TPO7 listening 听力文本.docx
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TPO7listening听力文本
TPO07–ListeningPart
Conversation
Eric:
Hi,ProfessorMason,doyouhaveaminute?
Pro:
Yeah,ofcourse,Eric.IthinktherewassomethingIwantedtotalktoyouabouttoo.
Eric:
Probablymylateessay.
Pro:
Ah,thatmustbeit.IthoughtmaybeI’dlostit.
Eric:
No,I'msorry.Actuallyitwasmycomputerthatlostit,thefirstdraftofit.And,well,anyway,Ifinallyputitinyourmailboxyesterday.
Pro:
Oh,Ihaven'tcheckedthemailboxyettoday.Well,I'mgladit'sthere.I
willreaditthisweekend.
Eric:
Well,sorryagain.Say,Icansendittoyoubyemailtooifyoulike.
Pro:
Great.I'llbeinterestedtoseehowitallcomesout.
Eric:
Right.Now,ah,Ijusthaveoverheardsomegraduatesstudentstalking.SomethingaboutapartyforDeAdams?
Pro:
Retirementparty,yes,allstudentsareinvited.Wasn'ttherenoticeonthe
AnthropologyDepartment'sbulletinboard?
Eric:
Ah,Idon'tknow.ButIwanttoofferhelpwithit.Youknowwhateveryouneed.DeAdams,well,Itookafewanthropologyclasseswithherandtheyweregreat,inspiring.That'swhyIwanttopitchin.
Pro:
Oh,that'sverythoughtfulofyou,Eric,butitwillbelowkey,nothingflashy.That'snotherstyle.
Eric:
Sothere'snothing?
Pro:
No,we'llhavecoffeeandcookies,maybeacake.Butactuallycouplesoftheadministrativeassistantsareworkingonthat.YoucouldaskthembutIthinkthey'vegotcovered.
Eric:
Ok.
Pro:
Actually,oh,no,nevermind.
Eric:
What'sit?
Pro:
Well,it'snothingtodowiththepartyandI'msuretherearemoreexcitingwaysthatyoucouldspendyourtime.Butwedoneedsomehelpwithsomething.Workpillingadatabaseofarticlestheanthropologyfacultyhaspublished.Thereisnotmuchglory,butwearelookingforsomeonewithsomeknowledgeofanthropologywhocanenterthearticles.Ihesitatetomentionit.ButIdon'tsupposeit'ssomethingyouwould
Eric:
No,thatsoundslikecool.Iwouldliketoseewhattheyarewritingabout.
Pro:
Wonderful.Andtherearealsosomeunpublishedstudies.DoyouknowDeAdamsdidalotoffieldresearchinIndonesia?
Mostofthemhaven'tbeenpublishedyet.
Eric:
No,likewhat?
Pro:
Well,sheisreallyversatile.ShejustspentseveralmonthsstudyingsocialinteractionsinIndonesiaandshe'sbeeninfluentialinecology.Oh,andshe'salsodoneworkinsouthofAmerica,thisisclosertobiology,especiallywithspeciation.
Eric:
ah,nottoseemuninformed
Pro:
Well,how'sspeciesform?
Youknow,howtwodistinctspeciesformfromone.Likewhenpopulationofthesamespeciesareisolatedfromeachotherandthendevelopedintotwodifferentdirectionsandendedupwithtwodistinctspecies.
Eric:
Interesting.
Pro:
Yes,whileshewasthereinthesouthofAmerica,shecollectedalotoflinguisticinformationandsounds,reallyfascinating.
Eric:
Well.Ihatetoseeherleave.
Pro:
Don'tworry.She'llstillbearound.She'sgotlotsofprojectsthatshe'sstillinthemiddleof.
Lecture
Pro:
The19centurywasthetimethatthoughtwhatwecalled:
RealismdevelopinginEuropeanintheater.Um…tounderstandthisthough,wefirstneedtolookattheearlyformofdramaknownasthewell-madeplay,whichbasicallywasapatternforconstructingplays,playsthatthebeginningwithsomeearly19century’scomediesinFranceprovedverysuccessfulcommercially.Thedramaticdevisesuseherewordactuallyanythingnew,theyhavebeenaroundforcenturies.Buttheformulaforwell-madeplayrequiredcertainelementsbeingincluded,inaparticularorder,andmostimportantly,thateverythingintheplaysbelogicallyconnected.Infact,someoftheplayerwriteswouldstartbywritingtheendoftheplay.Andtheword“backward”towardthebeginning,justtomakesureeacheventletlogicallyfromwhathasgonebefore.Ok,whatarethenecessaryelementsofwell-madeplay?
Well,thefirstislogicalexposition.Expositioniswhateverbackgroundinformationyouhavetoreviewtotheaudience.So,theyallunderstandwhat
isgoingon.Beforethistime,expositionmightcomefromtheactorssimplygivingspeeches.Someonemightwatchoutthestageandsee:
“lyricquotation”.AnduntilallaboutthefeltingfamilyofRomeoandJulie,butforthewell-madeplay,eventheexpositionhadtobelogic,believable.So,forexample,youmighthavetwoservantsgossipingastheyarecleaningthehouse.Andonesays,Oh,whatashamemastersoundstillnotmarried.Andtheothermightmentionthatarumoraboutthemysteriousagentlemenwhojustmovedintothetownwithhisbeautifuldaughter.Thesecommentsarepartsoftheplaylogicalexposition.
