浅析中国传统相声的翻译困境与发展Word格式文档下载.docx

上传人:b****6 文档编号:17904150 上传时间:2022-12-12 格式:DOCX 页数:17 大小:43.56KB
下载 相关 举报
浅析中国传统相声的翻译困境与发展Word格式文档下载.docx_第1页
第1页 / 共17页
浅析中国传统相声的翻译困境与发展Word格式文档下载.docx_第2页
第2页 / 共17页
浅析中国传统相声的翻译困境与发展Word格式文档下载.docx_第3页
第3页 / 共17页
浅析中国传统相声的翻译困境与发展Word格式文档下载.docx_第4页
第4页 / 共17页
浅析中国传统相声的翻译困境与发展Word格式文档下载.docx_第5页
第5页 / 共17页
点击查看更多>>
下载资源
资源描述

浅析中国传统相声的翻译困境与发展Word格式文档下载.docx

《浅析中国传统相声的翻译困境与发展Word格式文档下载.docx》由会员分享,可在线阅读,更多相关《浅析中国传统相声的翻译困境与发展Word格式文档下载.docx(17页珍藏版)》请在冰豆网上搜索。

浅析中国传统相声的翻译困境与发展Word格式文档下载.docx

Supervisor

.....

AnEssaySubmittedasaPartialRequirementfor

theDegreeofB.AinEnglish

SchoolofForeignLanguages

YibinUniversity

May,2015

摘要:

中国几乎没有人不知道相声,不喜欢相声。

相声是语言的艺术,它的表演要求语言精炼流畅,活泼犀利又幽默含蓄。

相声是一种让人发笑的艺术,但并不是引发人们肤浅无奈的笑,它是一种深沉的幽默,使人听来有捧腹之乐,且回味无穷(王文章,1)。

近年来,相声舞台上逐渐出现了一些红头发蓝眼睛的穿着中国传统大褂的外国人,他们给处于瓶颈的相声注入了新的活力,这些外国人并不是借用他们的异域风情随便糊弄观众,而是用他们的实力表演中国相声,让我们意识到外国人是真的喜欢相声,激励了我国艺术家们将相声传播海外的斗志。

可是,翻译却成了拦路虎。

本文第一章为导言,第二章将更近一步了解相声,第三章列举相声翻译中最常见的几个翻译困境,第四章将为总结部分,就目前相声的局势,分析其发展趋势,提出四点相声发展前路。

关键词:

相声;

翻译困境;

相声发展

Abstract

Xiangshengisoneofthemostpopularandinfluentialtypesoftraditionalarts.ItcanbesaidthatnobodyinChinadoesnotknowandlikeit.Xiangshengistheartoflanguagerichincontentandsuccinctinstyle,whichrequiresitsperformancerefinedandfluent,livelyandalsoastringent,humorousbutimplicitatthesametime.Xiangshengisakindofarttomakepeoplelaugh,butitisnotthekindofartcausingpeople’sshallowsuperficiallaughter,itisadeepsenseofhumormakingpeopleburstoutlaughingfirstandleavingendlessaftertastes(Wang1).

Inrecentyears,moreandmoreforeignerswithredhairsandblueeyeswearingtraditionalChinesegownbecomelivelyintheXiangshengstage.InsteadoffoolingaudiencesbytheirexoticbutspeakingstandardMandarintoperformanceChineseXiangsheng,whichinspiredourartiststospreadChineseXiangshengoutofChina.However,translationhasbecomeastumblingblockinthedevelopmentofXiangsheng.

ChapteroneintroducesXiangsheng.ChaptertwowillexplainXiangshengindetailandrepresentsthesituationoftoday’sXiangsheng;

ChapterthreespecifiestheuntranslatabilityofXiangsheng;

ChapterfouristheconclusionanddiscussesthecurrentsituationofXiangshengandoffersfour-pointpersonalviewsofitsdevelopment.

Keywords:

xiangsheng;

translationdifficulties;

developmentofxiangsheng

Acknowledgements

Firstofall,Iwouldliketothankmysupervisor,Professor.........Withoutherhelp,itwouldbemuchharderformetofinishmystudyandthispaper.Duringmywritingtime,shegivesmevaluablesuggestionsandcriticalcomments.Herrigorousandcareful,meticulousstylehasalwaysbeenmyexampleworkandstudy,andherpatienceandeclecticideasgivesmeendlessinspiration.

