U5听力教程第三版施心远学生用书答案.docx
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U5听力教程第三版施心远学生用书答案
Unit5
SeCtiOnOneTaCtiCSforLiStening
Part1PhOnetiCS
StreSs,IntOnatiOnandACCent
SCriPt
LiStentoPetertalkingtoMaggie.IsheaskingaquestionordoeshejustWanthertoagree?
TiCktherightbox.
1.You'vebeentoCanada,haven'tyou?
∖
2.Ohyes,Iremember.YouWentacoupleofyearsago,didn'you?
/
3.Now,let'See...It'ser,it'samainlyagriculturalCoUntry,isn'tit?
∖
4.Wellyes,Iknow,butthere'notmuchindustryOnCeyou'eleftthecoast,isthere?
/
5.ISee...Mm,sotheNorthwouldbethebestplacetogoto,wouldnSit?
∖
6.Yeah.Mindyou,IshouldthinktheSouthisVerybeautiful,isnSit?
∖
7.(IaUghS)Yeah.That'Sright.OhandWhatabouttransport?
Itcar,dbebettertohirea
wouldn'it?
Z
8.Really?
That'cheap.Itcoststhatmuchadayhere,doesn'tit?
∖
Key
1
2
345
678
AmIright?
I√I
√
√
AgreeWithme.
√
√
√
√
√
Part2LiSteningandNOte-TakingReading
SCriPtA.
LiStentosomeSentenCeSandfillintheblanksWiththemissingwords.
1.Thereisnohardandfastrule,fornotwoarealike.
2.ThefactthatheorShemightlaterbe“bored”WhenjoiningaclaaSofnonreaders
infantschoolistheteacher'Saffair.
3.IfbadlydoneitcouldPUtthemoffreadingforlife.
4.BUtthetaskshouldbeUndertakengently.
5.Readingshouldneverbemadetolooklikeachore.
B.
LiStentoatalkaboutreading.Takenotesandcompletethefollowingsummary.
WhenshouldachildStartlearningtoreadandwrite?
ThiSisOneofthequestiOnSIam
mostfrequentlyasked.Thereisnohardandfastrule,fornotwoarealike,anditwouldbeWrongtoSetatimeWhenallshouldStartbeingtaughttheinsandoutsofreadingIetterSto
formwords.
Ifathree-year-oldWantStoread(Orevenatwo-year-oldforthatmatter),thechilddeservestobegiveneveryenCOUragement.ThefactthatheorShemightlaterbe“bored”Whenjoiningaclassofnon-readersatinfantschoolistheteacher'fsair.ItisUPtotheteachertoSeethatSUChachildisgivenmoreadvaneedreadingmaterial.
Similarly,thechildwhostillCannotreadbythetimehegoestojuniorschoolattheageofSeVenshouldbegiveneveryhelpbyteachersandParentsalike.TheyshouldmakeCertainthatheisnotdyslexic*.Ifheis,SPeCiaIiSthelpshouldimmediatelybesought.
AlthoughParentsshouldbeCarefUInottoforceyoungstersagedtwotofivetolearntoread(ifbadlydoneitcouldPUtthemoffreadingforlife),thereisnoharminPreParingthemforSimPIerecognitionofIetterSbylabellingVariOUSitemsintheirroom.ForinStance,byanicePieCeofCardbOardtiedtotheirbedWithBEDWritteninneat-bigletters.
ShouldtheyoungchildaskhisParentstoteachhimtoread,andiftheParentsareCaPabIeofdoingso,SUChanappealshouldnotbeignored.BUtthetaskshouldbeUndertakengently,WithgreatPatienceandaSenSeofhumour.Readingshouldneverbemadetolooklikeachoreandthechildshouldneverbeforcedtocontinue,shouldhisinterestStarttoflag*.
Key
A.1.Thereisnohardandfastrule,fornotwoarealike.
2.ThefactthatheorShemightlaterbe“bored”Whennioin!
■headecfeaaSof
infantschoolistheteacheraffair.'S
3.IfbadlydoneitcouldPUtthemoffreadingforlife.
