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studentfsfitzgerald
TheLostGeneration
WhentheFirstWorldWarbrokeout,manyyoungmenvolunteeredtotakepartin“thewartoendwars"onlytofindthatmodernwarfarewasnotasgloriousorheroicastheythoughttobe.Fullofyouthfulidealism,theseindividualssoughtthemeaningoflife,drankexcessively,hadloveaffairsandcreatedsomeofthefinestAmericanliterature.Theydidexperimentationonnewmodesofthoughtandexpression.Thesewriterswerelaternamed"TheLostGeneration".
AnAmericanwomanwriter,GertrudeStein(1874-1946),whohadlivedinParissince1903,welcomedtheyoungAmericanwriterstoherapartment,afamousliterarysalon.GertrudeSteinwastheadvisor,friendofsomeoftheAmericanartists&writersofthetime.EzraPoundjoinedhergroupintheearly1920’s.Theyencouragedyoungwriters:
ErnestHemingway,E.E.Cummings,andF.ScottFitzgerald.ManyotherwritersweredrawntoGertrudeStein’shome.TheywerebasicallyexpatriateswholeftAmericaandformedacommunityofwritersandartistsinParis,involvedwithotherEuropeannovelistsandpoets.
Disillusionedanddisguisedbythefrivolous,greedy,andheedlesswayoflifeinAmerica,theybegantowriteandtheywrotefromtheirwonexperienceinthewar.
GertrudeSteincalledthem“TheLostGeneration”,becausetheyhadcutthemselvesofffromtheirpastinAmericainordertocreatenewtypesofwritingwhichhadneverbeentriedbefore.
AmongtheseyoungwriterswerethemostprominentfiguresinAmericanliterature,especiallyinmodernAmericanliterature.TheLostGenerationwritersallgainedprominenceinthe20thcenturyliterature.Theirinnovationspavedthewayforsubsequentgenerationsofwriters.
F.ScottFitzgerald(1896-1940)
DominantinfluencesonFSF
Aspiration;Literature;Princeton;
ZeldaSayreFitzgerald;Alcohol.
LifeExperiences
Pointofview
(1) Heexpressedwhattheyoungpeoplebelievedinthe1920s,theso-called“AmericanDream”isfalseinnature.
(2) Hehadalwaysbeencriticaloftherichandtriedtoshowtheintegratingeffectsofmoneyontheemotionalmake-upofhischaracter.Hefoundthatwealthalteredpeople’scharacters,makingthemmeananddistrusted.Hethinksmoneybroughtonlytragedyandremorse.
(3) Hisnovelsfollowapattern:
dream–lackofattraction–failureanddespair.
Hisideasof“AmericanDream”
Itisfalsetomostyoungpeople.Onlythosewhoweredishonestcouldbecomerich.
Fitzgeraldwasthevictimofhisownsuccess.
Criticsconsideredhimapartofthefashionablelifeofthe1920’s,theyfailedtounderstandtheserioussideofhisbooks.
Hisearlysuccessdamagedhislife&spoiledhisliteraryproduction.
Hisunderstanding&moralinterpretationoftheerawasfarmoreimportantthanhisparticipationinit.
Hisliteraturehasoutlastedtheperiodhewroteabout.
Fitzgeraldnevertrulybelongedtothewealthyclass,hebothlongedfor&mistrustedit.
Hewantedtohavetheappearanceoftheuppercrust.
Hefoundwealthalteredpeople’scharacters,makingthemmean&destructive.Moneyboughtonlytragedy&remorse.
Inhisbestnovels,hebothcondemned&pitiedtherich.
A. Fitzgerald’sfictionalworldisthebestembodimentofthespiritoftheJazzAge,inwhichheshowsaparticularinterestintheupper-classsociety,esp.theupper-classyoungpeople.
B.FitzgeraldneversparedanintimatetouchinhisfictiontodealwiththebankruptcyoftheAmericanDream.
C.FitzgeraldisagreatstylistinAmericanliterature.Hisstyle,closelyrelatedtohisthemes,isexplicitandchilly.Hisaccuratedialogues,hiscarefulobservationofmannerism,styles,modelsandattitudesprovidethereaderwithavividsenseofreality.
D.HefollowstheJamesiantraditioninusingthescenicmethodinhischapters,eachoneofwhichconsistsofoneormoredramaticscenes,sometimeswithinterveningpassagesofnarration,thetediousprocessoftransitiontothereader’simagination.
Style
FitzgeraldwasoneofthegreatstylistsinAmericanliterature.Hisproseissmooth,sensitive,andcompletelyoriginalinitsdictionandmetaphors.Itssimplicityandgracefulness,itsskillinmanipulatingtherelationbetweenthegeneralandthespecificrevealhisconsummateartistry.
MajorWorks
ThisSideofParadise
F.ScottFitzgeraldwrotethefirstdraftofhisfirstnovelinthearmyduring1917and1918.Theworkingtitleswere"TheRomanticEgoist"and"TheRomanticEgotist."ItwasrejectedbyCharlesScribner'sSonsin1918.In1919FitzgeraldrewrotethebookasThisSideofParadise.ItspublicationbyScribnersinApril1920madehimaliterarycelebritybeforehistwenty-fourthbirthday.
