《英美文学选读》模拟试题3答案.docx

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《英美文学选读》模拟试题3答案.docx

《英美文学选读》模拟试题3答案

《英美文学选读》模拟试题(三)

一、单项选择题

1.“Allisnotlost:

theunconquerablewill,andthestudyofrevenge,immortalhate,andcouragenevertosubmitoryield:

andwhatiselsenottobeovercome?

A.Dr.Faustus

B.ParadiseLost

C.ParadiseRegained

D.Tamburlaine

JohnMilton:

ParadiseLostRenaissanceperiod

2.Who,disregardinggrammarandpunctuation,alwaysused“i”insteadof“I”torefertohimselfasaprotestagainstselfimportance?

A.Cummings

B.WallanceStevens

C.F.Scott.Fitzgerald

D.ErnestHemingway

3.WhichofthefollowingbestdescribesthespeakerofT.SEliot’s“thelovesongofJ.AlfredPrufrock”?

A.Heisamanofanaction.

B.Heisamanofapathy.

C.Heisamanofinactivity.

D.Alltheabovearenottrue.

T.SEliot:

ModernperiodthelovesongofJ.AlfredPrufrock

4.WilliamWordsworthassertsthatpoetryoriginatesfrom         .

A.form

B.thoughts

C.artisticdevices

D.emotion

詩當然是感情

5.“MyLastDuchess”isapoemthatbestexemplifiesRobbertBrowning’s         .

A.sensitiveearforthesoundsoftheEnglishlanguage

B.excellentchoiceofwords

C.masteringofthemetricaldevices

D.useofthedramaticmonologue

RobertBrowning:

”MyLastDuchess”TheVictorianPeriod

6.“Manshallfindgrace.”Buthemustlayholdofitbyanactoffreewill.Thefreedomofthewillisthekeystoneof____’screed.

A. JohnMilton

B. JonathanSwift

C. HenryFielding

D. SamuelJohnson

Johnmilton在paradiselost中,貫穿了基督教人文主義的傳統,意欲揭露撒旦的行為,並為上帝對人類的懲罰的辯護,在人類愛情與精神道德義務之間的矛盾中展示了彌爾頓對自由與決擇的關心

人類應找到體面與尊嚴,可同時人類必須要保持意志自由,意志上的自由是Milton作品的主旨

他的詩作是想讓讀者明白圣經中不變的真理,即掌握天機的上帝是公正的,他允許亞當同夏娃受到引誘,並讓他們自主選擇罪惡與不可避免的懲罰。

由此,又為基督自愿獻身開辟了道路,這也顯示出上帝欲將人類從罪惡與苦難中拯救出來的同情心

7.InColeridge’s“TheRimeoftheAncientMariner,”themarinersuffersthehorrorofdeath,because_____.

A. heexperiencesashipwreck

B. heistorturedwithstarvation

C. heundergoesmuchsuffering

D. hekillsanalbatross

古航海家之歌,講述了一位水手的曆險故事,這位水手不顧法律,打死了一只信天翁

8.HenryJame’sfamegenerallyrestsuponhisnovelsandstorieswith_____.

A. internationaltheme

B. nationaltheme

C. Europeantheme

D. regionaltheme

9.InHardy’s“Wessex”novels,thereisanapparent_____touchinhisdescriptionofthesimpleandbeautifulthoughprimitiverurallife.

A. nostalgic

B. humorous

C. romantic

D. sarcastic

10.Generally,theRenaissancereferstotheperiodbetween_____and_____ centuries.

A. 14th-mid--17th

B. 16th-mid--17th

C. 14th-mid--18th

D. 16th-mid--19th

11.OfthefollowingpoemsbyT.S.Eliot,whichishailedasalandmarkandamodelofthe20thcenturyEnglishpoetry?

A. Poems1909----1925

B. TheHollowMen

C. PrufrockandOtherObservations

D. TheWasteLand

12.“Itisnotsoexpressed,Butwhatofthat?

Tweregoodyoudosomuchforcharity.”“Whatofthat”intheabovesentencemeans_____.

A. thisisveryimportant

B. thisisnotimportant

C. thisistrue

D. thisisnottrue

13.WhichofthefollowingpoemsisalandmarkinEnglishPoetry?

