英语专业毕业论文范文2.docx

1、英语专业毕业论文范文2关于论文结构和格式规的有关问题，请认真阅读“外国语学院英语本科毕业论文撰写要求”，同时可查阅“MLA格式学位论文写作规（供查询用）”。（建议：以本文作为模板，把自己论文的相应部分复制后，以 “选择性粘贴”“无格式文本”的方式，粘贴到文的相应位置，以保持与文格式完全一致。）论文单面打印1份，左侧装订（两个钉子）。（这些说明打印时删除）文学方向的请务必参考此文（语言学教学、文化类也可参考）。 财经大学本科毕业论文(设计)文2题目： 论诺桑觉寺的反哥特观念 学 院 外国语学院 专 业 英语 班 级 英语0801 （注意原山经、原山财班级名称不同）学 号 2008110067 姓

2、 名 晓慧 指导教师 王俊华 财经大学教务处制二一二年五月财经大学学士学位论文原创性声明本人重声明：所呈交的学位论文，是本人在导师的指导下进行研究工作所取得的成果。除文中已经注明引用的容外，本论文不含任何其他个人或集体已经发表或撰写过的研究成果。对本文的研究做出重要贡献的个人和集体，均已在论文中作了明确的说明并表示了意。本声明的法律结果由本人承担。日期填写定稿日期5月1日。教师学生都要手写签名学位论文作者签名： 年 月 日财经大学关于论文使用授权的说明本人完全了解财经大学有关保留、使用学士学位论文的规定，即：学校有权保留、送交论文的复印件，允许论文被查阅，学校可以公布论文的全部或部分容，可以采

3、用影印或其他复制手段保存论文。日期填写定稿日期5月1日。教师学生都要手写签名指导教师签名： 论文作者签名： 年 月 日 年 月 日On Anti-Gothicism in Northanger Abbey by Li XiaohuiUnder the Supervision ofWang JunhuaSubmitted in Partial Fulfillment of the Requirements for the Degree of Bachelor of ArtsSchool of Foreign StudiesShandong University of Finance and Ec

4、onomicsMay 2012AcknowledgementsIt would not be possible for me to complete the thesis without the generous help of many. First and foremost, I would like to take this opportunity to convey my sincere gratitude and appreciation to my supervisor Dr. Wang Junhua, under whose supervision I have obtained

5、 valuable ideas and precious suggestions. He is very intelligent on thesis instruction and also shows his great patience to me during my writing. I also want to thank all the teachers in the School of Foreign Studies of Shandong University of Finance and Economics for their beneficial courses I have

6、 attended during my college life. Besides, I owe my deep thanks to my roommates who have been encouraging me all the time, and to my colleagues at Jinan Longre Foreign Language Training Center who willingly took my part of duties so that I could have enough time for thesis writing. L. X. H. (名字的第一个字

7、母)ABSTRACTOn Anti-Gothicism in Northanger AbbeyLi XiaohuiNorthanger Abbey, one of Jane Austens famous works, mainly tells the story of an innocent girl, a Gothic novel fan, who treats herself as the heroine of a Gothic novel and makes many ridiculous adventures by taking Gothic stories as real happe

8、nings, but finally learns to distinguish between the imaginary life in novels and the real life of her own. The novel criticizes the ridiculousness and meaninglessness of Gothic novels in a satirical way. The thesis analyzes Austens parody of Gothic plot, characterization, and the heroines Gothic ad

9、ventures in Northanger Abbey, and argues that the work reveals her anti-Gothicism through a comparison with the typical features of prevailing Gothic novels in her age.Key words: Northanger Abbey; Jane Austen; anti-Gothicism 摘要论诺桑觉寺的反哥特观念晓慧诺桑觉寺是奥斯汀的一部著名作品。小说讲述了一位沉迷于哥特小说的天真女孩，把自己想象成作品的女主角，误把小说情节当做真实的

10、生活，经历了一系列的荒谬历险；但她最终走出幻想，学会了分辨哥特小说的荒诞情节和现实生活的区别。小说以反讽的方式批评了哥特小说的可笑和荒诞。本文通过分析该小说对哥特式情节和人物的戏仿以及女主角的哥特式历险，并与当时盛行的哥特小说的典型特征相对比，认为奥斯汀通过诺桑觉寺表达了自己的反哥特观念。关键词：诺桑觉寺；奥斯汀；反哥特CONTENTSAcknowledgementsiiAbstract.iiiAbstract in ChineseivIntroduction1Chapter One Gothic Novels and Northanger Abbey.3I. Origin and Devel

11、opment of Gothic Novels3II. Austens Attitude towards Gothic Novels5Chapter Two Parody of Gothic Plot and Characters.7I. Parody of Gothic Plot7II. Parody of Gothic Characters9Chapter Three Catherines Adventures11I. On the Way to Northanger Abbey11II. Three Adventures in Northanger Abbey.12III. Cather

12、ines Coming back to Reality15Conclusion.16Works Cited.17如有三级标题，可以i. ii. iii. iv. 编写，为简明，建议目录中尽量不要写三级标题，正文中可有三级标题。注意各级标题大小写，确保目录中的标题、页码与正文中的标题、页码保持对应。注意每段的首行缩进、行距、字体、字号等要保持全文一致IntroductionJane Austen (17751817), who lived at the turn of the 18th and 19th century, is the most distinguished as well as

