赛珍珠诺贝尔文学奖演讲辞英语.docx

上传人:b****6 文档编号:8040741 上传时间:2023-01-28 格式:DOCX 页数:13 大小:33.48KB
下载 相关 举报
赛珍珠诺贝尔文学奖演讲辞英语.docx_第1页
第1页 / 共13页
赛珍珠诺贝尔文学奖演讲辞英语.docx_第2页
第2页 / 共13页
赛珍珠诺贝尔文学奖演讲辞英语.docx_第3页
第3页 / 共13页
赛珍珠诺贝尔文学奖演讲辞英语.docx_第4页
第4页 / 共13页
赛珍珠诺贝尔文学奖演讲辞英语.docx_第5页
第5页 / 共13页
点击查看更多>>
下载资源
资源描述

赛珍珠诺贝尔文学奖演讲辞英语.docx

《赛珍珠诺贝尔文学奖演讲辞英语.docx》由会员分享,可在线阅读,更多相关《赛珍珠诺贝尔文学奖演讲辞英语.docx(13页珍藏版)》请在冰豆网上搜索。

赛珍珠诺贝尔文学奖演讲辞英语.docx

赛珍珠诺贝尔文学奖演讲辞英语

外语下载中心

PearlBuck

TheNobelPrizeinLiterature1938

WhenIcametoconsiderwhatIshouldsaytodayitseemedthatitwouldbewrongnottospeakofChina.AndthisisnonethelesstruebecauseIamanAmericanbybirthandbyancestryandthoughIlivenowinmyowncountryandshalllivethere,sincethereIbelong.ButitistheChineseandnottheAmericannovelwhichhasshapedmyowneffortsinwriting.Myearliestknowledgeofstory,ofhowtotellandwritestories,cametomeinChina.Itwouldbeingratitudeonmypartnottorecognizethistoday.AndyetitwouldbepresumptuoustospeakbeforeyouonthesubjectoftheChinesenovelforareasonwhollypersonal.ThereisanotherreasonwhyIfeelthatImayproperlydoso.ItisthatIbelievetheChinesenovelhasanilluminationfortheWesternnovelandfortheWesternnovelist.

WhenIsayChinesenovel,ImeantheindigenousChinesenovel,andnotthathybridproduct,thenovelsofmodernChinesewriterswhohavebeentoostronglyunderforeigninfluencewhiletheywereyetignorantoftherichesoftheirowncountry.

ThenovelinChinawasneveranartandwasneversoconsidered,nordidanyChinesenovelistthinkofhimselfasanartist.TheChinesenovelitshistory,itsscope,itsplaceinthelifeofthepeople,sovitalaplace,mustbeviewedinthestronglightofthisonefact.Itisafactnodoubtstrangetoyou,acompanyofmodernWesternscholarswhotodaysogenerouslyrecognizethenovel.

ButinChinaartandthenovelhavealwaysbeenwidelyseparated.There,literatureasanartwastheexclusivepropertyofthescholars,anarttheymadeandmadeforeachotheraccordingtotheirownrules,andtheyfoundnoplaceinitforthenovel.Andtheyheldapowerfulplace,thoseChinesescholars.Philosophyandreligionandlettersandliterature,byarbitraryclassicalrules,theypossessedthemall,fortheyalonepossessedthemeansoflearning,sincetheyaloneknewhowtoreadandwrite.Theywerepowerfulenoughtobefearedevenbyemperors,sothatemperorsdevisedawayofkeepingthemenslavedbytheirownlearning,andmadetheofficialexaminationstheonlymeanstopoliticaladvancement,thoseincrediblydifficultexaminationswhichateupaman'swholelifeandthoughtinpreparingforthem,andkepthimtoobusywithmemorizingandcopyingthedeadandclassicalpasttoseethepresentanditswrongs.Inthatpastthescholarsfoundtheirrulesofart.Butthenovelwasnotthere,andtheydidnotseeitbeingcreatedbeforetheireyes,forthepeoplecreatedthenovel,andwhatlivingpeopleweredoingdidnotinterestthosewhothoughtofliteratureasanart.Ifscholarsignoredthepeople,however,thepeople,inturn,laughedatthescholars.Theymadeinnumerablejokesaboutthem,ofwhichthisisafairsample:

