三维动画的视听语言运用毕业论文外文文献翻译Word格式.docx

三维动画的视听语言运用毕业论文外文文献翻译Word格式.docx

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Audioand　visuaｌｌａnguagｅｕｓｅdｉn

ｔｈe　animａtion　

指导老师评语：

　　由于该生经过大量地查阅与视听语言应用相关的国内外文献，较好地掌握了该研究领域的专业知识,从而较准确地翻译了该外文文献，语句通顺，层次分明。

译文原文字数大于3000个实词,格式字体符合要求。

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【Ａｂstｒact】Practicａlefｆｅctofthispapｅristhroｕghstudｙ　theｔhree　ｄiｍeｎsiｏnalaｎimａｔion　ａudiｏ-ｖisuallangｕage　ｉnｆilmrｅviｅws,ｍovieandＴVpeｏplｅ'

ｓ　ａeｓｔhｅticａbilitｙandeconoｍic　rｏｌeinreal　lｉfe,showtheiｍportanceofｉtｓ　exiｓtenceandaｕdiｏ-ｖｉsuallａnguagｅ　iｎthedeveｌopment　oｆChiｎa'

sｓｔatusｑｕｏandtheｆｏresｅeablｅ，aｌsocallｅdfｏｒiｎthe　ａge　ofｐeopletoiｍpｒove　theiｍportanｃeofaｕdｉｏ-ｖiｓuaｌlａnguaｇe，aｂletopｕt　theaudio－visｕａｌｌａｎguａｇe,asakｉndofcomｍon　knowｌedｇeｔoｌearｎ，cansｔrengthｅntheaudio-visｕallaｎｇｕａge　ｅdｕcatiｏnthecouｒsｅ　ｏｆtｅaｃhing．Tｈrougｈ　somｅweb　sitesto　fiｎdrelｅvantmateｒials,　libraryｌitｅrature，wｅiｐu　jouｒnaｌnetｔoｆindｔhe　related　liteｒatｕｒeandChinese　howｎet,ａｎd　cｏnductmarkｅt　research.

【Keyｗorｄs】audio－viｓuａl,culｔｕreiｎflueｎce,laｎｇuaｇeｕｓｅ，ｐracｔicaltｏoｌs,deveｌopmｅnｔ.

Animａｔｉoniｓ　thｅａrt,ｍｕｓic，liteｒaｔｕreaｎｄcompｕter　technologytoa　ｃrosｓｔhediverｓｉｔｙ　of　artforｍ,ａnimaｔｉoｎaｎdrelｙｏｎ　thｅ　aｐｐlicaｔioｎof　aｕdio-visuａlｌaｎｇuaｇｅbｅyｏｎｄtｈe　paｓｔanytiｍｅ.　Ｔhe　useoｆａudｉo－viｓuaｌ　lａnguaｇeinanimaｔion，ｗhich　makesｔhｅcurrｅnt　aniｍａｔion　wiｔhirrｅｓistible　chaｒm.Ａuｄio-vｉｓuａlｌａnguageｉsaｗay　ｏftｅllinｇｔhｅｓtory,iｓａｌsｏan　efｆecｔivewaｙ　tｏexprｅssdirｅcｔoremotioｎsaｎd　thoｕghts，maketheemotional　exｐression　totｈeextreme,gｒｅat　combiｎatiｏn，iｔbrings　tｈｅａuｄｉｅnceasｔｒong　compｒehensｉvｅａesthｅtic　eｘperｉeｎｃe.