4.BUtthetaskshouldbeUndertakengently.
5.ReadingshouldneverbemadetoIookIikeachore.
B.Reading
ItwouldbeWrongtoSetatimeWhenachildshouldStartlearningtoreadandWrite.ParentSshouldenCoUrageyoungstersagedtwotofivetoreadiftheyshowinterestsinit,butneverforcethemtolearntoread.HeorShemightlaterbebored”“Whenjoiningaclassofnon-readersatinfantschool.ThenitisUPtotheteachertoSeethatSUChachildisgivenmoreadvaneedreadingmaterial.
Similarly,ifachildCannOtreadattheageofseven,teachersandParentsshouldmakeCertainthatheisnotdyslexic.Ifheis,SPeCiaIiSthelpshouldimmediatelybesought.
ParentSshouldnotignoretheyoungchild'appealtobetaughttoread.BUtthetaskshouldbeUndertakengently,WithgreatPatienCeandaSenSeofhumour.Readingshouldneverbemadetolooklikeachoreandthechildshouldneverbeforcedtocontinue,ifhisinterestsStarttoflag.
SeCtiOnTWOLiSteningCOmPrehenSiOn
Part1SentenCeIdentifiCatiOn
SCriPt
IdentifyeachSentenCeasSimPIe(S),compound(CP),complex(CPL)Orcompound-complex(C-C).YOUwillheareachSentenCetwice.WritetheCOrreSPOndingIetter(S)intheSPaCeprovided.
1.TheIinedownthemiddleOftheroadwavered,zigzagged,andthenPlUngedrightoffthePaVement.
2.MySiSterlikesCIaSSiCaImusic,butIPreferthekindShedismissesas“junk.
3.EitheryoumustimproveyourworkorIshalldismissyou.
4.BabaraandAndrewareSittingUnderthetreebytheriver.
5.SheOnlyhopedthattheentireinCidentwouldbeforgottenasSoonaspossible.
Key
1.S2.C-C3.CP_4.S5.CPL
Part2Dialogues
Dialogue1DigitaISound
SCriPt
A.LiStentothedialogueandCOmParedigitalsoundandanalogicalsound.
[music]Mike:
Wow!
Nice.CDShaveSUChgoodsound.DoyoueverWonderhowtheymake
CDs?
Kathy:
Well,theygetabunchofmusicianstogether,andtheySingandplay.
Mike:
Comeon.YouknowWhatImean.WhyistheSoUndqualitysogood?
Imean,WhydoCDSSoUndsomuchCIearerthanCaSSettetapes?
Kathy:
Actually,Idoknowthat.
Mike:
Really?
Kathy:
It'aSbasedondigitalsound.CDSaredigital.DigitaISoUndislikeSeVeraIphotos,alltakenOneafteranother.It'kindoflikePiCtUreSofsound.TheintenSityoftheSoUnd—howStrongitis—ismeasuredVeryquickly.Thenit'S
measuredagainandagain.WhenWeheartheSoUnd,itallSoUndSlikeOneIongPieCeofsound,butit'SreallylotsofPieCeSClosetogether.AndeachPieCeisreallyclear.
Mike:
Sodigitalislikelotsofshort“PieCeS”ofsound.
Kathy:
EXaCtly.ThiSisdifferentfromanalog*—that'howtheyUSedtorecord.AnalogismorelikeOneWaVeofSoUnd.ItmovesUPanddownWithvolumeandpitch.Anyway,analogislikeaSinglewave.DigitaIislikeaSerieSofpieces.
Mike:
OK,IUnderstandthat.BUthowdotheymaketheCDs?
Kathy:
Itoldyou,Mike.Theygetabunchofmusicianstogether,andtheySingandPlay.
Mike:
Kathy!
Kathy:
No.Whatreallyhappensisfirsttheydoadigitalrecording—OnVideOtape.
Mike:
OnVideOtape?
Kathy:
Yeah,theyUSeVideOtape.SothentheVideOtaPeisPIayedthroughaCOmPUter.
Mike:
OK.WhatdoestheCOmPUterdo?
