最后一片叶子英文原文Word文件下载.docx

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最后一片叶子英文原文Word文件下载.docx

  ThatwasinMay。

InNovemberacold,unseenstranger,whomthedoctorscalledPneumonia,stalkedaboutthecolony,touchingonehereandtherewithhisicyfingers.Overontheeastsidethisravagerstrodeboldly,smitinghisvictimsbyscores,buthisfeettrodslowlythroughthemazeofthenarrowandmoss—grown"

places."

  Mr.Pneumoniawasnotwhatyouwouldcallachivalricoldgentleman。

AmiteofalittlewomanwithbloodthinnedbyCaliforniazephyrswashardlyfairgameforthered—fisted,short—breathedoldduffer.ButJohnsyhesmote;

andshelay,scarcelymoving,onherpaintedironbedstead,lookingthroughthesmallDutchwindow-panesattheblanksideofthenextbrickhouse.

  OnemorningthebusydoctorinvitedSueintothehallwaywithashaggy,greyeyebrow.

  "

Shehasonechancein—letussay,ten,”hesaid,asheshookdownthemercuryinhisclinicalthermometer.”Andthatchanceisforhertowanttolive。

Thiswaypeoplehaveoflining—uonthesideoftheundertakermakestheentirepharmacopoeialooksilly。

Yourlittleladyhasmadeuphermindthatshe'

snotgoingtogetwell。

Hassheanythingonhermind?

"

  ”She-shewantedtopainttheBayofNaplessomeday."

saidSue.

Paint?

-bosh!

Hassheanythingonhermindworththinkingtwice-amanforinstance?

Aman?

saidSue,withajew’s—harptwanginhervoice.”Isamanworth—but,no,doctor;

thereisnothingofthekind。

Well,itistheweakness,then,”saidthedoctor。

”Iwilldoallthatscience,sofarasitmayfilterthroughmyefforts,canaccomplish.ButwhenevermypatientbeginstocountthecarriagesinherfuneralprocessionIsubtract50percentfromthecurativepowerofmedicines。

IfyouwillgethertoaskonequestionaboutthenewwinterstylesincloaksleevesIwillpromiseyouaone—in—fivechanceforher,insteadofoneinten。

  AfterthedoctorhadgoneSuewentintotheworkroomandcriedaJapanesenapkintoapulp.ThensheswaggeredintoJohnsy'

sroomwithherdrawingboard,whistlingragtime.

  Johnsylay,scarcelymakingarippleunderthebedclothes,withherfacetowardthewindow.Suestoppedwhistling,thinkingshewasasleep.

  Shearrangedherboardandbeganapen-and—inkdrawingtoillustrateamagazinestory.YoungartistsmustpavetheirwaytoArtbydrawingpicturesformagazinestoriesthatyoungauthorswritetopavetheirwaytoLiterature.

  AsSuewassketchingapairofeleganthorseshowridingtrousersandamonocleofthefigureofthehero,anIdahocowboy,sheheardalowsound,severaltimesrepeated.Shewentquicklytothebedside.

  Johnsy'

seyeswereopenwide。

Shewaslookingoutthewindowandcounting—countingbackward.

Twelve,"

shesaid,andlittlelater”eleven"

andthen"

ten,"

and"

nine"

;

eight"

and”seven”,almosttogether.

  Suelooksolicitouslyoutofthewindow.Whatwastheretocount?

Therewasonlyabare,drearyyardtobeseen,andtheblanksideofthebrickhousetwentyfeetaway。

Anold,oldivyvine,gnarledanddecayedattheroots,climbedhalfwayupthebrickwall。

Thecoldbreathofautumnhadstrickenitsleavesfromthevineuntilitsskeletonbranchesclung,almostbare,tothecrumblingbricks.

Whatisit,dear?

”askedSue。

Six,"

saidJohnsy,inalmostawhisper。

"

They’refallingfasternow。

Threedaysagotherewerealmostahundred.Itmademyheadachetocountthem。

Butnowit'

seasy.Theregoesanotherone。

Thereareonlyfiveleftnow。

Fivewhat,dear?

TellyourSudie。

Leaves。

Ontheivyvine.WhenthelastonefallsImustgo,too。

I’veknownthatforthreedays.Didn’tthedoctortellyou?

  ”Oh,Ineverheardofsuchnonsense,”complainedSue,withmagnificentscorn。

Whathaveoldivyleavestodowithyourgettingwell?

Andyouusedtolovethatvineso,younaughtygirl.Don’tbeagoosey.Why,thedoctortoldmethismorningthatyourchancesforgettingwellrealsoonwere—let'

sseeexactlywhathesaid-hesaidthechancesweretentoone!

Why,that'

salmostasgoodachanceaswehaveinNewYorkwhenwerideonthestreetcarsorwalkpastanewbuilding。

Trytotakesomebrothnow,andletSudiegobacktoherdrawing,soshecanselltheeditormanwithit,andbuyportwineforhersickchild,andporkchopsforhergreedyself。

Youneedn'

tgetanymorewine,”saidJohnsy,keepinghereyesfixedoutthewindow。

”Theregoesanother.No,Idon’twantanybroth.Thatleavesjustfour.Iwanttoseethelastonefallbeforeitgetsdark.ThenI’llgo,too.”

