情景喜剧剧本对白话语分析以《老友记》为例.docx

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情景喜剧剧本对白话语分析以《老友记》为例

情景喜剧剧本对白话语分析——以《老友记》为例

 

华侨大学

硕士学位论文

情景喜剧剧本对白的话语分析以《老友记》为例

姓名吕碧霞

申请学位级别硕士

专业英语语言文学

指导教师李国南

20070601

Acknowledgements

Iwouldliketoexpressmysinceregratitudetothosewho

contributedinonewayoranothertotheprocessofgettingthis

dissertationwritten

FirstandforemostIwouldliketoexpressmysincereappreciation

tomyMASupervisorProfessorLiGuonanwhohasgreatlyimpressed

mewithhisrigorousattitudeinlinguisticstudyandoverthepastthree

yearsofferedmethought-provokinginstructionsinvaluablesupportand

constantencouragementaswellasinsightfulcommentsandsuggestions

onthedraftsofthisdissertationUndoubtedlywithouthisinculcationI

couldnothaveaccomplishedthepresentdissertation

Iwouldatthesametimeexpressmyheart-feltthankstoallthe

teachersinourCollegeofForeignLanguagesTheirinstructionshave

guidedmeintoaworldofwisdomandhelpedmeembarkonthefieldof

Englishlanguagestudies

Iamalsoindebtedtomyeldersisterandlittlebrotherwhohave

sparednoeffortstosendmethelatestmaterialsandvaluablereferences

fromabroadAndspecialthanksalsogotomyhusbandforthespiritual

supportandencouragementhehasbeengivingmealltheseyears

4

论文摘要

话语分析是跨学科的研究近些年来其理论和方法被广泛应用

于解析戏剧文本情景喜剧作为戏剧的扩展形式之一特征鲜明但长

期以来并未受到戏剧文体学家们的关注本文是以美国情景喜剧《老

友记》为个案研究对象运用话语分析的理论和方法分析情景喜剧剧

本对白的初步尝试

本文共分五章第一章为全文简介介绍本文的研究目标和基本

框架第二章为理论铺陈首先探讨文体学的定义发展历程及其流

派接着概述文学文体学的分支---戏剧文体学的发展情况并在综述

前人研究的基础上指出话语分析的蓬勃发展为戏剧文本研究提供了

崭新的视角最后探讨话语分析的定义学派及其研究方法第三章

阐明本文的研究对象和研究方法首先分析情景喜剧的一般特征指

出情景喜剧文本的主体是人物对白其文体价值在于特定场景下生成

的幽默话语和主要角色鲜明的性格特征接着简要介绍本文精选案例

《老友记》并阐述相关语料的收集和研究方法

第四章是本文的核心部分在比较戏剧对白和日常会话之间的异

同之后本章分节运用言语行为理论合作原则礼貌原则语域理

论会话分析理论等话语分析模式尝试探讨了《老友记》剧中语言

使用与幽默效果的产生及人物性格刻画之间的内在联系最后小结指

出话语分析的理论和方法为解读情景喜剧文本提供了重要的理论依

5

据和分析工具

第五章综述全文列举本文的不足之处并就情景喜剧文本值得

深入研究的方面提出建议

本文旨在探索话语分析与情景喜剧文本分析相结合的途径意在

抛砖引玉希望本文所做的研究能吸引更多的学者对这一领域进行更

为深入的探讨和研究从而丰富戏剧文体学的内容推动该学科的全

面发展

关键词戏剧文体学情景喜剧《老友记》剧本对白话语分析

6

Abstract

DiscourseanalysishereinafterDAisaninterdisciplinaryresearch

thetheoryandmethodologyofwhichinrecentyearshavebeen

extensivelyappliedtotheinterpretationofthedramatictextsSitcomas

oneoftheextendedformsofdramawithdistinctivefeatureshaslong

beenneglectedbythestylisticiansThisdissertationisanattempttoapply

thetheoryandtechniquesofDAtotheanalysisofdialoguesinthesitcom

takingtheAmericansitcomFriendsasacase

Thisdissertationconsistsoffivechapters

Thefirstchapterasanintroductionpresentsthegeneralaimsandthe

frameworkofthisdissertation

Chapter2isthetheoreticalpreliminariesforlateranalysesAn

introductionisprovidedfirsttostylisticsfocusingondifferent

interpretationsofstylisticsandstylethentothedevelopmentand

modelsofstylisticsandthescopeofourstudywithindramaticstylistics

anewly-establishedbranchofliterarystylisticsBasedonasummaryof

therecentworksondramaticstylisticsitisconcludedthatthe

burgeoningresearchinDAhasofferedthepossibilityfordramatic

stylisticianstostudythedramatictextsinanewandproductivewayAt

theendofthischapterisanoverviewofDAconcentratingonitsthree

7

schoolsanditsapproaches

Chapter3comestotheobjectandmethodologyofourstudyIn

descriptionofthegeneralfeaturesofthesitcomitispointedoutthat

dialoguesarethemainbodyofthesitcomandthatthestylistic

significanceofthesitcomliesinthehumorousdiscoursegeneratedwithin

certaincontextofsituationandinitsmarkedlydifferenttypesof

charactersThenthereisapresentationofasynopsisofFriendsacase

deliberatelychosenforstudyandanillustrationoftheapproachestaken

andthedatacollectedinlateranalyses

Chapter4isthemainbodyofthisdissertationItisdevotedto

comparisonofthesimilaritiesanddifferencesbetweendramaticdialogue

anddailyconversationandthenbymeansofSpeechActTheory

CooperativePrinciplePolitenessPrincipleRegisterTheoryand

ConversationAnalysisTheoryanexplorationismadeabouthowthe

humorouseffectisachievedandhowthetraitsofthecharactersare

presentedbytheuseoflanguageinFriendsAndinthesummarysection

itisarguedthatDAhasprovidedimportanttheoreticalgroundsand

analyticaltoolsfortheinterpretationofthedramaticdiscourseofthe

sitcom

ThelastchapterChapter5isaconcludingchapterinwhichthis

researchissummedupthelimitationsarelistedandsomesuggestions

forfurtherstudyareoffered

8

Thisdissertationaimstothrowoutaminnowtocatchawhalein

searchingfortheapproachestocombiningDAwiththestylisticanalysis

