothecouncilofForeignAffairsin1649.HewroteanumberofpamphletsdefendingtheEnglishrevolution,suchasDefenceoftheEnglishPeople(1651),andSecondDefenceoftheEnglishPeople(1654).UntiltheendoftheCommonwealth,thereweretwoleadersinEngland,Cromwellthemanofaction,andMiltonthemanofthought.

Miltonwentblindin1652,doubtlesslyduetothesevereeyestrainbroughtonbyceaselessreadingandLatincomposition.WiththeRestorationofthemonarchyin1660,Miltonnotonlywasconfronted,butalsowasimprisonedandthreatenedwithexecution.Throughtheinterventionofsomefriendswhocarriedsomeinfluencewiththenewroyalgovernment,Miltonwasletoffwithafineandsomelossofproperty.Shortlyafterward,livinginblindnessandvirtualseclusionfromallbutthemembersofhisimmediatefamily,MiltonbeganhismasterpieceParadiseLost.BeforehisdeathMiltonpublishedtwootherworksonagrandscale,ParadiseRegainedandSamsonAgonistes.Bothappearedin1671;neitherisassuccessfulasParadiseLost.Miltondiedin1674.

2.MajorWorks

OntheMorningofChrist’sNativity《基督诞生晨颂》(1629)

L’Allegro《快乐的人》(1632)

IlPenseroso《沉思的人》(1632)

Comus《科玛斯》(1634)

Lycidas《利西达斯》(1638)

Areopagitica《论出版自由》(1644)

DefenceoftheEnglishPeople《为英国人民辩护》(1651)

SecondDefenceoftheEnglishPeople《为英国人民再辩护》(1654)

ParadiseLost《失乐园》(1665)

ParadiseRegained《复乐园》(1671)

SamsonAgonistes《力士参孙》(1671)

3.AboutParadiseLost

1)BriefSurvey

ParadiseLostisMilton'smasterpiece,andthegreatestEnglishepic.Itisalongepicin12books,writteninblankverse.ThestoriesweretakenfromtheOldTestament:

thecreation;therebellioninHeavenofSatanandhisfellow-angels;theirdefeatandexpulsionfromHeaven;thecreationoftheearthandofAdamandEve;thefallenangelsinhellplottingagainstGod;Satan'stemptationofEve;thedepartureofAdamandEvefromEden;andthepossiblesalvation.

2)ThemeandCharacterization

Thepoem,onthesurface,was"tojustifythewaysofGodtoman",i.e.topreachsubmissiontotheAlmighty.Butunderthesurface,themainideaofthepoemistheheroicrevoltagainstGod'sauthority.

InthepoemGodisnobetterthanaselfishdespot.IthasbeennotedbymanycriticsthatthepictureofGodsurroundedbyhisangelsresemblesthecourtofanabsolutemonarch.WhiletherebelSatanwhorisesagainstGodand,thoughdefeated,stillseeksforrevenge.SatanandhisfollowerswhofreelydiscussallissuesincouncilbearcloseresemblancetoarepublicanParliament.Thisepicexpressesthereactionaryforcesofhistimeandshowspassionateappealforfreedom.

ThethemeisalsoaboutthefallofMen:

man’sdisobedienceandthelossofParadise.Buthavingdoneit,AdamandEvegetfreedom.TheyembodyMilton'sbeliefinthepowersofman.TheircravingforknowledgedeniedthembyGod,asMiltonstresses,addsaparticularsignificancetotheircharacter.Itisthislongingforknowledgethatopensbeforemankindawideroadtoanintelligentandactivelife.

WhatmakesParadiseLostapowerfulpoemispreciselythewayinwhichtheBiblicalpastispulledintothepresentinanintriguingway.Runningthroughthepoemarethekeypoliticalquestionsoffreedomandchoice.FromtheperspectiveofSatanandhisfollowers,rebellionagainstGodwasinevitable.Therevoltmayhavefailed,butithasleftthemtheirfreedom.Thefinalimageofthepoemisprofoundlyforward-looking,animageofgainthroughloss.AsAdamandEvegohandinhandoutofEden,thelossofParadiseisseenasthegainofafutureforhumanityonearth.

3)TheImageofSatan

ThefinestthinginParadiseLostisthedescriptionofhell,andSatanisthereal

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