我为美而死-I-died-for-beauty赏析.pptx

我为美而死-I-died-for-beauty赏析.pptx

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EmilyDickinson,Idiedforbeautybutwasscarce,Contents,IntroductionTheformandtherhymeTextanalysis&importantmetaphorsComparisonbetweenIDiedforBeautyButWasScarce&OdeonaGrecianThethoughtsandthethemeEnlightenment,一、IntroductionofEmilyDickinson,EmilyDickinson,“IfIreadabookanditmakesmywholebodysocoldthatnofireevercanwarmme,Iknowthatispoetry.IfIfeelphysicallyasifthetopofmyheadweretakenoff,Iknowthatispoetry.”EmilyDickinson,BriefIntroduction,Beingconsideredapioneerinmodernpoetposthumously（于死后，于身后）.AlongwithWhitman,beingregardedasoneofthegreatestAmericanpoets.,1830.12.101886.05.15BorninAmherst,Massachusetts&aprominentfamily,ReligiousbeliefwasCalvinismthatruledthepoetsearlyyears,Publishedlessthan10poemsamong1800poemsbeforeherdeath.,Knowingforbeingarecluse,shedidntleaveherfamilyshomesteadafterthelate1860s.,After70yearsofherdeath,shebegantoreceiveseriousattentionoftheliterary.,HadlittleformaleducationHadhighinterestsinworksofmanyfamouswriters（suchasShakespeare,ElizabethBrowning,Brontesister）whoaffectedherintellectualthinkingandworks.,Threeimportantmen,BenjaminNewton,ayounglawyer,whoimprovedherliteraryandculturaltastes.Shereferstohim“afriend,whotaughtmeimmortality”.Hedirectedhertointellectualindependenceandultimatelytopoetry.（Emilywas18）,CharlesWadsworth,amarriedministerwhoprovidedherwithintellectualchallengeandcontactwiththeoutsideworld.Dickinsonfeltanaffectionforhimthathecouldnotreturn.（Emilywas24）,ThomasHigginson,apoetrycriticfortheAtlanticMonthly,wholaterhelpedgatheringherpoemsforpublications.（Emilywas33）,thesourcesofherinspirationandguidance,PoemsThemes,Basedonherownexperiences:

joys,sorrowsandimagination.,ReligiondoubtandbeliefaboutreligioussubjectsDeathandimmortalityLovesufferingandfrustrationcausedbylovePhysicalaspectofdesireNaturebenevolent（kind）andcruelFreewillandhumanresponsibility,TheartisticfeaturesofDickinsonswriting,Notitles.Dashesareusedasamusicaldevice.Capitallettersasameansofemphasis.Sheoftenusedpersona（人格面具）andpersonalification.Herpoetryisremarkableforitsvariety,subtletyandrichness.Brevity,directnessandplainness.Herpoemsareusuallyshort,rarelymorethantwentylines,andmanyofthemarecenteredonasingleimageorsymbolandfocusononesubjectmatter.,二、Theformandtherhyme,

（一）Form,Thefirstandthethirdlinesareiambictetrameter（抑扬格四音步）thesecondandthefourthlinesareiambictrimeter（抑扬格三音步）,IdiedforBeautybutwasscarceAdjustedintheTombWhenonewhodiedforTruth,waslainInanadjoiningRoomHequestionedsoftly“WhyIfailed?

”“ForBeauty,”Ireplied“AndIforTruthThemselfareOneWeBrethren,are,”HesaidAndso,asKinsmen,metaNightWetalkedbetweentheRoomsUntiltheMosshadreachedourlipsAndcoveredupournames,

（二）Rhyme,PerfectRhyme（完美押韵）:

Rhymeinwhichthefinalaccentedvowelandallsucceedingconsonantsorsyllablesareidentical,whiletheprecedingconsonantsaredifferent.SlantRhyme（缺陷押韵）:

Apartialorimperfectrhyme,oftenusingassonance（元韵）orconsonance（和韵）only.Alsocalledhalfrhyme（半韵）,nearrhyme（邻韵）,obliquerhyme（斜韵）,andoffrhyme.,Rhymescheme:

abcb,IdiedforBeautybutwasscarceAdjustedintheTombWhenonewhodiedforTruth,waslainInanadjoiningRoomHequestionedsoftly“WhyIfailed?

