上外 综合教程4 第二版 电子教案.docx
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上外综合教程4第二版电子教案
UNIT8THEDISCUSTHROWER
SectionOnePre-readingActivities2
I.Audiovisualsupplement2
II.Culturalbackground3
SectionTwoGlobalReading4
I.Structuralanalysisofthetext4
II.Rhetoricalfeaturesofthetext4
SectionThreeDetailedReading5
I.Questions:
7
II.WordsandExpressions7
SectionFourConsolidationActivities11
I.Vocabulary11
II.Grammar13
III.Translation15
IV.Exercisesforintegratedskills18
V.Oralactivities19
VI.Writing19
SectionFiveFurtherEnhancement21
I.TextII21
II.Memorablequotes24
SectionOnePre-readingActivities
.Audiovisualsupplement
FromForrestGump
Watchthemovieclipandanswerthefollowingquestions.
Script:
Forrest:
Where’sMomma?
Blackwoman:
She’supstairs.
MrsGump:
Hah,Forrest!
Doctor:
I’llseeyoutomorrow.
MrsGump:
Fine.
Doctor:
Suregotyoustraightenedout,didn’tweboy?
Forrest:
What’sthematter,Momma?
Mrs.Gump:
I’mdyin’,Forrest.Comeonin,sitdownoverhere.
Forrest:
Whyareyoudyin’,Momma?
Mrs.Gump:
It’smytime.It’sjustmytime.Oh,now,don’tyoubeafraid,sweetheart.Deathisjustapartoflife.It’ssomethingwe’realldestinedtodo.Ididn’tknowit,butIwasdestinedtobeyourmomma.IdidthebestIcould.
Forrest:
Youdidgood,Momma.
Mrs.Gump:
Well,Ihappenedtobelieveyoumakeyourowndestiny.YouhavetodothebestwithwhatGodgaveyou.
Forrest:
What’smydestiny,Momma?
Mrs.Gump:
You’regonnahavetofigurethatoutforyourself.Lifeisaboxofchocolates,Forrest.Youneverknowwhatyou’regonnaget.
Forrest(V.O.):
MommaalwayshadawayofexplainingthingssoIcouldunderstandthem.
Mrs.Gump:
Iwillmissyou,Forrest.
Forrest(V.O.):
ShehadgotthecanceranddiedonaTuesday.Iboughtheranewhatwithlittleflowersonit.
(EXT.BUSSTOP–PRESENTTheelderlywomanandForrestsit.Thewomaniscryingandwipeshereyeswithahankie.)
Forrest:
Andthat’sallIhavetosayaboutthat.Didn’tyousayyouwerewaitingforthenumber7bus?
Elderlywoman:
There’llbeanotheronealongshortly.
Forrest:
Now,becauseIhadbeenafootballstarandwarheroandnationalcelebrityandashrimping...
Questions:
1.WhatisMrs.Gump’sattitudetowarddeath?
Answer:
Sheseemsquitepeacefulinfaceofherowndeath.Sheseemstoacceptdeathassomethingsheisdestinedtodo.
2.Whydoesshehavesuchanattitude?
Answer:
Thisisprobablybecauseshethinksshehaslivedasatisfactorylife.Shebelievesthatdeathisapartoflife,somethingoneisdestinedtodo.Sheassumesthatshehasdonethebestshecouldtobeagoodwoman.
.Culturalbackground
ThePsychologicalAspectsofAmputation
Regardlessofthecauseoftheamputation,anamputeewillprobablygothroughbasicallythesamepsychologicalstages.Somemaygothroughthegrievingprocessinashorttime,whileotherswillsufferseveralmonths.However,itisimportantthatoneacknowledgeandunderstandtheprocessasheisgoingthrougheachstage,foritpossiblyhelpshimtosurvivepsychologically.
1.TheFiveStagesoftheGrievingProcess
●Denial
PeoplewhogothroughtraumaticamputationsusuallyexperienceDenial,butnormallythosewhohavehadsurgicalamputationswillnotexperienceit.
●Anger
OftenpeoplewillblameGod,thedoctor,orothersfortheirloss.
●Bargaining
Inthisstage,patientsmayattempttopostponetherealityofamputation,andmostpatientswilltrytobargainwiththeirdoctororthroughahigherauthoritysuchasareligiousfigure.
●Depression
Inthisstage,angeristakenplacebydepression.Thisisprobablythemostcomplicatedstageofgrief,butittoowilldisappear.Commonsymptomsincludesleepingeithertoomuchortoolittle,negativefeelingsabouttheenvironmentandthefuture,feelingsofhopelessness,andtalkingaboutdeath.
●AcceptanceandHope
Eventually,theamputeewillcometotermswithhislossandstartlivingagain.Thisismoreeasilyachievedifhehasavisitfromapeercounselorwhohasbeenthroughthisentireprocessandcangivehimsomeadvice.
2.ComplicatedGrief
Complicatedgriefisnotcommoninamputeepatients,howeveritssymptomsaremoreharmful,whichincludesevereisolation,violentbehavior,suicidalideation,workaholicbehavior,severeorprolongeddepression,nightmares,andavoidingremindersoftheamputation.Itisurgentfortheamputeeswiththesesymptomstoseekappropriateprofessionalmedicaltreatment.
SectionTwoGlobalReading
.Structuralanalysisofthetext
Thistextisapieceofchronologicalnarrationaboutanamputee,adifficultandonlysemi-communicativepatientwhoflounderedinhislastdaysinagonyanddepressionandeventuallydied.
Thetextcanbedividedintothreeparts:
PartI(Paragraph1):
Thispartservesasanintroductiontothebackgroundofthestory.
