新视野大学英语视听说教程4unit7原文和答案.docx

新视野大学英语视听说教程4unit7原文和答案.docx

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新视野大学英语视听说教程4unit7原文和答案

Uint7

II.BasicListeningPractice

12.Script

M:

Weofferallkindsoftoursandexcursions.DOyouhaveanythingparticularinmind?

W:

Notreally,we’djustliketoseethelocalsightsandhaveanEnglishspeakingguide.Itwouldbegoodiftheyweresomeonelocaltoo.Myhusbandisinterestedinthelocalstoriesandfolklore.

Q:

Whatdoesthewomanmentionasoneofherpreferences?

2.Script

M:

AreyoujoiningatourgroupwhenyougotoIndonesia?

W:

No,I’mgoingtobackpackmywayround.Ilikebeingindependentandseeingthingsatmyownpace.Besides,there’smorechanceofmeetinglocalpeoplethatway.I’vejustgottobecareful.

Q:

whatdosethewomanwant?

3.Script

W:

Hey,couldyoubringyourvideocameratothekids’concerttomorrow?

I’dlovetocaptureitonfilm.

M:

Noproblem.I’llburnittoaDVDforyouafterwards,thenyoucanwatchitathome.

Q:

Howwillthewomanwatchtheconcertlaterintheweek?

4.Script

W:

Ican’tfindthattrackIreallylikeanywhere.It’snotonCDsinanyoftheshops,andIreallywantitonaCD.

M:

Well,let’slookonline.Maybewecandownloadit,thenburnittoaCD.

Q:

Whatdoesthemansuggestdoingtogetthetrack?

5.Script

W:

Here’sariddle:

Youlovedeep-seafinishinginFlorida,andyou’recrazyaboutskiinginCanada,butyoucan’taffordevenonevacationhome.Whatdoyoudo?

M:

Ibuyashareintwoholidayhomes,soIownaweekormoreateachplace.Timesharingisthewaymanypeopleaffordseeminglyexpensiveholidays.

Q:

Whatadvicedoesthemangiveforpeopleunabletoaffordexpensiveholidayhomes?

Keys:

1.A2.A3.D4.B5.C

IV.SpeakingOut

MODEL1Wouldyouliketodoanything?

Amy:

Wouldyouliketogotoseeamovietonight,say,TheLordoftheRings?

Bill:

Thanksforasking,butthere’stoomuchviolenceinthoseblockbusters.

Amy:

Then,let’sgoroller-skating.

Bill:

Idon’treallyliketonowthatI’mnotsoyounganymore.Youknow,mykneesacheterribly.

Amy:

I’msorrytohearthat.Hey,let’sgotoseeacountrysingertonight?

Bill:

No.I’mnotreallyinthemood.

Amy:

Well,wouldyouliketodoanything?

Bill:

Sure,let’sstayhomeandwatchTV.

Amy:

Isthereanythingworthwatchingtonight?

Bill:

LetmelookattheTVGuidefirst.Well,Survivor’sonChannel3at7:

30.

Amy:

IfIremembercorrectly,there’sadocumentaryaboutanimalsonanotherchannel.

Bill:

Yes,onChannel10.Doyouwanttowatchit?

Amy:

Doyoumindifwewatchit?

Bill:

Well.IreallywantedtowatchtheRocketgametonight.

MODEL2Ican’tmakeupmymind!

Script

John:

Hey!

Nora:

Hey!

John:

Iseeyou’rereadingtravelbrochures.Planningaholidaytripsomewhere?

Nora:

Oncethewarmsup.Igetitchyfeet.Ithinkaboutgoingplaces.

John:

Willthisbeatripabroadorsomeexcursionclosetohome?

Nora:

TwotoursareofferedinMay:

onetobigAmericancities;onetoEurope.

John:

Arethesewhirlwindtoursthatallowyouafewhoursineachplace?