Onedayacompanyofwildbeastsmetonahillsideforahunt.Theybargainedwitheachothertogooutandhuntalldayandmeetagainattheendofthedaytosharewhattheyhadkilled.Attheendoftheday,onlythetigerreturnedwithnothing.Whenhewasaskedhowthishappenedherepliedverydisconsolately,“AtdawnImetaschoolboy,buthewas,Ifeared,toocallowforyourtastes.Imetnomoreuntilnoon,whenIfoundapriest.ButIlethimgo,knowinghimtobefullofnothingbutwind.ThedaywentonandIgrewdesperate,forIpassednoone.ThenasdarkcameonIfoundascholar.ButIknewtherewasnouseinbringinghimbacksincehewouldbesodryandhardthathewouldbreakourteethifwetriedthemonhim.”

ThescholarasaclasshaslongbeenafigureoffunfortheChinesepeople.Heisfrequentlytobefoundintheirnovels,andalwaysheisthesame,asindeedheisinlife,foralongstudyofthesamedeadclassicsandtheirformalcompositionhasreallymadeallChinesescholarslook

alike,aswellasthinkalike.WehavenoclasstoparallelhimintheWest-individuals,perhaps,only.ButinChinahewasaclass.Hereheis,composite,asthepeopleseehim:

asmallshrunkenfigurewithabulgingforehead,apursedmouth,anoseatoncesnubandpointed,smallinconspicuouseyesbehindspectacles,ahighpedanticvoice,alwaysannouncingrulesthatdonotmattertoanyonebuthimself,aboundlessself-conceit,acompletescornnotonlyofthecommonpeoplebutofallotherscholars,afigureinlongshabbyrobes,movingwithaswayinghaughtywalk,whenhemovedatall.Hewasnottobeseenexceptatliterarygatherings,formostofthetimehespentreadingdeadliteratureandtryingtowritemorelikeit.Hehatedanythingfreshororiginal,forhecouldnotcatalogueitintoanyofthestylesheknew.Ifhecouldnotcatalogueit,hewassureitwasnotgreat,andhewasconfidentthatonlyhewasright.Ifhesaid,“Hereisart”,hewasconvinceditwasnottobefoundanywhereelse,forwhathedidnotrecognizedidnotexist.Andashecouldnevercataloguethenovelintowhathecalledliterature,soforhimitdidnotexistasliterature.

YaoHai,oneofthegreatestofChineseliterarycritics,in1776enumeratedthekindsofwritingwhichcomprisethewholeofliterature.Theyareessays,governmentcommentaries,biographies,epitaphs,epigrams,poetry,funeraleulogies,andhistories.Nonovels,youperceive,althoughbythatdatetheChinesenovelhadalreadyreacheditsgloriousheight,aftercenturiesofdevelopmentamongthecommonChinesepeople.NordoesthatvastcompilationofChineseliterature,SsuKuChuenShu,madein1772bytheorderofthegreatEmperorCh'ienLung,containthenovelintheencyclopediaofitsliteratureproper.

No,happilyfortheChinesenovel,itwasnotconsideredbythescholarsasliterature.Happily,too,forthenovelist!

Manandbook,theywerefreefromthecriticismsofthosescholarsandtheirrequirementsofart,theirtechniquesofexpressionandtheirtalkofliterarysignificancesandallthatdiscussionofwhatisandisnotart,asifartwereanabsoluteandnotthechangingthingitis,fluctuatingevenwithindecades!

TheChinesenovelwasfree.Itgrewasitlikedoutofitsownsoil,thecommonpeople,nurturedbythatheartiestofsunshine,popularapproval,anduntouchedbythecoldandfrostywindsofthescholar'sart.EmilyDickinson,anAmericanpoet,oncewrote,“Natureisahauntedhouse,butartisahousethattriestobehaunted”.Nature,shesaid,Iswhatwesee,

Natureiswhatweknow

Buthavenoarttosay-

Soimpatientourwisdomis,

Tohersimplicity.