Secondly,Iwouldliketothankalluniversityteachers.Theirprofoundknowledgeanddiverseexperiencereallywillhelpmealotinmyfuturelife.

Iamalsoverygratefultomyfamily,classmatesandfriends.Theygivemealotofsupportandencouragementduringmywritingthisthesis.

Contents

中文摘要……………………………………………………………...………

Abstract………………………………………………………………………….

Acknowledgements……………………..……………………………………

.Introduction……………………………………………………...……………1

.ALiteratureReviewofXiangsheng…………..……………………………3

A.DefinitionofXiangsheng……….………………………….…………..3

B.‘Xià

ngsheng’inEnglish…………...………...........…………………3

C.ComparisonofXiangsheng,TalkShowandStand-upComedy……..4

D.HistoryofXiangsheng………………………...……….………….........5

1.TheFormationofXiangsheng…………….………..………............5

2.TheEvolutionandDevelopmentofXiangsheng…………...………6

E.Today’sXiangsheng………………….…………………….…………7

1.ForeignXiangshengatHome……………………………….….…...8

2.ChineseXiangshengAbroad...............................................................8

.TranslationDifficultiesofXiangsheng………………………………..10

A.LinguisticUntranslatability……….………….…….……….…….......11

1.HomophonicPun………………………………………………….11

2.DeconstructionofChineseCharacters………………….………14

3.Riddle……………………………………………………………..15

4.TongueTwisters………………………………………………......17

5.Drama………………………………………….………………….17

6.Dialects…………………………………………………………...18

B.CulturalUntranslatability…………………………………………....19

C.TranslationofXiangsheng……………………………….………20

IV.Conclusion…………………….………………………………………..…21

WorksCited…………………………………...………………………………..23

.Introduction

Xiangshengisoneofthemostpopularandinfluentialtypesofarts.However,theaudienceofXiangshengisshrinkingtoday.ManyyoungpeopleinthetwentiethCenturyaresystematicallyunderstandingandfallinginlovewiththisartonlyafterhearingGuoDegang'

crosstalk.However,owingtotheclassicalcrosstalkhasnotbeenwellperformed,andoutstandingnewworksarereallyfewwhilethedemandofthecrosstalkisgreat,therecomesoutasteamofshoddyworkswhichmakescomicfansdisappointed.

Inrecentyears,moreandmoreforeignersbecomelivelyintheXiangshengstage,andChineselikeJoeWrong’scomedysucceedinothercountries,whichinspiresourartiststospreadChineseXiangshengoutofChina.

However,translationhasbecomeastumblingblockinthedevelopmentofXiangsheng.Workslike“BorrowArrowswithThatchedBoats”"

OneWifeandOneConcubine"

and"

PearlJadeWhiteJadeSoup"

mayobtainthesamelaughterandgetthesameeffectaftertranslating,butscriptslike"

DramaandDialects"

“TongueTwisters"

and“BachelorXie”withmanyuniqueChineseculturemakesitdifficulttotranslate.Xiangshengistheartoflanguage,theartofhumor,ifnotavividtranslationoftheoriginalwork,itisdifficulttobeacceptedbythepublic.ThisessaywillspecifytheuntranslatabilityofXiangsheng.

Infact,thetranslationofXiangshengnotonlyreferstotheEnglish-Chinesetranslation,ortheSpanish-Chinesetranslation,bringingforththenewthroughtheoldworksisalsoakindoftranslation.TheexcellenttraditionalChinesecomicdialogueisatreasureofourcountry,sowecouldnotlosetheessenceinordertopursueinnovation.Thispaperputsforwardfour-pointviewsonthedevelopmentofXiangshengaccordingtoitscurrentsituation:

Firstly,wemustpayattentiontoinheritthetraditionalexcellentXiangsheng,adherereplaytheoutstandingtraditionalscriptsjustlikewedotoateleplay.Secondly:

Collecting,sortingoutanddrawinguptheimmaturecrosstalk,takingtheessenceanddiscardingthedregs.Thirdly:

activelycreatingnewworkstokeeppacewiththetimes,reflectingtherealityoftheproblem.Lastbutnotleast:

increasingtheintensityofthetranslation,andactivelyexploringthewayoutofthecountry;

what’smore,expandingboththesubjectsandeyes,integratingwiththeworld.