Audio-visｕalｌａnｇuaｇｅandanyotｈer　language,ｈａsitｓown　consｔｉtueｎtｕnｉts,　expreｓsionand　gramｍａrruleｓ.Ｉnthｉspａpｅr,ｆromtheviｓuallaｎguageｏｆｅxprｅｓsion　mｅthｏd，　ａｕditｏrｙlａnｇuａge　ｅxｐreｓｓionmethｏd,ａｎｄａudiｏ-ｖisｕallangｕagecomｐｒehensiverepresentationofthesｅaspectｓ,　eｘｐlorｅanimaｔionａｕdio-visｕallangｕageｏfｅｘpressｉｎgfeeliｎgs.Seｐaratedby　ｓeeingａndhearing　languaｇe,uｓinｇ　tｈeiｎstance　tｏresearｃhandanａｌｙｚeｖaｒｉoｕs　elｅmｅnｔsofemotionａl　expressｉon,audio-ｖiｓuallangｕaｇeaudio－visｕalｌanguageinuｓｅ,ｔheｎumberofeleｍentｓ　iｓcomｂinedｔｏgｅther,sｏ　ｔｈeyarethinkinｇ　asawｈole，comｐrehensｉveanalｙsisoｆanｉｍａtｉoｎaudｉo-vｉsuallanｇuagｅ　ofemotｉoｎａlexprｅｓsioｎ,fｒom　twoaｎｇlesｏfｓeekinｇtｏ　ｂuildaｎｉmａｔionaudｉo-ｖisｕallanguage　exprｅssion　systeｍ．

ＡｎｉmａtｉonaｓaｍoviｅandTＶａrt,ｕｓingｔherichｓyｍbｏliｃ　visualｓymbolsandhｅaring　to　the　exprｅssiｏneｘpreｓsｅｓ　one'

ｓidｅaｓ，communicatｅidｅａs,itｃｏmｂines　wｉththechaｒacterｉｓtｉcsof　ｆiｌｍ,televｉsｉonaｎdaｒt,hasiｔｓ　ownunｉquｅ　artiｓticcharacterisｔｉｃs，manｉfesｔaｔｉon,　sｏciａlfunｃtｉｏn.　Aｎiｍateｄ　ｆilm,wｈetｈeｒit'

ｓarｔ,culｔure　aｎdidｅｏlogｉcaｌ　conteｎtｔｏcａrｒyｔｈrough　audiｏ-viｓuallangｕaｇｅ,andcｏnveyｔothｅaｕｄience.Throｕｇh　tｈeａudio-ｖisual　lanｇuage　rｅpｒesentａtion　ａndmeａning　fuｎctｉｏｎ,　we　cａndｅｅplｙunｄerstandtothe　ｃaｒtoｏｎ　tｈｅａrtｉsｔｉcfeaturesofｔheextｅrｎalｐｅrｆorｍaｎcｅtｏtheｉnnermeaning　of　thｏuｇhｔ.

Aｌonｇｗｉththeprogresｓof　The　Ｔiｍｅs，thefilm　andtelevｉsｉonarｔeｘpresｓiｏnmeaｎsａrecoｎｓｔantlｙenｒichａnｄpeｒｆecｔ，　aｕdｉoandvisualelementsofｔhecoｍｂinationｉs　ｍoreanｄ　ｍoreｖａｒietyand　ｄivｅrsity,asasyｍbolcarrｉｅｒ　ofcuｌｔｕre　andthｏｕghｔ,theywon'

ｔcｈａnge，thｅesseｎｃeof　ｔｈeChinｅsｅanimatｉｏninｆutuｒeｄｅvelｏｐｍeｎt　haｓ　thｅrightguidancｅ.

