narratologya guide to the theory of narrative.docx
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narratologyaguidetothetheoryofnarrative
Narratology:
AGuidetotheTheoryofNarrative
ManfredJahn
Fullreference:
Jahn,Manfred.2003.Narratology:
AGuidetotheTheoryofNarrative.PartIIIofPoems,Plays,andProse:
AGuidetotheTheoryofLiteraryGenres.EnglishDepartment,UniversityofCologne.
Version:
1.7.
Date:
28July2003
Thispage:
http:
//www.uni-koeln.de/~ame02/pppn.htm
Projectintroductorypage:
http:
//www.uni-koeln.de/~ame02/ppp.htm
Email:
Manfred.Jahn@Uni-Koeln.de.(Commentsandquestionsofcommoninterestwillbepublishedonthisproject'squestionsandanswerpagepppq.htm.)
Homepage:
http:
//www.uni-koeln.de/~ame02/
Tofacilitateglobalindexing,allparagraphsinthissectionarelabeled'N'for'narratology'.Ifyouquotefromthisdocument,useparagraphreferences(e.g.,N5.4)ratherthanpagenumbers.
Contents
N1.Gettingstarted
N2.Thenarratologicalframework
N2.1Backgroundandbasics
N2.2.Narrativegenres
N2.3.Narrativecommunication
N2.4.NarrativeLevels
N3.Narration,Focalization,andNarrativeSituations
N3.1.Narration(voice)
N3.2.Focalization(mood)
N3.3.Narrativesituation
N4.Action,storyanalysis,tellability
N5.Tense,Time,andNarrativeModes
N5.1.NarrativeTenses
N5.2.TimeAnalysis
N5.3.NarrativeModes
N6.Settingandfictionalspace
N7.CharactersandCharacterization
N8.Discourses:
representationsofspeech,thoughtandconsciousness
N9.ACaseStudy:
AlanSillitoe's"TheFishingBoatPicture"
N10.References.
N1.Gettingstarted
Thischapterbuildsatoolboxofbasicnarratologicalconceptsandshowshowtoputittoworkintheanalysisoffiction.Thedefinitionsarebasedonanumberofclassicalintroductions--specifically,Genette(1980[1972];1988[1983],keyterms:
voice,homo-andheterodiegetic,focalization);Chatman(1978,keyterms:
overtness,covertness),Lanser(1981;keyterms:
voice,humanlimitation,omniscience);Stanzel(1984,keyterms:
narrativesituation,authorial,figural,reflector),andBal(1985,keyterm:
focalizer).Inthelaterchaptersofthisscript,thetoolboxwillserveasanorganizationalframeworkforcontextualizingalargenumberofmorespecifictermsandconcepts.
N1.1.Normally,theliteraturedepartmentofabookshopissubdividedintosectionsthatreflectthetraditionalgenres--Poetry,Drama,andFiction.ThetextsthatonefindsintheFictiondepartmentarenovelsandshortstories(shortstoriesareusuallypublishedinananthologyoracollection).Inordertofacilitatecomparison,allpassagesquotedinthefollowingaretakenfromthefirstchaptersofnovels.Thus,asasideeffect,thissectionwillalsobeasurveyofrepresentativeincipits(beginnings).Hey,that'sonetechnicaltermoutofthewayalready.
Theforegoingdecisiontogeneralizefromasingletexttypeismotivatedbypurelypracticalreasons.Thereisnothinglogicalornecessaryaboutit;indeed,manytheoristsprefertokickoffwithmore"basic"typesofnarratives,real-worldnarrativessuchasanecdotes,newsreports,etc.,andthenworktheirway"up"tofiction.Here,however,Isuggestdoingittheotherwayround.Novelsareanextremelyrichandvariedmedium:
everythingyoucanfindinothertypesofnarrativeyoufindinthenovel;mostofwhatyoufindinthenovelyoucanfindinothertypesofnarrative,whetherinnonfiction,naturalnarrative,drama,film,etc.So,let'sgotothebookshelf,getoutafewnovels,openthemonpage1,andseewhatwecandotogetananalyticalgriponthem.
N1.2.Firstwemustdefinenarrativeitself.Whatarethemainingredientsofanarrative?
Whatmustanarrativehaveforittocountasnarrative?
Forasimpleanswerletussaythatallnarrativeshaveastory.Butletusimmediatelyaddtwoadditionalrequirements:
(1)anykindofstoryisnotenough;letusstipulatethatastorymusthaveanactionwhichinvolvescharacters;and
(2)letusalsoassumethatallstoriescomewithastory-teller.Actually,ourpreferredtermforastory-tellerwillbe'narrator'.Anarrativehasastorybasedonanactioncausedandexperiencedbycharacters,andanarratorwhotellsit.Indeed,thisgettingstartedsectionwillmainlyfocusonnarratorsandcharacters.
N1.3.Inareal-lifeface-to-facenarrativesituation,wehaveanarratorwhoisaflesh-and-bloodperson,somebodywhoseesus,somebodywhomwecanseeandhear.Butwhatdoweknowofatextualnarratorwhenallwegetislinesofprint?
Cansuchanarratorhaveavoice,andifso,howcanitbecomemanifestinatext?
Considerourfirstexcerpt,fromthebeginningofJ.D.Salinger'sCatcherintheRye(firstpublished1951).
ChapterOne
Ifyoureallywanttohearaboutit,thefirstthingyou'llprobablywanttoknowiswhereIwasborn,andwhatmylousychildhoodwaslike,andhowmyparentswereoccupiedand