.LiteratureReviewofXiangsheng

A.DefinitionofXiangsehng

Xiangsheng(traditionalChinese:

相聲;

simplifiedChinese:

相声;

pinyin:

xià

ngsheng;

literally:

"

faceandvoice"

),isatraditionalChinesecomedicperformance(Rowswell5).

XiangshengisoneofthemostpopularandinfluentialtypesofQuyi.ItcanbesaidthatnobodyinChinadoesnotknowandlikeit.Xiangshengishumorousandhighlysatiricalbynature.Itisreveredasaformoflanguageart.Morethansimplytellingjokes,Xiangshengreliesheavilyonwordplay,tonguetwisters,doubleextendersandrapidfirebanter.Generallyspeaking,Xiangshengismadeupoffourskills—speaking(simplifiedChinese:

说),imitating(学),teasing(逗),andsinging(唱)(5).

TherearethreeformsofXiangsheng:

TheearliestonecalledDankouXiangshengwasperformedbyoneperson.Itscontentsweremostlyjokesandhumorousstories,forexample,"

BachelorXie”,"

BorrowArrowswithThatchedBoats”andsoon.Later,DuikouXiangshengperformedbytwopersonsappeared.OnemanwascalledPenggen(捧哏),andtheother,Duogen(逗哏).Mostofthetime,DuogenistheprimarytalkerwhilethePenggensidechimesin,forexample,"

TheDishes”"

ToothExtraction”.ThethirdformofXiangshengperformedbymorethantwopersonsiscalledQunkouXiangsheng.Itcallsforonetosayfunnythings,whileotherschimein.Ofthethreeforms,DuikouXiagshengwasthemostpopularandwidespreadone,forexample,ExpertGuidanceandAllMenAreBrothersin2011CCTVSpringFestivalGala(6).

B.“Xià

ngsheng”inEnglish

“Xià

ngsheng”,manydictionariestranslateitascrosstalk,butwhenwelookfor“crosstalk”inthosedictionaries,wecaneasilyfindthatcrosstalkisfarfromChinese“xià

ngsheng”.

Firstly,XiangshengisatraditionalChineseartcombiningfourbasictechniques:

speaking,imitating,teasing,andsinging.Itisintheformofadialoguebetweentwoperformersorgroupperformers,andalsocangoonasasolomonologue.

Andwhatiscrosstalk?

In“OxfordAdvancedLearner'

sEnglish-ChineseDictionary”and“AHD-AmericanHeritageDictionary”,wecanfindthatcrosstalkis:

n.1.ElectronicsUndesiredsignalsorsounds,inatelephoneorothercommunicationsdeviceasaresultofcouplingbetweentransmissioncircuits.2.Ancillary,incidentalconversation.

HowcouldwestandourgreatXiangshengbeanunwantedcrosstalk?

OtherstranslateXiangshengascomicdialogue,forexample,theNewAgeChinese-EnglishDictionary.Thenwhatiscomicdialogue?

Comic:

n.aprofessionalperformerwhotellsjokesandperformscomicalacts;

whileadialoguemostlyreferstotheconversationbetweentwopersons.Aswecansee,thoughcomicdialogueisalreadysimilartothemeaningofXiangsheng,itignoresthesolomonologue.What’smore,itismorelikeatalk-show.XiangshengisakindofuniqueChineseart,thereisnoequivalentartinothercountriesatall,sowhycannotwejustdirectlytranslateitasXiangsheng?

(Liu21)

C.ComparisonofXiangsheng,TalkShowandStand-upComedy

Atalkshoworchatshow(asisknowninUK)isakindoftelevisionprogrammingorradioprogramminggenreinwhichoneperson(orgroupofpeople)discussesvarioustopicsputforthbyatalkshowhost

(1).Usually,theguestsconsi

展开阅读全文
相关资源
猜你喜欢
相关搜索

当前位置:首页 > 高等教育 > 农学

copyright@ 2008-2022 冰豆网网站版权所有

经营许可证编号:鄂ICP备2022015515号-1