1、a. furnish b. copy c. publish d. summarize4. The group does not advocate the use of violence.a. limit b. regulate c. oppose d. support5. The original experiment cannot be exactly duplicate.a. reproduced b. invented c. designed d. reported6. The department deferred the decision for six months.a. put
2、off b. arrived at c. abided by d. protested against7. The symptoms of the disease manifested themselves ten days later.a. eased b. appeared c. improved d. relieved8. The uniform makes the guards look absurd.a. serious b. ridiculous c. beautiful d. impressive9. Some of the larger birds can remain sta
3、tionary in the air for several minutes.a. silent b. motionless c. seated d. true10. The country was torn apart by strife.a. poverty b. war c. conflict d. economy11. She felt that she had done her good deed for the day.a. act b. homework c. justice d. model12. A persons wealth is often in inverse pro
4、portion to their happiness.a. equal b. certain c. large d. opposite13. His professional career spanned 16 days.a. started b. changed c. moved d. lasted14. His stomach felt hollow with fear.a. sincere b. respectful c. terrible d. empty15. This was disaster on a cosmic scale.a. modest b. huge c. comme
5、rcial d. national第2部分:阅读判断(第1622题,每题1分,共7分)下面的短文后列出了7个句子,请根据短文的内容对每个句子做出判断:如果该句提供的是正确信息,请选择A;如果该句提供的是错误信息,请选择B;如果该句的信息文中没有提及,请选择C.Wanna buy a body? That was the opening line of more than a few phone calls I got from self-employed photographers when I was a photo editor at U.S. News. Like many in the
6、 mainstream press, I wanted to separate the world of photographers into them, who trade in pictures of bodies or run after famous people like Princess Diana, and us, the serious news people. But after 16 years in that role, I came to wonder whether the two worlds were easily distinguishable.Working
7、in the reputable world of journalism, I told photographers to cover other peoples difficult life situations. I justified marching into moments of sadness, under the appearance of the readers right to know. I worked with professionals talking their way into situations or shooting from behind police l
8、ines. And I wasnt alone.In any American town, after a car crash or some other horrible incident when ordinary people are hurt or killed, you rarely see photographers pushing past rescue workers to take photos of the blood and injuries. But you are likely to see local newspaper and television photogr
9、aphers on the scene and fastHow can we justify doing this? Journalists are taught to separate, doing the job from worrying about the consequences of publishing what they record. Repeatedly, they are reminded of a news-business saying: Leave your conscience in the office, A victim may lie bleeding, u
10、nconscious, or dead. Your job is to record the image (图象). Youre a photographer, not an emergency medical worker. You put away your feelings and document the scene.But catastrophic events often bring out the worst in photographers and photo editors. In the first minutes and hours after a disaster oc
11、curs, photo agencies buy pictures. They rush to obtain the rights to be the only one to own these shocking images and death is usually the subject. Often, an agency buys a picture from a local newspaper or an amateur photographer and puts it up for bid by major magazines. The most sought-after speci
12、al pictures command tens of thousands of dollars through bidding contests.I worked on all those stories and many like them. When they happen, you move quickly: buying, dealing, trying to beat the agencies to the pictures.Now, many people believe journalists are the hypocrites(伪君子)who need to be brou
13、ght down, and its our pictures that most anger others. Readers may not believe, as we do, that there is a distinction between clear-minded and mean-spirited . In too many cases, by our choices of images as well as how we get them, we prove our readers right.16. The writer never got an offer for a ph
14、otograph of a dead person.A. Right B. Wrong C. Not mentioned17. The writer was a photographer sixteen years ago.18. The writer believes that shooting peoples nightmares is justifiable.19. News photographers are usually a problem for secure workers at an accident.20. Journalists arent supposed to thi
15、nk about whether they are doing the right thing.21. Editors sometimes have to pay a lot of money for exclusive pictures.22. Many people say that they are annoyed by the US News pictures.第3部分:概括大意与完成句子(第2330题,每题1分,共8分)下面的短文后有2项测试任务:(1)第2326题要求从所给的6个选项中为第25段每段选择1个最佳标题;(2)第2730题要求从所给的6个选项中为每个句子确定一个最佳选项
