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2.Therearemanyplacestogoonsafari(观赏野生动物)inAfrica,butridingahorsethroughthefloodedwatersofBotswana'
sOkavangoDeltamustrankasoneoftheworld'
smostexcitingwildlifejourneys.
Severalsafaricampsoperateasthebaseforthisadventure,providinguniqueridestwiceadaytoexploredeepintothedelta.Thecampshaveexcellenthorses,professionalguidesandlotsofsupportworkers.Theyhaveareputationforprovidingagreatridingexperience.
Whatdoestheunderlinedword“They”referto?
___
A.Floodedwaters
B.Wildlifejourney
C.Safaricamps
D.Uniquerides
3.WhenMasqsoodandIftekharbegantostudytheproblemofalltheuncollectedrubbishthatlayinDhaka’sstreets,Attractingtatsanddisease,theydiscoveredthat80%ofitwasnaturalwaste.Sotheyeducatedthepoorpeopleinthecitytocompost(把……制成堆粪)thiswaste.Theyknewthattheywouldhaveamarketfortheendproductbecauselocalfarmerswerestrugglingwithchemicalferntilisers(化肥)whichwereexpensiveandhadreducedthenaturalmineralsinthesoilovertheyears.Atfirst,theywererefused,butoncetheywereabletopersuadethemthattherewasmoneytobemade,theprojecttookoff.In2009saleswere$14,000.
Theunderlinedword"
them"
inParagraph3probablyrefersto"
___________"
A.thelocalfarmersB.MasqsoodandIftekhar
C.DraytonandhisteamD.thepoorpeopleinDhaka
4.Formostcitypeople,theelevatorisanunremarkablemachinethatinspiresnoneoftheenthusiasmorinterestthatAmericansaffordtrains,jets,andevenbicycles.Dr.ChristopherWilkisamemberofasmallgroupofelevatorexpertswhoconsiderthisamisunderstanding.Withouttheelevator,theypointout,therecouldbenodowntownskyscrapersortallbuildings,andcitylifeasweknowitwouldbeimpossible.Inthatsense,theyargue,theelevator’sroleinAmericanhistoryhasbeennolesssignificantthanthatofcars.Infact,accordingtoWilk?
thecarandtheelevatorhavebeenlockedina“secretwar”foroveracentury,withcarsmakingitpossibleforpeopletospreadhorizontally(水平地),andelevatorspushingthemtowardlifeinclosegroupsoftoweringvertical(垂直的)columns.
Whatdoestheunderlinedword“this”inParagraph1referto?
A.Thegeneralviewofelevators.
B.Theparticularinterestsofexperts.
C.Thedesireforaremarkablemachine.
D.Theenthusiasmfortransportvehicles.
5.WaltDisneyiscreditedforcreatingsuchwonderfulthingsasDonaldDuckandMickeyMouse.However,hecannottakethecreditforcreatingotherwell-lovedcharacters,suchasCinderellaandSnowWhite.TheyarealmostautomaticallyassociatedwithDisneybecauseDisneyturnedoldfables(寓言)intocartoonmovies.
TheoriginalCinderellavariesverymuchfromtheDisneyversionweknowtoday.Itstartedoffwiththegirlmourninghermother’sdeathandgoingtohertombthreetimesaday.Inaddition,therewereonlybirdsthathelpedCinderella;
therewasnosuchthingasafairygodmotherorhelpfulmice,norwastherementionofahorseandcarriage.
Whatdosetheunderlinedword“They”inthefirstparagraphreferto?
A.Suchwonderfulthings.
B.Otherwell-lovedcharacters.
C.Oldfables.
D.Cartoonmovies.
6.Youaregivenmanyopportunitiesinlifetochoosetobeavictimoracreator.Whenyouchoosetobeavictim,theworldisacoldanddifficultplace.“They”didthingstoyouwhichcausedallofyourpainandsuffering.“They”arewrongandbad,andlifeisterribleaslongas“they”arearound.Oryoumayblameyourselfforallyourproblems,thusinternalizing(内化)yourvictimization.Thetruthis,yourlifeislikelytostaythatwayaslongasyoufeelaneedtoblameyourselforothers.
Thosewhochoosetobecreatorslookatlifequitedifferently.Theyknowthereareindividualswhomightliketocontroltheirlives,buttheydon’tletthisgetintheway.Theyknowtheyhavetheirweaknesses,yettheydon’tblamethemselveswhentheyfail.Whateverhappens,theyhavechoiceinthematter.Theybelievetheirdancewitheachsacred(神圣的)momentoflifeisagiftandthatstormsareanaturalpartoflifewhichcanbringtherainneededforemotionalandspiritualgrowth.
Whatdoestheword“they”inParagraph1probablyreferto?
A.Peopleandthingsaroundyou.
B.Opportunitiesandproblems.
C.Creatorsandtheirchoices.
D.Victimsandtheirsufferings.
7.Sparrowisafast-foodchainwith200restaurants.Someyearsago,thegrouptowhichSparrowbelongedwastakenoverbyanothercompany.AlthoughSparrowshowednosignofdeclining,thechainwasgenerallyinanunhealthystate.Withmoreandmorefast-foodconceptsreachingthemarket,theSparrowmenuhadtostruggleforattention.Andtomakemattersworse,itsnewownerhadnoplanstogiveitthefundsitrequired.