13、the most widely read female novelist in British literature. She was born on December 16, 1775, at Steventon rectory in Hampshire, England, and died in Winchester on July 18, 1817, and was buried in Winchester Cathedral. Austen lives in a large family with six brothers and one sister. Her father, Geo

14、rge Austen was a rector for much of his life. Her sister, Cassandra Elizabeth, was her best friend. She was educated primarily by her father and older brothers, and her own reading also helped a lot with her writing. During Austens education and writing life, her father was the most important guide,

15、 for he not only provided her with a well-stocked family library, but also supported her writing with much effort. He had created a democratic and easy intellectual atmosphere at home. They often talked about different political or social ideas, and any personal opinions would be accepted and discus

16、sed. Jane Austen began to write when she was only about thirteen and the everlasting support of her family was crucial to her development as a professional writer. Austens personal experiences have a great influence on her writing. “Of events her life was singularly barren: few changes and no great

17、crisis even broke the smooth current of its course” (James 11). Austens works are usually confined to a limited circle. In a letter to her nephew Edward, Austen made comments on her own work as “how could I possibly join them on to the little bit of Ivory on which I work with so fine a Brush, as pro

18、duces little effect after much labor?” (Lefroy 160). Liu Bingshan appraised that “the comparison is true. The ivory surface is small enough, but the woman who made drawings of human life on it is a real artist” (309). Some critics accuse Jane Austen of writing with a narrow vision, and that her nove

19、ls are all about love, marriage, money and rich relations, but Austens works show their values on reflecting the social realities of her day. As Zhang Dingquan and Wu Gang comment in their book that “her Jane Austens unique sensitivity to human emotions, her careful observation made her one of the f

20、inest novelists of the age” (202).Austen wrote six complete novels during her literary career. They are: Sense and Sensibility (1811); Pride and Prejudice (1813); Mansfield Park (1814); Emma (1816); Northanger Abbey (1818); and Persuasion (1818). Her literary works have been attracting more and more

21、 readers from home and abroad since their publication. Jane Austen is considered as “a genius that appeals to any generation” (Qiao iv). The British female writer Virginia Woolf said that “of all great novelists, Jane Austen is the most difficult to catch in the act of greatness” (Zhu 5). The work d

22、iscussed in this thesis is Northanger Abbey, which tells a story of the naive protagonist with a very over-active imagination, Catherine Morland, a Gothic novel aficionado, who treats herself as the heroine of a Gothic novel, takes stories in Gothic novels as happened in her real life and makes many

23、 ridiculous adventures, but finally learns to distinguish between the imaginary life in Gothic novels and her own ordinary life situations. Although Northanger Abbey was the first to be completed by Jane Austen, it had neither been given enough attention nor been adequately studied for some consider

24、able time in the past. In fact, Northanger Abbey has its unique research value, particularly the authors attitude towards Gothic novels, which has aroused more and more critical attention and debates in recent years (see Chapter One). This thesis argues that Northanger Abbey shows Jane Austens anti-

25、Gothicism through her satirical criticism of the prevailing Gothic novels in her times. In addition to Introduction and Conclusion, the thesis consists of three chapters. The first chapter briefly introduces Gothic novels, illustrates different viewpoints on the relationship between Northanger Abbey

26、 and Gothic novels as discussed by some critics and scholars. The second chapter analyses Jane Austens parodic anti-Gothicism by comparing the plot arrangement and characterization of the novel with that of Gothic novels. The third chapter discusses Jane Austens criticism of Gothic novels through fo

27、cusing on Catherines ridiculous adventures.Chapter One Gothic Novels and Northanger AbbeyNorthanger Abbey is a parody of Gothic novels. The first part of this chapter briefly introduces the origin, development and typical features of Gothic novels; the second part mainly illustrates different viewpo

28、ints on Austens attitude towards Gothic novels.I. Origin and Development of Gothic NovelsThe word “Goth,” coming from the name of an ancient tribe in Europe, and its derivative form “Gothic,” which reminds people of mysticism, terror, and dark, were frequently used to describe medieval things in the

29、 18th century. According to a highly-popular dictionary, the word “Gothic” means a kind of architecture built in the style that was popular in Western Europe from the 12th century to the 16th centuries, and which has pointed arches, windows, and tall thin pillars and a novel written in the style pop

30、ular in the 18th and 19th centuries, which described romantic adventures in mysterious or frightening surroundings. (Hornby 883) 注意引语段格式Now it generally refers to a genre of literature, which is “full of depicts of murders and supernatural things to thrill readers” (Han 36), combines both horror and

31、 romance and “deals with the strange, mysterious, and supernatural designed to invoke suspense and terror in readers” (Zhao 283). From the above quotes, it is known that some basic elements in Gothic novels include: setting in a castle, which often contains secret passages and staircases, dark or hidden rooms; an atmosphere of mystery and suspense that arouses fear and terror; supernatural events, such as ghosts or unknown giants coming to human life; high and overwrought emotio