艺术新叙述摄影Artnew narrative photographyWord文档下载推荐.docx

艺术新叙述摄影Artnew narrative photographyWord文档下载推荐.docx

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simulacra"

--anotherconceptofartdevelopment

Theconceptofphotographyin1960stotheoriginofthenewnarrativephotography.

ModernartafterCubism,Dadaism,surrealismandabstractexpressionism,theartgraduallyendedtheprocessofself-discipline.Artistsbegantoreflectonthepainting,sculptureandothertraditionalartmedia,andtriestofindawaytodevelopnewmediaandartboundary.Photographybeganbyartistsofallages.Photographyintheartpracticeinvariousradical.Theartpracticeofourunderstandingoftheconceptofphotographyisdueto60-70intwentiethCentury.Atthesametime,artcriticismpracticealsobegantopayattentiontothisnewformofartphotography.

Infact,thepracticeofartphotographyasamediumtobecometheaestheticparadigmofmodernartdefinition.Theartistturnedtothesemedia,hassetupabridgebetweenmasscultureandelegantart,technologyandculture,inordertochallengetheconceptofself-disciplineofart.Photographyasameansforartists.Theycanrecordtheexpressionofideas."

In80s,AmericanartistShelleyLevin（SherrieLevine）andCindySherman（CindySherman）oftheworks,aphotographichistoryofmilepost.AmericanarthistorianSolomonGodot（AbigallSolomonGodeau）pointedoutthattheimportantpapers"

in1984bytheartofphotographyafterphotography"

inanarticle:

"

appropriation"

（APPropriation）and"

（Simulation）hasbecomethetwodifferentstrategiesofconceptualart.Theircommonfeatureisthenegationofaphotographicrecord,Levinofphotographymasters,aremakeof"

divert"

andSherman"

waytocriticizethemassmediafemaleimages,becometherepresentativeofmodernartafter80s.Forthem,thephotographyisnotusedasasimplerecord,butthecriticismofphotographyasatoolforreproductionfunction.Whentheyareundertheinfluenceofthenewnarrativephotographyartist90sactivefascinatedbydescribingtheirpurefantasyinhisworks.Fromtheinitialrecordingfunctionforphotographywithoutreservation,wonderandworship,toactinmodernart,artistsusephotographyasacarriertosaveandrecordtheirbehavior.Tothenewnarrativephotographyby"

todenytherecordofphotography,hasundergoneaprocessofaffirmationby-negative.

Two,undertheappearanceofstrippingfairyland--newnarrativephotographynew

2002.TheGuggenheimMuseum'

s"

GuggenheimCollection-FilmExhibition"

movingimage,willbedividedinto"

fantasynarrativephotography.Behaviorandbody,history,memory,identityandimageconstructionandempiricalperspective"

fivetopicsaredisplayed.Thepen'

narrativefantasy"

（NarrativeFantasy）andthe"

imagebuilding"

（TheConructedImage）concludedtwothemeof"

newnarrativephotography"

.Therefore,itisanewconcept.Because,nomatteristhefantasyorimagebuilding.Allthewaywithphotographytorecordabeingpumpedawayorrecreatetheappearance.Differentwiththetraditionalprose,withoutreservationrecord.Newnarrativephotographyistheoriginofmodernart,isthenegationofthephotographicrecordfeature,isanewimagecreatedbyvisualcontrol.

ThecontemporaryartcircletolovetheoriginatorofCindyShermannewnarrativephotographyworkscalled"

shotput"

.Justposingforphotographyfromthedivisionmethodandtechnique.Youcanputfilminthehistoryistracedbacktotheinventionofphotographyatthebeginning,beforetheearlyfilmspeedhavegreatlyimproved,whichworksnotstaged?

1857shotLeiLande'

lifeofthetworoad"

andRobinson'

dying"

ancestorintheirworksvividperformancesaswellasbackgroundactorscarefullythedesignisstagedphotography.FromsurrealismtoDadaphotography,eventhemostordinarylife,posearethemostcommonshootingtechniques.So,onlyfromthependulumtoillustrateclapCindyShermanthiskindofphotographyisnotcomprehensive.

Theinventionofdigitaltechnology,givesartistsmorefreedomtocreateimagesoftheirworld.Theinfluenceoffilmandtelevisionandspuriousnetworkgame,thefictionalimagestylebecamepopular.Thenewnarrativephotographyisalsospringingupatthistime.Theartiststhefreedomtoexploretheirowninnerworld,amasterpieceofRenaissanceandthecurrentsuperrealnetworkgame,theyaretheresourceofnarration.

Three,therealityorthefuture?