SparrowfailedtogrowforanothertwoyearsuntilanewCEO,CarlPearson,decidedtobuildupitsmarketshare.Hedidasurvey,whichshowedthatconsumerswhoalreadyusedSparrowrestaurantswereextremelypositiveaboutthechain,whilecustomersofotherfast-foodchainswereunwillingtoturnawayfromthem.Sparrowhadtodevelopanewpromotionalcampaign.
Whatdoestheunderlinedword“them”inParagraph2referto?
A.CustomersofSparrowrestaurants.
B.Sparrowrestaurants.
C.Customersofotherfast-foodchains.
D.Otherfast-foodchains.
高考英语阅读理解代词指代参考答案
完整文章
Someoftheworld’smostfamousmusiciansrecentlygatheredinParisandNewOrleanstocelebratethefirstannualInternationalJazzDay.UNESCO(UnitedNationsEducational,ScientificandCulturalOrganization)recentlysetApril30asadaytoraiseawarenessofjazzmusic,itssignificance,anditspotentialasaunifying(联合)voiceacrosscultures.
一些世界上最著名的音乐家近来聚集在巴黎和新奥尔良为了庆祝第一届国际爵士音乐节。
联合国教科文组织近来设定4月30日作为提升人们对于爵士乐的意识(认识),同时提升其重要性及其作为一个连接各文化纽带之声的潜在可能性的一个日子。
Despitethecelebrations,though,intheU.S.thejazzaudiencecontinuestoshrinkandgrowolder,andthemusichasfailedtoconnectwithyoungergenerations.
尽管有这次庆祝,在美国,爵士乐欣赏的观众继续减少,而且观众年龄变大(老龄化),这种音乐形式没能够与年轻一代人联系起来。
这是JasonMoran的工作去改变这一点(爵士乐不受年轻人的欢迎)。
作为肯尼迪艺术中心爵士乐的顾问,Moran希望去增加喜爱爵士乐听众的群体,使得这种音乐能够更多为人们所接近,进而保存爵士乐的历史和文化。
“Jazzseemslikeit’snotreallyapartoftheAmericanappetite,”MorantellsNationalPublicRadio’sreporterNealConan.“WhatI’mhopingtoaccomplishisthatmygenerationandyoungerstarttoreconsiderandunderstandthatjazzisnotblackandwhiteanymore.It’sactuallycolor,andit’sactuallydigital.”
“爵士乐似乎不是美国人口味(胃口)的一部分”,Moran告诉NationalPublicRadio记者NealConan。
“我希望实现的是我这一代人和年轻一代重新考虑和理解爵士乐不再是黑与白的特点,而实际上是色彩(丰富多彩的),实际上数码的。
”
Moransaysoneoftheproblemswithjazztodayisthattheentertainmentaspectofthemusichasbeenlost.“Themusiccan’tbepresentedtodaythewayitwasin1908or1958.Ithastocontinuetomove,becausethewaytheworldworksisnotthesame,”saysMoran.
Moran说今天的爵士乐的一个问题是这种音乐娱乐方面的特点在丧失。
Moran说“这种音乐无法再以1908或者1958年的方式被呈现出来。
它必须要继续前进,因为这个世界运作的方式不再是一样的了。
”
Lastyear,MoranworkedonaprojectthatarrangedFatsWaller’smusicforadanceparty,“justtokindofputitbackinthemindthatWallerisdancemusicasmuchasitisconcertmusic,”saysMoran.“Forme,it’stherecontextualization.Inmusic,wheredoestheemotion(情感)lie?
Arewe,ashumans,gaininganyinsight(感悟)onhowtalkaboutourselvesandhowsomethingasabstractasaCharlieParkerrecordgetsusintoadialogueaboutouremotionsandourthoughts?
Sometimeswelosesightthatthemusichasawidercontext,”saysMoran,“soIwanttocontinuethosedialogues.ThosearethethingsIwanttofoster.”
去年,Moran致力于一个项目,安排了FatsWaller的音乐参加一个舞蹈聚会,Moran说“只是有点想让让人们重新恢复那种思维,Waller音乐既是舞曲音乐也是音乐会音乐。
”“对我来说,这是一种语境重构。
在音乐里,我们的情感存在于哪里?
在就如何谈论我们自己,在像CharlieParker的唱片中那样抽象的某种东西让我们谈论我们的情感和思想,我们人类是否能够在这样的过程中得到一些感悟呢?
有的时候我们失去了一些视野,那就是音乐拥有更广泛的语境,所以我想把这些谈话继续下去,这些事情是我想加强的事情。
”Moran说到。
28.WhydidUNESCOsetApril30asInternationalJazzDay?
A.Torememberthebirthofjazz.
B.Toprotectculturaldiversity.
C.Toencouragepeopletostudymusic.
D.Torecognizethevalueofjazz.
29.Whatdoestheunderlinedword“that”inparagraph3referto?
A.Jazzbecomingmoreaccessible.
B.Theproductionofjazzgrowingfaster.
C.Jazzbeinglesspopularwiththeyoung.
D.Thejazzaudiencebecominglarger.
30.WhatcanweinferaboutMoran’sopiniononjazz?
A.Itwilldisappeargradually.
B.Itremainsblackandwhite.
C.Itshouldkeepupwiththetimes.
D.Itchangesevery50years.