好莱坞电影在中国的跨文化传播及影响Word文件下载.docx
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Lastbutnotleast,allgoodthingsmustcometoanend,theacknowledgmentmeansmycollegetimesfinished,oncemoretoexpressmygratitudetomysupervisor,andsometeacherswhoteachknowledgetomeinmycollege.Becauseofyourteaching,mythesiscan’tdetour.
Abstract
Inthispaper,ItaketheHollywoodfilmsinChinacross-culturalcommunicationofthetitle,thearticlemainlydescribestheHollywoodfilmsbringtheChinesefilmmarketinspirationandinfluenceandsoon,andwiththedeepeningdevelopmentofeconomicglobalization,China'
spolitical,economic,culturalandotheraspects,whicharedeeplyinfluencedbycapitalism,amongcross-culturalcommunicationpromotedtheformationanddevelopmentofmulticulturalisminChina,andatthesametime,whichalsoaffectedthedevelopmentofglobalizationprocess.Therefore,wediscussthestudycontentofthethecross-culturalcommunicationsituationofHollywoodmoviesinChinaanditsinfluence.Hence,wetrytodiscusstheculturalcategories,culturalbeliefsandthecross-culturalcommunicationofHollywoodinthedevelopmentoffilmcultureinChina,whichhasanessentialroleinfilmsindustrial.Thewaveofglobalizationissurging,thisistherealityofthetimespicture,buthowtoletthefivethousandyearsofbrilliantChinesetraditionalcultureinnovation,fullofvitality,andhowtocontinuethetraditionofculturalheritageofthismillenniumcontext,topromotea56ethnicOftheculturalidentityofthenationalsofthegreatnation,sothatthenationalcultureoftheChinesenationthroughthefilmtoshowtheirownuniquenationalbannertotheworld,whichwillbeaneternaltopicweface.
Keywords:
Hollywoodmovies;
cross-cultural;
thefilmmarket
摘要
本文以好莱坞电影在中国跨文化传播为题,其文章主要阐述了好莱坞电影带给中国电影市场的启示以及影响等等,同时随着经济全球化的不断深入,我国在政治、经济、文化等方面深受着资本主义的影响,其中跨文化传播促进了我国多元文化的生成和发展,同时也影响着全球化进程的发展。
因此我们以好莱坞电影在中国的跨文化传播境况及其产生的影响为研究的内容,本文试图讨论好莱坞电影所宣传的文化类别,文化信念以及好莱坞的跨文化传播在我国电影文化发展中有着举足轻重的作用。
全球化的浪潮风起云涌,这就是时代的现实图景,但是如何让延续了五千年灿烂辉煌的中华传统文化推陈出新、焕发生机,如何接续传统文化传承的这根千年文脉,增进一个有着56个民族的大国国民的文化认同,让中华民族的民族文化通过电影镜头向世界亮出自己独特的民族旗帜,这将是我们面对的一个永恒的话题。
关键词:
好莱坞电影;
跨文化;
电影市场
HollywoodMoviesCross-cultureCommunicationInChina
1.Introduction
Astimegoingon,greatchangeshadtakenplaceintheworldpatternafterentering1900s,thetrendofglobalizationhadbecomeobviouslydaybyday.Thehigh-speedincreasingandopening-upofChina’seconomyandtheoperationofcultureitselfmadeusenterakindofnewculturalspace.Meanwhile,HollywoodmovieshashappenedhugechangesfromthenoninChina.HerelationshipoftheChinesemoviesandtheHollywoodmoviesbecamecomplexandclose.Duringthisperiod,ontheonehand,HollywoodmoviesenteredChinesemarketwithatremendouspattern.Thewayofspreadisnotjustofficialchannel,itistoenterbyaddingtranslatesubtitle,thesemovieswereproducedDVDswithapiratedway.Atthesametime,theChinesemoviesdevelopmententeredbottleneckperiod,andcontrarilyforthestudyofHollywoodmovieshadbecomehottopics.Beforethe1990s,onlyafewHollywoodmovieswereintroduced,andtheybelongedtolowqualityandtheyhadbeenshowedinAmericaandotherareas.Ithadamainimpactonacademics.FromtheHarrisonFordIstheFugitivewasintroducedonNovember12th
1994toChinajoinedinWTOin2001,
aswellasthetrendofglobalizationmadetheHollywoodmoviesspreadquicklyinChina.Today,Sinceentering21stcentury,withthedevelopmentofeconomic,politicsandculture.HollywoodmovieshavegainedcertainmarketinChinesemoviesmarket.
ManyChineseelementshaveriseninHollywoodmovies.Forexample,theChineseoroverseasChineseactorswereemployedinHollywoodmovies.First,suchasinL’oradiPuntamovies,JackieChanandZhangJinchuemergedinit.ChowYun-fatshowedinPiratedoftheCaribbean,GongLiwonaroleinYoungHannibalandsoforth.Today,manyyoungactorsstarttojointheHollywoodscreen.Second,theChinesestoriesareexplainedandapplied.Suchas,Mulan,theDepartedandtheSecretoftheMagicGourd.Mulan,theDisneyremadetheclassicalChinesestories.Inaddition,thesuccessfulChinesemovieswasremadethewesternstory.Suchas,theDepartedoriginatedfromtheInfernalAffairs.In2007,theDisneyinvesteddirectlytoremaketheSecretoftheMagicGourdwiththeShanghaiAnimationFilmStudio.ManymoviesareChineseandWestern,andtheyputtheChinesestoryintowesternstory.Third,inrecentyears,plentyofHollywoodmoviesregardedtheChinaasbackground.In2006,theoperationofChinaandAmericafilmthePaintedVeil,itisbyaLiJiangriverlandscapeasbackgroundtotellalovestory.Fourth,theyadopttheChineseelementswithotherways.In2006,Protagonist’skidwasarrangedaChinesekindergarteninPursuitofHappiness.ThelastoneisthatimitatingtheChineseKungFu.In2008,theKungFupandaexplainedperfectlythecharmingofChineseKungFu.