PartII(Paragraphs2–13):
Thispartdescribesthestrangebehaviorofaparticularpatientdubbedthe“discusthrower”andhisconflictwithhealthworkers.
PartIII(Paragraphs14–15):
Thelastparttellsthereadersaboutthepatient’sdeath.
Thisnarrationalsoposesinterestingchallenges:
whattothinkofthisman,howtounderstandhim,andhowtotreathim?
Clearlytheman’senigmaticspeechandactionaresayingsomething,andSelzersuggeststhatfewarelistening.Thestoryoffersnoanswer,butitsuggeststhatthekindofsympathythenarratordevelopsthroughwatchingthepatient(thoughnotexpressed)isagoodstart.Thepatient’sprovocativebehaviorandthestory’sopennessmakeitagoodpointofdepartureforadiscussion.
.Rhetoricalfeaturesofthetext
Anotablefeatureofthistextistheextensiveuseofquestionsonthepartofthenarrator.Heasksquestionsinhisdialoguewiththepatient,andhealsoaskshimselfquestions.
Firstlookatthequestionsheaskshimself:
Forexample:
1.Oughtnotadoctortoobservehispatientsbyanymeansandfromanystancethathemighttakeforthemorefullyassembleevidence?
(Paragraph1).
2.Ishemuteaswellasblind?
(Paragraph3)
3.Whatishethinkingbehindthoselidsthatdonotblink?
Isherememberingatimewhenhewaswhole?
Doeshedreamoffeet?
Orwhenhisbodywasnotarottinglog?
(Paragraph6)
Thesequestionscallfornoanswerbuttheyrevealtheinnerthoughtsofthenarrator.Heseemstobetryingtoplacehimselfinthepositionofthepatienttofeelabetterunderstandingofthepatient’spsychology.
Nowlookatthequestionsheasksinhisdialoguewiththepatient:
Forexample:
1.Howareyou?
(Paragraph5)
2.Howdoyoufeel?
(Paragraph5)
3.AnythingmoreIcandoforyou?
(Paragraph7)
Allthesequestionshelptoshowthatthedoctorisverypatientwithand,responsibleforhispatient.
Practice:
Studythetextandpickoutotherquestionsheasks,andseehowthesequestionshelprevealhisattitudetowardsthepatient.
SectionThreeDetailedReading
THEDISCUSTHROWER
RichardSelzer
1Ispyonmypatients.Oughtnotadoctortoobservehispatientsbyanymeansandfromanystancethathemighttakeforthemorefullyassembleevidence?
SoIstandinthedoorwaysofhospitalroomsandgaze.Oh,itisnotallthatfurtiveanact.Thoseinbedneedonlylookuptodiscoverme.Buttheyneverdo.
2FromthedoorwayofRoom542themaninthebedseemsdeeplytanned.Blueeyesandclose-croppedwhitehairgivehimtheappearanceofvigorandgoodhealth.ButIknowthathisskinisnotbrownfromthesun.Itisrusted,rather,inthelaststageofcontainingthevilereposewithin.Andtheblueeyesarefrosted,lookinginwardlikethewindowsofasnowboundcottage.Thismanisblind.Thismanisalsolegless―therightlegmissingfrommidthighdown,theleftfromjustbelowtheknee.Itgiveshimthelookofabonsai,rootsandbranchesprunedintothedwarfedfacsimileofagreattree.
3Proppedonpillows,hecupshisrightthighinbothhands.Nowandthenheshakeshisheadasthoughacknowledgingtheintensityofhissuffering.Inallofthishemakesnosound.Ishemuteaswellasblind?
4Theroominwhichhedwellsisemptyofallpossessions―noget-wellcards,small,privatecachesoffood,day-oldflowers,slippers,alltheusualkickshawsofthesickroom.Thereisonlythebed,achair,anightstand,andatrayonwheelsthatcanbeswungacrosshislapformeals.
5“Whattimeisit?
”heasks.
“Threeo’clock.”
“Morningorafternoon?
”
“Afternoon.”
Heissilent.Thereisnothingelsehewantstoknow.
“Howareyou?
”Isay.
“Whoareyou?
”heasks.
“It’sthedoctor.Howdoyoufeel?
”
Hedoesnotanswerrightaway.
“Feel?
”hesays.
“Ihopeyoufeelbetter,”Isay.
Ipressthebuttonatthesideofthebed.
“Downyougo,”Isay.
“Yes,down,”hesays.
6Hefallsbackuponthebedawkwardly.Hisstumps,unweightedbylegsandfeet,riseintheair,presentingthemselves.Iunwrapthebandagesfromthestumps,andbegintocutawaytheblackscabsandthedead,glazedfatwithscissorsandforceps.Ashardofwhitebonecomesloose.Ipickitaway.Iwashthewoundswithdisinfectantandredressthestumps.Allthiswhile,hedoesnotspeak.Whatishethinkingbehindthoselidsthatdonotblink?
Isherememberingatimewhenhewaswhole?
Doeshedreamoffeet?
Orwhenhisbodywasnotarottinglog?
7Heliessolidandinert.Inspiteofeverything,heremainsimpressive,asthoughhewereasailorstandingathwartaslantingdeck.
“AnythingmoreIcandoforyou?
”Iask.
Foralongmomentheissilent.
“Yes,”hesaysatlastandwithouttheleastirony.“Youcanbringmeapairofshoes.”
Inthecorridor,theheadnurseiswaitingforme.
“Wehavetodosomethingabouthim,”shesays.“Everymorningheordersscrambledeggsforbreakfast,and,instead