  ”Johnsy,dear,"

saidSue,bendingoverher,”willyoupromisemetokeepyoureyesclosed,andnotlookoutthewindowuntilIamdoneworking?

Imusthandthosedrawingsinbyto-morrow.Ineedthelight,orIwoulddrawtheshadedown。

Couldn'

tyoudrawintheotherroom?

”askedJohnsy,coldly。

  ”I’dratherbeherebyyou,”saidSue。

Beside,Idon'

twantyoutokeeplookingatthosesillyivyleaves."

Tellmeassoonasyouhavefinished,"

saidJohnsy,closinghereyes,andlyingwhiteandstillasfallenstatue,"

becauseIwanttoseethelastonefall.I’mtiredofwaiting.I’mtiredofthinking.Iwanttoturnloosemyholdoneverything,andgosailingdown,down,justlikeoneofthosepoor,tiredleaves。

Trytosleep,”saidSue。

ImustcallBehrmanuptobemymodelfortheoldhermitminer。

I’llnotbegoneaminute。

Don'

ttrytomove'

tilIcomeback。

  OldBehrmanwasapainterwholivedonthegroundfloorbeneaththem.HewaspastsixtyandhadaMichaelAngelo’sMosesbeardcurlingdownfromtheheadofasatyralongwiththebodyofanimp.Behrmanwasafailureinart.FortyyearshehadwieldedthebrushwithoutgettingnearenoughtotouchthehemofhisMistress'

srobe。

Hehadbeenalwaysabouttopaintamasterpiece,buthadneveryetbegunit.Forseveralyearshehadpaintednothingexceptnowandthenadaubinthelineofcommerceoradvertising.Heearnedalittlebyservingasamodeltothoseyoungartistsinthecolonywhocouldnotpaythepriceofaprofessional.Hedrankgintoexcess,andstilltalkedofhiscomingmasterpiece.Fortheresthewasafiercelittleoldman,whoscoffedterriblyatsoftnessinanyone,andwhoregardedhimselfasespecialmastiff-in-waitingtoprotectthetwoyoungartistsinthestudioabove.

  SuefoundBehrmansmellingstronglyofjuniperberriesinhisdimlylighteddenbelow.Inonecornerwasablankcanvasonaneaselthathadbeenwaitingtherefortwenty-fiveyearstoreceivethefirstlineofthemasterpiece。

ShetoldhimofJohnsy'

sfancy,andhowshefearedshewould,indeed,lightandfragileasaleafherself,floataway,whenherslightholdupontheworldgrewweaker。

  OldBehrman,withhisredeyesplainlystreaming,shoutedhiscontemptandderisionforsuchidioticimaginings。

  ”Vass!

hecried."

Isderepeopleindeworldmitderfoolishnesstodiebecauseleafsdeydropofffromaconfoundedvine?

Ihafnotheardofsuchathing.No,Iwillnotboseasamodelforyourfoolhermit—dunderhead。

Vydoyouallowdotsillypusinesstocomeinderbrainofher?

Ach,dotpoorleetleMissYohnsy。

Sheisveryillandweak,"

saidSue,”andthefeverhaslefthermindmorbidandfullofstrangefancies.Verywell,Mr.Behrman,ifyoudonotcaretoposeforme,youneedn'

t.ButIthinkyouareahorridold—oldflibbertigibbet。

Youarejustlikeawoman!

”yelledBehrman."

WhosaidIwillnotbose?

Goon.Icomemityou.ForhalfanhourIhafpeentryingtosaydotIamreadytobose.Gott!

disisnotanyblaceinwhichonesogootasMissYohnsyshallliesick.SomedayIvillbaintamasterpiece,andveshallallgoaway.Gott!

yes。

  Johnsywassleepingwhentheywentupstairs。

Suepulledtheshadedowntothewindow-sill,andmotionedBehrmanintotheotherroom.Intheretheypeeredoutthewindowfearfullyattheivyvine.Thentheylookedateachotherforamomentwithoutspeaking。

Apersistent,coldrainwasfalling,mingledwithsnow。

Behrman,inhisoldblueshirt,tookhisseatasthehermitmineronanupturnedkettleforarock.

  WhenSueawokefromanhour'

ssleepthenextmorningshefoundJohnsywithdull,wide—openeyesstaringatthedrawngreenshade。

  ”Pullitup;

Iwanttosee,”sheordered,inawhisper.

  WearilySueobeyed。

  But,lo!

afterthebeatingrainandfiercegustsofwindthathadenduredthroughthelivelongnight,thereyetstoodoutagainstthebrickwalloneivyleaf。

Itwasthelastoneonthevine。

Stilldarkgreennearitsstem,withitsserratededgestintedwiththeyellowofdissolutionanddecay,ithungbravelyfromthebranchsometwentyfeetabovetheground.

  ”Itisthelastone,"

saidJohnsy."

Ithoughtitwouldsu

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