English Literature南师大英国文学笔记文档格式.docx

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English Literature南师大英国文学笔记文档格式.docx

ThomasHardy(1840—1928)维多利亚时期向现实主义过度时期

OscarWilde(1854—1900)

JohnGalsworthy(1867—1933)

GeorgeBernardShaw(1856—1950)批判现实主义但不属于维多利亚时期

7.Modernism:

D.H.Lawrence(1885—1930)

WilliamButlerYeats(1865—1939)

JamesJoyce(1882—1941)

VirginiaWoolf(1882—1941)

WilliamSomersetMaugham(1874—1965)

ThomasStearnsEliot(1888—1965)

JohnBoyntonPriestley(1894—1984)

LouisMacNeice(1907—1963)

OldEnglishPeriod:

WilliamShakespeare

WilliamShakespeare(1564—1616)

★LiteraryAchievements:

·

37plays,

2narrativepoems,

154sonnets(Sonnets1-126addressedtoayoungman,Sonnets127-152addressedto“DarkLady”,Sonnets153-154addressedtoCupid,theGodofloveinGreekmythology)

★LiteraryPosition:

“notofanage,butforalltime”,

thegreatestgiantofEnglishlanguageandpoeticform,

oneofthefoundersofrealisminworldliterature,

oneofthegreatestwritersintheworld’sliterature.

▲Sonnet:

1.What’sasonnet?

Apoemin14lines;

originatedinItaly,aformverypopularinRenaissanceEurope,especiallyinItaly,FranceandEngland;

introducedtoEnglandbyThomasWyatt(怀亚特)andtheEarlofSurrey(塞莱).

2.Byrhymescheme,sonnetscanbeclassifiedinto2styles:

TheItalianorPetrarchansonnet(意大利型或彼得拉克型)&

TheShakespearianorEnglishsonnet(英国或莎士比亚型)

①Thefirsteightlines—octave:

thethemeisputforwardoraquestionisraised;

thenextsixlines—sestet,theanswertothetheme【abbaabbacdcdcd(cdecde)】

②Threequatrains(四行诗)—thethemeisputforwardanddeveloped;

thecouplet(两行诗)—asurprisingconclusionorashiftofideas【ababcdcdefefgg】

▲Plays(4periods)

1.Firstperiod(1592-1594):

Hisapprenticeshipinplays.

Historicalplays:

KingHenryVI《亨利六世》,RichardⅢ《查理三世》

Comedies:

Love’sLabour’sLost《爱的徒劳》

2.Secondperiod(1595-1600):

Matureperiod,amarkedincreaseintheknowledgeofhumanism

(4大喜剧):

AMidsummerNight’sDream

TheMerchantofVenice

AsYouLikeIt,TwelfthNight

RomeoandJuliet

3.Thirdperiod(1601-1608):

Flourishingperiod,aperiodofgloomyanddepression

(4大悲剧):

Hamlet

Othello

KingLear

Macbeth

4.Fourthperiod(1608-1612):

Theperiodofromanticdramaintheformoftragicomedies

Reconciliationplays:

TheWinter’sTale《冬天的童话》,TheTempest

—WilliamShakespeare

1.ThecharacterofShylock:

Stone-heartedandpitiless;

Inhuman;

Stubborn;

Malicious;

Revengeful;

Eloquent,quick-mindedandflexible;

Religiouspious

2.Themeoftheplay:

topraisethefriendshipbetweenAntonioandBassanio,

toidealizePortiaasaheroineofgreatbeauty,witandloyalty,

toeulogizethetriumphoffriendshipandloveovergreedandavarice,goodoverevil,humanityoverinhumanity,commercialcapitalismoverthefeudalpracticeofusury,

asatireontheChristianhypocrisyandtheirfalsestandardsoffriendshipandlove,theircunningwaysofpursuingworldlinessandtheirunreasoningprejudiceagainsttheJews.

Restoration,Englishrevolution,thebourgeoisDictatorship(王朝复辟)

JohnMilton

★Historicalbackground

1.TheEnglishrevolutionandtheRestoration.

Causes:

theconflictbetweenthemonarchandParliament;

thepersecutionofthePuritans

2.ThebourgeoisDictatorshipandtheRestoration

GloriousRevolution—abloodlessrevolution

Theconstitutionalmonarchy.

 

★LiteraryAchievements

▲Pamphlets

TheDefenseoftheEnglishPeople(1650)

TheSecondDefenseoftheEnglishPeople(1650)

▲Poems

ParadiseLost《失乐园》(1667):

hismasterpiece——ThegreatestepicinEnglishliterature.

ParadiseRegained(1671)《复乐园》

SamsonAgonistes(1671)《力士参孙》

★LiteraryPosition

AmasteroftheBlankverse

ThegreatestEnglishrevolutionarypoetofthe17thcentury

OneofthegreatestpoetsoftheEnglishlanguage

ParadiseLost

—JohnMilton

1.Introduction

Longepicin12books

Writteninblankverse

BasedonGenesis《创世纪》intheOldTestament

DramatizestheBiblicalaccountofhumanity’sbanishment.