SetmostlyatPrinceton,ThisSideofParadisewasthemostinfluentialAmericancollegenovelofitstimeandannouncedthearrivalofayoungergenerationwithnewvaluesandaspirations.
TheGreatGatsby:
plot
JayGatsbyisamanpossessed—drivenbygreed,ambitionand,mostofall,anunwaveringdesireforawomanhemetbeforetheGreatWar,whenhewaspoorandshewasunobtainable.AsGatsbyreinventshimselfinanattempttobuyhiswayintothesocialeliteofLongIsland'sGoldCoast,heyearnstorekindlehisromancewiththewomanwhostolehisheartyearsbefore.Butwhenthechancefinallyarrives,ashadowoftragedyiscastoverwhatGatsbylong-imaginedwouldbehistriumphantmoment.
Narrativepointofview–Nick
Heisrelatedtoeveryoneinthenovelandiscalmanddetectedobserverwhoisneverquicktomakejudgements.
Selectedomniscientpointofview
Gatsby’slifepattern:
1.adream,2.adisenchantment,3.asenseoffailure&despair.
Itstheme:
TheAmericanDreamisdead.
It’saglimpseintothelifeofthehighclassduringtheroaringtwentiesthroughtheeyesofamoralisticyoungman,NickCarraway.
Throughthenarrator'seyes,readersareshownhowmodernvalueshavetransformedtheAmericanDream'spureidealsintoaschemeformaterialisticpower,andhowtheworldofhighsocietylacksanysenseofmorals.
FitzgeraldshowstheonceimperviousdreamisnowlostforevertotheAmericanpeople.
Chapter3,Gatsby'sfabulouspartiesathisexpensive,rentedestatenearNewYork;the1stsuchpartythenarratorhasattended.
Thereisapassagewhichbeginswithadescriptionoftheelaboratepreparations,watchedfromthehousenextdoor,thenhisobservationsasoneoftheguests.
Anatmosphereofcontradiction:
crowedparty–emptinessofwarmthorfriendship,thecharm&sweetnessofyouthspoiledbytriviality&tawdriness,thehouse&gardennotforenjoymentbutformakinganimpression.
MainCharactersofTheGreatGatsby
Gatsby:
Hehasagrace,charm.Hecherishesaromanticideal,viewswealthonlyassth.external.Heisvulgar,dedicatedtohispurpose.Hisillusionmakeshimsacrificeforawrongdream.
Daisy:
awhiteflowerwithayellowcenter.
Anirony.Sheappearstobeinnocent,pure&natural,charminginappearance.Infactdark,dirty,meanatheart.
AsymbolofAmericanDream.
ImportantQuotationsExplained
(1)
1.Ihopeshe’llbeafool—that’sthebestthingagirlcanbeinthisworld,abeautifullittlefool.
2.Hehadoneofthoseraresmileswithaqualityofeternalreassuranceinit,thatyoumaycomeacrossfourorfivetimesinlife.Itfaced,orseemedtoface,thewholeexternalworldforaninstantandthenconcentratedonyouwithanirresistibleprejudiceinyourfavor.Itunderstoodyoujustasfarasyouwantedtobeunderstood,believedinyouasyouwouldliketobelieveinyourself.
3.ThetruthwasthatJayGatsby,ofWestEgg,LongIsland,sprangfromhisPlatonicconceptionofhimself.HewasasonofGod—aphrasewhich,ifitmeansanything,meansjustthat—andhemustbeaboutHisFather’sbusiness,theserviceofavast,vulgar,andmeretriciousbeauty.SoheinventedjustthesortofJayGatsbythataseventeenyearoldboywouldbelikelytoinvent,andtothisconceptionhewasfaithfultotheend.
4.That’smyMiddleWest...thestreetlampsandsleighbellsinthefrostydark....IseenowthatthishasbeenastoryoftheWest,afterall—TomandGatsby,DaisyandJordanandI,wereallWesterners,andperhapswepossessedsomedeficiencyincommonwhichmadeussubtlyunadaptabletoEasternlife.
5.Gatsbybelievedinthegreenlight,theorgasticfuturethatyearbyyearrecedesbeforeus.Iteludedusthen,butthat’snomatter—tomorrowwewillrunfaster,stretchoutourarmsfarther…Andthenonefinemorning—
Sowebeaton,boatsagainstthecurrent,bornebackceaselesslyintothepast.
StudyQuestions
oDiscussGatsby’scharacterasNickperceiveshimthroughoutthenovel.WhatmakesGatsby“great”?
oWhatisNicklikeasanarrator?
Isheareliablestoryteller,ordoeshisversionofeventsseemsuspect?
Howdohisqualitiesasacharacteraffecthisnarration?
oWhataresomeofTheGreatGatsby’smostimportantsymbols?
Whatdoesthenovelhavetosayabouttheroleofsymbolsinlife?
oHowdoesthegeographyofthenoveldictateitsthemesandcharacters?
WhatroledoessettingplayinTheGreatGatsby?