合肥师范高级阅读复习概要.docx

1、合肥师范高级阅读复习概要合肥师范高级阅读复习概要高级阅读复习概要Insouciance-D.H. LawrenceExampleTwo mower , the young one ,and an old one each represents the author and the ladies.Theme1.L. saw sex &intuition as ways to understand perception reality & means to repond to the inhumanity of the industrialization ,”what the blood feel

2、s &believe & says is always true.2. L. argued that instincts & intuitions are more important than the reason.ParaphraseBefore I know what I am talking about ,the little withe-haired ladies has pushed me off my balcony and let me get away form the present topics :the glassy lake ,the veiled trees ,fo

3、rce me to talk about the troubled field of international politics.ParagraphThis paragraph is the last part of the article, and besides, its also where the main idea lies, so ,To have a full understanding of this paragraph ,Id like to begin with a explanation of the word of instinct and intuition whi

4、ch have some ties with the theme.Instinct: natural inborn tendency to behave in a certain way without reasoning or trainingIntuition :( power of) understanding things (eg a situation, sbs feelings) immediately, without the need for conscious reasoning or study.That means the author in favor of the i

5、dea of living by nature, by our inner heart, by our feeling, while not the reason. in the authors time when undergoes the industrialization, human beings are dehumanized, living in a material life without any emotional activities.Just like the young lady ,who is living in a abstract life , but not a

6、 actual one . the author prefers to a life in which he can have a direct sensuous contact with his surroundings .1.L. saw sex &intuition as ways to understand perception reality & means to respond to the inhumanity of the industrialization ,”what the blood feels &believe & says is always true.2. L.

7、argued that instincts & intuitions are more important than the reason.So, in our daily life ,we also should not forget that , by nature , we come fore the nature and will be bound to go back to it . so ,in the strenuous time , remember to care about the things before you , love them, no matter its j

8、ust a cat , a tree, or a person, thus you can get relaxed, and a enjoyable life Pages from the life of a Georgia innocent-Harry crewsCharacter Son & author Felix: shabby miserable life. Proud .Grand motherUncle ExampleGama get rid of a hawk: life wisdom of country ppl in their combat against cruel r

9、eality.Uncle did on operation on the rooter: they depend on animals for living, its very important.Felix cope with his thee ace:ThemeSocial gap between the rich and the poor .media irresponsibility ParaphrasePerhaps my grandma, in her deep heart, knew that hawks were approaching to extinct at that t

10、ime. No matter she knew it or not , I am sure that she and country ppl around her could barely make a living out of land ,even so ,nobody could help and save them.The androgynous man-Nobel Perrin Example1Enjoys the role of mother, caring for his kid 2Showing affection to cats 3Inability to manipulat

11、e cars4Doing house work5Easily moved, esp in public.Theme Life can have no restrictions on whatever form it takes ,and men and womaen just need to enjoy life itself as GOD gives us such a life to every single person.ParaphraseThey always try to behave like 100%man without realizing the that both men

12、 and women can behave in its of different ways, doing things are done by both men and women, they can perform both roles as man and woman The chrysanthemum -john Steinbeck character Elisa Allen Henry Allen Scotty Time :Winter ThemeA woman has the rights to pursue dreams and ambitions, but, in some c

13、ases, she is confined by the reality and what the ongoing social moral judge how a woman should behave or simply by her responsibility or conscience for her family.ParaphraseThe anger and refusal disappear slowly.ParagraphJust as the movie The Bridges of Madison County represented. Every little girl

14、 has her dreams which may be confined by all kinds of reasons, but when chances come, can you really make a easy choice? Its not easy definitely, cuz, we got responsibilities.This paragraph goes after the mans leaving, which induce her emotional disorder.I mean , the sparkle of pursuing a free and r

15、omantic life has been stirred up by the mans arrival ,but just as she has been agitated, the man is going to leaving , which just like a bucket of water poured to her heart , extinguished the sparkle.Here “good-bye”. Is not only a goodbye to the man, but also a goodbye to her romantic and dreamed li

16、fe. So, she is precipitated into disappointment and unconsciously uttered these words. Meanwhile, she is afraid of being discovered by others esp. her husband, cuz of some moral concerning. A woman has the rights to pursue dreams and ambitions, but, in some cases, she is confined by the reality and

17、what the ongoing social moral judge how a woman should behave or simply by her responsibility or conscience for her family.And independent woman-John Berger Character Brother: Nicolas, Mathieu Neighbor: jean Franois Paraphrase If she was going to die, she wanted to die at home ThemeA community life,