Nora:

Oh,no,no,they’reboththree-weekthree-citytours,withaweekineachcity.

John:

That’smorelikeit.Youcanlookaroundandnotfeelrushed.Whatcities?

Nora:

Ican’tmakeupmymind:

London,ParisandRomeorNewYork,San…?

John:

Stopthere.Europe’smoreinteresting.America’sOK,butit’sallthesame.

Nora:

Youdidn’tletmefinish.SanFranciscoandChicago,amodernmetropolis.

John:

BigU.S.citiesaresomuchalike.Europeancitiesdifferfromoneanther.

Nora:

Yeah,like,they’reindifferentcountries.

John:

Thereareotherdifferencesinlanguages,architecture,food,andcustoms.

Nora:

Allright.Youconvincedme.Theysayvariety’sthespiceoflife.Variety,hereIcome.

MODEL3You’dbettergetmoreexerciseinyourleisuretime.

Script

Amy:

Lookatyou!

You’refatandflabby.You’dbettergetmoreexerciseinyourleisuretime,oryou’llneverbeGovernorofCalifornia.

Bill:

That’sright.I’mnoSchwarzenegger,noMr.Universe,sodon’tbugme.

Amy:

Heshowswhatexercisecando.HeusedtobeaskinnykidfromAustria.

Bill:

Helikesexercise;Idon’t.Iwasborntired,andI’vebeenrestingeversince.

Amy:

Seeingafinespecimenlikehim,don’tyoufeellikeexercisingvigorouslytostayingoodshape?

Bill:

WheneverIfeellikeexercising,Iliedownandrestuntilthefeelingpasses.

Amy:

Ha,ha,veryfunny.Surelyyou’vereadaboutthedangersofobesity.

Bill:

Scientistsconstantlyfinddangers:

smoking,cholesterol.Whatelseisnew?

Amy:

Youmustknowanexerciselikewalkingbenefitsthemindandbody.

Bill:

Ido,andIwalkeveryday—frommyofficetotheparkinglot,not-stop.

Amy:

OK,haveityourway.Eventuallyyou’llbeaburdenonourhealthsystem.

Bill:

Andjustwhatdoyoumeanbythat?

I’mnotsick.Myappetiteisgood.

Amy:

Ifyoustayfat,hearttroubleorhighbloodpressurecouldhospitalizedyou.

Bill:

Well,youmayhaveapointthere.Isupposewecouldgoforawalkafterdinner,slowly.

NowYourTurn

Task1

SAMPLEDIALOG

Qiang:

Iseeyou’rereadingtravelbrochures.Planningaholidaytripsomewhere?

Li:

Oncethewarmsup.Igetitchyfeet.Ithinkaboutgoingplaces.

Qiang:

Willthisbeatripabroadorsomeexcursionclosetohome?

Li:

Iprefergoingabroad.We’venevervisitedaforeigncountrybefore.

Qiang:

Whatcountriesareadvertisedinthebrochure?

Li:

Twooverseastoursareofferedduringsummervacation.OneistoanearbycountrylikeKoreaorJapan,andtheotheristoEuropeancountries.

Qiang:

Whichtourdoyouprefer?

Li:

I’dliketogoandseeKorea.It’sclosetoChinasothatthetourislessexpensive.

Qiang:

IprefertospendoursavingsontheEuropeantour.Wecanseeverydifferentpeopleandarchitecture,enjoydifferentfood,andappreciatedifferentcustoms.

Li:

Allright.Youconvinceme.Theysayvariety’sthespiceoflife.Butshallwetakealongtourorawhirlwindtourthatallowusonlyafewhoursineachplace?

Qiang:

Inalongtourwecanlookaroundandnotfeelrushed,butit’stooexpensive.Solet’stakeawhirlwindtour.That’swhatwecanafford.

Li:

Iagree.Awhirlwindtourallowsustovisitmanyimportantplaceswe’veheardandreadsomuchabout.That’sgoodenoughforus.