ofthesitcomItishopedthatthepresentstudycanattractmorescholars

intothisfieldforfurtherresearchandtherebyenrichingthesubstancefor

dramaticstylisticsandpromotingitsdevelopment

KeyWordsdramaticstylisticssituationcomedydialoguesinFriends

discourseanalysis

9

Chapter1Introduction

Literatureistheartoflanguagewhereaslinguisticsisthescienceoflanguage

Apparentlythesetwofieldsaretwoopposingcampsduetotheirrelevancebetween

artandscienceInfactthereisaninevitableconnectionbetweenlinguisticsand

literatureOntheonehandlanguageisthematerialforliterarycreationandthechief

mediumforliterarycommunication封宗信20022andthereforeliteraryworks

canprovideabundantcorporaforlinguisticstudiesOntheotherhandthetheoryand

methodologyoflinguisticscanoffernewperspectivesforliterarystudies

Stylisticsbridgeslinguisticsandliteratureinthatitappliesthetheoryand

methodologyoflinguisticstothestudyofstyleSince1958whenthefirstconference

ofitwasheldstylisticshasdevelopedintoanindependentandintermediary

disciplineAndoverhalfacenturythedevelopmentoflinguisticshasenrichedthe

approachesandsubstanceforstylisticanalysisRecentlythecomplementary

relationshipbetweenlinguisticsandliteratureisagainindicatedintheapplicationof

thetheoryandanalyticalmodelsofdiscourseanalysisintheexplorationofthe

stylisticvaluesofthedramatictextstobeexacttheplaytextrepresentingthe

dramaticdiscourseincontrasttotheatricalperformance

Howevertodatemostdramaticstylisticianshavelargelyconcernedthemselves

withdramainitsoriginalsenseiedramaforthetheatrewithlittlelaboronthe

extendedformsofdramasuchasfilmsradioplaysandtelevisionplaysThis

12

dissertationiswritteninhopeformakingupsomepartsofthisvacancyItattemptsto

explorethestylisticvaluesofthedramaticdiscourseofaspecialtypeofTVdrama

thesitcomwhichcharacterizeshumorousutterancesasitsprimaryelementand

alwaysconsistsofanumberofmarkedlydifferenttypesofstandardcharactersRather

thandevelopanycomprehensivelinguistictheoryforanalyzingthedialoguesinthe

sitcomthisdissertationaimstoapplysomeanalyticalmodelsofdiscourseanalysisto

theappreciationofthehumorousdialoguesandthedistincttraitsofthestandard

charactersinFriendsatypicalsitcomwhichhasgainedglobalpopularityduringits

ten-yearrunAndtheanalyticalmodelsofdiscourseanalysisappliedhereinclude

SpeechActTheoryCooperativePrinciplePolitenessPrincipleRegisterTheoryand

ConversationAnalysisTheory

Itneedstobementionedthatasanon-nativespeakerofEnglishthepresent

authorhasexperiencedgreatdifficultiesnowandtheninemployingtheoriesand

techniquesofsuchintermediarydisciplinesasstylisticsanddiscourseanalysisto

analyzethedialoguesinanEnglishsitcomThereforethisdissertationiswritten

merelyasatentativeapproachtothecombinationofdiscourseanalysisandthe

stylisticanalysisofthesitcominhopeforarousingmorescholarsinterestinfurther

research

13

Chapter2TheoreticalPreliminaries

Thischapteristheindispensabletheoreticalpreliminariesforourlateranalyses

anditisstartedbyinvestigatingsometerminologicalissueswithrespecttostylistics

andstyleThenabriefintroductionisgiventothedevelopmentandmodelsof

stylisticsandfollowedbythediscussionofdramaticstylisticsabranchofliterary

stylisticswhichhasnowgaineditspopularityamongscholarshomeandabroadAfter

thatthereisanoverviewofdiscourseanalysisthetheoryandmethodologyofwhich

hasbeenextensivelyappliedtothestudyofthedramatictextsandwillalsobe

employedinthisdissertationtoanalyzethesitcomatypeofTVdramawhichhas

longbeenneglectedbydramaticstylisticians

21StylisticsStyle

AsthisdissertationconcentratesontheanalysisofdialoguesinFriendsasitcom

serialasatypeofTVdramafromtheperspectiveofstylisticsitisnecessaryfirstof

alltomakecleartheconceptofstylisticsanditsgeneralconcernsHoweveritisa

notoriouslythornyproblemtogiveaspecificdefinitionforstylisticsletalonedefine

itslimitswithrespecttoneighboringdisciplinessuchasrhetoricpragmaticsand

micro-sociolinguistics

Scholarstendtodefinestylisticsfromdifferentresearchperspectivesbutthere

seemstobeaconventionalwisdomamongthemthatstylisticsismainlyconcerned

withtheideaofstylewiththeanalysisofliterarytextsandwiththeuseofthetools

14

oflinguisticanalysisTurner1973董莉20059forexamplestatesthat

Stylisticsisthatpartoflinguisticswhichconcentratesonvariationintheuseof

languageItmeansthestudyofstylewithasuggestionfromtheformofthewor

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