16、。The Storyteller1. Steven Spielberg has always had one goal: to tell as many great stories to as many people as will listen. And thats what he has always been about. The son of a computer scientist and a pianist, Spielberg spent his early childhood in New Jersey and, later, Arizona. From the very be
17、ginning, his fertile imagination filled his young mind with images that would later inspire his filmmaking. 2. Even decades later, Spielberg says he has clear memories of his earliest years, which are the origins of some of his biggest hits. He believes that E.T. is the result of the difficult years
18、 leading up to his parents 1966 divorce, “It is really about a young boy who was in search of some stability in his life.”“He was scared of just about everything,” recalls his mother, Leah Adler. “When trees brushed against the house, he would head into my bed. And thats just the kind of scary stuff
19、 he would put in films like Poltergeist.” 3. Spielberg was 11 when he first got his hands on his dads movie camera and began shooting short flicks about flying saucers and World War battles. Spielbergs talent for scary storytelling enabled him to make friends. On Boy Scout camping trips, when night
20、fell, Spielberg became the center of attention. “Steven would start telling his ghost stories,” says Richard Y. Hoffman Jr., leader of Troop 294, “and everyone would suddenly get quiet so that they could all hear it.” 4. Spielberg moved to California with his father and went to high school there, bu
21、t his grades were so bad that he barely graduated. Both UCLA and USC film schools rejected him, so he entered California State University at Long Beach because it was close to Hollywood. Spielberg was determined to make movies, and he managed to get an unpaid, non-credit internship(实习)in Hollywood.
22、Soon he was given a contract, and he dropped out of college. He never looked back. 5. Now, many years later, Spielberg is still telling stories with as much passion as the kid in the tent. Ask him where he gets his ideas, Spielberg shrugs. “The process for me is mostly intuitive (凭直觉的),” he says. “T
23、here are films that I feel I need to make, for a variety of reasons, for personal reasons, for reasons that I want to have fun, that the subject matter is cool, that I think my kids will like it. And sometimes I just think that it will make a lot of money, like the sequel(续集) to Jurassic Park.”23. P
24、aragraph 1_24. Paragraph 2_25. Paragraph 3_26. Paragraph 4_A. Inspirations for his movies B. The trouble of making movies C. A funny man D. Getting into the movie business E. Telling stories to make friends F. An aim of life 27. Some of Spielbergs most successful movies came from _28. When Spielberg
25、 was a boy,he used to be scared of _29. Spielberg is very good at _30. Spielberg says he makes movies for _A. almost everything B. telling scary stories C. a number of reasons D. making children laugh E. his childhood memories F. a lot of money 第4部分:阅读理解(第3145题,每题3分,共45分)下面有3篇短文,每篇短文后有5道题。请根据短文回答其后面
26、的问题,为每题确定一个最佳答案。第一篇 The National TrustThe National Trust in Britain plays an increasingly important part in the preservation for public enjoyment of the best that is left unspoiled of the British countryside. Although the Trust has received practical and moral support from the Government, it is not
27、a rich Government department. It is a voluntary association of people who care for the unspoiled countryside and historic buildings of Britain. It is a charity which depends for its existence on voluntary support from members of the public. Its primary duty is to protect places of great natural beau
28、ty and places of historical interest.The attention of the public was first drawn to the dangers threatening the great old houses and castles of Britain by the death of Lord Lothian, who left his great seventeenth-century house to the Trust together with the 4500-acre park and estate surrounding it.
29、This gift attracted wide publicity and started the Trusts Country House Scheme”. Under this scheme, with the help of the Government and the general public, the Trust has been able to save and make accessible to the public about one hundred and fifty of these old houses2. Last year about one and thre
30、e quarters of a million people paid to visit these historic houses, usually at a very small charge.In addition to country houses and open spaces the Trust now owns some examples of ancient wind and water mills, nature reserves, five hundred and forty farms and nearly two thousand five hundred cottages or small village houses, as well as some complete villages. In these villages no one is allowed to buil
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