最新专八人文知识讲义学习资料Word格式.docx

最新专八人文知识讲义学习资料Word格式.docx

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2.ThePilgrim’sProgress（天路历程）isregardedasthemostsuccessfulreligiousallegoryintheEnglishlanguage.

3.AmongtherepresentativesoftheEnlightenment,AlexanderPope（蒲柏）wasthefirsttointroducerationalismtoEngland.

4.Generallyspeaking,theRenaissancereferstotheperiodbetweenthe14thandmid-17thcenturies,itsessenceishumanism.

5.In“Solongasmencanbreathe,oreyescansee,/Solonglivesthis,andthisgiveslifetothee.”（Shakespeare,Sonnets18）,“this”referstopoetry.

6.AboutRenaissance,a）humanismistheessence;

b）Attitudesandfeelingswhichhadbeencharacteristicofthe14thand15thcenturiespersistedwelldownintotheeraofHumanismandReformation;

c）TheElizabethandrama,initstotality,istherealstreamoftheEnglishRenaissance.

7.ItisGeoffreyChaucer（杰弗里﹒乔叟）alonewho,forthefirsttimeinEnglishLiterature,presentedtousacomprehensiverealisticpictureoftheEnglishsocietyofhistimeandcreatedawholegalleryofvividcharactersfromallwalksoflife.

8.Thesentence“ShallIcomparetheetoasummer’sday?

”isthebeginninglineofoneofShakespeare’ssonnets.

9.ThereasonsforthatEdmundSpenser（斯宾塞）isfamousfor“thepoets’poet”areSpenser’sidealism,hisloveofbeautyandhisexquisitemelody.

10.Marlowe（马洛）gavenewvigortoblankversewithhis“mightylines”.

11.InShelly’s“ToaSkylark”,（雪莱，《云雀颂》）thebird,suspendedbetweenrealityandpoeticimage,poursforthanexultantsongwhichsuggeststothepoetbothcelestialraptureandhumanlimitation.

12.“Doyouthink,becauseIampoor,obscure,plain,andlittle,Iamsoullessandheartless?

…andifGodhadgiftedmewithsomebeauty,andmuchwealth,IshouldhavemadeitAshardforyoutoleave,asitisnowformetoleaveyou.”TheabovequotedpassageismostprobablytakenfromJaneEyre.

13.Thesentences“andnowhestaredathersoearnestlythatIthoughttheveryintensityofhisgazewouldbringtearsintohiseyes;

buttheyburnedwithanguish,theydidnotmelt”arefoundinWutheringHeightsbyEmilyBronte.

14.ThemosteminentdramatistsintheRenaissanceEnglandareChristopherMarlowe,WilliamShakespeareandBenJonson（琼森）.

15.DescriptionsabouttheNeoclassicalPeriod:

a）TheNeoclassicalPeriodispriortotheRomanticPeriod;

b）HenryFielding（菲尔丁）isoneoftherepresentativesoftheNeoclassicalperiod;

c）ThemodernEnglishnovelcameintobeingintheNeoclassicalperiod.

16.“Oprince,Ochiefofmythronedpowers,/Thatledth’embattledseparationtowar/Underthyconduct,andindreadfuldeeds/Fearless,endangeredHeaven’sperpetualking’.InthethirdlineoftheabovepassagequotedfromMilton’sParadiseLost,thephrase“thyconduct’referstoSatan’sconduct.

17.CommentsonWilliamBlake（布莱克）:

a）ChildhoodiscentraltoBlake’sconcernintheSongsofInnocenceandSongsofExperience;

b）Blake’sMarriageofHeavenandHellmarkshisentryintomaturity;

c）Symbolisminwiderangeisadistinctivefeatureofhispoetry.

18.ItisgenerallyregardedthatKeat’s（济慈）mostimportantandmaturepoemsareintheformofode.

19.DanielDefoe’s（笛福《鲁宾逊漂流记》）novelsmainlyfocusonthestruggleoftheshipwreckedpersonsforsecurity.

20.IntheShepherdsCalendar,EdmundSpensertriedtoexpresshislamentsoverthelossofRosalind.

21.InBeowulf,（《贝尔武甫》）BeowulffoughtagainstthemonsterGrendelandafivebreathingdragon.

22.InSpenser’smasterpieceTheFaerieQueen,（《仙后》）hespeaksof12virtuesoftheprivategentleman.

23.FrancisBaconisbestknownforhisessayswhichgreatlyinfluencedthedevelopmentofthisliteraryform.

24.TheliteraryformofTheFaerieQueenisallegoricalpoem.

25.ThecharacteristicsofSpenser’spoetryareaperfectmelody,araresenseofbeautyandasplendidimagination.

26.MostofThomasHardy’snovelsaresetinWessex（威塞克斯）,afictionalprimitiveregion.

27.WecanperhapsdescribethewestwindinShelly’spoemOdetotheWestWindasswift,proudandwild.

28.“Blindness”,“Partiality”,“Prejudice”and“Absurdity”inthenovelPrideandPrejudicearemostlikelythecharacteristicsofElizabeth.

29.ThemodernEnglishnovelcameintobeinginthemiddleofthe18thcentury.

30.IntermsofPrideandPrejudice,a）itisthemostpopularofJaneAusten’snovel;

b）itisoriginallydraftedas“FirstImpressions’;

c）Init,theauthorexplorestherelationshipbetweengreatloveandrealisticbenefits.

31.ChronologicallytheVictorianPeriodrefersto1836-1901.

32.Dickens’firstchildheroisOliverTwist.