Qiang:

Righton.

V.Let’sTalk

Script

Thenotionofaweeklyrestisancient.ChristianreligionscelebrateadayofrestknownastheSabbath,alsocalledtheLord’sDay.ItisonSunday.Theweekendasaholidayisarathermoderninvention.Beforetheindustrialrevolutionthewagelaborforcewasasmallfractionofthepopulation.ThedayoftheSabbathwasviewedasonededicatedtoGod,notoneofrelaxation.

TheearlyindustrialperiodinEuropesawasix-dayworkweekwithonlySundayoff,butsomeworkershadnodaysoffatall.Onlytheworkers’rightsmovementsinthelatenineteenthandearlytwentiethcenturysawafive-dayworkweekintroducedasSaturdaybecameadayofrestandrelaxation.ThismovementbeganinEngland.

InmanywaysthishasbeenagreatboontotheeconomyasitleadstoagreatincreaseinconsumerspendingonSaturdaysasrestaurantvisits,motorcarjourneys,ortripstothemoviesbecamecommononSaturday.ManyjurisdictionscontinuedtoenforcestrictLord’sDaylawsonSunday,whichmeantthatmostplacesofrecreation,suchasstoresandtheaters,wereforcedtocloseonthatday.TheseregulationsbegantoweakenintheyearsaftertheSecondWorldWar,andSundayalsobecameadayofrecreationformany.

Aftercenturiesofdevelopment,theweekendisnowapartoftheweekusuallylastingtwodaysinwhichmostpaidworkersdonotwork.Thisisatimeforleisureandrecreation,andforreligiousactivities.

ChristianreligionscelebrateadayofrestknownastheSabbath,alsocalledtheLord’sDay.ItisonSunday.

BeforetheindustrialrevolutionthedayoftheSabbathwasviewedasonededicatedtoGod,notoneofrelaxation.

TheearlyindustrialperiodinEuropesawasix-dayworkweekwithonlySundayoff.

Onlytheworkers’rightsmovementsinthelatenineteenthandearlytwentiethcenturysawafive-dayworkweekintroducedasSaturdaybecameadayofrestandrelaxation

InmanywaysthishasbeenagreatboontotheeconomyasitleadstoagreatincreaseinconsumerspendingonSaturdays.

AftertheSecondWorldWar,andSundayalsobecameadayofrecreationformany.

Theweekendisnowapartoftheweekusuallylastingtwodays inwhichmostpaidworkersdonotwork.Thisisatimeforleisureandrecreation,andforreligiousactivities.

VI.FurtherListeningandSpeaking

Task2:

TheModernCircus

Script

ThefirstmoderncircuswasstagedinLondonin1768byPhilipAstley,aformerEnglishcavalryofficer,whoperformedasatrickride.BeginningwithavisittoParisin1772,AstleyintroducedthecircusincitiesthroughoutcontinentalEuropeandwasresponsibleforestablishingpermanentcircusesinanumberofEuropeancountriesaswellasinEngland.Acircuswasfirstpresentedin1793attheWinterPalaceinSaintPetersburg.

Bytheearly19thcentury,severalpermanently-basedcircuseswerelocatedinlargerEuropeancities.Inaddition,smalltravelingshowsmovedfromtowntotownincoveredwagonsinwhichtheperformerslived.Thetravelingshowswereusuallysimpleaffairs,featuringafiddlerortwo,ajuggler,aropedancer,andafewacrobats.Intheearlycircusessuchperformersgavetheirshowsinopenspacesandtookupacollectionforpay;later,theperformersusedelaborateshows.Intheearlierpartofthe19thcenturyamainfeatureofthepermanentcircusprogramwasthepresentationofgramsthatincludeddisplaysofhorsemanship.Throughoutthe19thcenturythecircusevolvedinprogrammingandmanagement.Initially,trainedhorseandhorsemanshipperformancesdominated