A. “LyricalBalladsandSamuelTaylorColeridge”byWilliamWordsworth.

B. “IWanderedLonelyasaCloud”byWilliamWordsworth

C. “Remorse”bySamuelTaylorColeridge.

D. “LeavesofGrass”byWaltWhitman.

14.WhichofthefollowingwritingsispraisedbyHemingwayasabookfromwhich“allmodernAmericanliteraturecomes”?

A. TomSawyer.

B. HuckleberryFinn.

C. TheGildedAge.

D. LifeontheMississippi.

15.Inwhichofthefollowingworks,Hemingwaypresentshisphilosophyaboutlifeanddeaththroughthedepictionofthebull-fightasakindofmicrocosmictragedy?

A. TheGreenHillsofAfrica.

B. TheSnowsofKilimanjaro.

C. TohaveandHaveNot.

D. DeathintheAfternoon.

午后的死亡中,海明威通過描寫斗牛,表明了他和生死觀

16.Theprotagonistofthepoem“LoveSongofJ.AlfredPrufrock”isakindoftragicfigurecaughtinasenseofdeaftedidealismandtorturedbysatisfieddesires.Ofthefollowingdescriptionsofhim,whichisn’tsuitableforhim?

A. Heisneurotic.神經質的

B. Heisself-important.

C. Heisillogical.不合邏輯的

D. Heisamanofanaction.

17.“ShallIcomparetheetoasummer’sday?

/Thouartmorelovelyandmoretemperate:

/RoughwindsdoshakethedarlingbudsofMay,/Andsummer’sleasehathalltooshortadate”,theabovebeautifulsonnetswaswrittenby_____.

A. JohnDonne

B. JohnMilton

C. WilliamShakespeare

D. FrancisBacon

18.Hereisasentencefromanessay,“Readnottocontradictandconfuse,nortobelieveandtakeforgranted,nortofindtalkanddiscourse,buttoweighandconsider”.Theessaymustbe_____.

A. OfStudiesbyFrancisBacon

B. TheAdvancementofLearningbyFrancisBacon

C. NovumOrganumbyFrancisBacon

D. EssaysbyFrancisBacon

19.Whichofthefollowingisconsideredtobeabetter-structurednovel?

A. WomeninLove

B. SonsandLovers

C. TheRainbow

D. LadyChatterley’slover

20.Withsomanypoemssuchas“TheSparrow’sNest,”“ToaSkylark,”“TotheCuckoo”and“ToaButterfly”,WilliamWordsworthisregardedasa“____”.

A. poetofgenius

B. royalpoet

C. worshipperofnature

D. conservativepoet

21.InthefirstpartofGulliver’sTravels,Gullivertoldhisexperiencein_____.

A. Lilliput

B. Brobdingnag

C. Houyhnhnm

D. England

22.“Tobe,ornottobe----thatisthequestion;whethertisnoblerinthemindtosuffer.Theslingsandarrowsofoutrageousfortune,ortotakearmsagainstaseaoftroubles,andbyopposingendthem?

”Whosaidthesewords?

A.KingLear

B.Romeo

C.Antonio

D.Hamlet

23.“tobesodistinguishedisanhonor,which,beingverylittleaccustomedtofavorsfromthegreat,Iknownotwellhowtoreceiveorinwhattermstoacknowledge.”

A.ironic

B.jealous

C.delightful

D.humorous

SamuelJohnson

24.Inthetheatricalworldoftheneoclassicalperiod,          wastheleadingfigureamongthehostofplaywrights.

A.WilliamBlake

B.RichardBrinsleySheridan

C.BenJohnson

D.GeorgeBernardShaw

Neoclassica造謠學校TheSchoolofScandal

25.AmongtheworksbyJohnMilton,whichisindeedtheonlygenerallyacknowledgeepicinEnglishliteraturesinceBeowulf?

A. ParadiseRegained

B. SamsonAgonists

C. Areopagitica

D. ParadiseLost

Milton三部偉大的詩作誕生:

Paradiselost:

是Beowulf之后唯一的一部公認的英國文學中的史詩

SamsonAgonists是古希腊詩劇體在英文中的完美體現

26.WhichwritingisatypicalexampleofShakespeare’spessimisticviewtowardshumanlifeandsocietyinhislateyears?

