20century imagism.docx

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20centuryimagism

20-century

Ezrapound

|Aleadingspokesmanofthe“ImagistMovement”,hewasoneofthemostimportantpoetsinhistime.

|OftenidentifiedasthefatherofmodernAmericanpoetry.

|Hewasundoubtedlyagenius.Aftergraduatingfromuniversity,hehadmasteredninelanguages.

|By1920,heregardedhimselfasapermanentexpatriate.

|By1912,hewastheauthorofsevenvolumeswhichidentifiedhimasadistinctpoeticpersonality,whocombinedacommandoftheoldertraditionwithimpressiveandoftendaringoriginality.

|In1924PoundleftParisforItaly,attractedbyMussolini’sfaithlesspromisesofdemocraticstatesocialism.

|Hewasaccusedoftreason,butonexaminationhewasdeclaredinsane.(p.157)

|“ThepointofImagism,”Poundwrotein1914,“isthatitdoesnotuseimagesasornaments.Theimageitselfisthespeech.Theimageisthewordbeyondformulatedlanguage.”ObviouslytheprimaryImagistobjectiveistoavoidrhetoricandmoralizing,tostickcloselytotheobjectorexperiencebeingdescribed,andtomoveexplicitgeneralization.

maginismfeature

|Withaspiritofrevoltagainstconventions,imagismwasanti-romanticandanti-Victorian.Victorianpoetrywascharacteristicofmoralizingtendencies,overpaddingofextra-poeticmatter,andtraditionaliambicpentameter.Butimagismstressedfreechoiceofsubjectmatters.

|Imagismproducedfreeversewithoutimposingarhythmicalpattern.

|Inasense,imagismwasequivalenttonaturalisminfiction.

|Imagismtriedtorecordobjectiveobservationsofanobjectorasituationwithoutinterpretationorcommentbythepoet.

|“Animageisanintellectualandemotionalcomplexinaninstantoftime.”理智与情感瞬间的综合物

Inthestationofthemetro

|Thefamousone-imagepoem.

|ItisanobservationofthepoetofthehumanfacesseeninaParissubwaystation.

|ThislittlepoemlookstobeamodernadoptionoftheJapanesehaiku(俳句).Poundwroteanaccountofitscomposition,however,whichclaimsthatthepoem’sformwasdeterminedbytheexperiencethatinspiredit,evolvingorganicallyratherthanbeingchosenarbitrarily.Metro:

Parissubway

|Apparition:

avisibleappearanceofsomethingnotpresent,andespeciallyofadeadperson

|本诗被公认为意象派诗歌的代表作,完美地体现了主客观的结合,精确性和暗示性的结合。

众所周知,意象派的三原则是:

直接表现事物,不论所表现的内容是主观或是客观;不使用无助于表现的词;采用音乐性短句,不用节拍器的节奏写作

Robertfrost

|OneofthemajorAmericanpoetsofthe20thcentury

|BorninSFandmovedtoNE

|EducatedatDartmouthCollegeandHarvardUniversity

|In1912hesoldhisfarmandmovedtoEngland,andhemetPoundtherewhohelpedhimpublishhisfirsttwovolumesofpoetryinEngland.

Achieve

|WonPulitzerPrizefourtimes(1924,1931,1937,and1943)

|Thefirstpoettoreadapoematapresidentialinauguration(1961,JohnF.Kennedy,thepoemwasentitled“TheGiftOutright”)

|Whenhediedin1963,thepublicmournedagentlewriterofsimplepastorallyrics.

Style

HispoetryisbasedmainlyuponthelifeandsceneryofruralNE,andthelanguageofhisversereflectsthecompactidiomofthatregion.

|Althoughheconcentratedonordinarysubjectmatter,hisemotionalrangeiswideanddeep,andheiscapableofshiftinginthesamepoemfromatoneofhumorousbanter(善意的取笑)tothepassionateexpressionoftragicexperience.

|TheunderlyingphilosophyofhispoetryisrootedintraditionalNEindividualism,andhisworksshowshisstrongsympathyforthevaluesofearlyAmericansociety.

|Hewasabletocapturebrilliantlythevariouscontours(特征)ofnaturallandscapesandofteninvestedthesimplestoftheselandscapeswithsymbolicmeaning.

|Heusedoldformsinnewways.

|Hisconcernwithnaturereflecteddeepmoraluncertainties,andhispoetry,forallitsapparentsimplicity,oftenprobesmysteriesofdarknessandirrationalityinthebleakandchaoticlandscapesofanindifferentuniversewheremenstandalone,unaidedandperplexed.

|ItwouldbeamistaketoimaginethatFrostiseasytounderstandbecauseheiseasytoread.Profoundideasaredeliveredunderthedisguiseoftheplainlanguageandthesimpleform.

Theroadnottaken

Thispoemisaboutuncertaintyandthedifficultyofchoice.

Stoppingbywoods

|Inthispoem,Frostoffersmorethanacalmandvividdescriptionofawinterscene.Theremightverywellbeaprimal(主要的,首要的)conflictlurkinginthegeographyofthepoem---aconflictthatonceagainforcesthepoettoconfronttwodivergingroads.

CarlSandburg

Borninahealthyandaffectionatefamily,thoughverypoor.

Obligedtoleaveschoolandworkedatvariousjobs.

OncethepoliticalorganizerfortheSocialDemocrats,areformparty

in1913hewenttoChicagoonaneditorialengagement,andbecameillustriousamongthewriterswhowerefosteringanewliteratureinthatcity.