Thenextkeyelementsofthewell-madeplayrefertoastheincitingincidents.Afterwehavethebackgroundinformation,weneedakingmomenttogetthingsmoving,theyreallymaketheaudienceinterestedinwhatishappenedtothecharacterswejustheardaboutit.So,forexample,afterthetwoservantsreviewallthisbackgroundinformation,weneedtheyoungman.Justishefirstlieseyesonthebeautifulwoman,andheimmediatelyfallsinlove.Thisistheincitingincidence.Itsetsoff,theplotoftheplay.
Now,theplotofwell-madeplaysisusuallydrivenbysecrets.Things,theaudiencesknow,butthecharactersoftendon’tknow.So,forexample,theaudiencelearnedthroughaletterorthroughsomeoneelse’sconversation.Whoisthemysteriousgentlemanis,andwhyheleftthetownmanyyearsbefore.Buttheyoungmandoesn’tknowaboutthis.Andthewomandoesn’tunderstandtheancientconnectionbetweenherfamilyandheis.Beforethesecretarereviewedtothemaincharacter,theplotoftheplayperceivedastheseriesofthesortsoftheupanddownmoments.Forexample,thewomanfirstappearsnottoevennoticetheyoungman,anditseemstohimliketheendoftheworld.Butthen,helearnsthatthesheactuallywantstomeethimtoo.So,lifeiswonderful.Then,ifhetriestotalkwithher,maybeherfathergetfurious,fornoapparentreason.So,theycannotseeeachother.But,justtheyoungmanhasalmostlovedallhopes,hefindsout,wellyougettheidea,thereversalthefortunecontinue,increasingtheaudience’stensionandexcitement.Theycanwonderthateverythingisgoingtocomeoutorcareitnot.
Nextcomein,elementsknownasthe:
Anobligatoryscene.It’sscene,amomentinwhichallthesecretsarereviewed.Ingenerally,thingsturnoutwellfortheheroandotherswearecareabout,ahappyendingofsomesorts.This
becamesopopularthattheplaywrightalmosthadtoincludeitineveryplaywhichiswhyiscalled:
theobligatoryscene.Andthat’sfollowedbythefinaldramaticelement---thedenouementortheresolution,whenallthelucenthavetobetightupinthelogicalway.Remember,theobligatoryscenegivestheaudienceemotionalpleasure.Butthedenouementofferstheaudiencealogicalconclusion.That’sthesubtledistinctionweneedtotryveryhardtokeepinmind.So,asIsaid,thewell-madeplay,thisformofplaywriting,becamethebaseforrealismindrama,andforalotofverypopular19centuryplays.Andalso,apatternwefindinplotsoflatermanyplay,andevenmoviesthatweseeittoday.
Lecture
Pro:
So,thatishowelephantusesinfrasound.Now,let’stalkabouttheotherandtheacousticspectrums,soundthatistoohighforhumanstohear---ultrasounds.Ultrasoundisusedbymanyanimalsthatdetectedandsomeofthemseenoutveryhighfrequencysounds.So,whatisagoodexample?
Yes,Kayo.
Kayo:
Well,bats,sincethereisallblind,betshavetousesoundfor,youknow,tokeepthemfromflyinginthethings.
Pro:
Thatisecholocation.Echolocationisprettyself-explanatory;usingechoesreflectedsoundwavestolocatedthings.AsKayosaidthatbatusedfornavigationandorientation.Andwhatiselse.Make.
Make:
Well,findingfoodisalwaysimportant,andIguessnotbecomingfoodforotheranimals.
Pro:
Right,onbothaccounts.Avoidingotherpredators,andlocatingprey,typicallyinsectsthatflyarounditatnight.BeforeIgoon,letmejustrespondsomethingKayowassaying---thisideathatisbatsareblind.Actually,therearesomespeciesofbats,theonethatdon’tuseecholocationthatdorelyontheirvisionfornavigation,butitstrueformanybats,theirvisionistooweakto
counton.Ok,soquicksomeraysifecholocationworks.Thebatsemittheultrasonicpulses,veryhighpitchsoundwavesthatwecannothear.Andthen,theyanalyzetheechoes,howthewavesboundback.Here,letmefinishthestylediagramIstarteditbeforetheclass.Sothebatsendsoutthepulses,veryfocusbirdsofsound,andechoboundsback.Youknow,Idon’tthinkIneedtodrawtheechoes,yourreadingassignmentforthenextclass;ithasdiagramshowsthisveryclearly.So,anyway,asIweresaying,byanalyzingthisecho,thebatcandetermine,say,ifthereiswallinacavethatneedstoavoid,andhowfarawayitis.Anotherthingusestheultrasoundtodetectisthesizeandtheshapeofobjects.Forexample,oneechotheyquicklyidentifiedisonewayassociatedwithmoth,whichiscommonpreyforabat,particularlyamothmeetingitswings.However,mothhappenedtohavemajoradvantageovermostotherinsects.Theycandetectultrasound;thismeansthatwhenthebatapproaches,themothcandetectthebat’spresence.So,ithastimetoescapetosafety,orelsetheycanjustremainmotionless.Since,whentheystopmeetingtheirwings,theywillbemuchhardforthebattodistinguishfrom,oh…aleaveorsomeotherobject.Now,wehavetendedtounderestimatejusthowsophisticatedtheabilitythatanimalsthatus