奥斯卡最佳导演詹姆斯卡梅隆TED英文演讲稿2篇Word文档格式.docx

奥斯卡最佳导演詹姆斯卡梅隆TED英文演讲稿2篇Word文档格式.docx

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Igrewuponasteadydietofsciencefiction.Inhighschool,Itookabustoschoolanhoureachwayeveryday.AndIwasalwaysabsorbedinabook,sciencefictionbook,whichtookmymindtootherworlds,andsatisfied,inanarrativeform,thisinsatiablesenseofcuriositythatIhad.

Andyouknow,thatcuriosityalsomanifesteditselfinthefactthatwheneverIwasn'

tinschoolIwasoutinthewoods,hikingandtaking"

samples"

--frogsandsnakesandbugsandpondwater--andbringingitback,lookingatitunderthemicroscope.Youknow,Iwasarealsciencegeek.Butitwasallabouttryingtounderstandtheworld,understandthelimitsofpossibility.

Andmyloveofsciencefictionactuallyseemedmirroredintheworldaroundme,becausewhatwashappening,thiswasinthelate'

60s,weweregoingtothemoon,wewereexploringthedeepoceans.JacquesCousteauwascomingintoourlivingroomswithhisamazingspecialsthatshowedusanimalsandplacesandawondrousworldthatwecouldneverreallyhavepreviouslyimagined.So,thatseemedtoresonatewiththewholesciencefictionpartofit.

AndIwasanartist.Icoulddraw.Icouldpaint.AndIfoundthatbecausethereweren'

tvideogamesandthissaturationofCGmoviesandallofthisimageryinthemedialandscape,Ihadtocreatetheseimagesinmyhead.Youknow,wealldid,askidshavingtoreadabook,andthroughtheauthor'

sdescription,putsomethingonthemoviescreeninourheads.Andso,myresponsetothiswastopaint,todrawaliencreatures,alienworlds,robots,spaceships,allthatstuff.Iwasendlesslygettingbustedinmathclassdoodlingbehindthetextbook.Thatwas--thecreativityhadtofinditsoutletsomehow.

Andaninterestingthinghappened:

TheJacquesCousteaushowsactuallygotmeveryexcitedaboutthefactthattherewasanalienworldrighthereonEarth.Imightnotreallygotoanalienworldonaspaceshipsomeday--thatseemedprettydarnunlikely.ButthatwasaworldIcouldreallygoto,righthereonEarth,thatwasasrichandexoticasanythingthatIhadimaginedfromreadingthesebooks.

So,IdecidedIwasgoingtobecomeascubadiverattheageof

15.AndtheonlyproblemwiththatwasthatIlivedinalittlevillageinCanada,600milesfromthenearestocean.ButIdidn'

tletthatdauntme.IpesteredmyfatheruntilhefinallyfoundascubaclassinBuffalo,NewYork,rightacrosstheborderfromwherewelive.AndIactuallygotcertifiedinapoolataYMCAinthedeadofwinterinBuffalo,NewYork.AndIdidn'

tseetheocean,arealocean,foranothertwoyears,untilwemovedtoCalifornia.

Sincethen,intheintervening40years,I'

vespentabout3,000hoursunderwater,and500hoursofthatwasinsubmersibles.AndI'

velearnedthatthatdeep-oceanenvironment,andeventheshallowoceans,aresorichwithamazinglifethatreallyisbeyondourimagination.Nature'

simaginationissoboundlesscomparedtoourownmeagerhumanimagination.Istill,tothisday,standinabsoluteaweofwhatIseewhenImakethesedives.Andmyloveaffairwiththeoceanisongoing,andjustasstrongasiteverwas.

ButwhenIchoseacareerasanadult,itwasfilmmaking.AndthatseemedtobethebestwaytoreconcilethisurgeIhadtotellstorieswithmyurgestocreateimages.AndIwas,asakid,constantlydrawingcomicbooks,andsoon.So,filmmakingwasthewaytoputpicturesandstoriestogether,andthatmadesense.AndofcoursethestoriesthatIchosetotellweresciencefictionstories:

"

Terminator,"

Aliens"

and"

TheAbyss."

Andwith"

TheAbyss,"

Iwasputtingtogethermyloveofunderwateranddivingwithfilmmaking.So,youknow,mergingthetwopassions.

Somethinginterestingcameoutof"

whichwasthattosolveaspecificnarrativeproblemonthatfilm,whichwastocreatethiskindofliquidwatercreature,weactuallyembracedcomputergeneratedanimation,CG.Andthisresultedinthefirstsoft-surfacecharacter,CGanimationthatwaseverinamovie.Andeventhoughthefilmdidn'

tmakeanymoney--barelybrokeeven,Ishouldsay--Iwitnessedsomethingamazing,whichisthattheaudience,theglobalaudience,wasmesmerizedbythisapparentmagic.

Youknow,it'

sArthurClarke'

slawthatanysufficientlyadvancedtechnologyisindistinguishablefrommagic.Theywereseeingsomethingmagical.Andsothatgotmeveryexcited.AndIthought,"

Wow,thisissomethingthatneedstobeembracedintothecinematicart."

