Chinesearchitecture中国建筑.docx

1、Chinesearchitecture中国建筑Chinese-architecture中国建筑Chinese architectureChinese architecture refers to a style of architecture that has taken shape in East Asia over many centuries. The structural principles of Chinese architecture have remained largely unchanged, the main changes being only the decorati

2、ve details. Since the Tang Dynasty, Chinese architecture has had a major influence on the architectural styles of Korea, Vietnam, and Japan.The architecture of China is as old as Chinese civilization. From every source of informationliterary, graphic, exemplarythere is strong evidence testifying to

3、the fact that the Chinese have always enjoyed an indigenous system of construction that has retained its principal characteristics from prehistoric times to the present day. Over the vast area from Chinese Turkistan to Japan, from Manchuria to the northern half of French Indochina, the same system o

4、f construction is prevalent; and this was the area of Chinese cultural influence. That this system of construction could perpetuate itself for more than four thousand years over such a vast territory and still remain a living architecture, retaining its principal characteristics in spite of repeated

5、 foreign invasionsmilitary, intellectual, and spiritualis a phenomenon comparable only to the continuity of the civilization of which it is an integral part.Liang, Ssu-cheng, 19841Throughout the 20th Century, Western-trained Chinese architects have attempted to combine traditional Chinese designs in

6、to modern architecture (usually government), with only limited success. Moreover, the pressure for urban development throughout contemporary China required higher speed of construction and higher floor area ratio, which means that in the great cities the demand for traditional Chinese buildings, whi

7、ch are normally less than 3 levels, has declined in favor of modern architecture. However, the traditional skills of Chinese architecture, including major and minor carpentry, masonry, and stonemasonry, are still applied to the construction of vernacular architecture in the vast rural area in China.

8、FeaturesArchitectural bilateral symmetryAn important feature in Chinese architecture is its emphasis on articulation and bilateral symmetry, which signifies balance. Bilateral symmetry and the articulation of buildings are found everywhere in Chinese architecture, from palace complexes to humble far

9、mhouses. When possible, plans for renovation and constructing buildings or building complexes that take up an entire property but enclose open spaces within itself. These enclosed spaces come in two forms, the:2Courtyard (院): The use of open courtyards is a common feature in many types of Chinese ar

10、chitectures. This is best exemplified in the Siheyuan, which consists of an empty space surrounded by buildings connected with one another either directly or through verandas.Sky well (天井): Although large open courtyards are less commonly found in southern Chinese architecture, the concept of an ope

11、n space surrounded by buildings, which is seen in northern courtyard complexes, can be seen in the southern building structure known as the sky well. This structure is essentially a relatively enclosed courtyard formed from the intersections of closely spaced buildings and offer small opening to the

12、 sky through the roof space from the floor up.These enclosures serve in temperature regulation and in venting the building complexes. Northern courtyards are typically open and facing the south to allow the maximum exposure of the building windows and walls to the sun while keeping the cold northern

13、 winds out. Southern sky wells are relatively small and serves to collect rain water from the roof tops. They perform the same duties as Roman impluviums while restricting the amount of sunlight that enters the building. Sky wells also serve as vents for rising hot air, which draws cool air from the

14、 lower stories of the house and allows for exchange of cool air with the outside.HierarchyThe projected hierarchy and importance and uses of buildings in traditional Chinese architecture are based on the strict placement of buildings in a property/complex. Buildings with doors facing the front of th

15、e property are considered more important than those facing the sides. Buildings facing away from the front of the property are the least important.South-facing buildings in the rear and more private location of the property with higher exposure to sunlight are held in higher esteem and reserved for

16、elder members of the family or ancestral plaques. Buildings facing east and west are generally for junior members of the family, while buildings near the front are typically for servants and hired help.4Front-facing buildings in the back of properties are used particularly for rooms of celebratory r

17、ites and for the placement of ancestral halls and plaques. In multiple courtyard complexes, central courtyards and their buildings are considered more important than peripheral ones, the latter typically being used as storage or servants rooms or kitchens.2Horizontal emphasisClassical Chinese buildi

18、ngs, especially those of the wealthy, are built with an emphasis on breadth and less on height, featuring an enclosed heavy platform and a large roof that floats over this base, with the vertical walls not well emphasized. This contrasts Western architecture, which tends to grow in height and depth.