No,iftheChinesescholarseverknewofthegrowthofthenovel,itwasonlytoignoreitthemoreostentatiously.Sometimes,unfortunately,theyfoundthemselvesdriventotakenotice,becauseyouthfulemperorsfoundnovelspleasanttoread.Thenthesepoorscholarswerehardputtoit.Buttheydiscoveredthephrase?

socialsignificance?

andtheywrotelongliterarytreatisestoprovethatanovelwasnotanovelbutadocumentofsocialsignificance.SocialsignificanceisatermrecentlydiscoveredbythemostmodernofliteraryyoungmenandwomenintheUnitedStates,buttheoldscholarsofChinaknewitathousandyearsago,whenthey,too,demandedthatthenovelshouldhavesocialsignificance,ifitweretoberecognizedasanart.

ButforthemostparttheoldChinesescholarreasonedthusaboutthenovel:

Literatureisart.

Allarthassocialsignificance.

Thisbookhasnosocialsignificance.

Thereforeitisnotliterature.

AndsothenovelinChinawasnotliterature.

InsuchaschoolwasItrained,Igrewupbelievingthatthenovelhasnothingtodowithpureliterature.SoIwastaughtbyscholars.Theartofliterature,soIwastaught,issomethingdevisedbymenoflearning.Outofthebrainsofscholarscamerulestocontroltherushofgenius,thatwildfountainwhichhasitssourceindeepestlife.Genius,greatorless,isthespring,andartisthesculpturedshape,classicalormodern,intowhichthewatersmustbeforced,ifscholarsandcriticsweretobeserved.ButthepeopleofChinadidnotsoserve.Thewatersofthegeniusofstorygushedoutastheywould,howeverthenaturalrocksallowedandthetreespersuaded,andonlycommonpeoplecameanddrankandfoundrestandpleasure.

ForthenovelinChinawasthepeculiarproductofthecommonpeople.Anditwassolelytheirproperty.Theverylanguageofthenovelwastheirownlanguage,andnottheclassicalWen-li,whichwasthelanguageofliteratureandthescholars.Wen-liboresomewhatthesameresemblancetothelanguageofthepeopleastheancientEnglishofChaucerdoestotheEnglishoftoday,althoughironicallyenough,atonetimeWen-li,too,wasavernacular.Butthescholarsneverkeptpacewiththeliving,changingspeechofthepeople.Theyclungtoanoldvernacularuntiltheyhadmadeitclassic,whiletherunninglanguageofthepeoplewentonandleftthemfarbehind.Chinesenovels,then,areinthe?

PeiHua?

orsimpletalk,ofthepeople,andthisinitselfwasoffensivetotheoldscholarsbecauseitresultedinastylesofullofeasyflowandreadabilitythatithadnotechniqueofexpressioninit,thescholarssaid.

IshouldpausetomakeanexceptionofcertainscholarswhocametoChinafromIndia,bearingastheirgiftanewreligion,Buddhism.IntheWest,Puritanismwasforalongtimetheenemyofthenovel.ButintheOrienttheBuddhistswerewiser.WhentheycameintoChina,theyfoundliteraturealreadyremotefromthepeopleanddyingundertheformalismofthatperiodknowninhistoryastheSixDynasties.Theprofessionalmenofliteraturewereeventhenabsorbednotsomuchinwhattheyhadtosayasinpairingintocoupletsthecharactersoftheiressaysandtheirpoems,andalreadytheyscornedallwritingwhichdidnotconformtotheirown

展开阅读全文
相关资源
猜你喜欢
相关搜索

当前位置:首页 > 求职职场 > 社交礼仪

copyright@ 2008-2022 冰豆网网站版权所有

经营许可证编号:鄂ICP备2022015515号-1