考研英语一真题及答案Word格式文档下载.docx

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考研英语一真题及答案Word格式文档下载.docx

  Readthefollowingtext.Choosethebestword(s)foreachnumberedblankandmarkA],B],C]orD]onANSWERSHEET1.(10points)

  AncientGreekphilosopherAristotleviewedlaughteras“abodilyexerciseprecioustohealth.”But__1___someclaimstothecontrary,laughingprobablyhaslittleinfluenceonphysicalfitnessLaughterdoes__2___short-termchangesinthefunctionoftheheartanditsbloodvessels,___3_heartrateandoxygenconsumptionButbecausehardlaughterisdifficultto__4__,agoodlaughisunlikelytohave__5___benefitstheway,say,walkingorjoggingdoes.

  __6__,insteadofstrainingmusclestobuildthem,asexercisedoes,laughterapparentlyaccomplishesthe__7__,studiesdatingbacktothe1930’sindicatethatlaughter__8___muscles,decreasingmuscletoneforupto45minutesafterthelaughdiesdown.

  Suchbodilyreactionmightconceivablyhelp_9__theeffectsofpsychologicalstress.Anyway,theactoflaughingprobablydoesproduceothertypesof___10___feedback,thatimproveanindividual’semotionalstate.__11____oneclassicaltheoryofemotion,ourfeelingsarepartiallyrooted____12___physicalreactions.Itwasarguedattheendofthe19thcenturythathumansdonotcry___13___theyaresadbuttheybecomesadwhenthetearsbegintoflow.

  Althoughsadnessalso____14___tears,evidencesuggeststhatemotionscanflow__15___muscularresponses.Inanexperimentpublishedin1988,socialpsychologistFritzStrackoftheUniversityofwü

rzburginGermanyaskedvolunteersto__16___apeneitherwiththeirteeth-therebycreatinganartificialsmile–orwiththeirlips,whichwouldproducea(n)__17___expression.Thoseforcedtoexercisetheirenthusiasticallytofunnycatoonsthandidthosewhosemonthswerecontractedinafrown,____19___thatexpressionsmayinfluenceemotionsratherthanjusttheotherwayaround__20__,thephysicalactoflaughtercouldimprovemood.

  1.A]amongB]exceptC]despiteD]like

  2.A]reflectB]demandC]indicateD]produce

  3.A]stabilizingB]boostingC]impairingD]determining

  4.A]transmitB]sustainC]evaluateD]observe

  5.A]measurableB]manageableC]affordableD]renewable

  6.A]InturnB]InfactC]InadditionD]Inbrief

  7.A]oppositeB]impossibleC]averageD]expected

  8.A]hardensB]weakensC]tightensD]relaxes

  9.A]aggravateB]generateC]moderateD]enhance

  10.A]physicalB]mentalC]subconsciousD]internal

  11.A]ExceptforB]AccordingtoC]DuetoD]Asfor

  12.A]withB]onC]inD]at

  13.A]unlessB]untilC]ifD]because

  14.A]exhaustsB]followsC]precedesD]suppresses

  15.A]intoB]fromC]towardsD]beyond

  16.A]fetchB]biteC]pickD]hold

  17.A]disappointedB]excitedC]joyfulD]indifferent

  18.A]adaptedB]cateredC]turnedD]reacted

  19.A]suggestingB]requiringC]mentioningD]supposing

  20.A]EventuallyB]ConsequentlyC]SimilarlyD]Conversely

SectionIIReadingComprehension

PartA

Directions:

Readthefollowingfourtexts.AnswerthequestionsbeloweachtextbychoosingA],B],C]orD].MarkyouranswersonANSWERSHEET1.(40points)

Text1

ThedecisionoftheNewYorkPhilharmonictohireAlanGilbertasitsnextmusicdirectorhasbeenthetalkoftheclassical-musicworldeversincethesuddenannouncementofhisappointmentin2009.Forthemostpart,theresponsehasbeenfavorable,tosaytheleast.“Hooray!

Atlast!

”wroteAnthonyTommasini,asober-sidedclassical-musiccritic.

Oneofthereasonswhytheappointmentcameassuchasurprise,however,isthatGilbertiscomparativelylittleknown.EvenTommasini,whohadadvocatedGilbert’sappointmentintheTimes,callshim“anunpretentiousmusicianwithnoairoftheformidableconductorabouthim.”AsadescriptionofthenextmusicdirectorofanorchestrathathashithertobeenledbymusicianslikeGustavMahlerandPierreBoulez,thatseemslikelytohavestruckatleastsomeTimesreadersasfaintpraise.

Formypart,IhavenoideawhetherGilbertisagreatconductororevenagoodone.Tobesure,heperformsanimpressivevarietyofinterestingcompositions,butitisnotnecessaryformetovisitAveryFisherHall,oranywhereelse,tohearinterestingorchestralmusic.AllIhavetodoistogotomyCDshelf,orbootupmycomputeranddownloadstillmorerecordedmusicfromiTunes.

Devotedconcertgoerswhoreplythatrecordingsarenosubstituteforliveperformancearemissingthepoint.Forthetime,attention,andmoneyoftheart-lovingpublic,classicalinstrumentalistsmustcompetenotonlywithoperahouses,dancetroupes,theatercompanies,andmuseums,butalsowiththerecordedperformancesofthegreatclassicalmusiciansofthe20thcentury.Thererecordingsarecheap,availableeverywhere,andveryoftenmuchhigherinartisticqualitythantoday’sliveperformances;

moreover,theycanbe“consumed”atatimeandplaceofth

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