学年论文模板.docx

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学年论文模板

封首模板:

 

英语专业学年论文

 

题目:

TheBriefAnalysisofExistentialismin

LongDay´sJourneyintoNight

院(系):

外语学院

班级:

09--1

姓名:

丰宇

学号:

2009025602

指导教师:

徐慧

教师职称:

讲师

 

摘要模板1

从系统功能语法的角度分析《玩偶之家》

摘要(黑体,小二号字,居中)

(空一行)

以韩礼德为代表的功能语法是当前最有生命力,最有朝气的理论。

从二十世纪七十年代兴起至今,已越来越为广大语言学家所重视。

本文根据选择能表达和深化作品主题意义和美学效果的语言结构为原则,尝试运用韩礼德等人的功能语法的理论和方法,即从概念功能,人际功能,语篇功能三个方面分析挪威著名的戏剧学家易卜生的名著《玩偶之家》,以阐明作家在《玩偶之家》中如何通过语言的选择,达到深化作品的主题意义和传达美学效果的目的,让广大读者从功能语法这一新的角度更好地理解作品,领会易卜生及其作品的魅力。

本篇论文从及物性、语气系统、主位系统三个方面分析了《玩偶之家》的对话。

本文通过及物性对娜拉和海尔姆茂的语言结构进行分析,展示他俩之间的矛盾关系以及娜拉如何认识海尔姆茂的本质,并最终独立。

本文运用语气系统理论分析了剧中人物性格。

最后本文分析了人物语言的主位模式,展示说话者如何组织语言更好地传达意义。

(空一行)

关键词:

主题;概念功能;人际功能;语篇功能

摘要模板2

AnalysisofADoll’sHouse

fromtheSystemic-functionalGrammar

Abstract(小二号,居中,加黑)

(空一行)

Systemic-functionalgrammar,asthemostvitalandvigoroustheorynowadays,appearedin1970’s,andnowitisgettingmoreandmorelinguists’attention.

Basedontheprincipleofchoosingthelanguagestructurewhichisabletoconveyandstrengthenthemesandaestheticeffectsofworks,thisthesis,fromtheperspectivesoftheideational,theinterpersonalandthetextualfunctions,makesastudyonthedramaADoll’sHousewrittenbyNorwegiandramatistHenrikIbsen,illustratinghowheconveysandstrengthensthemesandaestheticeffectsthroughhischoiceoflanguagestructureinthedramaandenablingthereaderfromthenewperspectivetobetterunderstandthisplayandtoappreciatetheattractionofIbsen’sworks.

ADoll’sHouseiswritteninarealisticstyleandittellsthedisruptionofamiddle-classmarriageandshowsNora’sjourneyfromanoppresseddollwifetohereventualindependence.

ThisthesisanalysesthedialoguesofADoll’sHousefromtheperspectivesoftransitivity,MoodsystemandThemesystem.ByapplyingtransitivitytotheanalysisoftheconversationsbetweenNoraandTorvald,thisthesisdepictstheconflictingrelationshipbetweenthemandhowNorarecognizesthenatureofherhusbandandeventuallybecomesindependent.AndthenthroughtheanalysisofMoodsystem,thispartillustratesthepersonalitiesofthecharacters.Atlast,thisthesisanalyzesthethematicpatternsofcertaincharacters’languagetoillustratehowthespeakersexpresstheirmeaningssufficiently.

(空一行)

Keywords:

themesideationalfunctioninterpersonalfunctiontextualfunction

目录模板

Contents(小二号,居中,加黑)

(空一行)

摘要…………………………………………………………………………………..I

Abstract………………………………………………………………………………II

(空一行)

CHAPTERIAnIntroduction……………………………………………………....1

1.1Abriefintroductiontosystemic-functionalgrammaranditsapplication………1

1.1.1Abriefintroductiontosystemic-functionalgrammar……………………..1

1.1.2TherelationshipbetweenSFGandthesituationalcontext………………...2

1.1.3TheapplicationofSFG……………………………………………………3

1.2AnintroductionofADoll’sHouse……………………………………………..4

CHAPTERIITheIdeationalFunction……………………………………………...5

2.1Anintroduction…………………………………………………………………5

2.2Thetransitivityanalysis…………………………………………………………6

….

CHAPTERIIIConclusion…………………………………………………………15

Acknowledgements…………………………………………………………………..16

WorksCited…………………………………………………………………………..17

 

正文模板

CHAPTERIAnIntroduction(小三号字,居中)

1.1Abriefintroductiontosystemic-functionalgrammaranditsapplication

1.1.1Abriefintroductiontosystemic-functionalgrammar

SinceM.A.K.Hallidayputforwardthesystemic-functionalgrammar(SFG),SFGhasdrawnmoreandmorelinguists’attentionandbecomesanimportanttheoryinthecurrentdisciplineoflinguistics.

1.1.2.TherelationshipbetweenSFGandthesituationalcontext

Languageisameaningpotentialandtheuseoflanguageistomakechoicesfromthispotential.Thechoiceismadeaccordingtothesituationsinwhichlanguageisused.

