建筑师王澍.pptx

建筑师王澍.pptx

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2016198719351896StudyonChinesecontemporarystudyonarchitecturaldesignChineseArchitectwangshuQuestion1:

WangShuisoneofthefewChinesearchitectswithaclearinsightintothemechanismsunderlyingthedevelopmentorshouldIsaynon-development?

WS:

Theythinktheirsisamoderncitythatneedsamodernbuilding.Butwhenthebuildingwasfinishedandthepeoplesawtherealthing,theylovedit.Ithinkitsaveryinterestingprocess.Youlookatsomearchitectureonpaperandlikeitimmediately,butpeopleseeingsomethinglikethishaveahardtimeimagininghowitwillbebuiltandwhatitwilllooklike.Itsbeyondtheirthinkingandexperience.AnimportantaspectofyourapproachistherelationshipbetweenarchitectureandlandscapedesignQuestion2_ItisamazingthatyouhavemanagedtobuildthewayyoudoinChina.Itisclearhowyouhavedoneit,bybuildingrelationshipswithcraftsmen,butinChinadesignersareoftendistantfromthesite:

thereisagroupofpeoplewhodothedesigndrawingsandadifferentgroupofpeoplewhobuildthem?

WS:

InChinaarchitectsusuallydontgotothesite.Soworkingon-siteisquiteadifferentwayofdoingthings.Butyoushouldunderstandwhatyourworkersandyourcraftsmencando.Myway,Icallitthe“dirtyway.”Alittlebitdirty,alittlebitimperfect.Ilikethefeeling.Idontlikeperfectthings.Thefeelingisperfect,butyoucanseemanysmallmistakes.Thatsmyphilosophy.Q3:

WeveseenmanyChinesecitiesbecomedominatedbysoaringskyscrapersandcontemporaryWesterndesigns.Youseemtoexperimentwithadifferentapproach.Canyouexplain?

Ws:

PeoplethoughtIjustthinkabouttherelationshipbetweenmodernarchitectureandChinesetradition.Infact,itsalsoaboutthefutureandhumanbeing.Idontthinktheshining,hugelandmarkbuildingaretherightdirectionforfutureChinesecities.Sevenmillionoldtilesandbricks,salvagedfromdemolishedhomes,carryadistinctiveculturalidentity.Question4_DidyouchoosewoodforthisinstallationbecauseitisatraditionalChinesematerial?

WS:

WoodisatraditionalChinesearchitecturalmaterialandthisstructureisanarchitecturalprototype.ItisadomebuttherearenodomesinChinesehistory.TheyareaWesternarchitecturalformbutthisstructureisnotWestern.ItisverysimilartotraditionalChinesearchitecturalstructures,madewithsimplewoodsticksandasimplefixingsystem.ThisoneissimplerthantraditionalChinesearchitecturebecausethesticksarenotfixedtogether.Ifyoukeeptraditionunchanged,itwilldie.Ifyousimplycopytradition,itwillalsodie.Therehastobecreativeinput.Ithinkthatyoucankeeptraditionaliveinthisworldbycombiningtraditionalprinciplesandmoderntechniques.Thisisveryimportantforreallife.Weshouldkeepsomethingsfromthepast,notjustthenew.Itiscrucialtokeepthingsfromthepast.Question5_Doesthatthenimpactonthewaythatyouteachandthewaythattheprograminyourschoolworks?

OneofthethingsthatyouhavebeencriticalofispeoplejustbuildinginthiskindofWesternway.WS:

Yeah,Idosomedifferentthings.Iwanttobuildadifferenteducationsystem;thatsmydream.SonowwehaveanarchitectureschoolnearHangzhou.OurteachingwaysaretotallydifferentfromthoseinanyotherChinesearchitectureschool.Itsanewschool.Question6_Inyourdesignprocess,youcombinewriting,painting,calligraphyandsketching.Canyouexplainhowthisworks?

WS:

IdesignverysimilarlytothetraditionalChinesepainter.Idontsketchverymuch,butIdostudycities,valleysandmountains.Q1:

Theintegrationbetweennatureandarchitecturehasmadethiscampusstandoutfromotheruniversities.Whatkindofvisiondoyouhopetoconstructwithyourdesign?

WangShu:

Forme,Ithinkthenaturallandscapeismoreimportantthanartificialbuildings.Thatswhythemountainoverthereismoreprominentthatthisbuilding.Ihopethepeopleworkinghereknowhowtolivewithnature.MainideasWangshudoingdevelopment.Wangshuisworkingorcheckingtheonsite.Wangshuisdoingdifferentworknotskyscrapers.WangshuwoodsareChineseandwesternarchitecturalhistorybutstructuresarenot.Wangshuisteachinganotherwaythanotherarchitect.WangshuiscombiningthepaintingandwritinginhisworksWangshuformenaturelandscapeisimportantthanartificialbuildings.Referenceshttps:

/movingcities.org/interviews/local-hero-an-interview-with-wang-shu/https:

/youforkindlyattention!