英语论文电影片名翻译与语境适应论.docx
《英语论文电影片名翻译与语境适应论.docx》由会员分享,可在线阅读,更多相关《英语论文电影片名翻译与语境适应论.docx(13页珍藏版)》请在冰豆网上搜索。
英语论文电影片名翻译与语境适应论
电影片名翻译与语境适应论
摘要:
随着文化交流的扩大,越来越多的国外影片引进中国,受到观众的喜爱,越来越多的中国电影受到外国观众的关注。
电影标题作为电影语言的一部分,是电影第一面对受众的部分,其翻译自然是电影推广宣传的关键一环。
众所周知,电影标题也是社会语言的一部分,当然会涉及到社会文化形式的各个方面,包括政治,经济,历史,宗教等。
如何逾越不同社会文化背景所造成的理解鸿沟,是电影片名翻译首先要解决的问题。
语境适应论作为国内语用学范畴探讨的新理论,对如何逾越不同社会文化背景所造成的理解鸿沟有较强的指导性。
本文首先从商业、文化、艺术的视角指出了片名的重要性,接着分析了电影片名翻译主要影响因素——社会文化背景差异,然后详细分析了解决这一因素的语境适应论,并根据这一理论探讨指导中外电影片名互译的实用策略,同时指出语境适应理论对片名翻译有制约和延伸的作用。
关键词:
电影片名;翻译;文化差异;语境适应论;翻译策略
ABSTRACT:
Withthedevelopmentofcultureexchangeintheworld,moreandmoreEnglishfilmshavebeenintroducedintoourcountry,whichhavegainedpreferenceoftheChinesepeople.Atthesametime,Chinesefilmsarefavoredbyforeignaudience.Filmtitleisanimportantpartoffilmlanguage,andthefirstparttobedirectlyconfrontedwiththeaudiences,whosetranslationplaysacriticalroleinpromotionofthefilmproductionininternationalfilmmarket.Asweallknow,filmtitleisalsoaportionofthesociallanguage,soitsurelyrelatetoaspectsofthesocialculture,suchaspolitics,economics,history,religion,etc..Therefore,howtobridgethecomprehensiongapoftheaudiencesfromdifferentculturalbackgroundiscrucialtofilmtitletranslation.ContextualAdaptationTheory,ahottopicsinpragmaticsnowadays,mainlytalksaboutthekeytobridgethegapofdifferentcontextualbackgrounds,sothispaperwillapplycontextualadaptationtothefilmtitletranslation.Firstly,theimportanceofthefilmtitletranslationisanalyzedfromtheperspectiveofcommerce,cultureandart;thenthepaperdiscussesthemainfactorsoffilmtitletranslation,thatisthedifferenceoftheculturalbackgrounds;inthefollowingchapter,ContextualAdaptationTheoryisintroducedindetails,forthepurposeofexploringtheproperstrategiesoffilmtitletranslation.
Keywords:
filmtitle;translation;culturaldifference;contextualadaptation;translationstrategy
1Introduction
Asweallknown,filmisanaudio-visualart.Thisglamorousactisamagnificentgeminhumanhistory,whichcreatesromanticstoriesandleadshumanintoamarvelouslandwehavenevercomebefore.Lookingbacktothedevelopmenthistoryoffilm,wecannotdenythatfilmreflectsthesocietyrealityandthetimespirit.AstheculturalexchangebetweenChinaandoverseasbecomebooming,filmplaysanimportantroleascultureenvoy.Filmwasentrustedwiththemissiontoletmorepeoplefromdifferentculturalbackgroundstoenjoytheentertainmentandshareadvancedtechnologytogether.Thisisanunavoidabletrendintheworldnow.
Asthemostpopularformofmasscommunication,filmhasaccompaniedhumanforalmostonecentury.Inthelonghistory,filmindustryexperiencessixseriouschanges.Fromtheeraoffilm’sfatherLiasterbrothertakingblackandwhitedocumentaryintopeople’slifetotheeraoftalkie,ever-bigchangeoffilmindustryhasremarkablesignificanceinhumanhistory.Countlessfamousfilmstarsshowtheircharmingglamouronthescreenandmanyexcellentfilmsarepopularwithaudienceinthewholeworld.Enteringinto21century,thefilmindustrycontinuestodeveloprapidly,whichisentrustedwiththemissiontoletmorepeoplewithdifferentculturalbackgroundunderstandforeignculture.Asthedevelopmentofsociety,thetrendoffilmimportingandexportingisunavoidableduetotheglobalism.
SincethepolicyofreformandopeningcarriedoutinChinaattheendof1970s,anincreasingamountofEnglishfilmshaveenteredChinesemarketandtheChinesefilmindustryhasdevelopedinthemeantime.Bothsidesneedtosharethemarketandspreadcultureofeachother.Therefore,itiscurialtobeacceptedbytheaudiencefromotherculturalbackground.Undoubtedly,filmtitletranslationisanimportantsegmentconcerted,whichisfarfrombeingexplored.Filmtitlemusterstheessenceofthefilmwholly,andinsomesense,asuccessfulfilmtitleshouldbetheonethatcanattractpeopletothecinema.Agoodtranslatorshouldtranslatethefilmtitleinthebaseofthecontextualadaptation,whichreflectstheculturesurroundingsofaudiencesuchassocietycurrentsituation,religionandhistory.Thoseobjectivefactorsareindirectcontactwithacceptanceandcomprehensionofaudience.Actually,itishightimethatfilmtitletranslationshouldpaymoreattentiontothecontextualadaptationfield.ThispapermakesatentativestudyofChineseandEnglishfilmtitletranslationwithanattempttoformulatesomepracticaltheoriesandmethodstoexplorefilmtitletranslation.
