艺术新叙述摄影Artnew narrative photography.docx

艺术新叙述摄影Artnew narrative photography.docx

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艺术新叙述摄影Artnewnarrativephotography

艺术-新叙述摄影（Art-newnarrativephotography）

Abstractwhenabstractexpressionismfadeoutofcontemporarywesternart,artwillendtheprocessofself-discipline.Atthistime,thenewnarrativephotographyintheconceptofphotographyinthesoilwasborn.Fromfictionnarrative,newnarrativephotographyshowstwodifferenttastes:

oneistofocusonthepresent,basedontherealityoflifeonimitationandreconstruction,feelingandexperienceoflife:

theotherislookingtothefuture,theplantomakethefutureoftheworld,tothinkaboutthevariousproblemsofhumandevelopmentwillface.Newnarrativephotographyisdifferentfromtraditionalphotography,ithasarecordofnegation,narrative,technologyintegrationandhighlightthefourmajorcharacteristicsofaestheticconsumption.

Keywordsmodernartconceptphotographynewnarrativephotography

A,"simulacra"--anotherconceptofartdevelopment

Theconceptofphotographyin1960stotheoriginofthenewnarrativephotography.

ModernartafterCubism,Dadaism,surrealismandabstractexpressionism,theartgraduallyendedtheprocessofself-discipline.Artistsbegantoreflectonthepainting,sculptureandothertraditionalartmedia,andtriestofindawaytodevelopnewmediaandartboundary.Photographybeganbyartistsofallages.Photographyintheartpracticeinvariousradical.Theartpracticeofourunderstandingoftheconceptofphotographyisdueto60-70intwentiethCentury.Atthesametime,artcriticismpracticealsobegantopayattentiontothisnewformofartphotography.

Infact,thepracticeofartphotographyasamediumtobecometheaestheticparadigmofmodernartdefinition.Theartistturnedtothesemedia,hassetupabridgebetweenmasscultureandelegantart,technologyandculture,inordertochallengetheconceptofself-disciplineofart.Photographyasameansforartists.Theycanrecordtheexpressionofideas."In80s,AmericanartistShelleyLevin（SherrieLevine）andCindySherman（CindySherman）oftheworks,aphotographichistoryofmilepost.AmericanarthistorianSolomonGodot（AbigallSolomonGodeau）pointedoutthattheimportantpapers"in1984bytheartofphotographyafterphotography"inanarticle:

"appropriation"（APPropriation）and"simulacra"（Simulation）hasbecomethetwodifferentstrategiesofconceptualart.Theircommonfeatureisthenegationofaphotographicrecord,Levinofphotographymasters,aremakeof"divert"andSherman"simulacra"waytocriticizethemassmediafemaleimages,becometherepresentativeofmodernartafter80s.Forthem,thephotographyisnotusedasasimplerecord,butthecriticismofphotographyasatoolforreproductionfunction.Whentheyareundertheinfluenceofthenewnarrativephotographyartist90sactivefascinatedbydescribingtheirpurefantasyinhisworks.Fromtheinitialrecordingfunctionforphotographywithoutreservation,wonderandworship,toactinmodernart,artistsusephotographyasacarriertosaveandrecordtheirbehavior.Tothenewnarrativephotographyby"simulacra"todenytherecordofphotography,hasundergoneaprocessofaffirmationby-negative.

Two,undertheappearanceofstrippingfairyland--newnarrativephotographynew

2002.TheGuggenheimMuseum's"GuggenheimCollection-FilmExhibition"movingimage,willbedividedinto"fantasynarrativephotography.Behaviorandbody,history,memory,identityandimageconstructionandempiricalperspective"fivetopicsaredisplayed.Thepen's"narrativefantasy"（NarrativeFantasy）andthe"imagebuilding"（TheConructedImage）concludedtwothemeof"newnarrativephotography".Therefore,itisanewconcept.Because,nomatteristhefantasyorimagebuilding.Allthewaywithphotographytorecordabeingpumpedawayorrecreatetheappearance.Differentwiththetraditionalprose,withoutreservationrecord.Newnarrativephotographyistheoriginofmodernart,isthenegationofthephotographicrecordfeature,isanewimagecreatedbyvisualcontrol.

ThecontemporaryartcircletolovetheoriginatorofCindyShermannewnarrativephotographyworkscalled"shotput".Justposingforphotographyfromthedivisionmethodandtechnique.Youcanputfilminthehistoryistracedbacktotheinventionofphotographyatthebeginning,beforetheearlyfilmspeedhavegreatlyimproved,whichworksnotstaged?

1857shotLeiLande's"lifeofthetworoad",andRobinson's"dying",ancestorintheirworksvividperformancesaswellasbackgroundactorscarefullythedesignisstagedphotography.FromsurrealismtoDadaphotography,eventhemostordinarylife,posearethemostcommonshootingtechniques.So,onlyfromthependulumtoillustrateclapCindyShermanthiskindofphotographyisnotcomprehensive.

