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1、deformation grammar separatist symbols constitute Inheritance and innovation over the years the relationship between art and design environment has been the focus of attention. In fact, from the linguistic point of view, this contradiction is the language of stability and variation between the contr

2、adiction. As a designer in the form of design successes and failures of the success or failure depends on the master, the term the rich and the use of grammar of proficiency. Designers to make their works by others can truly understand, we must choose the appropriate word and must comply with the gr

3、ammar. This does not mean that designers can only follow the beaten track, no personal contribution. Designers skillfully use the new individual symbols, or a conscious change in inter-symbol combination of a number of conventional relations, create new works of moving, which is design innovation. C

4、omposition has a specific component approach, that seems to be very plain in the composition of the sudden appearance of a heterogeneous elements, making the program itself is very plain to achieve unexpected results, with a sense of innovation of new symbols like this heterogeneous. In peoples accu

5、stomed to things difficult to arouse enough attention and interest in case, some common symbols deformation, splitting, or the preparation of the code to change the order, you can play a compelling, thought-provoking, the strengthening of environmental messaging language role. United States renowned

6、 architect Charles Moore designed the city of Orleans, Italian Piazza is bold in design elements taken from a variety of classical symbols, and symbolic means to reproduce them. The entire square to a circular plane Baroque for the composition to the gradual proliferation of black-and-white concentr

7、ic circles and to the surrounding pavement surface to extend out until the three sides of the street entrance. Classical Roman column, after a face-lift to the face of new shows, such as the Corinthian column is used in stainless steel column, canopies wall carved with the Latin of this fountain for

8、 the public to all the people who offer the gifts of the message; Doric column on the Flowing Down gurgle, round coupon on the molar smiling portrait, water is constantly spit from his mouth . here is not only full of bright rich atmosphere of a modern commercial, but also a strong attachment to loc

9、al feelings. Maps and Italian Apennine Peninsula, Sicily and Sardinias plan; ancient Rome, the five-column, the deformation Motif combinations and the Arc de Triomphe; circular portico Wai Kwong Hop. In fact, you are immediately aware that it is a mockery of classical Marxism. This is a joyous, almo

10、st classical tradition are hysterical embrace pleased. Today, a variety of side box-style building was considered aloof in the historic and local above only has the technology and a small number of functional semantic semantics, there is no room for thinking aftertaste, the environment has led to ap

11、athy and boring criticism. This use of information theory to explain the principle that effective environmental information contained in the symbol system too. In view of this, post-modern architects Venturi loudly called for: building a rich content, while building to include other aspects of the m

12、ulti-dimensional art, even including the language, so that it is no longer a mere tool for the space. It advocates environmental complexity and contradictory nature of modernism promoted by substitute simplicity; to semantic ambiguity and tension in place of straightforward; to the multiplicity of s

13、emantic opposition to one or the other of opportunism; should be mixed at a glance rather than unity. Stern designed the best product showroom are a typical example, it adopted legislation faces many of the traditional symbols and constitute a form, like the ancient Greek pantheon of elevation, thus

14、 suggesting he was trying to convey theme purposive: that is, the building as a temple of consumerism, the commercialization of society reflect the values of people and commercial activities of daily life today, the importance of. But the way metaphors are complex, multiple, without serious thought,

15、 it is difficult to understand immediately apparent from its real significance. This design works, for example, not only the depth of the box thinking is more than simply the pursuit like a sailing boat or a bird of prey such as the symbolism of a more intriguing, more philosophical. The environment

16、 as a symbolic phenomenon, in order to address the long-standing problem for the designers of the inheritance and innovation of the paradoxical problem of providing a effective way. Design language as the language of symbols, are rooted in past experience with the rapid development of the society is

17、 linked to the new features, new materials, new technology and calls on new ideas. On the one hand, as if it were so general language language changes slowly, on the other hand, with the rapid development of society. How to make the environment not only of historical continuity, but also to adapt to

18、 the new requirements of the times?With the advance of science and technology progress and frequent cultural exchanges, vocabulary and in the developing trend of convergence, but a nation because of natural conditions, economic and technological, socio-cultural practices of the different environment

19、 Association has a number of unique symbols and arrangement. Spoken like the dialect, like the designers cleverly inject this kind of accent can enhance the environment for a sense of history and local flavor, and enhance the influence of language environment. Modern Japanese Architecture Master Ken

20、zo Tange designed Kagawa hall is a new form of the traditional semantic model. Although the building are used by ordinary reinforced concrete frame structure, but the external form of treatment is the use of Lu Ming Chuan head, beam top traditional symbols, vertical horizontal partition is a natural

21、 association to the Japanese main tower of the layers of eaves. Layout has absorbed the advantages of the square tower of the traffic and public facilities on the planar core （similar to the tower Kaguta ventricle）, so that they share the smallest Get all floors of the shortest route traffic. So as

22、to show a structure with modern forms of technology to reflect the style of traditional local methods. United States artist Susan Lange once said, is always a symbol to simplify the form of the performance of its meaning, that is exactly what we can grasp the reasons for it. Regardless of a work of

23、art （or even all of the arts） is how the complexity of , profound and rich, it is easy than real life. Therefore, the art theory is undoubtedly the establishment of an effective hearts and minds in a vivid reality of the concept of such a great cause of the preamble is more. symbolic activities have

24、 been included in the activities of some abstract no longer remain in the individual above the. Visual symbols are an art symbols, but also the performance of sexual symbols. Relative reasoning in terms of sexual symbols, visual symbols do not have their own system, and any visual symbols have a cer

25、tain degree of cultural content, and only reflected in a certain degree of emotional structure, around a particular theme of organic combination. Educated Youth Hotel, Mao Jia Restaurant commercial building and so on, it also adopted the hats, corn on the cob, rough wooden tables and chairs, wells a

26、nd so on, and even more in order to create an atmosphere of clothing are to be attendants, as well as the menu were also cleverly integrated into the Among them, these different geographical significance in rural areas typically rich in visual symbols to create an environment here is like an old alb

27、um, recording a different persons experience, making the design become more cordial, but also worth pondering. Visual symbols, not only in symbolic form to create the visual association and, more importantly, it can evoke thoughts association, which have empathy, to achieve emotional resonance, thus

28、 building more meaningful. The rapid development of urban construction has brought rapid changes, but at the same time we also lost many will never be able to recover things - historical context. The history of the formation of the streets, alleys, arches, religious shrines and so on urban form as a

29、 complete expression of architecture and urban image of the symbol system, being into films, Shing Street, into a Square to be removed, threats to the urban form of the compatibility and continuity . Respect for historical tradition does not mean, rigidly traditional. Instead, consciously keep these

30、 traditions, will make the city more local flavor. In fact, establishing a new do not have to old, the key lies in how to approach traditional and fashion to create a new symbiosis of old and new urban form （symbols）. New World project is located in Shanghai, Xingye Road Huangpi Road, a major site o

31、f the Chinese Communists of the surrounding area. Venue opposite the south block, design for the modern architecture is not high, which is dotted with some reservations the traditional architecture, and the venue in harmony. And where the north block, the neighborhood retained a large pattern, carefully preserved and repaired the building exterior facade Shikumen, detail and neighborhood-scale space, the building was made larger internal transformation in order to adapt to offi