19、 Chinese architecture stresses the visual impact of the width of the buildings.The halls and palaces in the Forbidden City, for example, have rather low ceilings when compared to equivalent stately buildings in the West, but their external appearances suggest the all-embracing nature of imperial Chi

20、na. These ideas have found their way into modern Western architecture, for example through the work of Jrn Utzon.5 This of course does not apply to pagodas, which are limited to religious building complexes.Cosmological conceptsChinese architecture from early times used concepts from Chinese cosmolo

21、gy such as feng shui (geomancy) and Taoism to organize construction and layout from common residences to imperial and religious structures.2 This includes the use of:Screen walls to face the main entrance of the house, which stems from the belief that evil things travel in straight lines.Talismans a

22、nd imagery of good fortune:Door gods displayed on doorways to ward off evil and encourage the flow of good fortuneThree anthropomorphic figures representing Fu Lu Shou (福祿壽 f-l-shu) stars are prominently displayed, sometimes with the proclamation the three stars are present (三星在 sn-xng-zi)Animals an

23、d fruits that symbolize good fortune and prosperity, such as bats and pomegranates, respectively. The association is often done through rebuses.Orienting the structure with its back to elevated landscape and ensuring that there is water in the front. Considerations are also made such that the genera

24、lly windowless back of the structure faces the north, where the wind is coldest in the winter.Ponds, pools, wells, and other water sources are usually built into the structure.The use of certain colors, numbers and the cardinal directions in traditional Chinese architecture reflected the belief in a

25、 type of immanence, where the nature of a thing could be wholly contained in its own form. Although the Western tradition gradually developed a body of architectural literature, little was written on the subject in China, and the earliest text, the Kaogongji, was never disputed. However, ideas about

26、 cosmic harmony and the order of the city were usually interpreted at their most basic level, so a reproduction of the ideal city never existed. Beijing as reconstructed throughout the 15th and 16th century remains one of the best examples of traditional Chinese town planning.ConstructionMaterials a

27、nd historyUnlike other building construction materials, old wooden structures often do not survive because they are more vulnerable to weathering and fires and are naturally subjected to rotting over time. Although now-nonexistent wooden residential towers, watchtowers, and pagodas predated it by ce

28、nturies, the Songyue Pagoda built in 523 is the oldest extant pagoda in China; its use of brick instead of wood had much to do with its endurance throughout the centuries. From the Tang Dynasty (618907) onwards, brick and stone architecture gradually became more common and replaced wooden edifices.

29、The earliest examples of this transition can be seen in building projects such as the Zhaozhou Bridge completed in 605 or the Xumi Pagoda built in 636, yet stone and brick architecture is known to have been used in subterranean tomb architecture of earlier dynasties.In the early 20th century there w

30、ere no known fully wood-constructed Tang Dynasty buildings that still existed; the oldest so far discovered was the 1931 find of Guanyin Pavilion at Dule Monastery, dated 984 during the Song.8 This was until the architectural historians Liang Sicheng (19011972), Lin Huiyin (19041955), Mo Zongjiang (

31、19161999), and Ji Yutang (1902c. 1960s) discovered that the Great East Hall of Foguang Temple on Mount Wutai in Shanxi was reliably dated to the year 857 in June 1937.8 The groundfloor dimensions for this monastic hall measures 34 m by 17.66 m (111 ft by 57 ft).9 A year after the discovery at Foguan

32、g, the main hall of nearby Nanchan Temple on Mount Wutai was reliably dated to the year 782,10 while a total of six Tang era wooden buildings have been found by the 21st century.11 The oldest existent fully wooden pagoda that has survived intact is the Pagoda of Fogong Temple of the Liao Dynasty, located in Ying County of Shanxi. While the East Hall of Foguang Temple features only seven types of bracket arms in its construction, the 11th century Pagoda of Fogong Temple features a total of fifty-four.12The earliest walls and platforms in China were of rammed earth const