英语专业毕业论文范文2.docx
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英语专业毕业论文范文2
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财经大学
本科毕业论文(设计)
文2
题目:
论《诺桑觉寺》的反哥特观念
学院外国语学院
专业英语
班级英语0801(注意原山经、原山财班级名称不同)
学号2008110067
姓名晓慧
指导教师王俊华
财经大学教务处制
二O一二年五月
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OnAnti-GothicisminNorthangerAbbey
by
LiXiaohui
UndertheSupervisionof
WangJunhua
SubmittedinPartialFulfillmentoftheRequirements
fortheDegreeofBachelorofArts
SchoolofForeignStudies
ShandongUniversityofFinanceandEconomics
May2012
Acknowledgements
Itwouldnotbepossibleformetocompletethethesiswithoutthegeneroushelpofmany.Firstandforemost,IwouldliketotakethisopportunitytoconveymysinceregratitudeandappreciationtomysupervisorDr.WangJunhua,underwhosesupervisionIhaveobtainedvaluableideasandprecioussuggestions.Heisveryintelligentonthesisinstructionandalsoshowshisgreatpatiencetomeduringmywriting.IalsowanttothankalltheteachersintheSchoolofForeignStudiesofShandongUniversityofFinanceandEconomicsfortheirbeneficialcoursesIhaveattendedduringmycollegelife.Besides,Iowemydeepthankstomyroommateswhohavebeenencouragingmeallthetime,andtomycolleaguesatJinanLongreForeignLanguageTrainingCenterwhowillinglytookmypartofdutiessothatIcouldhaveenoughtimeforthesiswriting.
L.X.H.
(名字的第一个字母)
ABSTRACT
OnAnti-GothicisminNorthangerAbbey
LiXiaohui
NorthangerAbbey,oneofJaneAusten’sfamousworks,mainlytellsthestoryofaninnocentgirl,aGothicnovelfan,whotreatsherselfastheheroineofaGothicnovelandmakesmanyridiculousadventuresbytakingGothicstoriesasrealhappenings,butfinallylearnstodistinguishbetweentheimaginarylifeinnovelsandthereallifeofherown.ThenovelcriticizestheridiculousnessandmeaninglessnessofGothicnovelsinasatiricalway.ThethesisanalyzesAusten’sparodyofGothicplot,characterization,andtheheroine’sGothicadventuresinNorthangerAbbey,andarguesthattheworkrevealsheranti-GothicismthroughacomparisonwiththetypicalfeaturesofprevailingGothicnovelsinherage.
Keywords:
NorthangerAbbey;JaneAusten;anti-Gothicism
摘要
论《诺桑觉寺》的反哥特观念
晓慧
《诺桑觉寺》是奥斯汀的一部著名作品。
小说讲述了一位沉迷于哥特小说的天真女孩,把自己想象成作品的女主角,误把小说情节当做真实的生活,经历了一系列的荒谬历险;但她最终走出幻想,学会了分辨哥特小说的荒诞情节和现实生活的区别。
小说以反讽的方式批评了哥特小说的可笑和荒诞。
本文通过分析该小说对哥特式情节和人物的戏仿以及女主角的哥特式历险,并与当时盛行的哥特小说的典型特征相对比,认为奥斯汀通过《诺桑觉寺》表达了自己的反哥特观念。
关键词:
《诺桑觉寺》;奥斯汀;反哥特
CONTENTS
Acknowledgements…………………………………………………ii
Abstract………………………………………………………….…iii
AbstractinChinese………………………………………………iv
Introduction…………………………………………………………1
ChapterOneGothicNovelsandNorthangerAbbey...…………3
I.OriginandDevelopmentofGothicNovels……………………3
II.Austen’sAttitudetowardsGothicNovels……………………5
ChapterTwoParodyofGothicPlotandCharacters…………..7
I.ParodyofGothicPlot…………………………………………7
II.ParodyofGothicCharacters…………………………………9
ChapterThreeCatherine’sAdventures………………………11
I.OntheWaytoNorthangerAbbey……………………………11
II.ThreeAdventuresinNorthangerAbbey…………………….12
III.Catherine’sComingbacktoReality…………………………15
Conclusion…………..……………………………….……………16
WorksCited……………………………………………………..…17
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Introduction
JaneAusten(1775~1817),wholivedattheturnofthe18thand19thcentury,isthemostdistinguishedaswellasthemostwidelyreadfemalenovelistinBritishliterature.ShewasbornonDecember16,1775,atSteventonrectoryinHampshire,England,anddiedinWinchesteronJuly18,1817,andwasburiedinWinchesterCathedral.Austenlivesinalargefamilywithsixbrothersandonesister.Herfather,GeorgeAustenwasarectorformuchofhislife.Hersister,CassandraElizabeth,washerbestfriend.Shewaseducatedprimarilybyherfatherandolderbrothers,andherownreadingalsohelpedalotwithherwriting.DuringAusten’seducationandwritinglife,herfatherwasthemostimportantguide,forhenotonlyprovidedherwithawell-stockedfamilylibrary,butalsosupportedherwritingwithmucheffort.Hehadcreatedademocraticandeasyintellectualatmosphereathome.Theyoftentalkedaboutdifferentpoliticalorsocialideas,andanypersonalopinionswouldbeacceptedanddiscussed.JaneAustenbegantowritewhenshewasonlyaboutthirteenandtheeverlastingsupportofherfamilywascrucialtoherdevelopmentasaprofessionalwriter.