A. TheTempest暴風雨

B. KingLear

C. Hamlet

D. Othello

暴風雨是他創作后期的代表作,劇中到處都有現實人間不可能發生的事情,狂野的風暴變得有魔法,可以回應不幸的米闌大公普洛斯彼羅的每一個信號,Shakespeare借助了超自然的神話氣氛及夢幻來解決人世間的各種沖突,對shakespeare來說,人的一生不歸於一場夢幻由此看來,暴風雨典型地反映了他晚年對人生,對社會持有的悲觀態度

27.Who,oneofthemostimportantpoetsinhistime,isaleadingspokesmanofthe“imagistmovement”?

A. J.D.Salinger–塞林杰是戰后孤獨的青年的代言人,他的裸麥田里的接手被認為是學生的經典作品

B. EzraPound

C. RichardWright

D. RalphEmerson

28._____laysthefoundationformodernsciencewithhisinsistenceonscientificwayofthinkingandfreshobservationratherthanauthorityasabasisforobtainingknowledge.

A. Francisbacon

B. Thomashardy

C. Charlesdickens

D. WilliamBlake

29.Alexanderpopestronglyadvocated         ,emphasizingthatliteraryworksshouldbejudgedbyclassicalrulesoforder,reason,logic,restrainedemotion,goodtasteanddecorum.

A. idealism

B. neoclassicism

C. romanticism

D. sentimentalism

30.Dickens’sworksarecharacterizedbyaminglingof        andpathos.

A. metaphor

B. passion

C. satire

D. humor

31.“self-conceited”,“cruel”and“tyrannical”aremostlikelythenamesofthecharactersin         .

A. RobertBrowning’sMyLastDuchess

B. ChristopherMarlowe’sDr.Faustus

C. Shakespeare’slove’sLabour’slost

D. Sheridan’stheSchoolforScandal

32.Whoistheauthorofthewriting“MobyDick”?

A. S.T.Coleridge

B. JohnKeats

C. HenryFielding

D. HermanMelville

33.Thesentences“studiesservefordelight,forornament,andforability”,and“somebooksaretobetasted,otherstobeswallowed,andsomefewtobechewedanddigested;...”arequotedfrom          

A. NovumOrganum

B. OfStudiesByBacon

C. TheAdvancementOfLearning

D. Essays

34.Theadvancementoflearningisagreattracton         .

A. history

B. literature

C. policy

D. education

35.MostofthepoemsinWhitman’sleavesofgrasssingofthe“en-mass”andthe        aswell.

A. nature

B. life

C. self

D. selfreliance

詩人的主要目的就是在世界上確定自我,更具體地就是要在整個美國確定自我

36.WhichofthefollowingisnottrueaccordingtoJamesJoyce?

A. Ulysseshasbecomeaprimeexampleofmodernisminliterature.

B. Joyceisregardedasthemostprominentstreamofconsciousnessnovelist

C. JoyceisarealisticwriterinEnglishliteraturehistory.

D. Hisnovel“aportraitoftheartistasayoungman”isanaturalisticaccountofthehero’sbitterexperiencesandhisfinalartisticandspiritualliberation.

37.Thefollowingtitlesareallrelatedtothesubjectthatescapesfromthesocietyandreturnstonatureexcept        .

A. Dreiser’sSisterCarrie

B. Copper’sLeatherStockingTales

C. Thoreau’sWalden

D. DMarkTwain’sTheAdventuresOfHuckleberryFinn

38.“Wildspirit,whichartmovingeverywhere;destroyerandpreserver;hear,Ohear!

Thetwolinesarefoundin        .

A. YoungGoodmanBrownByHawthorne

B. OdeToTheWestWindByShelley

C. LeavesOfGrassByWaltWhitman

D. UlyssesByJoyce

39.“Eventhenhestoodthere,hiddenwhollyinthatkindnesswhichisnight,whiletheuprisingfumesfilledtheroom.Whentheodorreachedhisnostrils,hequithisattitudeandfumbledforthebed.

‘What’stheuse?

’hesaid,weakly,ashestretchedhimselftorest.”

Thepassageistakenfrom         .

A. SonsAndLoversByLawrence

B. JaneEyreByCharlotteBronte

C. SisterCarrieByThoedoreDreiser

D. WutheringHeightsByEmily

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