“Chicago”appearedin1914inPoetry:

AMagazineofVerse

ChicagoPoems1916

Cornhuskers1918

SmokeandSteel1920,whichconfirmedhispositionasthepoetofthecommonpeople

TheAmericanSongbag1927

SlabsoftheSunburntWest1922

ThePeople,Yes1936

Twoaspects

Booksforchildren

RootabagaStories1922

RootabagaPigeons1923

PotatoFace1930

EarlyMoon1930

Biography

AbrahamLincoln:

ThePrairieYears1926

AbrahamLincoln:

TheWarYears1930

WallaceStevens

☐AnunusualpoetinmodernAm.literaryhistory

☐Lateinstarting;his1stmajorvolumeofpoetrywasnotpublisheduntilhewas44.

Hissuccess

☐Hewassuccessfulintwofieldsofactivitywhichdidnotseemcompatiblewithoneanother.

⏹Successfulbusinessman,vicepresidentinaninsurancecompany

⏹Atthesametime,writepoetryofakindwhichwastomakehimafather-figureamongcontemporarypoet.

Hisnotion

☐Apoetlivesintwoworlds

⏹Theworldofreality

⏹Theworldofimagination

☐Andhebuildsbridgesbetweenthetwo.

Theme

☐Hewassoobsessedwiththeinterrelationshipbetweenrealityandartthatakeytounderstandinghispoetryandcriticismliesinrealizingthatthisisaverybasicthemeforhim.

☐Stevensdealsrepeatedlyinhispoetrywiththeroleofthepowerofimagination.Heseestheroleofthepoetas“Picnickingintheruinsthatwelive,”whichisanotherwayofsayingthatapoetshouldfindbeautyandpleasureandexcitementandmeaninginthesordidnessofreality.

Anecdoteofajar

☐Ittookdominioneverywhere.

Thejarwasgrayandbare.

Itdidnotgiveofbirdorbush,

LikenothingelseinTennessee.

☐Astrangepoemandnoteasytointerpret

☐Thepoetwasratheropposedtotellingpeoplewhathispoemsmeant.

☐Thepoemseemstobetalkingabouttherelationshipbetweenartandnature.

☐Theworldofnature,shapelessandslovenly,takesshapeandorderfromthepresenceofthejar.

Jar

☐Theworldofartandimaginationgivesformandmeaningtothatofnatureandreality,thussuggesting,

⏹thatanysocietywithoutartisonewithoutorderand

⏹thatmanmakestheorderheperceives,andtheworldheinhabitsisonehehalfcreates.

F.ScottFitzgerald

♦FamousAmericannovelist,shortstorywriter,andessayist

♦theprophet/spokesmanoftheJazzAge

♦Otherinformationabouthislife:

(seetxb.P.225)

♦ThisSideofParadise(1920)人间天堂

♦TheBeautifulandDamned(1922)美丽的和倒霉的

♦TheGreatGatsby(1925)伟大的盖茨比、大人物盖茨比、灯红绿渺

♦TenderistheNight(1934)夜色温柔

♦TheLastofTycoon(1941)最后的巨头

Achieve’

♦Fitzgeraldisgenerallyregardedasthespokesmanofthe1920s,thepeculiardecadethatcombinedthepostwareconomicboomandthesenseofspiritualdisorientation.Hewasbothaleadingparticipantinthetypicallypleasure-seekingandmoney-makinglifeofthe1920s,andatthesametime,hewasaself-consciouswriterwithdetachedobservationofit.Sohewasthemostrepresentativewriteroffictioninthe1920s,thespokesmanofthe“roaring20s”.

Americandream

♦ItmeansthatinAmericaonemighthopetosatisfyeverymaterialdesireandtherebyachievehappiness.Itisdeceptivebecauseitproposesthesatisfactionofalldesiresasanattainablegoalandidentifiesdesirewithmaterial.Fitzgeraldoncesaid,“America’sgreatpromiseisthatsomething’sgoingtohappen,butitneverdoes.Americaisthemoonthatneverrose.”Thisindictment(控诉,谴责)oftheAmericanDreamcouldwellserveasanepigraph(格言)forTheGreatGatsby.

ThegreatGatsby

♦WritteninEuropeandpublishedinApril,1925

♦ItisnotonlyhisbestnovelandanimportantAmericanclassic.

♦InithemadeexcellentuseadevicegenerallyemployedbyEnglishratherthanbyAmericannovelist---amoreorlessdisinterested(冷漠的)narratoronlyperipherally(次要地,外围地)involvedintheaction.

Nickcaraway

♦Narrator,Gatsby’sneighbor,asomewhatdistantcousinofDaisy’s

♦Throughhiseyeweseethestoryunfold.

♦Withhimwewatchthestorydevelop.

♦Hepiecestogethersomeoftheearlyeventswhichmaketheactionofthestorygrow

JayGatsby

♦Hepursueshisdreamofromanticsuccesswithouteverunderstandingthatithasescapedhim.

♦Hefailstounderstandthathecannotrecapturethepast(hisfresh,newloveforDaisyBuchanan)nomatterhowmuchmoneyhemakes,nomatterhowmuchwealthhedisplays.

♦Gatsbyisthelastoftheromanticheroes,whoseenergyandsenseofcommitmenttakeshiminsearchofhispersonalgrail(长期追求的目标);Gatsby’sfailuremagnifiestoagreatextenttheendoftheAmericanDream.Howeverhopeandexpectationstillexistasshownbythecentralsymbolinthenovel:

thegreenlight.

Theme

♦Theinitiationthemegovernsthenarrator.Gatsby’stragedyisNick’seducation.HisreturntotheMidwestisamoralreturntothesafer,moresolidvaluesoftheheartland.

♦Thefrontiertheme(finalparagraph)

♦Classissuesareverywellpresented.

ErnestHemin

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