Finally,wecanexplainthesignificanceofstudy.First,sinceenteringthenewcentury,theChinesegovernmenthasestablishedtheculturalindustrialbynationalpillarindustry.Inglobalcontext,studyingHollywoodmovieshaveahugeimpactonChineseculturalindustrialfrommacroscopicscale.Second,thearticlesadoptainterculturalcommunicationtoanalyzeandtryoutthecontentofAmericanculturalmovies,thespreadmechanismandthespreadregularity.WecouldfoundthattheHollywoodmovieshaveacertaininfluenceonChinesepeopleandthelifestyleinChina.Hence,theHollywoodmoviesincross-culturalcommunicationdeservetostudyincross-culturalcommunication.
2.Literaturereview
2.1ThedevelopmentofHollywoodmoviesinChina
Themovieswerefirstintroducedinthe1896inChina,itfaredawaythatLumierebrothersshowedthemoviesfirstlyinpublicinParislessthanoneyear.Fromthattimeon,plentyofAmericanmovieswererushintoChinafromplacetoplace.
Inthecinema,theAmericanmovieshadoccupied80%to85%inallmovies.Asforakindofculturalview,HollywoodmovieshadadeepimpactonthedevelopmentofmoviesinChina.Tracebackto1930,somepeopleoncesaid:
Hollywoodmovieshadreplacedchurchman,educator,businessmen,andliterature,itbecamethemainwaythatchinastudiedwesternindustrialsocietycultureandlife.
ItwastheEuropeanwhointroducedthemoviesintoChina,notAmerican,Europeanhadruledthemoviesmarketfromuntilthefirstworldwar.In1899,amanwhonamedGalenBoca,heisaSpanish,andhetransmittedmoviesinsometeabar,restaurantandtheentertainment.Later,hegavethedevicetofriendsAntonioRanws.Heisabusinessleaderandheexpandedthedimensionquickly.In1908,hebuiltHongkewcinema,whichisspecificcinema.In1911,theAmericanconsulateinShantonGlwilliansdeliveredareportandsaid,Chinaisproudofthereisacinemaintheport.However,thesecinemaswereruledbyEuropean.AmericanmoviesappearedinChina1897.JamesRicaltonwholivedinEdisonmoviesinourteagardeninShanghai.ItisverypopularinChina.Ininitialstages,AmericandespoiledthemoviesmarketbehindEuropean.Thereasonisthatitneededtogainmoremoneytoleaseandbuythemovies.AndtheAmericanmovieswerenotappropriateforChinesetaste.
AftertheWorldWarⅠ,cuttingoffthesourceoftheEuropeanmoviesandweakeningtheleadingrole.SoAmericanavailedthemselvesoftheopportunitytogetinandthelatercornerssurpasstheformers.In1909,BenjaminBrodskycametoChinaandoriginateacompanynamedChinamotiononpicturecompany.Inaworld,aftertheWorldWarⅠ,AmericanmoviesenteredintotheChinesemarket,untiltheendofwar.Adiplomatoncesaid:
“now,theAmericanmovieshadalmostoccupiedtheChinesemoviesmarket.”
HollywoodmovieswerenotonlyreleasedshowinChina,butalsotheyshootproductionmoviesinChina.Duetocomplexhistoricalandculturalreasons,HollywoodmoviesproductionalwayswascrazyaboutChinaandthethemeofChina.Inthe1930s,themoviesquicklyincreasedatalargespeedmanager.Butaccordingtoasurveyin1934,AmericanexportedahalfofmoviestoChinaamongthestorymoviesoccupiedhalf.However,othermoviesweremadeofshortfilms,documentaryfilmsandnewsreels.Otherwise,Hollywoodexportedmanyfinishedfilms,andalsoexportedplentyoffilmstripandequipment.Therewerethreecompanieswhichexportedthefilmstriptochina,theyareKodakandDoupont,andotheroneisAgfainGerman.Withtimegoesby,GuoMingtongovernmentalsolookedforwardtokeepinggoodrelationshipwithAmerican,andhopedtoobtainsupportbetweeneconomicandpolitic.Becauseofdiplomacy,governmentdidn’ttakeardenteffectives.Itispreciselybecauseofthis,governmentcanhelptheAmericantosolvethedisputetomaintainAmericanprofit.However,withtheJiangJieshi’sregimecollapse.In1949,“dominatetimes”ended.
In1949,YuanMuzhithoughttheHollywoodmoviesshouldbedislodged.ThebreakthroughofKoreanWarprovidedarippinglyopportunitytowipeouttheHollywoodmovies.AftertheFoundingofnewChina,TheymadetheHollywoodmovieslacktheexistenceevidenceofHollywoodmovies.In