How should one read a book 双语 Virginia WoolfWord文件下载.docx
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ThebattleofWaterloowascertainlyfoughtonacertainday;
butisHamletabetterplaythanLear?
Nobodycansay、Eachmustdecidethatquestionforhimself、Toadmitauthorities,howeverheavilyfurredandgowned,intoourlibrariesandletthemtellushowtoread,whattoread,whatvaluetoplaceuponwhatweread,istodestroythespiritoffreedomwhichisthebreathofthosesanctuaries、Everywhereelsewemaybeboundbylawsandconventions--therewehavenone、
Buttoenjoyfreedom,iftheplatitudeispardonable,wehaveofcoursetocontrolourselves、Wemustnotsquanderourpowers,helplesslyandignorantly,squirtinghalfthehouseinordertowaterasinglerose-bush;
wemusttrainthem,exactlyandpowerfully,hereontheveryspot、This,itmaybe,isoneofthefirstdifficultiesthatfacesusinalibrary、Whatis"
theveryspot"
?
Theremaywellseemtobenothingbutaconglomerationandhuddleofconfusion、Poemsandnovels,historiesandmemoirs,dictionariesandblue-books;
bookswritteninalllanguagesbymenandwomenofalltempers,races,andagesjostleeachotherontheshelf、Andoutsidethedonkeybrays,thewomengossipatthepump,thecoltsgallopacrossthefields、Wherearewetobegin?
Howarewetobringorderintothismultitudinouschaosandsogetthedeepestandwidestpleasurefromwhatweread?
Itissimpleenoughtosaythatsincebookshaveclasses--fiction,biography,poetry--weshouldseparatethemandtakefromeachwhatitisrightthateachshouldgiveus、Yetfewpeopleaskfrombookswhatbookscangiveus、Mostmonlyweetobookswithblurredanddividedminds,askingoffictionthatitshallbetrue,ofpoetrythatitshallbefalse,ofbiographythatitshallbeflattering,ofhistorythatitshallenforceourownprejudices、Ifwecouldbanishallsuchpreconceptionswhenweread,thatwouldbeanadmirablebeginning、Donotdictatetoyourauthor;
trytobeehim、Behisfellow-workerandacplice、Ifyouhangback,andreserveandcriticiseatfirst,youarepreventingyourselffromgettingthefullestpossiblevaluefromwhatyouread、Butifyouopenyourmindaswidelyaspossible,thensignsandhintsofalmostimperceptiblefineness,fromthetwistandturnofthefirstsentences,willbringyouintothepresenceofahumanbeingunlikeanyother、Steepyourselfinthis,acquaintyourselfwiththis,andsoonyouwillfindthatyourauthorisgivingyou,orattemptingtogiveyou,somethingfarmoredefinite、Thethirty-twochaptersofanovel--ifweconsiderhowtoreadanovelfirst--areanattempttomakesomethingasformedandcontrolledasabuilding:
butwordsaremoreimpalpablethanbricks;
readingisalongerandmoreplicatedprocessthanseeing、Perhapsthequickestwaytounderstandtheelementsofwhatanovelistisdoingisnottoread,buttowrite;
tomakeyourownexperimentwiththedangersanddifficultiesofwords、Recall,then,someeventthathasleftadistinctimpressiononyou--howatthecornerofthestreet,perhaps,youpassedtwopeopletalking、Atreeshook;
anelectriclightdanced;
thetoneofthetalkwasic,butalsotragic;
awholevision,anentireconception,seemedcontainedinthatmoment、
Butwhenyouattempttoreconstructitinwords,youwillfindthatitbreaksintoathousandconflictingimpressions、Somemustbesubdued;
othersemphasized;
intheprocessyouwilllose,probably,allgraspupontheemotionitself、Thenturnfromyourblurredandlitteredpagestotheopeningpagesofsomegreatnovelist--Defoe,JaneAusten,Hardy、Nowyouwillbebetterabletoappreciatetheirmastery、Itisnotmerelythatweareinthepresenceofadifferentperson--Defoe,JaneAusten,orThomasHardy--butthatwearelivinginadifferentworld、Here,inRobinsonCrusoe,wearetrudgingaplainhighroad;
onethinghappensafteranother;
thefactandtheorderofthefactisenough、ButiftheopenairandadventuremeaneverythingtoDefoetheymeannothingtoJaneAusten、Hersisthedrawing-room,andpeopletalking,andbythemanymirrorsoftheirtalkrevealingtheircharacters、Andif,whenwehaveaccustomedourselvestothedrawing-roomanditsreflections,weturntoHardy,weareoncemorespunround、Themoorsareroundusandthestarsareaboveourheads、Theothersideofthemindisnowexposed--thedarksidethatesuppermostinsolitude,notthelightsidethatshowsinpany、Ourrelationsarenottowardspeople,buttowardsNatureanddestiny、Yetdifferentastheseworldsare,eachisconsistentwithitself、Themakerofeachiscarefultoobservethelawsofhisownperspective,andhowevergreatastraintheymayputuponustheywillneverconfuseus,aslesserwriterssofrequentlydo,byintroducingtwodifferentkindsofrealityintothesamebook、Thustogofromonegreatnovelisttoanother--fromJaneAustentoHardy,fromPeacocktoTrollope,fromScotttoMeredith--istobewrenchedanduprooted;
tobethrownthiswayandthenthat、Toreadanovelisadifficultandplexart、Youmustbecapablenotonlyofgreatfinenessofperception,butofgreatboldnessofimaginationifyouaregoingtomakeuseofallthatthenovelist--thegreatartist--givesyou、
Butaglanceattheheterogeneouspanyontheshelfwillshowyouthatwritersareveryseldom"
greatartists"
;
farmoreoftenabookmakesnoclaimtobeaworkofartatall、Thesebiographiesandautobiographies,forexample,livesofgreatmen,ofmenlongdeadandforgotten,thatstandcheekbyjowlwiththenovelsandpoems,arewetorefusetoreadthembecausetheyarenot"
art"
Orshallwereadthem,butreadtheminadifferentway,withadifferentaim?
