FromMichaelto The ExcursionWordsworths Rewriting of PastoralWord格式文档下载.docx
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Wordsworthsubstitutesbucolicsongswithstory-tellingasameansforestablishingcommunity,throughwhichheattemptstocorrecthissolipsistpenchantandcombinethesolitaryandthesocialmaninhimself.
Keywords:
Wordsworthpastoral“Michael”?
Author:
YUYu-sanholdsanM.A.fromUniversityofCaliforniaatBerkeleyandaPh.D.inEnglishLiteraturefromtheUniversityofManchester,England.SheiscurrentlyanassociateprofessorintheForeignLanguagesandLiteratureDepartmentatSunYat-senUniversity,Taiwan.ShespecializesinEnglishRomanticpoetry,withafocusonWilliamWordsworth.HerpublicationsincludevariousstudiesonWilliamWordsworthand?
XiPanTianWen?
aChinesetranslationofPilgrimat?
TinkerCreek?
byAnnieDillard.E-mail:
ysyu@mail.nsysu.edu.tw
标题:
从“迈可”到《远足》――论华兹华斯的田园诗
内容提要:
法国大革命之后,华兹华斯理想幻灭,遂弃政治而就诗歌,企图透过写诗改革社会。
本论文采用保罗&
#8226;
阿尔培斯对田园诗以及田园挽歌之成规的定义,从田园诗的角度阅读华氏的“迈可”和《远足》这两首诗。
作者认为华兹华斯在这两首诗中重写传统的田园诗,其目的一方面是要改变世人对“乡下人”的谬误印象,另一方面则是要提出解救后革命时期英国社会的方法。
此外,在《远足》这首诗中华兹华斯用说故事代替传统田园诗中的牧歌,并藉此建立社群,修正其自身的个人主义倾向。
关键词:
华兹华斯田园诗“迈可”《远足》
作者简介:
余幼珊,美国加州大学伯克利分校英美文学硕士、英国曼彻斯特大学英国文学博士,目前为台湾中山大学外文系副教授,主要研究领域为威廉&
华兹华斯以及英国浪漫时期诗歌,著作包含多篇有关华兹华斯的研究论文以及译著《溪畔天问》。
AnyreaderofWordsworth’spoem“Michael”wouldnoticethatthesubtitleofthepoemis“APastoralPoem.”Yetthepoemseemsnowherenearthisancientgenreexceptthattheheroofthepoemis,likethetraditionalfiguresinpastoral,ashepherd.Soinwhatsenseisthepoem“apastoral”?
TheanswertothisquestionwillleadustoasignificantunderstandingofWordsworth’s?
idea?
of,aswellashisrelationshipwith,thegenreofpastoral.InthispaperIintendtoexplorethisquestionbyexamining,first,“Michael,”andthen?
andIarguethatinthesepoemsWordsworthisrewritingtraditionalpastoralforcontemporaryEnglishsociety.
Examiningthepastoralfromtheperspectiveofhistoricalcontinuityinliterature,PaulAlpersisoftheopinionthat,inadditiontothemanyfeaturesofpastoral,historicaldevelopmentandthechangesincurredareofgreatsignificance(“WhatIsPastoral”441).Hethereforeclaimsthatinordertodefinethegenrewemustfirstfindthe“representativeanecdote”?
①ofthepastoral(“WhatIsPastoral”441).Heretheword“representative”hasdoublemeaning:
“[It]meansboththattheinforminganecdoteisameansofrepresenting,thatis,depictingacertainphenomenonandalsothattheanecdotestandsastherepresentative,thesummaryorcharacteristicexampleofthephenomenon”(“WhatIsPastoral”449).
Alpersfurtherarguesthatthe“representativeanecdote”ofpastoralis“thelivesofshepherds”(“WhatIsPastoral”449).Drawingonacomparisonbetweentheopeningpassagein?
Theocritus’s?
firstidyllwhichisa“representativeanecdote,”andthatinVirgil’sfirsteclogue,hepointsoutthatbothpassagesshowadiscussionbetweentwoherdsmenonthethemeofpastoralsong,butVirgil’sverseisareinterpretationofthatofhispredecessor(“WhatIsPastoral”450).SincetheconditionsunderwhichTheocrituswrotehisidyllhadbeenchanged,Virgil’sreinterpretationseekstorevealthenewandcontemporarypoliticalandsocialenvironmentswithinwhichtheopeningpassageofTheocritus’s?
Idyll1?
“canberepresentativeofhumansingingandawayoflife”(“WhatIsPastoral”451).Thisreinterpretationleadstoamodificationofpastoral.
Theideaofrepresentativeanecdotesuggeststhatpastoralpoemsarerepresentationsofshepherdswhoareseentostandformaningeneral,andindifferentagesthecharactersinthepastoralcanincludeotherkindsofruralfiguresorthoseofinferiorsocialstatusaslongastheyareregardedas“theequivalentofshepherdsinagivensocietyorworld,orthattheymoretrulyhavetherepresentativestatusthattraditionalpastoralascribestoitsherdsmen”(“WhatIsPastoral”456).Inconclusion,Alpersmaintainsthatatdifferenttimesinliteraryhistory,pastoral,withallofitsconventions,hasalwaysbeenadoptedcriticallytoexpressandrepresenttherealityofandtruth?
about?