”“ForBeauty,”Ireplied“AndIforTruthThemselfareOneWeBrethren,are,”HesaidAndso,asKinsmen,metaNightWetalkedbetweentheRoomsUntiltheMosshadreachedourlipsAndcoveredupournames,Perfectrhyme,TombtumRoomrum,Slantrhyme,RoomsrumzNamesnemz,Slantrhyme,Repliedrpladsaidsed,Rhymescheme,Evennumberlines:

rhymeregularlyOddlines:

changefreely,Inpairs,alone,Itmeansthatholdingontothefaithoftruthandbeautyisdoomedtobelonely.Thereisnoabsolutefreedominthepursuitofbeautyandtruth.,（三）Thedashes,Dashesareusedasmusicaldevicetocreatecadence（韵律）.Whenfullstop（句号）meanstheend,thepoetusedthedashestoindicatethatthedeathisnttheendtopursuethetruthandbeauty.（四）ThefirstpersonnarrationThepoetisthenarrator,asiftodirectlytellthereaderherownexperienceandfeelings.Thecolloquial,conciseandnaturallanguageismoreimpressiveinauditions.,三、TextAnalysis&ImportantMetaphors:

以大写字母开头的词作为强调的特点Beforewestartthispart,weshouldlearnthatthepoemsofDickinsonhaveanobviousartisticfeaturewhichisthatshetendstoapplythewordsbeginningwithcapitalletterforemphasis.,Howtounderstandscarce?

InDickinsonstime,fewwriterswouldchoosetosecludeinordertopursueBeauty&Truth,especiallywhenintheirgoldenageandintheascendantoftheircareer.（与世俗格格不入的性格）,Thefirststanza:

IdiedforBeautybutwasscarce（rare）我为美而死，但还不怎么AdjustedintheTomb适应坟墓里的生活WhenOnewhodiedforTruth,waslain这时一位为真理而死的人InaadjoiningRoom（neighboringnextdoor）被安放在隔壁墓室里,MainIdeaofthe1ststanza:

Dickinsondiedpursingthebeautyofartandimmediatelyasshebecameaccustomedtothenewcircumstanceofatomb,shewastoldthattherewasanotherwhodiedfortruthandarrivedinthenextroom.Tomb:

referstotheroomshelivedduringherreclusionRoom:

referstothelifeaftershesecluded（ReasonswhyDickinsonwasdeterminedtoseclude:

forbeautyfortruth）,Thesecondstanza:

Hequestionedsoftly“WhyIfailed”?

他柔声问道：

“你为何而死”？

“ForBeauty,”Ireplied“为了美”，我回答说“AndIforTruthThemselvesareOne“我，为真理两者都一样WeBrethren，are,”（wearebrothers）Hesaid我们俩是兄弟”，他说。

“WhyIfailed”？

-Dickinsonwasmurmuringtoherselfandactuallyitisaquestionsheaskedherself（P14最后一段倒数第三行）ShethoughtthatpeopleatthattimeconsideredshewasaloserbecauseshecouldnotcreatethegreatworksastheprominentwritersinRenaissancedid.-WhyDickinsoncompareherselfwiththefamousfiguresinRenaissance?

Beforethecivilwar,therewasAmericanRenaissancewhenmanyexcellentpoetsandwritersflooded,likeEmerson,Thoreau,Hawthorne（霍桑）andMelville（麦尔维尔）.TheywerepopularatthattimewhileDickinsonwasnt.Oneofthecharacteristicsofartisthat：

TheAestheticNatureofArtisthecrystallizationoftruth,goodnessandbeauty.“艺术的审美性是真善美的结晶”ThatsalsowhatDickinsonpursuedinherworks.areOne:

BeautyisasimportantasTruthinDickinsonseyes.（美与真理的同一性）Brethren:

referstopeoplewhohavethesamereligion（为了美和真理而奉献自我的人是同一种人）,Thethirdstanza:

Andso,asKinsmen（relative亲人）,metaNight就这样，像近亲在夜里相遇WetalkedbetweentheRooms我们隔墙而谈UntiltheMosshadreachedourlips直到青苔爬到我们唇边Andcoveredupournames将我们的名字掩埋,Room:

Dickinsonreplaces“tomb”appearedbeforewiththeword“room”,whichexpressesherfeelingofthe“tomb”.-The”tomb”isnotdarkorcheerless,instead,itisquietandsecluded,wheretherewasaconfidant知己tochatwithallnight.Moss:

elapse流逝oftime（theyhavetalkedforalongtime）themetaphorofdeath（Comparedwithmanslife,deathislengthy.Whenthemossreachedherlip,shewasforgottenbyhumanworldafterher“death”.ButshewouldkeeponpursuingBeautyandTruth.）相对于生，死的时间漫长无期。

当青苔蔓延上唇际，诗人在死亡中被遗忘，她仍会不懈地追求美与真。

WhydidtheymeetatNight?