Shallwereadtheminthefirstplacetosatisfythatcuriositywhichpossessesussometimeswhenintheeveningwelingerinfrontofahousewherethelightsarelitandtheblindsnotyetdrawn,andeachfloorofthehouseshowsusadifferentsectionofhumanlifeinbeing?
Thenweareconsumedwithcuriosityaboutthelivesofthesepeople--theservantsgossiping,thegentlemendining,thegirldressingforaparty,theoldwomanatthewindowwithherknitting、Whoarethey,whatarethey,whataretheirnames,theiroccupations,theirthoughts,andadventures?
Biographiesandmemoirsanswersuchquestions,lightupinnumerablesuchhouses;
theyshowuspeoplegoingabouttheirdailyaffairs,toiling,failing,succeeding,eating,hating,loving,untiltheydie、Andsometimesaswewatch,thehousefadesandtheironrailingsvanishandweareoutatsea;
wearehunting,sailing,fighting;
weareamongsavagesandsoldiers;
wearetakingpartingreatcampaigns、OrifweliketostayhereinEngland,inLondon,stillthescenechanges;
thestreetnarrows;
thehousebeessmall,cramped,diamond-paned,andmalodorous、Weseeapoet,Donne,drivenfromsuchahousebecausethewallsweresothinthatwhenthechildrencriedtheirvoicescutthroughthem、Wecanfollowhim,throughthepathsthatlieinthepagesofbooks,toTwickenham;
toLadyBedford'
sPark,afamousmeeting-groundfornoblesandpoets;
andthenturnourstepstoWilton,thegreathouseunderthedowns,andhearSidneyreadtheArcadiatohissister;
andrambleamongtheverymarshesandseetheveryheronsthatfigureinthatfamousromance;
andthenagaintravelnorthwiththatotherLadyPembroke,AnneClifford,toherwildmoors,orplungeintothecityandcontrolourmerrimentatthesightofGabrielHarveyinhisblackvelvetsuitarguingaboutpoetrywithSpenser、NothingismorefascinatingthantogropeandstumbleinthealternatedarknessandsplendourofElizabethanLondon、Butthereisnostayingthere、TheTemplesandtheSwifts,theHarleysandtheSt、Johnsbeckonuson;
houruponhourcanbespentdisentanglingtheirquarrelsanddecipheringtheircharacters;
andwhenwetireofthemwecanstrollon,pastaladyinblackwearingdiamonds,toSamuelJohnsonandGoldsmithandGarrick;
orcrossthechannel,ifwelike,andmeetVoltaireandDiderot,MadameduDeffand;
andsobacktoEnglandandTwickenham--howcertainplacesrepeatthemselvesandcertainnames!
--whereLadyBedfordhadherParkonceandPopelivedlater,toWalpole'
shomeatStrawberryHill、ButWalpoleintroducesustosuchaswarmofnewacquaintances,therearesomanyhousestovisitandbellstoringthatwemaywellhesitateforamoment,ontheMissBerrys'
doorstep,forexample,whenbehold,upesThackeray;
heisthefriendofthewomanwhomWalpoleloved;
sothatmerelybygoingfromfriendtofriend,fromgardentogarden,fromhousetohouse,wehavepassedfromoneendofEnglishliteraturetoanotherandwaketofindourselveshereagaininthepresent,ifwecansodifferentiatethismomentfromallthathavegonebefore、This,then,isoneofthewaysinwhichwecanreadtheselivesandletters;
wecanmakethemlightupthemanywindowsofthepast;
wecanwatchthefamousdeadintheirfamiliarhabitsandfancysometimesthatweareverycloseandcansurprisetheirsecrets,andsometimeswemaypulloutaplayorapoemthattheyhavewrittenandseewhetherit