Austen’spersonalexperienceshaveagreatinfluenceonherwriting.“Ofeventsherlifewassingularlybarren:
fewchangesandnogreatcrisisevenbrokethesmoothcurrentofitscourse”(James11).Austen’sworksareusuallyconfinedtoalimitedcircle.InalettertohernephewEdward,Austenmadecommentsonherownworkas“[h]owcouldIpossiblyjointhemontothelittlebitofIvoryonwhichIworkwithsofineaBrush,asproduceslittleeffectaftermuchlabor?
”(Lefroy160).LiuBingshanappraisedthat“[t]hecomparisonistrue.Theivorysurfaceissmallenough,butthewomanwhomadedrawingsofhumanlifeonitisarealartist”(309).SomecriticsaccuseJaneAustenofwritingwithanarrowvision,andthathernovelsareallaboutlove,marriage,moneyandrichrelations,butAusten’sworksshowtheirvaluesonreflectingthesocialrealitiesofherday.AsZhangDingquanandWuGangcommentintheirbookthat“her[JaneAusten’s]uniquesensitivitytohumanemotions,hercarefulobservation…madeheroneofthefinestnovelistsoftheage”(202).
Austenwrotesixcompletenovelsduringherliterarycareer.Theyare:
SenseandSensibility(1811);PrideandPrejudice(1813);MansfieldPark(1814);Emma(1816);NorthangerAbbey(1818);andPersuasion(1818).Herliteraryworkshavebeenattractingmoreandmorereadersfromhomeandabroadsincetheirpublication.JaneAustenisconsideredas“ageniusthatappealstoanygeneration”(Qiaoiv).TheBritishfemalewriterVirginiaWoolfsaidthat“[o]fallgreatnovelists,JaneAustenisthemostdifficulttocatchintheactofgreatness”(Zhu5).
TheworkdiscussedinthisthesisisNorthangerAbbey,whichtellsastoryofthenaiveprotagonistwithaveryover-activeimagination,CatherineMorland,aGothicnovelaficionado,whotreatsherselfastheheroineofaGothicnovel,takesstoriesinGothicnovelsashappenedinherreallifeandmakesmanyridiculousadventures,butfinallylearnstodistinguishbetweentheimaginarylifeinGothicnovelsandherownordinarylifesituations.AlthoughNorthangerAbbeywasthefirsttobecompletedbyJaneAusten,ithadneitherbeengivenenoughattentionnorbeenadequatelystudiedforsomeconsiderabletimeinthepast.Infact,NorthangerAbbeyhasitsuniqueresearchvalue,particularlytheauthor’sattitudetowardsGothicnovels,whichhasarousedmoreandmorecriticalattentionanddebatesinrecentyears(seeChapterOne).
ThisthesisarguesthatNorthangerAbbeyshowsJaneAusten’santi-GothicismthroughhersatiricalcriticismoftheprevailingGothicnovelsinhertimes.InadditiontoIntroductionandConclusion,thethesisconsistsofthreechapters.ThefirstchapterbrieflyintroducesGothicnovels,illustratesdifferentviewpointsontherelationshipbetweenNorthangerAbbeyandGothicnovelsasdiscussedbysomecriticsandscholars.ThesecondchapteranalysesJaneAusten’sparodicanti-GothicismbycomparingtheplotarrangementandcharacterizationofthenovelwiththatofGothicnovels.ThethirdchapterdiscussesJaneAusten’scriticismofGothicnovelsthroughfocusingonCatherine’sridiculousadventures.
ChapterOne
GothicNovelsandNorthangerAbbey
NorthangerAbbeyisaparodyofGothicnovels.Thefirstpartofthischapterbrieflyintroducestheorigin,developmentandtypicalfeaturesofGothicnovels;thesecondpartmainlyillustratesdifferentviewpointsonAusten’sattitudetowardsGothicnovels.
I.OriginandDevelopmentofGothicNovels
Theword“Goth,”comingfromthenameofanancienttribeinEurope,anditsderivativeform“Gothic,”whichremindspeopleofmysticism,terror,anddark,werefrequentlyusedtodescribemedievalthingsinthe18thcentury.Accordingtoahighly-populardictionary,theword“Gothic”means
akindofarchitecturebuiltinthestylethatwaspopularinWesternEuropefromthe12thcenturytothe16thcenturies,andwhichhaspointedarches,windows,andtallthinpillarsandanovelwritteninthestylepopularinthe18thand19thcenturies,whichdescribedromanticadventuresinmysteriousorfrighteningsurroundings.(Hornby883)注意引语段格式
Nowitgenerallyreferstoagenreofliterature,whichis“fullofdepictsofmurdersandsupernaturalthingstothrillreaders”(Han36),combinesbothhorrorandromanceand“dealswiththestrange,mysterious,andsupernaturaldesignedtoinvokesuspenseandterrorinreaders”(Zhao283).
Fromtheabovequotes,itisknownthatsomebasicelementsinGothicnovelsinclude:
settinginacastle,whichoftencontainssecretpassagesandstaircases,darkorhiddenrooms;anatmosphereofmysteryandsuspensethatarousesfearandterror;supernaturalevents,suchasghostsorunknowngiantscomingtohumanlife;highandoverwroughtemotio