室内设计 外文翻译 外文文献 英文文献Word文档格式.docx

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deformationgrammarseparatistsymbolsconstitute

Inheritanceandinnovationovertheyearstherelationshipbetweenartanddesignenvironmenthasbeenthefocusofattention.Infact,fromthelinguisticpointofview,thiscontradictionisthelanguageofstabilityandvariationbetweenthecontradiction.Asadesignerintheformofdesignsuccessesandfailuresofthesuccessorfailuredependsonthemaster,"

theterm"

therichandtheuseof"

grammar"

ofproficiency.Designerstomaketheirworksbyotherscantrulyunderstand,wemustchoosetheappropriate"

word"

andmustcomplywiththe"

grammar."

Thisdoesnotmeanthatdesignerscanonlyfollowthebeatentrack,nopersonalcontribution.Designersskillfullyusethenewindividualsymbols,oraconsciouschangeininter-symbolcombinationofanumberofconventionalrelations,createnewworksofmoving,whichisdesigninnovation.

Compositionhasa"

specific"

componentapproach,thatseemstobeveryplaininthecompositionofthesuddenappearanceofa"

heterogeneous"

elements,makingtheprogramitselfisveryplaintoachieveunexpectedresults,withasenseofinnovationofnewsymbolslikethis"

heterogeneous."

Inpeople'

saccustomedtothingsdifficulttoarouseenoughattentionandinterestincase,somecommonsymbolsdeformation,splitting,orthepreparationofthecodetochangetheorder,youcanplayacompelling,thought-provoking,thestrengtheningofenvironmentalmessaginglanguagerole.

UnitedStatesrenownedarchitectCharlesMooredesignedthecityofOrleans,"

ItalianPiazza"

isboldindesignelementstakenfromavarietyofclassicalsymbols,andsymbolicmeanstoreproducethem.TheentiresquaretoacircularplaneBaroqueforthecompositiontothegradualproliferationofblack-and-whiteconcentriccirclesandtothesurroundingpavementsurfacetoextendoutuntilthethreesidesofthestreetentrance.ClassicalRomancolumn,afteraface-lifttothefaceofnewshows,suchastheCorinthiancolumnisusedinstainlesssteelcolumn,canopieswallcarvedwiththeLatinof"

thisfountainforthepublictoallthepeoplewhoofferthegifts"

ofthemessage;

DoriccolumnontheFlowingDowngurgle,roundcoupononthemolarsmilingportrait,waterisconstantlyspitfromhismouth...hereisnotonlyfullofbrightrichatmosphereofamoderncommercial,butalsoastrongattachmenttolocal

feelings.MapsandItalianApenninePeninsula,SicilyandSardinia'

splan;

ancientRome,thefive-column,thedeformationMotifcombinationsandtheArcdeTriomphe;

circularporticoWaiKwongHop.Infact,youareimmediatelyawarethatitisamockeryofclassicalMarxism.Thisisajoyous,almostclassicaltraditionarehystericalembracepleased.

Today,avarietyofsidebox-stylebuildingwasconsideredaloofinthehistoricandlocalaboveonlyhasthetechnologyandasmallnumberoffunctionalsemanticsemantics,thereisnoroomforthinkingaftertaste,theenvironmenthasledtoapathyandboringcriticism.Thisuseofinformationtheorytoexplaintheprinciplethateffectiveenvironmentalinformationcontainedinthesymbolsystemtoo.Inviewofthis,post-modernarchitectsVenturiloudlycalledfor:

"

buildingarichcontent,whilebuildingtoincludeotheraspectsofthemulti-dimensionalart,evenincludingthelanguage,sothatitisnolongerameretoolforthespace."

Itadvocatesenvironmentalcomplexityandcontradictorynatureofmodernismpromotedbysubstitutesimplicity;

tosemanticambiguityandtensioninplaceofstraightforward;

tothemultiplicityofsemanticoppositiontooneortheotherofopportunism;

shouldbemixedataglanceratherthanunity.Sterndesignedthe"

best"

productshowroomareatypicalexample,itadoptedlegislationfacesmanyofthetraditionalsymbolsandconstituteaform,liketheancientGreekpantheonofelevation,thussuggestinghewastryingtoconveythemepurposive:

thatis,thebuildingasa"

templeofconsumerism,"

thecommercializationofsocietyreflectthevaluesofpeopleandcommercialactivitiesofdailylifetoday,theimportanceof.Butthewaymetaphorsarecomplex,multiple,withoutseriousthought,itisdifficulttounderstandimmediatelyapparentfromitsrealsignificance.Thisdesignworks,forexample,notonlythedepthoftheboxthinkingismorethansimplythepursuitlikeasailingboatorabirdofpreysuchasthesymbolismofamoreintriguing,morephilosophical.