Theｔhreｅdimｅnsionalanimationasauxiliaryｍeans　ofteacｈinｇhaｓpｅｎｅtratｅdthｅｅｄucatiｏnteｃhnologｙ，ｈasbeeｎmorｅａｎｄmｏｒe　ａttention,　andｗiｄelyused　ｉn　ｔhehigｈeｒvocａtionaltｅachinｇ.　Use　itsthree－dimensｉonaｌ,　dｙnamic　auxiliaryteacｈing,wｈicｈiｓeasily　unｄerstood　bystuｄｅｎｔsanｄmaster,caｎｓolｖe　theteachingeｍphasｉsａnddｉｆｆiculｔy　inviｖidiｍaｇｅ.Ｔhispaｐerintroduｃｅstｈemeaning　ａndｃlａssｉficaｔｉonofｆoｒｍ　theｔｈreｅdimensionalanｉmaｔiｏn,comｂinｅd　ｗitｈcｈaraｃｔerｉsｔicsofｈighervoｃatｉｏnalteacｈiｎgａndｔｈeaｐplicationｏf3d　aｎimａｔiｏninthehiｇhｅrvocatioｎａlｔeaｃｈinｇ　presenｔsｉｔuation，how　ｔorｅaｓonaｂｌe　useof　3d　aｎiｍaｔｉｏncanbｅｍade　aconcｒeｔe　analyｓis　toimprｏveｔｈeteａcｈiｎgeｆｆecｔ.Ｓcienｃeaｎd　eduｃationfilm　anｄteleｖｉsｉon　wｏrks，landｓcａｐe,reveaｌingthe　science　tosｃiｅnce,　dissemｉnatｉngscieｎｔｉfiｃthｏughｔ,promotｅ　scientificmetｈoｄsａsown　duｔｙ,thereｆoreiｔhas　aveｒywiｄe　rangeｏfobjeｃtｓ,　ｃoｎｔｅnｔ　isvery　ｒｉｃh，　ｍanｙ　of　whicheｖｅｎbeｙonｄthｅｓcｏpeofｔhehｕmａneyeobｓｅｒvationandｃaｍera　leｎsshoｏtingaｂilitｙ,ｓuchasmacｒoｓｃｏpiｃobjectsintｈeuniverｓe,　the　mｉｃrｏscｏｐicbａｃteriａ，ｖiruｓeｓ,　molｅｃules　anｄ　aｔｏｍs,aｎdａvariｅｔyｏｆ　physicａlpｈeｎomena，ｃhemicalrｅactiｏnandsｏ　on.　Iｎorder　ｔｏcomｐｒehensｉｖeaccｕraｔelｙｒｅfleｃtsthesciｅntifｉc　coｎteｎt,leｔtheａuｄiｅnce　uｎdｅrstandingｗorkstoｅxｐreｓsthe　thｅmｅ　ofthｅ　thoｕgｈt,tｈearｔistｓｏftenusesoｍespeciａl　ｗａｙ　to　showtｈeseｃｏnｖｅntionａlphotoｇｒａphｙcaｎｎoｔａcｃｕratｅｌy.Tｈis　speciaｌeｘpressioｎｗay,　ismainlｙrｅfｅrsto2danｉmａtion　by　hａndand　bｙ　ｔｈespeｃial　phoｔｏｇｒapｈｙ,photograｐhyof　microｓcopiｃ　magnifｉcatioｎ,endｏscopicandsoｏn　ｍeaｎsｏfspecialｐhotogrａphy，ｔhｅsetｗｏkiｎds　ｏｆexｐressｉｏn　waｙｉnmaｎyfilmandtelｅｖiｓionwｏｒks,acｈｉevedgoodartｉsticｅｆfecｔ.

Haｎd-ｄｒawnanimatioｎisthe　ａｄopteｄｂylaｔticeａｎd　oｒusinga　compｕｔergｅneｒatｅd　iｍaｇｅfrａｍe　by　ｆｒame,sｃeｎe　shｏｏｔing　thefilｍ,ｗｉthastrｏng　sｕbjｅｃｔiｖityanｄthegrａphiｃfilmＰiａnＺhong.　Duｅtｏ　tｈenatureoｆaｎimaｔed　fｉlms,ｍadｅanimaｔedfilm　incolormorefreedom　andｕｓinｇ　ｅxａggｅｒateｄ,ａnimatｉon　ｆiｌmｃolorｉsdesigneｄaccording　to　thenｅｅdｓｏfｔheｐlotｂydesignｐeｒｓｏnｎel，thushasalot　ｏｆroｏmｆoriｍagｉnatiｏｎaｎdspａce,cｌoseｒｔotｈepaiｎtinｇcｒeation．Colourｉｓ　realistic,　sotｏｓｐｅａk,alsocaｎsay　illusoｒy，anditsricｈ,ｓoto　spｅak,　aｌsｏcansay　wｈilｅgenｅｒaｌizａtioｎs,　desｉgneｒscａnｕｎdertake　meｄiationandarｒａngｅdａｃcording　totｈｅｎｅedsof　theplot,tｏgｅnerａlｉzeeｘｔreｍｅｌy　ｒichcolor,unifｙinｇtheｓｔylｅ　ofcolor.Atthesａｍｅ　time,tｈedeveｌopmentofｃolorto　tｈeｓtoryaｎdthecharaｃtｅrｂust　ofpsychologiｃalｐeｒformaｎcealsohasａ　ｖeｒy　impｏrtant　ｒｏle.Colouris　the　strongｅstvisual　iｍpａct,themｏstprofｏunｄ　pｓycｈolｏgicａlｅfｆecｔｆａctors.Aniｍationfilmhａscomｐaｒed　to　themoｒeｐaiｎｔing,sｏwiｔhtheｃreatｉonofａｎiｍatｉｏn　canrefｌｅcｔmorｅｓtrongnatiｏｎａlｃolor,regｉonａl　anｄother　factｏrs．InearlyＣhiｎese　ｉnkpａintinｇａniｍaｔｉoｎanｄpａper-cutａnimａtion　sceneorｃｈaｒactermoｄｅllinｇ,ｅspecially　ｔhe　use　oftechniquesanｄｐroｃessingisundｅｒtheiｎflueｎce　ofｎatioｎａlａｎdｆolktraditｉoｎａl　ｆａｃｔｏrsａndcｒeaｔe　therｅｓplendence．Ｊapａn＇shaｙａoｍｉｙazａｋｉ'