Thefilmtitlemusterstheessenceofthefilmwholly,andinsomesense,asuccessfulfilmtitleshouldbetheonethatcanattractpeopletothecinemaandthatshouldbecomeagreatbox-officehit.
Theintenserivalryofbigfilmcompaniesimpelsallfilminvestorstopaycarefulattentiontotheinternationalmarket.However,filmtitletranslationisaprocesstomasterthepsychologyandacceptanceofforeignaudiences.Namely,thisprocessisacruelsegmenttoenterinternationalmarket.Theaimoftranslatingfilmtitleistoinherit,thatistosay,thetranslatorshouldapplyaudience-orientedtranslationskillsonthebaseofreferringtofilmcontentinordertoenterintothemarketsuccessfully.Theaimoffilmtitletranslationlaythepositionofdisseminatingfilm.Translationisnotjusttheprocessoflanguagetransferring,butthesocietyphenomenonofcultureexchange.[1]Thegreatmissionoffilmtitletranslationistoincarnatetheculturevalueanddeveloptheunderstandingbetweendifferentcountries.
Beingaspecialandsignificantpartoftranslation,filmtitletranslationhasbeenpilotedfrommanyaspects,suchastheangleofreceptionaesthetics,theperspectiveofskopostheorieandculturalperspective.Agreatportionofscholarskeeptheireyesonreceptionaestheticswhichhasoftenbeentakenasthetheoreticalbackgroundtoanalyzefilmtitletranslation.Basedonthosetheories,typicalmodelsareestablishedaimingatprovidingthetheoreticalframeworktoguidefilmtitletranslation.Thosefruitfulresearchcontributealottothework.However,tillnownotasingletheoryortheoreticalframehasbeensetuptoguidethefilmtitletranslation,whichisfarfrombeingexploredinthepastyears.
Contextualadaptation,anewlydevelopedfieldinChina,isadoptedasthetheoreticalbackgroundofthispaperandanaudience-orientedEnglishandChinesefilmtitletranslationapproachishighlyadvocated.ThereceptionprocessisakindofContextualadaptation,andthecontextualadaptationsignificanceofaliteraryworkcannotbefullyrealizedwithoutthereader’sreception.Contextualadaptationprovidesuswithanewperspectiveoftherelationshipbetweenfilmandaudience.Exploringthesources,typesandstylesoffilmtitle,thispaperclaimsthattranslatingfilmtitleisonthebaseoffour-foundationrule:
informationvalueprinciple,culturevalueprinciple,aestheticappreciationprincipleandbusinessvalueprinciple.Accordingly,thispaperputforwardthreebasictranslatingmethodswiththeguidanceofcontextualadaptation,whichareliteraltranslation,transliterateandadaptation.Thenthepaperwillraisethosetranslatingapproacheswithrichexamplestoelaboratetheimportanceandthewayofapplyingcontextualadaptation.
Contextualadaptationservesasthetheoreticalbaseofthispaperduetoitsapparentapplicabilityofthisnewlydevelopedfield,whichistestifiedasguidingprinciples.Convincingexamplesandpropermethodshavebeengiven.ChapterOnegivestheimportanceintroductionoffilmtitletranslation,fromtheangleofsocialdevelopmentandtheangleoftheaimoftitletranslation.ChapterTwosatesthedefinition,contentandimportanceofcontextualadaptation.ChapterThreestudiestheapplicationofthecontextualadaptationinfilmtitletranslation,whichincludesfour-foundationruleandthreebasictranslatingmethodswithtypicalexamplesoffilmtitletranslation.
2MainFactorsInTheTranslationOfFilmTitle
Thetranslatorshouldbearinmindthattherearesomemainfactorsinthetranslationoffilmtitle.AestheticPrinciple,Ideology,ThemeandStyleoffilmarethemainpointsthatneedcarefulconsiderationintheprocessoffilmtitletranslation.Then,inthischapter,thekeyfactorsoffilmtitletranslationwillbeanalyzedaccordingtorichexamples.
2.1AestheticPrincipleAndTheTranslationOfFilmTitle
Chineseaestheticsemphasizesthebalanceverymuch,particularlyinusingtheorganizationalstructureofthelanguagelikeaparallelsymmetry.Therefore,Four-characterphraseologyiscommonlyusedinChinesefilmtitlesandthetranslatedtitlesofforeign,suchtranslatedtitlesas卢浮魅影,生死时速,完美风暴,一往无前,永不妥协,天使之城,择日而亡,霹雳娇娃,狼犬丹尼,冰河世纪,etc.
Westerners'aestheticconceptsisputtingmoreemphasisonanalysisandpayingmoreattentiontolocalandindividualandadvocatingconcisenesswhichisreflectonthefilmtitlesdirectly.Substantialfactorsaffectingthedevelopmentofthefilmplot(suchaspeople,objects,things,location,etc.)orasingletermareusedasafilmtitleuniversally,likethenet,Saw,thepiano,Congo,ghost,thecar,coldmountain,KingKong,etc.SonowmanyChinesefilms,accordingtotheappreciatingcustomandpsychology,adoptthetranslatedtitlesasbriefaswesternfilms’,suchas决战紫禁之颠intotheDual;Jetlee’slatestfilm霍元甲withthenameFearless;ChenKaige’sblockbuster无极withitstranslatedtitlethePromise;看上去很美withtheLittleRedFlower,etc.
2.2IdeologyAndTheTranslationOfFilmTitle
TheconceptofideologyhasbeenbroadeninganditsintroductiontoTranslationStudieshasenabledresearcherstoprobeintosometranslationalphenomena,whichmighthavebeenneglectedothe