Theenvironmentasasymbolicphenomenon,inordertoaddressthe

long-standingproblemforthedesignersoftheinheritanceandinnovationoftheparadoxicalproblemofprovidingaeffectiveway.Designlanguageasthelanguageofsymbols,arerootedinpastexperiencewiththerapiddevelopmentofthesocietyislinkedtothenewfeatures,newmaterials,newtechnologyandcallsonnewideas.Ontheonehand,asifitweresogenerallanguagelanguagechangesslowly,ontheotherhand,withtherapiddevelopmentofsociety.Howtomaketheenvironmentnotonlyofhistoricalcontinuity,butalsotoadapttothenewrequirementsofthetimes?

Withtheadvanceofscienceandtechnologyprogressandfrequentculturalexchanges,"

vocabulary"

and"

inthedevelopingtrendofconvergence,butanationbecauseofnaturalconditions,economicandtechnological,socio-culturalpracticesofthedifferentenvironmentAssociationhasanumberofuniquesymbolsandarrangement.Spokenlikethedialect,likethedesignerscleverlyinjectthiskindof"

accent"

canenhancetheenvironmentforasenseofhistoryandlocalflavor,and

enhancetheinfluenceoflanguageenvironment.ModernJapaneseArchitectureMasterKenzoTangedesignedKagawahallisa"

newformofthetraditionalsemantic"

model.Althoughthebuildingareusedbyordinaryreinforcedconcreteframestructure,buttheexternalformoftreatmentistheuseofLuMingChuanhead,beamtoptraditionalsymbols,verticalhorizontalpartitionisanaturalassociationtotheJapanesemaintowerofthelayersofeaves.Layouthasabsorbedtheadvantagesofthesquaretowerofthetrafficandpublicfacilitiesontheplanarcore（similartothetowerKagutaventricle）,sothattheysharethesmallestGetallfloorsoftheshortestroutetraffic.Soastoshowastructurewithmodernformsoftechnologytoreflectthestyleoftraditionallocalmethods.

UnitedStatesartistSusanLangeoncesaid,"

isalwaysasymboltosimplifytheformoftheperformanceofitsmeaning,thatisexactlywhatwecangraspthereasonsforit.Regardlessofaworkofart（orevenallofthearts）ishowthecomplexityof,profoundandrich,itiseasythanreallife.Therefore,thearttheoryisundoubtedlytheestablishmentofaneffectiveheartsandmindsinavividrealityoftheconceptofsuchagreatcauseofthepreambleismore."

symbolicactivitieshavebeenincludedintheactivitiesofsomeabstractnolongerremainintheindividualabovethe.Visualsymbolsareanartsymbols,butalsotheperformanceofsexualsymbols.Relativereasoningintermsofsexualsymbols,visualsymbolsdonothavetheirownsystem,andanyvisualsymbolshaveacertaindegreeofculturalcontent,andonlyreflectedinacertaindegreeofemotionalstructure,aroundaparticularthemeoforganiccombination.EducatedYouthHotel,MaoJiaRestaurantcommercialbuildingandsoon,italsoadoptedthehats,cornonthecob,roughwoodentablesandchairs,wellsandsoon,andevenmoreinordertocreateanatmosphereofclothingaretobeattendants,aswellasthemenuwerealsocleverlyintegratedintotheAmongthem,thesedifferentgeographicalsignificanceinruralareastypicallyrichinvisualsymbolstocreateanenvironmenthereislikeanoldalbum,recordingadifferentperson'

sexperience,makingthedesignbecomemorecordial,butalsoworthpondering.Visualsymbols,notonlyinsymbolicformtocreatethevisualassociationand,moreimportantly,itcanevokethoughtsassociation,whichhaveempathy,toachieveemotionalresonance,thusbuildingmoremeaningful.

Therapiddevelopmentofurbanconstructionhasbroughtrapidchanges,butatthesametimewealsolostmanywillneverbeabletorecoverthings-historicalcontext.Thehistoryoftheformationofthestreets,alleys,arches,religiousshrinesandsoonurbanformasacompleteexpressionofarchitectureandurbanimageofthesymbolsystem,beingintofilms,ShingStreet,intoaSquaretoberemoved,threatstotheurbanformofthecompatibilityandcontinuity.Respectforhistoricaltraditiondoesnotmean,rigidlytraditional.Instead,consciouslykeepthesetraditions,willmakethecitymorelocalflavor.Infact,"

establishinganew"

donothaveto"

old"

thekeyliesinhowtoapproachtraditionalandfashiontocreateanewsymbiosisofold

andnewurbanform（symbols）."

NewWorld"

projectislocatedinShanghai,XingyeRoadHuangpiRoad,amajorsiteoftheChineseCommunistsofthesurroundingarea."

Venue"

oppositethesouthblock,designforthemodernarchitectureisnothigh,whichisdottedwithsomereservationsthetraditionalarchitecture,andthe"

venue"

inharmony.And"

wherethenorthblock,theneighborhoodretainedalargepattern,carefullypreservedandrepairedthebuildingexteriorfacadeShikumen,detailandneighborhood-scalespace,thebuildingwasmadelargerinternaltransformationinordertoadapttooffi