陕西省咸阳市高考英语阅读理解21.docx
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陕西省咸阳市高考英语阅读理解21
陕西省咸阳市2014高考英语阅读理解(21)及答案
【2014高考英语吉林省实验中学一模试题】
“Agoodbookforchildrenshouldsimplybeagoodbookinitsownright”saysMollieHunter.BornandbroughtupnearEdinburgh,Molliehasdevotedhertalentstowritingprimarilyforyoungpeople.Shefirmlybelievesthatthereisandshouldalwaysbeawideraudienceforanygoodbookwhateveritsmainmarketis.InMollie’sopinionitisnecessarytomakefulluseoflanguagea
ndsheenjoystellingastory,whichiswhateverywritershouldbedoing.“Ifyouaren’ttellingastory,you’reaverydeadwriterindeed.”Shesays.Withthechieffunctionofawriterbeingtoentertain,Mollieisindeedanentertainer.“Ihavethisgreatloveofnotonlythemeaningoflanguagebutofthemusicoflanguage,”shesays.“Thislovegoesbacktoearlychildhood.Ihadaschoolteacherwhousedtoaskuswhatwewouldliketobewhenwegrewupand,becausemyfa
milyalwayshaddogs,andIwas
verygoodathandlingthem,IsaidIwantedtoworkwithdogs,andtheteacheralwayssaid‘Nonsense,Mollie;dear,you’llbeawriter.’SofinallyIthought
thatthiswomanmusthavesomething,sinceshewasagoodteacherandIdecidedwhenIwasninethatIwouldbeawriter.”
Thischildhoodintentionisdescribedinhernovel,ASoundofChariots,whichalthoughwritteninthethirdpersonisclearlyautobiographical(自传体的)andgivesapicturebothofMollie’sambitionandherstruggletowardsitsachievement.Tho
ughtsofherchildhoodinevitably(不可避免地)broughtthoughtsofthetimewhenherhomewasstillavillagewit
hbuttercupmeadowsandstrawberryfields—sadlynowcoveredwithmodernhouses.“IwasoncetakenbacktoseeitandIfeltthatsomebodyhadlaindirtyhandsallovermychildhood.I’llnevergoback,”shesaid“Never.WhenIsetoneofmybooksinScotland”shesaid“Icanrecallmyromanticfeelingsasachildplayinginthosefields,orwatchingthevillageblacksmithatwork.Andthat’simportantbecausechildrennowknowsomuchsoearlythatromancecan’texistforthem,asitdidforus.”
60.WhatdoesMollieHunterfeelaboutthenatureofagoodbook?
A.Itshouldnotaimatanarrowaudience.
B.Itshouldbeattractivetoyoungreaders.
C.Itshouldbebasedonoriginalideas.
D.Itshouldnotincludetoomuchconversation.
61.InMollieHunter’sopinion,whichofthefollowingisonesignofapoorwriter?
A.Beingpoorinlifeexperience.
B.Beingshortofwritingskills.
C.Theweakne
ssofdescription.
D.Theabsenceofastory.
62.WhatdowelearnaboutMoll
ieHunterasayoungchild?
A.Shedidn’texpecttobecomeawriter.
B.Shedidn’tenjoywritingstories.
C.Shedidn’thaveanyparticularambitions.
D.Shedidn’trespectherteacher’sviews.
63.What’sthewriter’spurposeinthistext?
A.ToshareherenjoymentofMollieHunter’sbooks.
B.TointroduceMollieHunter’sworktoawideraudience.
C.ToprovideinformationforMollieHunter’sexistingreaders.
D.TodescribeMollieHunter’smostsuccessfulbooks.
【参考答案】【参考答案】60-63ADAB
阅读理解课堂练学案(18)
PassageFourteen(Pageants)
Pageantsareusuallyconceivedonafairlylargescale,
oftenundertheauspicesofsomelocalorcivicauthorityoratanyrateinconnectionwithlocalgroupsofsomekind.Thissometimesmeansthatthereisanallocationoffundsavailableforthepurposeofmountingtheproduction,thoughunfortunatelythiswillusuallybefoundtobeonthemeagersideandmuchingenuitywillhavetobeusedtostretchitsothatallperformerscanbeadequatelyclothed.
Mostpageantshaveahist
oricalflavourastheyusuallycomeaboutthroughthecelebrationoftheanniversaryofsomeeventofhistoricimportance,orthelifeordeathofsomelocalworthy.Researchamongarchivesandbooksinthepubliclibrarywillprobablyproveveryusefulandproducesomeworkableideaswhichwillgivetheproductionanespeciallylocalflavour.Fromthefirsteconomywillhavetobepracticedbecausethereareusuallyagreatnumberofpeopletodress.Leadingcharacterscanbeconsideredindividuallyinthesamewayaswhendesigningforaplay;butthemainbodyoftheperformerswillneedtobeplannedingroupsandthemassedeffectmustbealwaysborneinmind.
Manypageantstakeplaceindaylightintheopenair.Thisisanentirelydifferentproblemfromdesigningcostumeswhicharegoingtobelookedatunderartificiallighting;foronething,scenesviewedinthedaylightaresubjecttomanymoredistractions.Nolongeriseverythingaroundcutoutbythesurroundingdarkness,butinsteaditisveryeasytobeawareofdisturbingmovementintheaudienceofbehindtheperformers.Verytheatricallyconceivedclothesdonotalwayslooktheirbestwhenseeninadaylightsettingoftrees,verdantlawnsandoldivy-coveredwalls;thesamegoesforcostumesbeingworninfrontofthemellowcolorsofstatelyhomes.Thelocationneedstobestudiedandthenadecisioncanbemadeastowhatkindsofcolorsandtextureswillharmonizebestwiththesurroundingsandconditionsandthentocarrythisoutasfaraspo
ssibleonthefundsavailable.
