美国文学-名词解释.doc
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美国文学
1.殖民地时期及独立革命战争时期的美国文学
PhilipFreneau(菲利普﹒弗瑞诺)
(1)Hewasconsideredasthe“PoetoftheAmericanrevolution”asthemostoutstandingpoetinAmericaofthe18thcentury.
(2)Hewasasatirist,abitterpolemicist.(3)HewrotemanypoemsencouragingrevolutionandencouragingtheglorythatwouldbewonbyovercomingtheBritish.
TheWildHoneySuckle《野金银花》
TheIndianBuryingGround《印第安人的殡葬地》
TheBritishShip《英国囚船》
TheRisingGloryofAmerica《美洲光辉的兴起》
(1)TheWildHoneySuckleisFreneau’sbestlyric
(2)Itanticipatedthe19th—centuryuseofsimplenatureimagery.
TheIndianBuryingGroundanticipatedromanticprimitivismandthecelebrationofthe“NobleSavage”.
ThomasJefferson(托马斯﹒杰弗逊)
TheDeclarationofIndependence《独立宣言》
(1)TheDeclarationofIndependencewasadoptedJuly4,1776.
(2)Itnotonlyannouncedthebirthofanewnation,butalsoexpoundedaphilosophyofhumanfreedom.(3)Itlists13crueltiescommittedbytheKingofBritain.(4)Thefamouslinesare:
“Weholdthesetruthstobeself-evident,thattheyareendowedbytheirCreatorwithcertainunalienablerights,thatamongtheseareLife,LibertyandthepursuitofHappiness.”(5)ThomasJefferson’sthoughtwasinspiredbythethoughtsofJohnLocke.
2.浪漫主义时期的美国文学
Calvinism(加尔文主义)
(1)CalvinismreferstothereligiousteachingsofJohnCalvinandhisfollowers.
(2)Calvintaughtthatonlycertainpersons,theelect,werechosenbyGodtobesaved,andthesecouldbesavedonlybyGod’sgrace.(3)CalvinismformsthebasisforthedoctrinesandpracticesoftheHuguenots,Puritans,Presbyterians,andtheReformedchurches.
AmericanRomanticism(美国浪漫主义)
(1)AmericanRomanticismisoneofthemostimportantperiodsinthehistoryofAmericanliterature.
(2)Itwasarebellionagainsttheobjectivityofrationalism.Forromantics,thefeelings,intuitionsandemotionsweremoreimportantthanreasonandcommonsense.Theyemphasizedindividualism,placingtheindividualagainstthegroup.Theyaffirmedtheinnerlifeoftheself,andcherishedstronginterestinthepast,thewild,theremote,themysteriousandthestrange.Theystressedtheelement“Americanness”intheirworks.(3)ItstartedwiththepublicationofWashingtonIrving’sTheSketchBookandendedwithWaltWhitman’sLeavesofGrass.(4)BeingaperiodofthegreatfloweringofAmericanliterature,itisalsocalled“theAmericanRenaissance.”(5)AmericanRomanticistsincludesuchliteraryfiguresasWashingtonIrving,RalphWaldoEmerson,HenryDavidThoreau,WilliamCullenBryant,HenryWordsworthLongfellow,NathanielHawthorne,EdgarAllanPoe,HermanMelville,WaltWhitmanandsomeothers.
Transcendentalism(超验主义)
(1)TranscendentalismreferstothereligiousandphilosophicaldoctrinesofRalphWaldoEmersonandothersinNewEnglandinthemiddle1800’s,whichemphasizedtheimportanceofindividualinspirationandintuition,theOver—soul,andNature.OtherconceptsthataccompaniedTranscendentalismincludetheideathatnatureisennoblingandtheideathattheindividualisdivineand,therefore,self—reliant.
(2)NewEnglandTranscendentalismistheproductofacombinationofnativeAmericanPuritanismandEuropeanRomanticism.
Freeverse(自由体诗歌)
(1)Freeversemeanstherhymedorunrhymedpoetrycomposedwithoutpayingattentiontoconventionalrulesofmeter.
(2)FreeversewasoriginatedbyagroupofFrenchpoetsofthelate19thcentury.(3)Theirpurposewastofreethemselvesfromtherestrictionsofformalmetricalpatternsandtorecreateinsteadthefreerhythmsofnaturalspeech.(4)WaltWhitman’sLeavesofGrassis,perhaps,themostnotableexample.
Symbol(象征)
(1)Symbolmeansanact,aperson,athing,oraspectaclethatstandsforsomethingelse,usuallysomethinglesspalpablethanthenamedsymbol.
(2)Therelationshipbetweenthesymbolanditsreferentisnotoftenoneofsimpleequivalence.Allegoricalsymbolsusuallyexpressaneaterequivalencewithwhattheystandforthanthesymbolsfoundinmodernrealisticfiction.
Theme(主题)
(1)Thememeanstheunifyingpointorgeneralideaofaliterarywork.
(2)Itprovidesananswertosuchquestionsas“Whatistheworkabout?
”(3)Eachliteraryworkcarriesitsownthemeorthemes.Forexample,KingLearhasmanythemes,amongwhichareblindnessandmadness.
3.现实主义与自然主义时期的美国文学
AmericanNaturalism(美国自然主义)
(1)TheAmericanNaturalistsacceptedthemorenegativeinterpretationofDarwin’sevolutionarytheoryandusedittoaccountforthebehaviorofthosecharactersinliteraryworkswhowereregardedasmoreorlesscomplexcombinationsofinheritedattributes,theirhabitsconditionedbysocialandeconomicforces.
(2)AmericanNaturalismisevolvedfromrealismwhentheauthor’stoneinwritingbecomeslessseriousandlesssympatheticbutmoreironicandmorepessimistic.Itisnomorethanagloomyphilosophicalapproachtoreality,ortohuman