“love,socialrelations,andexperience”(“WhatIsPastoral”460).
Alpers’stheoryprovidesanapproachtoareadingof“Michael”aspastoral.Aswepointedoutearlier,Wordsworthhasdevelopedastrongloveforshepherdssincechildhood.InBookVIIIofThePrelude,heclearlytellsusthatamongalltherusticpeople,“shepherdswerethemenwhopleasedmefirst,”andtheyleftavividimageinhismind.However,inthesamebookofthis?
autobiographical?
poem,wefindWordsworthrepeatedlymakinganefforttoclarifytheideathattheshepherdthatherepresentsisnothinglikethoseillustratedintraditionalpastorals:
Notsuchas,inArcadianfastnesses
Sequestered,handeddownamongthemselves,
Soancientpoetssing,theGoldenage;
Norsuch―asecondrace,alliedtothese―
AsShakespeareinthewoodofArdenplaced,
WherePhoebesighedforthefalseGanymede,
OrtherewhereFlorizelandPerdita
Togetherdanced,QueenofthefeastandKing;
NorsuchasSpenserfabled.(?
Prelude?
VIII:
184-91)?
②
WordsworthfurtheraddsthathehasheardoftheoldcustomsofMayDayfestivitiesandalltheotherjoyfulactivitiesassociatedwithruralpeople.Also,intheancienttimesandinotherlands,theshepherdsdidleadaneasylife.Thiswayoflife,however,isnottobefoundincontemporaryBritain,andneitherdotheoldcustomsexistanymore.
Readinthecontextofthepastoraltradition,whatWordsworthdoesinBookVIIIof?
The?
isofferingacritiqueontraditionalpastoral,thatis,thelifeoftheshepherdasdepictedinsuchkindofpastoralscannolongerbeconsidered“representativeanecdotes”inlate18th-andearly19th-centuryBritain.WhatisalsoworthnoticingisthatthepassageontheMayDayritesalludestoanepisodeinSpenser’sMayEclogueof?
TheShepherdesCalender?
inwhichtwoshepherdscontendabouttherelationshipbetweentheshepherdandhisflock,acontentionthatcarriessymbolicmeanings.AlpersarguesthatWordsworth’spassageonMayDayfestivitiesisa“rewriting”ofSpenser’slinesintheMayEclogue,whichsuggeststhatheiswellawareofthepastoralcontentionrepresentedbyhispredecessors(“WhatIsPastoral”445).Theeditorsof?
however,pointoutthatWordsworthinthispassageiscommentingonSpenser’s“idealizationofpastorallife”(?
276).
IthinkbothAlpersandtheeditorsarecorrect,forthepassagemaycontainbothmeanings.InthelinesthatfollowtheMayDaypassage,Wordsworthgivesanaccountofashepherdboywhogetscaughtinastormwhilstlookingforastraysheep.A.J.Sambrookhaspointedoutthatmosteighteenth-centurypoetswhowroteonrurallifesharedsimilarknowledgeoftheworksofTheocritus,VirgilandHorace,andreadersalsofolloweda“norm”whenreadingsucheighteenth-centurypoetry.Hencetheyweresensitiveenoughtoanysuggestionofchallengetothegenre(Sambrook21).PlacedafterthediscussionontraditionalpastoralsandthedisappearanceofMayDayrituals,thestoryofthestraysheepsuggeststhatWordsworthisprovidinga“modern”versionofthepastoral.Whatisinterestingisthatthistale,firsttoldbyAnnTysontoWordsworthasachild,wasoriginallywrittenfor“Michael.”Thisindicatesthat“Michael”servesthesamefunctionofmodifyingthepastoraltosuitcontemporaryneeds.Itisinthissensethatthepoemcanbereadaspastoral.ThelifeofMichaelreflectswhatWordsworthbelievestobeatrueversionofa?
shepherd’s?
lifeattheturnofthecentury.
RichardFeingoldhasarguedthattheshepherdWordsworthdelineatesin?
ThePrelude?
“doesnotinhabitthebucoliclandscapewherenatureandartareblendedinman’svirtuousandmundanework,”andthereforeis“notanembodimentofthem”(Feingold200).Thismaybetrueoftheshepherdfigurein?
butinMichaelwewouldfindtheoldshepherdjustsuchanembodimentwhocombinesruralvirtuesandhardlabour.Itisworthpointingoutthatattheverybeginningof“Michael,”echoingthethemeofBookVIIIin?
Wordsworthtellsushowloveofnatureleadshimtoloveofman:
Itwasthefirst
Ofthosedomestictalesthatspaketome
OfShepherds,dwellersinthevalleys,men
WhomIalreadyloved;
―notverily
Fortheirownsakes,butforthefieldsandhills
Wherewastheiroccupationandabode.
AndhencethisTale,whileIwasyetaBoy
Carelessofbooks,yethavingfeltthepower
OfNature,bythegentleagency
Ofnaturalobjects,ledmeontofeel
Forpassionsthatwerenotmyown,andthink
(Atrandomandimperfectlyindeed)
Onman,theheartofman,andhumanlife.
Therefore,althoughitbeahistory
Homelyandrude,Iwillrelatethesame
Forthedelightofafewnaturalhearts;
And,withyetfonde