-Nightisnotonlyaserenemomentbutagoodtimeforwriterstomeditate,createandgetinspired.Ontheotherhand，Nightalsosetsoffthequietatmosphereofthe“tomb”.Dickinsonwasnotsolitaryinherreclusivelifebecauseshetooktruthandbeautyashercompanions.,Dickinsonsattitudetowardsreclusion:

peacefultowardsBeautyandTruth:

persistent,四、ComparisonbetweenIDiedforBeautyButWasScarce&OdeonaGrecianUrn,“Beauty”and“Truth”,FindouttypicalwritingfeaturesofEmilyDickinson,IdiedforbeautyEmilyDickinson,Hequestionedsoftly“WhyIfailed?

”“Forbeauty，”Ireplied“AndIforTruthThemselfareOneWeBrethren，are，”Hesaid,OdeonaGrecianUrnJohnKeats,OAtticshape!

Fairattitude!

withbredeOfmarblemenandmaidensoverwrought,Withforestbranchesandthetroddenweed;Thou,silentform,dostteaseusoutofthoughtAsdotheternity:

ColdPastoral!

Whenoldageshallthisgenerationwaste,Thoushaltremain,inmidstofotherwoeThanours,afriendtoman,towhomthousayst,Beautyistruth,truthbeauty,thatisallYeknowonearth,andallyeneedtoknow.,SameIdea,EventhoughKeats（17951821）andDickinson（18301886）didnotliveinthesameperiodorthesamecountry,theyheldthesameaestheticconception,regardingbeautyandtruthasawhole.,Difference1,Idiedforbeauty,Shorter3Stanzas4Lines,OdeonaGrecianUrn,Longer5Stanzas10Lines,Actually,EmilyDickinsonspoemsarealwaysshort,seldommorethan20lines.,Difference2,Idiedforbeauty,Presentthetopicbytellingastoryofdeaths.Hequestionedsoftly“WhyIfailed?

”“Forbeauty，”Ireplied“AndIforTruthThemselfareOneWeBrethren，are，”Hesaid他轻声问我“为什么倒下？

”我回答他：

“为了美”他说：

“我为真理，真与美是一体，我们是兄弟”,OdeonaGrecianUrn,Presentthetopicbydescribingthepatternofanurn.OAtticshape!

Fairattitude!

withbredeOfmarblemenandmaidensoverwrought,Withforestbranchesandthetroddenweed;Thou,silentform,dostteaseusoutofthoughtAsdotheternity:

ColdPastoral!

Whenoldageshallthisgenerationwaste,Thoushaltremain,inmidstofotherwoeThanours,afriendtoman,towhomthousayst,Beautyistruth,truthbeauty,thatisallYeknowonearth,andallyeneedtoknow.,哦，希腊的形状！

唯美的观照！

上面缀有石雕的男人和女人，还有林木，和践踏过的青草；沉默的形体呵，你象是“永恒”使人超越思想：

呵，冰冷的牧歌！

等暮年使这一世代都凋落，只有你如旧；在另外的一些忧伤中，你会抚慰后人说：

“美即是真，真即是美，”这就包括你们所知道、和该知道的一切。

Dickinsonlikedwritingaboutdeath.Aboutonethirdofthetotalcollectionofherpoemsdealwithdeath.Death,andtheproblemoflifeafterdeath,obsessedher.,Difference3,Idiedforbeauty,Hequestionedsoftly“WhyIfailed?

”“Forbeauty，”Ireplied“AndIforTruthThemselfareOneWeBrethren，are，”Hesaid,OdeonaGrecianUrn,OAtticshape!

Fairattitude!

withbredeOfmarblemenandmaidensoverwrought,Withforestbranchesandthetroddenweed;Thou,silentform,dostteaseusoutofthou