s　animａtｉｏｎeveｎtsｅaｃh　filmａrｅalsofullofJapaｎesetraditioｎalｎational　ｅｌementｓ.　Inaｎimation　creatｉon,　ｖａrioｕs　ｎaｔional　anｄrｅgioｎａl　feａtuｒｅsoｆｍorｅorlｅssrｅflｅｃtedｉn　ｔheuｓｅ　ofcｏlor.Vｉsibｌｅcolｏｒstheimportancｅin　the　aniｍaｔedcarｔoon,soin　ｔheｕｓerequirementswemuｓtacｃorｄｉnｇtothe　ｐlot　dｅvｅloｐmｅnｔpａｃｅoｆｃhangｅ,andcaｎrｅfleｃttheａrtisticqualityofreaｓｏnableｕｓeofｃｏlｏr.Theｓecoｌourisｔhe　visualａｎdartｉsｔｉc　apｐｒｅｃiａｔｉonvalｕe,aｎdｍust　ｂesubｊｅcttoｔheoverallｆilmｒhyｔhmａｎdtonｅｏf　ｔhｅ　coherencｅａｎｄcoｏrdｉnatiｏn。

Auｄio-visuallａngｕａgeis　ｍaｉｎｌycharacterｉzｅｄｂyｖisualand　sｏundｔwｏforms,oneiｓgiven　pｒiority　ｔｏwｉthvisｕａlfoｒm.Ｆｒomresｅarchｏnａniｍatiｏnfｉｌmleｎs　uｓedｉntｈｅpｒｏcｅssoｆundｅrstａnｄing　tｏthｅ　ａnimatｉonａudio-vｉｓualｌaｎguａge　conｔｅntisroughｌy：

　storystｒucture,pｉcｔure　cｏmpｏsｉtion,useｃｏlｏｒ,　light，sounｄ,timeｓｐaceｐｅrfoｒｍaｎｃe,aｎdsoon．Ｓｔrucｔure　isa　skｅｌetｏｎoｆｔｈeｓtoｒy,plaｙａｓｕpportingrole,Goodstoryｓtrucｔurｅcaｎｓhapｅａgｏodscｒipｔ,　itisthe　ｅssencｅoｆthefｉｌm，　ｈaｖetheeｆfeｃtｏfｏveｒｌｉnｋｓ;

Animａtｉonrefｅｒs　tｏtｈecoｍｐosｉtｉｏnｆorm　ｏｆscrｉpｔ，iｔemｐhaｓiｚes　thｅfｏｒｍfeeliｎｇ，　oｆtenmｅanstｈaｔ　ｔｈelevelｏfaesthetic,aｒtistiｃappreｃiaｔiｏｎ　leｖel，is　the　lens,baｓｅdoｎｔheprocessiｎg　tothe　continuitｙ　of　thestｏrｙ　ｗhｅｎconsｉdering　tｈeｃamerａmovemenｔ;

　Colorandliｇhtis　anindiｓpｅnsablepartner　ｏf　ａgｒoup,ｔheydirｅcｔｌｙcoｎｔrolthetoｎeof　ｔhｅwhoｌeｆilm，trａnsfer　fｉｌｍaｎdtheauｄienceemｏtiｏnaｌａtｍospｈere；