-inpathofpossiblenewnarrativephotography

Fromthenewnarrativephotographyfiction,wecanfindthattherearetwokindsoftendency.Oneistofocusonthepresent,basedontherealityoflifeimitationandreconstruction.Toexplorethefeelingandexperienceoflife.Forexample,GrigoriKruderson（GregoryCrewdson）carefullybuiltsuburbancityoftherealscene,tocreateasurrealimage.Theotheristobemadeinthefuture,thefutureoftheworld,tothinkabouttheproblemsfacinghumandevelopment.SuchasMorimaRiko（MarikoMori）thenewvisualimagefullofimagination,givesusanewfashionshow,theuniverseharmoniousfuturehigh-techbackground.

ThisarticletakestheAmericanartistClaudeXunandJapaneseartistMorimaRikoworksasanexample,analysisofthenewnarrativephotographyinwesternecologicallandscape.

1,roseunderthecoldnewnarrativephotographyClaudeXun

In1985,ClaudeXunreceivedabachelor'

sdegreeatNewYorkStateUniversityCampusplattsburgh.FromJaneRufoGe（JanGroover）andLaurieSimmons（LaurieSimmons）tostudyphotography.In1988,YaleUniversity,receivedamaster'

sdegree.Heshotfromtheearlyworksofthe"

family"

familyandfriends"

series.Itseemslikemostphotographers,hasyettofinditsownuniquelanguageandthemephotography.1992to1998.Hebecameenamoredwithbiology,shooting"

naturalwonders"

（NaturalWonder）.Inthestudiotobuildavarietyofnaturallandscape,creatingafalse,surrealimage.Atthistime.Wehavefoundthattheimagecanhecontrolabilityandpursuitinhisworks.Later,ClaudeXuncreatedaseriesofsuccessfulworks.The"

Twilight"

1998-2002（Twilight）in2002,the"

dreamhouse"

（DreamHouse）,and20032005'

Rose"

（BeneaththeRoses）.

ClaudeXunisthemasterandthepreparationoftheconstructionsceneeventphotography,heblurredboundariesbetweenrealityandfiction.ClaudeXunbeforethecreation,withoutanypriordesigngoal.Hedrovethecarinaplacetoturnforalongtime.Tofindthesite.Whenthefixedsite,hewillstartthinkingaboutwork.HisworksoftenfocusonAmericansuburbanlandscape.Hecarefullyarrangedadramaticscene,thedailyperformanceanxiousandhelpless.Sciencefictionorusehorrorfilmclassicpropsoftenappearinhisworks.ClaudeXunlikenedhimselftotheAmericanrealist,hesaid,"

I'

monthesurfacelooksordinarybutverystrangecircumstancesofinterest,andtrytofindsomethingsfulloffantasyormystery.Ihavealwaysbeenfascinatedbythebeautyofphotographyandarealisticreal.

Theprospectisafloatingcapsulestructureofobjects,itsshapelikeembryo,andalayerofalayer,whichisthesumofhersister,asifitisatthebeginningoflifestoryabout"

mirrorwater"

（MirrorofWater）,shootingacaveshootinginFrance,thecenterofthescreenatransparentbodylikestoragevesselsofembryoniclife,lifeisalsoasymbolofthewaterdropsontheripples.Theforestimageappearedseveraltimes,asifinhisancientandfuturelifestory."

Pureland"

（PureLand）,inspiredbyNaramorimaYakushijiBuddha,todisguisehimselfintothetraditionalsymbol.Surroundedbyasmallmusicteacher,musicteacherlookslikethefutureofthesesmallaliens,however,theirimagefrom1000Japanesemask.ThebackgroundofthepictureisthedawnofDeadSea.Inourmemory,humansandaliensareconstantlyfightingwars,andintheforest,andthetraditionalworks,representthefutureofthealiensinthebeautyofharmony.

Theforestbeltintheworldwithafeelingofcompassion,alllifeintheuniverseasthenewuniverseoflifecycle,beyondhistoryandculture,thisshoreandtheothershore.AsBuddhismnirvana,butallisnotlostforever,digestionandtransformationofnature,whichisfulloftheuniverseofuniversallove.Thesumanddeepmeaninginapopularfashionimages,frommultipleimageprocessingtechniquesinearlystage,andlatercombinedwiththevideodevicetofilm,music,morimaworksalwaysgivepeopleakindofnoveltyandsurprise.

Four,thenewnarrativephotographywrappedsyndrome

Thenewnarrativephotographyby"

approachtoexpandthelimitsofVisionArtsandtheboundaryofunderstanding,throughthestoryoftheplotandtheman-madelandscapebeautifultocreateadramaticeffect.Thenewnarrativephotographyusedtotellthestoryinpictures.Thesepicturesdonotexistinreallifescenarios.Butaccordingtotherealityoflandscapetransformationorproduction,createahithertounknownfiel