2.Theme

—Milton’saimedpurpose:

“justifythewaysofGodtoman”(昭示天道对人的公正)

—Realpurpose:

challengetherestoredmonarch

God—tyrannical,representstheking

Satan—rebellingagainstmonarch

LovebetweenAdamandEve—humanpursuitforhappiness,thespiritofRenaissance

3.Writingfeatures

—Miltonstyle:

Sonority洪亮,Eloquence雄辩,Majesty尊严,Grandeur壮美

Theblankverse

Longandinvolvedsentences

—Latinatestyle

Inversion

Allusion

TheRiseofFiction

DanielDefoe(1660-1731)

JonathanSwift(1667-1745)

HenryFielding(1707-1754)

※Fiction

Themainstreamof18thcenturyliterature,&

Theriseandgrowthofrealisticnovel—themostprominentachievementof18thcenturyEnglishliterature

DanielDefoe(1660-1731):

Fatherofmodernjournalism,&

“jack-of-all-traders”

——RobinsonCrusoe(1719)

Defoe’smasterpiece

ThefirstEnglishnovelinarealsense

ThefirstEnglishrealisticnovel

RobinsonCrusoe

—DanielDefoe

1.Theme:

—tosingthepraisesofhumanlabor

—tocelebratethestrengthofhumanrationalwilltoconquerthenaturalenvironment

—tobeautifycolonialism&

Negroslavery

2.Plot:

runawayfromhome→becomeasailor→aplanterinBrazil→toanuninhabitedislandbecauseofshipwreck→madealivingthereallbyhimself→saveanegronamedFridaywhobecamehisservant→backtoEngland→visittheremoteislandagainandFridaywaskilled

3.RobinsonCrusoe’scharacterization:

typicaloftherisingEnglishbourgeoisclass,practical,diligent,arestlesscuriositytoknowmoreabouttheworldandadesiretoproveindividualpowerinthefaceofsocialandnaturalchallenges;

shrewd,careaboutmoneyandgoodatmanaging;

courageousandintelligenttoovercomeallkindsofobstacles

4.Style:

journalistictruthwithmanyvividdetails,simpleandplainsentencestructureandlanguage,firstpersonpointofview,naturalorderinnarration,makingthestoryintimatetothereadersandbecomepopularamonglowerclasses

▲Books

TheBattleofBooks《书籍之战》

ATaleofTub《一个桶子的故事》

Guliver’sTravels《格列佛游记》

——hismasterpiece:

asatireonthewholeEnglishsocietyofthe18thcentury.

▲Pamphlets

TheDraper’sLetters《一个布商的书信》

AModestProposal《一个温和的建议》

——(AModestProposalforPreventingtheChildrenofPoorPeopleinIrelandfromBeingaBurdentoTheirParents)

Guliver’sTravels

—JonathanSwift

1.Plot:

PartI:

AVoyagetoLilliput

PartII:

AVoyagetoBrobdingnag

PartIII:

AVoyagetoLaputa,Balnibarbi,Glubbdubdrib,LuggnaggandJapan

PartIV:

AVoyagetotheCountryoftheHouyhnhnms

2.Whataretheimpliedideastheauthortriedtoconveybythischapter?

TheauthorbelievedReasonwasveryimportantforhumanbeing.Ifhuman’sdesiresaren’tcontrolledbyreason,humanwillbecomedisgustinglikeyahoosonedayinthefuture.

3.StyleofSwift’sprose:

Hisprosestyleissimple,clearandvigorous.Hisfamoussaying“Properwordsinproperplaces,makesthetruedefinitionofastyle”influencedalotlaterwriters.

JosephAndrews《约瑟夫安德鲁斯》

—Fielding’sfirstnovel

—Parody(satiricalimitation)ofRichardson’sPamela《帕米拉》/《贞洁得报》

—Acomicepicpoeminprose

JonathanWildtheGreat《大伟人江奈生魏尔德传》

TheHistoryofTomJones,AFounding《弃儿汤姆琼斯》

Amelia《阿米利亚》

ThefatherofEnglishnovel

—ThefounderofEnglishrealisticnovel-settingupthetheoryofrealisminliteraryposition.

—Establishingonceforalltheformofthemodernnovel.

★WritingFeatures

Third-personnarration第三人称叙述

Satire

Humanportraits&

dialogue

Theeducationalfunctionofthenovel

—Thepurposeofthenovelisnotonlytoamuse,butalsotoinstruct.

※Parody

Writing,music,artsomethingsaid,etc,whichintentionallycopiesthestyleofsomeonefamousorcopiesaparticularsituation,makingthefeaturesorqualitiesoftheoriginalmorenoticeableinawaythatishumorous.为嘲弄某作者或某作品而作成的模仿滑稽作品

TheHistoryofTomJones,AFounding

—HenryFielding

Fielding’smasterpiece,showingthewholelifeof18thcenturyEnglandasshesawit.

18booksdividedinto3partswith6ineach.

Country-versus-citymotif

—thecountryside:

thebasicgoodnessofhumanrace

—thecity:

evilandsin

Anallegorical(寓言的)novel

The18thCentury(1688-1798)

★HistoricalBackground

1.Comparativelypeacefuldevelopmentundertheconstitutionalmonarchy

AcompromisebetweenToryandWhig

TheleadingnavelpowerinEurope

2.TheIndustrialRevolution工业革命

Unprecedentedtechnicalinnovations

Rapidgrowthofindustryandcommerce

★TheEnlightenment

1.AnintellectualmovementinEuropebeganinthelate17thand18thcenturiesandendedwiththeFrenchrevolutionof1789

—OriginatedinFrance,representedbyMontesquieu,Voltaire,Diderot,Rousseau

—AnexpressionofstruggleofbourgeoisieagainstFeudalism

2.Theinfluenceofscienceandphilosophy

—Newton’sdiscoveryofuniversal

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