Theinventionofdigitaltechnology,givesartistsmorefreedomtocreateimagesoftheirworld.Theinfluenceoffilmandtelevisionandspuriousnetworkgame,thefictionalimagestylebecamepopular.Thenewnarrativephotographyisalsospringingupatthistime.Theartiststhefreedomtoexploretheirowninnerworld,amasterpieceofRenaissanceandthecurrentsuperrealnetworkgame,theyaretheresourceofnarration.

Three,therealityorthefuture?

-inpathofpossiblenewnarrativephotography

Fromthenewnarrativephotographyfiction,wecanfindthattherearetwokindsoftendency.Oneistofocusonthepresent,basedontherealityoflifeimitationandreconstruction.Toexplorethefeelingandexperienceoflife.Forexample,GrigoriKruderson（GregoryCrewdson）carefullybuiltsuburbancityoftherealscene,tocreateasurrealimage.Theotheristobemadeinthefuture,thefutureoftheworld,tothinkabouttheproblemsfacinghumandevelopment.SuchasMorimaRiko（MarikoMori）thenewvisualimagefullofimagination,givesusanewfashionshow,theuniverseharmoniousfuturehigh-techbackground.

ThisarticletakestheAmericanartistClaudeXunandJapaneseartistMorimaRikoworksasanexample,analysisofthenewnarrativephotographyinwesternecologicallandscape.

1,roseunderthecoldnewnarrativephotographyClaudeXun

In1985,ClaudeXunreceivedabachelor'sdegreeatNewYorkStateUniversityCampusplattsburgh.FromJaneRufoGe（JanGroover）andLaurieSimmons（LaurieSimmons）tostudyphotography.In1988,YaleUniversity,receivedamaster'sdegree.Heshotfromtheearlyworksofthe"family"familyandfriends"series.Itseemslikemostphotographers,hasyettofinditsownuniquelanguageandthemephotography.1992to1998.Hebecameenamoredwithbiology,shooting"naturalwonders"（NaturalWonder）.Inthestudiotobuildavarietyofnaturallandscape,creatingafalse,surrealimage.Atthistime.Wehavefoundthattheimagecanhecontrolabilityandpursuitinhisworks.Later,ClaudeXuncreatedaseriesofsuccessfulworks.The"Twilight"1998-2002（Twilight）in2002,the"dreamhouse"（DreamHouse）,and20032005's"Rose"（BeneaththeRoses）.

ClaudeXunisthemasterandthepreparationoftheconstructionsceneeventphotography,heblurredboundariesbetweenrealityandfiction.ClaudeXunbeforethecreation,withoutanypriordesigngoal.Hedrovethecarinaplacetoturnforalongtime.Tofindthesite.Whenthefixedsite,hewillstartthinkingaboutwork.HisworksoftenfocusonAmericansuburbanlandscape.Hecarefullyarrangedadramaticscene,thedailyperformanceanxiousandhelpless.Sciencefictionorusehorrorfilmclassicpropsoftenappearinhisworks.ClaudeXunlikenedhimselftotheAmericanrealist,hesaid,"I'monthesurfacelooksordinarybutverystrangecircumstancesofinterest,andtrytofindsomethingsfulloffantasyormystery.Ihavealwaysbeenfascinatedbythebeautyofphotographyandarealisticreal.

Theprospectisafloatingcapsulestructureofobjects,itsshapelikeembryo,andalayerofalayer,whichisthesumofhersister,asifitisatthebeginningoflifestoryabout"mirrorwater"（MirrorofWater）,shootingacaveshootinginFrance,thecenterofthescreenatransparentbodylikestoragevesselsofembryoniclife,lifeisalsoasymbolofthewaterdropsontheripples.Theforestimageappearedseveraltimes,asifinhisancientandfuturelifestory."Pureland"（PureLand）,inspiredbyNaramorimaYakushijiBuddha,todisguisehimselfintothetraditionalsymbol.Surroundedbyasmallmusicteacher,musicteacherlookslikethefutureofthesesmallaliens,however,theirimagefrom1000Japanesemask.ThebackgroundofthepictureisthedawnofDeadSea.Inourmemory,humansandaliensareconstantlyfightingwars,andintheforest,andthetraditionalworks,representthefutureofthealiensinthebeautyofharmony.

Theforestbeltintheworldwithafeelingofcompassion,alllifeintheuniverseasthenewuniverseoflifecycle,beyondhistoryandculture,thisshoreandtheothershore.AsBuddhismnirvana,butallisnotlostforever,digestionandtransformationofnature,whichisfulloftheuniverseofuniversallove.Thesumanddeepmeaninginapopularfashionimages,frommultipleimageprocessingtechniquesinearlystage,andlatercombinedwiththevideodevicetofilm,music,morimaworksalwaysgivepeopleakindofnoveltyandsurprise.

Four,thenewnarrativephotographywrappedsyndrome

Thenewnarrativephotographyby"simulacra"approachtoexpandthelimitsofVisionArtsandtheboundaryofunderstanding,throughthestoryoftheplotandtheman-madelandscapebeautifultocreateadramaticeffect.Thenewnarrativephotographyusedtotellthestoryinpictures.Thesepicturesdonotexistinreallifescenarios.Butaccordingtotherealityoflandscapetransformationorproduction,createahithertounknownfiel