Kathy:
Well,theCOmPUterisUSedtofigureoutthe“PieCeS”ofSoUndWeWalking
ofsound.
Vegotthe
about;howIongeverythingis,howfarapartSPaCeSare.
Mike:
OK.SotheCOmPUterisfiguringoutthoseSeParate“PieCeS”
Kathy:
Yeah.Theyneedtodothattomakethemaster.
Mike:
Themaster?
Kathy:
ThemasteristheoriginalthatalltheotherCDSareCOPiedfrom.Itmadeofglass.It'SaglassdiskthatSPinSarou⅛ιuStlikearegularCD.AndtheglassdiskisCOVeredWithaChemiCal.TheyUSealasertoburntheSignal,orthesong,intotheglassplate.ThelaserburnsthroughtheChemiCal,butnotthroughtheglass.
Mike:
SothelaserCUtStheSoUndintotheplate?
Kathy:
Right.Whatit'doingisCUttinglittleholesintothebackofthedisk.Thoseholesarecalled“pits.”Thetπsepi∣t^tsin
Mike:
SoCDSreallyhavelittleholesOntheback?
Ididn'tknOWthat
Kathy:
Yeah.Tinypits.They'retoosmalltosee.Anyway,thentheymaster,
andtheymakeCOPieSfromit.ThenyoubuyyourCopyandPUtitintheCDplayer.
Mike:
PUtitintheCDPIayer...ThatPartIUnderstand.
Kathy:
There'SanotherlaserinyourCDplayer.ThelightofthelaserrefleCtsofftheCD.ThesmoothPartoftheCDrefleCtsStraightbaCk,likeamirror.BUtthelightthatbouncesoffthePitSisSCattered.Anyway,theCOmPUterinyourCDPIayerreadsthelightthatbouncesoffthepits.Andyougetthemusic.
Mike:
RefleCtedlight,huh?
...Uh...youknewWhatIlike?
JUStrelaxing,Iisteningto
music,andnotreallyWorryingabouthowitgetsOnthedisk.
Kathy:
YouWantmetoexplainitagain?
[music]
B.LiStentothedialogueagainandcompletethefollowingoutline.
C.LiStentoanextractfromthedialogueandcompletethefollowingSentenCeSWiththemissingwords.
Mike:
SothelaserCUtStheSoUndintotheplate?
Kathy:
Right.Whatit'doingisCUttinglittleholesintothebackofthedisk.Thoseholesarecalled“pits.”ThelaserPUtSinthepits.
Key
A.
QUaIity
ReCOrdingtechnique
DigitaISoUnd
MUChCIearer
DigitaIsoundislikeSeVeraIphotos,alltakenoneafteranother.It'kindoflikePiCtUreSofsound.
DigitaIislikeaSerieSofpieces.
Analogicalsound
AnalogismorelikeOneWaVeofSoUnd.Itmoves
UPanddownWithvolumeandPitCh.AnalogislikeaSinglewave.
B.I.ThemakingOfCDS
A.ReCOrding
a.FirSttheydoadigitalrecording—onVideotape.
b.ThentheVideOtaPeisPIayedthroughaCOmPUter.
c.TheCOmPUterfiguresoutthoseSeParate“PieCeS”ofSoUndhtelmaster.
B.Themakingofthemaster
a.ThemasteristheOriginalthatalltheotherCDSareCoPiedfrom.
b.It'Smac⅛laSs,COVeredWithaChemiCal.
C.TheyUSealasertoburntheSignal,orthesong,intotheglassPIate.ThelaserburnsthroughtheChemiCal,butnotthroughtheglass.
d.ItCUtSlittleholesintothebackofthedisk.ThoseholesareCalledPits.”
e.TheymakeCOPieSfromit.
II.Playingback
A.YoubuytheCoPyandPUtitintheCDPlayer.
B.ThelightofthelaserreflectsOfftheCD.
a.ThesmoothPartoftheCDreflectsStraightback,likeamirror.
b.BUtthelightthatbouncesoffthe_PjiSisSGattered.
c.TheCOmPUteri