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JaneEyre-CharlotteBronte,socialandculturalbackgroundJaneEyresauthorCharlotteBrontelivedinthe19thcenturyoftheVictorianera.Atthattime,menrepresentthepower,andtruth,whilewomenaretheweak,mentalpatientsandweirdrepresentationofpronoun.Theydonthavetheirownvoiceandlossoftheirlivesinthepatriarchalextremerules.简爱的作者夏洛蒂勃朗特生活于19世纪的维多利亚时代。
@#@在那个时代,男人代表着权力、力量和真理,而女性则是弱者、精神病患者和怪异表象的代名词,普遍丧失话语权而生活在男权极端统治的阴影之下。
@#@,In1847s,womenwereinasubordinateposition,buttheworksofJaneEyrerefusedtobeplacedinthesubordinatethetraditionalonthestatusofwomen.shedarestoagainsttheprevailingmaleconsciousness,daretofightfortheirrights,daretoonthewomenssocialfunctionandtheircommentonbytherestrictions.ThepowerofJanesmentalandmoralbeautyattractedthousandsofreaders.Shebecomestheidolofnumerouswomenatthattimeandintodayssociety.Thishasprofoundpracticalsignificance.,18481870,18701901,economicprosperityandreligiouscontroversy,melancholy,18361848,timeoftroube,TheVictorianPeriod,Ideologically(思想上),theVictoriansexperiencedfundamentalchanges.Therapiddevelopmentofscience&@#@technology,newinventions&@#@discoveriesingeology,astronomy,biology&@#@anthropologydrasticallyshookpeoplesreligiousconvictions.DarwinsTheOriginofSpecies(1859)&@#@TheDescentofMan(1871)shookthetheoreticalbasisofthetraditionalfaith.Ontheotherhand,Utilitarianism(功利主义)waswidelyaccepted&@#@practiced.Almosteverythingwasputtothetestbythecriterionofutility,thatis,theextenttowhichitcouldpromotethematerialhappiness.,culturalbackgroundFeaturesoftheVictorianLiteratureVictorianliterature,asaproductofitsage,naturallytookonitsqualityofmagnitudeanddiversity.Itwasmany-sidedandcomplex,andreflectedbothromanticallyandrealisticallythegreatchangesthatweregoingoninpeopleslifeandthought.Greatwriters&@#@greatworksabounded.Inthisperiod,thenovelnaturallybecamethemostpopularformofalltheliteraryart,andwhatwriterswereconcernedwithwasthefateofcommonpeople.,ThemainfeaturesofthisnovelUsethefirst-personvoicepsychologicaldescription“thefactis,Iwasatriflebesidesmyself;@#@orratheroutofmyself,astheFrenchwouldsay.Iwasconsciousthatamomentsmutinyhadalreadyrenderedmeliabletostrangepenalties,and,likeanyotherrebelslave,Ifeltresolved,inmydesperation,togoalllengths.”-Chapter2,scenerydescriptionIwasamilefromThornfield,inalanenotedforwildrosesinsummer,fornutsandblackberriesinautumn,andevennowpossessingafewcoraltreasuresinhipsandhaws,butwhosebestwinterdelightlayinitsuttersolitudeandleaflessrepose.Ifabreathofairstirred,itmadenosoundhere;@#@fortherewasnotaholly,notanevergreentorustle,andthestrippedhawthornandhazelbusheswereasstillasthewhite,wornstoneswhichcausewayedthemiddleofthepath.-Chapter12,SymbolsSymbolsareobjects,characters,figures,orcolorsusedtorepresentabstractideasorconcepts.BerthaMasonastatementaboutthewayBritainfearedandpsychologicallylockedawaytheotherculturesitencounteredattheheightofitsimperialism;@#@asymbolicrepresentationofthetrappedVictorianwife,whoisexpectednevertotravelorworkoutsidethehouseandbecomesevermorefrenziedasshefindsnooutletforherfrustrationandanxiety.,TheRed-RoomThered-roomcanbeviewedasasymbolofwhatJanemustovercomeinherstrugglestofindfreedom,happiness,andasenseofbelonging.Thered-roomsimportanceasasymbolcontinuesthroughoutthenovel.ItreappearsasamemorywheneverJanemakesaconnectionbetweenhercurrentsituationandthatfirstfeelingofbeingridiculed.,maincharacters,JaneEyre-theheroine,asimple,strongandflexible,independent,passionate,andaggressivewomen.Sheshowscontemptforthearroganceoftherichandpowerful.Sheisbraveandneverbowtofate.Shevaluesthefreedomanddarestofightwithunequalityandtopursuehighlevelspiritandhappiness.,