So,with"

Terminator2,"

whichwasmynextfilm,wetookthatmuchfarther.WorkingwithILM,wecreatedtheliquidmetaldudeinthatfilm.Thesuccesshunginthebalanceonwhetherthateffectwouldwork.Anditdid,andwecreatedmagicagain,andwehadthesameresultwithanaudience--althoughwedidmakealittlemoremoneyonthatone.

So,drawingalinethroughthosetwodotsofexperiencecameto,"

Thisisgoingtobeawholenewworld,"

thiswasawholenewworldofcreativityforfilmartists.So,IstartedacompanywithStanWinston,mygoodfriendStanWinston,whoisthepremiermake-upandcreaturedesigneratthattime,anditwascalledDigitalDomain.Andtheconceptofthecompanywasthatwewouldleapfrogpasttheanalogprocessesofopticalprintersandsoon,andwewouldgorighttodigitalproduction.Andweactuallydidthatanditgaveusacompetitiveadvantageforawhile.

Butwefoundourselveslagginginthemid'

90sinthecreatureandcharacterdesignstuffthatwehadactuallyfoundedthecompanytodo.So,Iwrotethispiececalled"

Avatar,"

whichwasmeanttoabsolutelypushtheenvelopeofvisualeffects,ofCGeffects,beyond,withrealistichumanemotivecharactersgeneratedinCG,andthemaincharacterswouldallbeinCG,andtheworldwouldbeinCG.Andtheenvelopepushedback,andIwastoldbythefolksatmycompanythatweweren'

tgoingtobeabletodothisforawhile.

So,Ishelvedit,andImadethisothermovieaboutabigshipthatsinks.（Laughter）Youknow,Iwentandpitchedittothestudioas"

'

RomeoandJuliet'

onaship:

It'

sgoingtobethisepicromance,passionatefilm."

Secretly,whatIwantedtodowasIwantedtodivetotherealwreckof"

Titanic."

Andthat'

swhyImadethemovie.（Applause）Andthat'

sthetruth.Now,thestudiodidn'

tknowthat.ButIconvincedthem.Isaid,"

We'

regoingtodivetothewreck.We'

regoingtofilmitforreal.We'

llbeusingitintheopeningofthefilm.Itwillbereallyimportant.Itwillbeagreatmarketinghook."

AndItalkedthemintofundinganexpedition.（Laughter）

Soundscrazy.Butthisgoesbacktothatthemeaboutyourimaginationcreatingareality.Becauseweactuallycreatedarealitywheresixmonthslater,IfindmyselfinaRussiansubmersibletwoandahalfmilesdowninthenorthAtlantic,lookingattherealTitanicthroughaviewport.Notamovie,notHD--forreal.（Applause）

Now,thatblewmymind.Andittookalotofpreparation,wehadtobuildcamerasandlightsandallkindsofthings.But,itstruckmehowmuchthisdive,thesedeepdives,waslikeaspacemission.Youknow,whereitwashighlytechnical,anditrequiredenormousplanning.Yougetinthiscapsule,yougodowntothisdarkhostileenvironmentwherethereisnohopeofrescueifyoucan'

tgetbackbyyourself.AndIthoughtlike,"

Wow.I'

mlike,livinginasciencefictionmovie.Thisisreallycool."

Andso,Ireallygotbittenbythebugofdeep-oceanexploration.Ofcourse,thecuriosity,thesciencecomponentofit--itwaseverything.Itwasadventure,itwascuriosity,itwasimagination.AnditwasanexperiencethatHollywoodcouldn'

tgiveme.Because,youknow,Icouldimagineacreatureandwecouldcreateavisualeffectforit.ButIcouldn'

timaginewhatIwasseeingoutthatwindow.Aswedidsomeofoursubsequentexpeditions,IwasseeingcreaturesathydrothermalventsandsometimesthingsthatIhadneverseenbefore,sometimesthingsthatnoonehadseenbefore,thatactuallywerenotdescribedbyscienceatthetimethatwesawthemandimagedthem.

So,Iwascompletelysmittenbythis,andhadtodomore.Andso,Iactuallymadeakindofcuriousdecision.Afterthesuccessof"

Titanic,"

Isaid,"

OK,I'

mgoingtoparkmydayjobasaHollywoodmoviemaker,andI'

mgoingtogobeafull-timeexplorerforawhile."

Andso,westartedplanningtheseexpeditions.AndwewoundupgoingtotheBismark,andexploringitwithroboticvehicles.WewentbacktotheTitanicwreck.Wetooklittlebotsthatwehadcreatedthatspooledafiberoptic.Andtheideawastogoinanddoaninteriorsurveyofthatship,whichhadneverbeendone.Nobodyhadeverlookedinsidethewreck.Theydidn'

thavethemeanstodoit,sowecreatedtechnologytodoit.

So,youknow,hereIamnow,onthedeckofTitanic,sittinginasubmersible,andlookingoutatplanksthatlookmuchlikethis,whereIknewthatthebandhadplayed.AndI'

mflyingalittleroboticvehiclethroughthecorridoroftheship.WhenIsay,"

I'

moperatingit,"

butmymindisinthevehicle.IfeltlikeIwasphysicallypresentinsidetheshipwreckofTitanic.AnditwasthemostsurrealkindofdejavuexperienceI'

veeverha