Ｍｕｓicanｄsｏuｎdtracks　ｔｏjoｉn,make　ｔｈe　filmhａvetｈeｉr　ｏｗnpersonalitieｓ;

Tｉｍeaｎd　spaceｆorthedevｅloｐmｅnｔofthｅstoryｐrovidesthe　framｅｗoｒkaｎdtheｅｎvironｍent．　

Aｕdio-visｕａllanｇuage　asakinｄofinfoｒｍａtionthｅsymｂoｌsysteｍofｃoｍmuｎicatiｏn,ｉnadditioｎ　to　thesaiｄinfｏrｍationtｈｒougｈaｌens,ｍoreisbasedontheimagethｉｎｋing,ｉｓpassed　tｏ　tｈeaｕｄiencｅ　ｔheinternalａndｐrofoundeｍotｉoｎalexperieｎｃｅ.Iｎtheｖｉsｕａl　imageaｎdｓｏｕndinｆormatｉon，aｕｄiｏ-visuａｌlangｕage　uｓe,thecoｍbｉnａtｉonｏfｉdeolｏgy,canmakeａllkｉndsｏfｅsｔａblished　thｅａｎimatｉｏnｆｉlm,　the　symbolofｔｈemｏｒal.Animａtionａudio－visuａl　laｎguageｉsaｌsoａtimedｉmensｉoｎ,ｉtcannｏtonlyinnarrative　ｆｒameworｋ,mｏｒeisthrougｈｔｈｅｌｅｎs　of　coｈerenｔ　ｐiｃturｅ，withｄeeｐer　eｍotionａlandｐｓychｏｌogical　hiｎt．

Montagｅvideo　editiｎｇ　prｏvidesatheoretiｃalbasisfortｈe　ｎetwｏrｋ.Acｏmpｌetenetwoｒk　ｖiｄｅowｏrks　ｂｙa　ｎｕｍｂerofplotsisｃomposedbｙ　ｐaragrapｈｓ,　andeach　paｒagrａｐhoｆ　apｌotconsists　oｆthemｏｎｔage　ｏfseverａl　paｒagraphｓ　（orsenｔeｎcesｍｏntage）.“Monｔage”　ｉsｄerivｅｄfrom　theFrｅnｃｈ,tｈeorigｉｎａlarchitecｔurａl　ｔerm,meaｎingｃomｐoｓｉtioｎ，assemｂlｙ.　Ｌaterｂeｃomeoneofthemain　naｒraｔiveanｄｐerformanceｏfitsmeａnｓoｎ　crｅａｔiｎgand　ｅdｉtingvidｅoaｎdａudiosynｔhesis.Wｉthtｈeway　ｏfmonｔaｇｅ,　video　ｅnｊｏｙsｇreat　fｒeedomofspａce　and　tiｍｅ　jumpｉnｇ.Moｎtageedｉｔiｎgreliｅsｏntheintriｎsic　ｌink　tｏcrｅａｔeｔheleｎs　tｏpic,wｈichguｉdestheａｕｄieｎcｅｓtoｉnteｒpreteｖentsandｓtreｎgtｈenｓｔheevents　tｈrouｇhｔhe　combｉnａtionofimage　anｄsounｄ.Ｗｈat’smore，through　thｅｃombinationoｆwaｙs,the　directoｒwouldbeabｌe　ｔoexpresshiｓideａｓ.Ｉnｔernetvideoｉs　ａcolｌeｃtionof　thegreatest　ｆeaｔuresofvoice，video,textaｎdoｔｈer　eｌｅmeｎｔｓｏｆ　advanｔageｓ,　whｉｃhcanａｔtrａctthe　aｕdienｃeｓ’ａｔｔｅｎｔiｏnｗｉthinａ　shorttime.Therｅｆorｅ,itｒeｑuiresfuｌl　uｔｉｌizationoftｈispaｒtｉcuｌarmonｔaｇeediｔｉｎg　ｔeｃhｎiquｅs,　ａnd　leftthe　audienceswithspaceoｆiｍaginationiｎtｈemｅantime.

Itｉｓ　difficuｌｔ　tohaｖeanexactａcｃurａte　ｃonclｕsion