1.1.3.TheapplicationofSFG

Thesystemic-functionalgrammardiscussestherelationshipamongstyle,themesandaestheticeffects.Inotherwords,itdiscusseshowtheauthorusesthelanguagestructuretoconveythethemesandaestheticeffects.

….

1.2AnintroductiontoADoll’sHouse

Attheturnofthecentury,theNorwegiandramatistHenrikIbsen(1828-1906),whoiscalledthefatherofmoderndrama,issynonymouswithmodernityintheEuropeantheaterandmuchoftheterritoryofmoderndramaisfirstexploredinIbsen’sworks.

CHAPTERIITheIdeationalFunction(小三号字,居中)

2.1Anintroduction

Inthefirstchapter,wehavetalkedabouttheideationalfunction.Theideationalfunctionisassociatedwithtalkingabouttheworldasweconceiveofitorhypothesizeaboutit,oraswemightimagineitcouldbe.Oneofitsmajorgrammaticalsystemsistransitivity.

2.2Thetypesofprocessintransitivity

AccordingtoHalliday,transitivityiscomposedofsixdifferenttypesofprocess:

(1)materialprocess,

(2)mentalprocess,(3)behavioralprocess,(4)verbalprocess,(5)relationalprocessand(6)existentialprocess.

2.2.1Materialprocesses—processesofdoing

Materialprocessesexpressthenotionthatsomeentitydoessomething—whichmaybedonetosomeotherentity.Wecanidentifythembyasking“WhatdoXdo?

”.

2.2.2Mentalprocesses—processesofsensing

Mentalprocessesaretheprocessesofperception(seeing,hearing,etc),affection(liking,fearing,etc)andcognition(thinking,knowing,understanding,etc).Wecanidentitythembyasking“HowdoXfeel?

”.

 

CHAPTERIIIConclusion(小三号字,居中)

….对全文进行总结

致谢模板

Acknowledgements(小二号字,加粗,居中)

(空一行)

Firstofall,I’dliketogivemysincerethankstomyacademicsupervisor,Professor….Hehasgivenmevaluableinstructionsonmystudy.WheneverIneedhishelp,healwaysenthusiasticallyoffersme.Ialsoworshiphisprofoundacademicattainmentsandhismeticulousscholarship.Duringtheprocessofthecompletionofthethesis,fromthenovelchosentobeanalyzedtothefinalcomposition,hispatientandhelpfulinstructionshavebenefitedmeagreatdeal.

Mytruethanksalsogotoalltheteacherswhoguidemeinthefieldoflinguistics

Myfamilyandfriendsgivemegreatencouragementandsupportduringthecompositionofthethesis.I’dliketosendthemmyheartfeltthankstoo.

 

参考文献模板

WorksCited(小二号字,加粗,居中)

Adelman,Gary.JudetheObscure:

AParadiseofDespair[M].NewYork:

TwaynePublishers,1992.

Aristotle,S.Halliwell.Poetics[M].Massachusetts:

HarvardUniversityPress,1995.

Dale,Kramer.CriticalApproachestotheFictionofThomasHardy[M].London:

TheMacmillanPress,1997.

Eliot,George.ThelifeofThomasHardy[M].London:

TheMacmillanPress,1992.

Elizabeth,Knauer.TerminalSatireandJudetheObscure[M].London:

TheMacmillanPress,2001.

Hardy,Thomas.JudetheObscure[M].NewJersey:

OxfordUniversityPress,2009.

Merry,Williams.APrefacetoHardy[M].London:

AssociatedUniversityPresses,2007.

Millgated,Louis.LifeandWorkofThomasHardy[M].London:

TheMacmillanPress,1990.

Schweizer,Harold.ADictionaryofCulturalandCriticalTheory[M].London:

CambridgeUniversityPress,1996.

Sherman,G.W..ThePessimismofThomasHardy[M].London:

AssociatedUniversityPress,Inc.2000.

曹双萍.“我”之错位:

从本我、自我、超我、理论再析《无名的裘德》之悲

剧成因[J].宜春学院学报,2010,2:

118-120.

马弦.人文精神与基督精神的对立与冲突——重读《无名的裘德》[J].湘潭大学社会科学学报,2002,4:

95-96.

李小冰.无法解脱的困境——从女性主义角度解析《无名的裘德》[J].郑州

经济管理干部学院学报,2006,2:

76-78.

孙坚.《骆驼祥子》和《无名的裘德》:

现实主义的契合[J].外语教学,2003,6:

75-76.

王月娥,卢志君.悲哀的时光——从依恋理论解读哈代《无名的裘德》中时光老人性格[J].文教资料,2006,31:

54-55.

肖曼琼.爱情的挽歌,时代的悲音——论《无名的裘德》中主人公的爱情悲剧[J].四川外语学院报,2003,3:

78-80.

朱晓丽.《无名的裘德》中的悲剧宿命[J].盐城师范学院学报,2011,4:

84-86.

 

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