Ifmoneyisavailabletodresstheperformerswithoutrecoursetotheirownhelpintheprovisionofitems,itisbesttoarrangeforallthecuttingandpinningtogetherofthecostumestobedonebyoneortwoexperiencedpeoplethantobegivenouttothegroupsandindividualsforcompletion.Whenthereislittleornomoneyatall,thegarmentsneedtobereducedtothebasicnecessities.Cloaksandshawlsbecomeinvaluable,sheetsandlargebathtowelsandbathsheetsareadmirablefordraping.Unwantedcurtainsandbedspreadscanbecuttomaketunics,robesandskirts.Theseareparticularlyvaluableiftheyareofheavyfabricssuchasvelvetorchenille.
Colorsshouldbemassedtogethersothattherearecontrastinggroupsofdarkandlight,thiswillbefoundtohelpthevisualresultsubstantially.Crowdsofpeoplegatheredtogetherinajumbleofcolorswillbegroundtolookquitepurposelessandwilllackdramaticimpact.
Theuseofnumbersofidenticalhead-dresses,howeversimplymade,arealwayseffectivewhenworkingwithgroups.Ifthesearemadeofcardboardandpaintedboldlythecostcanbealmostnegligible.Helmets,hatsandplumeswillallmakequiteashowevenifthecostumesareonlyblandestorsheetscleverlydraped.Thesamecanbesaidoftheuseofbanners,shieldsandpoleswithstiffpennantsandgarlands—anythingwhichwillhelptohaveaunifyingeffect.Anykindofeye-catchingdevicewillalwaysgowithaf
lourishandaddexcitementtothescenes.
1. Themainideaofthispassageis
[A].Pageants.
.Costumesonthestage.
[C].Costumesforpageants. [D]. Howtoarrangeapageant.
2. Itcanbeinferredthatthemostimportantfactorincostumedesignis
[A].money. .color. [C].harmony [D].texture
3. Whywillmuchingenuityhavetoberequiredincostumedesign?
[A].Becausepageantstakeplaceindaylightintheopenair.
.Becausedifferentcharactersrequiredifferentcostumes.
[C].Becausethecolorsandtexturesmustbeinharmonywiththesetting.
[D].Becauseanallocationofthefundsavailableisusuallyrathersmall.
4. Whydomostpageantshaveahistoricalflavour?
[A].Becausemostpageantstakeplaceforcelebration.
.Manypageantstakeplaceforamusement.
[C].Alotofpageantstakeplaceforreligion.
[D].Becausepageantsusuallytakeplaceforcompetition.
Vocabulary
1. conceive 设想,想象
tobeconceived 设想好的,构思好的
2. undertheauspicesof 在……的主办下
3. meager 贫乏的,不足的
4. mount 登上,制作,上演
5. flavour 风味,风格,情趣
6. archive(s)
档案(馆)
7. distraction 使人分心的事
8. ivy 常春藤
9. mellow 柔和的
10. recourse(to) 依赖,求助于
11. drape 覆盖,披上
12. invaluable 无价的,非常贵重的
13. tunic (古时)长达膝盖的外衣,穿在盔甲上的战袍
14. chenille 绳绒绒(织品)
15. jumble 混乱,搞乱
16. pennant 细长三角旗
17. garland 花环,花冠
难句译注
1. Thissometimesmeansthatthereisanallocationoffundsavailableforthepurposeofmountingtheproduction,thoughunfortunatelythiswillusuallybefoundtobeonthemeagersideandmuchingenuitywillhavetobeusedtostretchitsothatallperformerscanbeadequatelyclothed.
[结构简析] 复合结构。
That是主句的宾语从句,从句后再有从句。
[参考译文] 这种情况,有时就表示有一个可用于演出目的资金配额。
遗憾的是配额一般都少而不足,就得动用非常之才能细细的使用金额,使所有的演员都能穿上合适的戏装。
2. Mostpageantshaveahistoricalflavourastheyusuallycomeaboutthroughthecelebrationoftheanniversaryofsomeeventofhistoricimportance,orthelifeordeathofsomelocalworthy.
[结构简析] 主从句
[参考译文] 大多数露天演出都带有历史情调,因为这些戏一般是通过庆祝某个重大的历史事件,或庆祝当地某个值得纪念的人诞辰或逝世周年而产生的。
3. Thisisanentirelydifferentproblemfromdesigningcostumeswhicharegoingtobelookedatunderartificiallighting;foronething,scenesviewedinthedaylightaresubjecttomanymoredistractions.Nolongeriseverythingaroundcutoutbythesurroundingdarkness,butinsteaditisveryeasytobeawareofdisturbingmovementintheaudienceofbehindtheperformers.
[结构简析] 复合结构:
主句thisis后有定语从句,which修饰costumes。
从句中又套从句。
[参考译文] 这和人为灯光下看的设计服装完全不一样。
首先,白天看到幕景易于受许多因素影响,不再能用一片漆黑的环境把周围的一切隔开,而是相反,演员后和观众中有点纷乱的动作,很容易看到。
4. Verytheatricallyconceivedclothesdonotalwayslooktheirbestwhenseeninadaylightsettingoftrees,verdantlawnsandoldivy-coveredwalls;thesamegoesforcostumesbeingworninfrontofthemellowcolorsofstatelyhomes.
[结构简析] 并列句,中用分号隔开。
第一句中有whenseen