18、 ppl live in harmony.老人与海:这是一场人与自然搏斗的惊心动魄的悲剧。老人每取得一点胜利都付出了惨重的代价，最后遭到无可挽救的失败。但是，从另外一种意义上来说，他又是一个胜利者。因为，他不屈服于命运，无论在怎么艰苦卓绝的环境里，他都凭着自己的勇气、毅力和智慧进行了奋勇的抗争。大马林鱼虽然没有保住，但他却捍卫了“人的灵魂的尊严”，显示了“一个人的能耐可以到达什么程度”，是一个胜利的失败者，一个失败的英雄。这样一个“硬汉子”形象，正是典型的海明威式的小说人物。在20世纪30年代以后发表的一些短篇小说里，海明威描写了一些拳击师、斗牛士、猎人等形象，在这些下层人物身上，他塑造了一种

19、百折不挠、坚强不屈、敢于面对暴力和死亡的“硬汉子”性格，老人与海中桑地亚哥的形象就是这种性格的发展与升华。小说中的大海和鲨鱼象征着与人作对的社会与自然力量，而老人在与之进行的殊死搏斗中，表现了无与伦比的力量和勇气，不失人的尊严，虽败犹荣，精神上并没有被打败。可以说，这样一个形象，完美地体现了作者所说的“你尽可把他消灭掉，可就是打不败他”的思想。永别了，武器（又译战地春梦）是海明威的代表作。他以反对帝国主义战争为主题，揭示了“迷惘的一代”出现的历史原因，控诉了战争毁灭人的理想和幸福，戕害人们的心灵，并使千百万无辜生因此涂炭。这篇作品显露了海明威散文风格的基本特色和“现代叙事艺术”。作品故事情节简

20、单而意境纯一，语言朴实无华，句子短小凝练，环境描写达到情景交融。Introduction Ernest Hemingway is a giant of modern literature. Among twentieth-century American fiction writers, his work is most often compared to that of his contemporaries William Faulkner and F. Scott Fitzgerald. Combined with his outstanding short stories, Heming

21、ways four major novelsThe Sun Also Rises (1926), A Farewell to Arms (1929), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952)comprise a contribution to modern fiction that is far more substantial than Fitzgeralds and that approximates Faulkners. Faulkner was awarded the Nobel Prize

22、in Literature a few years before Hemingway received this recognition, but their respective approaches to fiction are so dissimilar that this belated receipt says little or nothing about Hemingways stature relative to that of Faulkner. When set alongside Faulkners Mississippi novels, Hemingways major

23、 works feature simpler structures and narrative voices/personae. As or more important, Hemingways style, with its consistent use of short, concrete, direct prose and of scenes consisting exclusively of dialogue, gives his novels and short stories a distinctive accessibility that is immediately ident

24、ifiable with the author. Owing to the direct character of both his style and his life-style, there is a tendency to cast Hemingway as a “representative” American writer whose work reflects the bold, forthright and rugged individualism of the American spirit in action. His own background as a wounded

25、 veteran of World War I, as an engaged combatant in the fight against Fascism/Nazism, and as a he-man with a passion for outdoor adventures and other manly pursuits reinforce this association. But this identification of Hemingway as a uniquely American genius is problematic. Although three of his ma

26、jor novels are told by and/or through American men, Hemingways protagonists are expatriates, and his fictional settings are in France, Italy, Spain, and later Cuba, rather than America itself. While Hemingways early career benefited from his connections with Fitzgerald and (more so) with American no

27、velist Sherwood Anderson, his aesthetic is actually closer to that shared by the transplanted American poets that he met in Paris during the 1920s; T. S. Eliot, Ezra Pound, and, most crucially, Gertrude Stein. In this context, we must realize that Hemingways approach to the craft of fiction is direc

28、t but never blunt or just plain simple. Hemingways text is the result of a painstaking selection process, each word performing an assigned function in the narrative. These choices of language, in turn, occur through the mind and experience of his novels central characters whether they serve explicit

29、ly as narrators of their experience or as focal characters from whose perspectives the story unfolds. The main working corollary of Hemingways “iceberg principle” is that the full meaning of the text is not limited to moving the plot forward: there is always a web of association and inference, a sub

30、merged reason behind the inclusion (or even the omission) of every detail. We note, too, that although Hemingways novels usually follow a straightforward chronological progression as in the three days of For Whom the Bell Tolls, Hemingway does make use of summary accounts of the past, of memories re

31、lated externally as stories, and of flashbacks. These devices lend further depth to his characters and create narrative structures that are not completely straightforward chronicles. Hemingway is direct. But he is also quite subtle, and subtlety is not a trait that we ascribe to the American way. In the end, Hemingway is an international artist, a man who never relinquished his American identity but who entered new territories too broad and too deep to fit within the domain of any national culture.