专业八级329.docx
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专业八级329
专业八级-329
（总分：
100.00，做题时间：
90分钟）
一、{{B}}PARTⅠLISTENINGCOMPREHENSION{{/B}}（总题数：
1，分数：
10.00）
{{B}}SECTIONA{{/B}}
Inthissectionyouwillhearamini-lecture.YouwillhearthelectureONCEONLYWhilelistening,takenotesontheimportantpoints.Yournoteswillnotbemarked,butyouwillneedthemtocompleteagap-fillingtaskonANSWERSHEETONEafterthemini-lecture.Usetheblanksheetfornote-taking.
Nowlistentothemini-lecture.
AmericanJazzMusicianLouisArmstrong
ArmstrongwasborninNewOrleans.Hewassopoorduringhischildhoodthatsometimes{{U}}
（1）{{/U}}garbagecansforsupper.
Ⅰ.ThespiritofArmstrong'sworldnot{{U}}
（2）{{/U}}by:
1）the{{U}}（3）{{/U}}ofpovertyand
2）thedangersofwildliving.
Ⅱ.Armstrong'slifebefore1920s:
1）Armstrong'sdancingforpenniesand{{U}}（4）{{/U}}forhissupperwithastrollingquartetofotherkids.
2）HavinghisdreamslikeotherAmericanboys,regardlessofhispointofsocial{{U}}（5）{{/U}}.
3）Theplacesheplayedandthepeopleheknewweresweetand{{U}}（6）{{/U}}atoneendofthespectrumandroughattheother.
4）Experiences,pomp,humor,eroticcharisma,grief,majesty,theprofoundlygruesomeandmonumentallyspiritualcameintohis{{U}}（7）{{/U}}.
{{B}}Ⅲ.Armstrong'slifefrom1920on:
{{/B}}
1）Armstrongwouldbeangryifsomebodyintendedtochallengehim.
2）Musicianswereusedtohave"cuttingsessions":
battlesof{{U}}（8）{{/U}}andstamina.
3）ThemelodicandrhythmicvistasArmstrong{{U}}（9）{{/U}}solvedthemind-bodyproblem.
LouiseArmstrongwassogreatthatthebigbandssoundedlikehim,theirfeaturedimproviserstookdirectionfromhim,andeveryschoolofjazzsincehashadtoaddresshowhe{{U}}（10）{{/U}}thebasicsoftheidiom-swing,blues,balladsandAfro-Hispanicrhythms.
{{B}}SECTIONA{{/B}}
Inthissectionyouwillhearamini-lecture.YouwillhearthelectureONCEONLYWhilelistening,takenotesontheimportantpoints.Yournoteswillnotbemarked,butyouwillneedthemtocompleteagap-fillingtaskonANSWERSHEETONEafterthemini-lecture.Usetheblanksheetfornote-taking.
Nowlistentothemini-lecture.
AmericanJazzMusicianLouisArmstrong
ArmstrongwasborninNewOrleans.Hewassopoorduringhischildhoodthatsometimes{{U}}
（1）{{/U}}garbagecansforsupper.
Ⅰ.ThespiritofArmstrong'sworldnot{{U}}
（2）{{/U}}by:
1）the{{U}}（3）{{/U}}ofpovertyand
2）thedangersofwildliving.
Ⅱ.Armstrong'slifebefore1920s:
1）Armstrong'sdancingforpenniesand{{U}}（4）{{/U}}forhissupperwithastrollingquartetofotherkids.
2）HavinghisdreamslikeotherAmericanboys,regardlessofhispointofsocial{{U}}（5）{{/U}}.
3）Theplacesheplayedandthepeopleheknewweresweetand{{U}}（6）{{/U}}atoneendofthespectrumandroughattheother.
4）Experiences,pomp,humor,eroticcharisma,grief,majesty,theprofoundlygruesomeandmonumentallyspiritualcameintohis{{U}}（7）{{/U}}.
{{B}}Ⅲ.Armstrong'slifefrom1920on:
{{/B}}
1）Armstrongwouldbeangryifsomebodyintendedtochallengehim.
2）Musicianswereusedtohave"cuttingsessions":
battlesof{{U}}（8）{{/U}}andstamina.
3）ThemelodicandrhythmicvistasArmstrong{{U}}（9）{{/U}}solvedthemind-bodyproblem.
LouiseArmstrongwassogreatthatthebigbandssoundedlikehim,theirfeaturedimproviserstookdirectionfromhim,andeveryschoolofjazzsincehashadtoaddresshowhe{{U}}（10）{{/U}}thebasicsoftheidiom-swing,blues,balladsandAfro-Hispanicrhythms.
（分数：
10.00）
（1）.
（分数：
1.00）
填空项1:
__________________ （正确答案：
searching/lookingfor）
解析：
[听力原文]1-10
AmericanJazzMusicianLouisArmstrong
Today,IamgoingtotalkabouttheAmericanJazzFatherLouisArmstrong.Hehadperfectpitchandperfectrhythm.Hisimprovisedmelodiesandsingingcouldbeasloftyasamoonflightoraslowdownastheblooddropsofastreetthugdyinginthegutter.Likemostofthegreatinnovatorsinjazz,hewasasmallman.Buttheextentofhisinfluenceacrossjazz,acrossAmericanmusicandaroundtheworldhassuchcontinuingstaturethatheisoneofthefewwhocaneasilybementionedwithStravinsky,PicassoandJoyce.Hislifewastheembodimentofonewhomovesfromragstoriches,fromanonymitytointernationallyimitatedinnovator.LouisDanielArmstrongsuppliedrevolutionarylanguagethattookonsuchpervasivenessthatitbecamecommonplace,likethelightbulb,theairplane,thetelephone.
ThatiswhyArmstrongremainsadeepforceinourAmericanexpression.Notonlydowehearhiminthosetrumpetplayerswhorepresentthepresentrenaissanceinjazz-WyntonMarsalis,WallaceRoney,TerenceBlanchard,RoyHargroye,NicholasPayton-wecanalsodetecthisinfluenceincertainrhythmsthatsweepfromcountry-and-westernmusicallthewayovertothechanteddoggerelofrap.
FormanyyearsitwasthoughtthatArmstrongwasborninNewOrleansonJuly4,1900,aperfectdayforthemanwhowrotethemusicalDeclarationofIndependenceforAmericansofthiscentury.ButtheestimablewriterGaryGiddinsdiscoveredthebirthcertificatethatprovesArmstrongwasbornAug.4,1901.Hegrewupatthebottom,hustlingandhustling,tryingtobringsomethinghometoeat,sometimessearchinggarbagecansforfoodthatmightstillbesuitableforsupper.ThespiritofArmstrong'sworld,however,wasnotdominatedbythedeprivationofpovertyandthedangersofwildliving.
Whatstruckhimmost,ashismemoir,Satchrno:
MyLifeinNewOrleans,attests,wastheceremonialvigorofthepeople.RangingfromalmostEuropeanpaletojetblack,theNegroesofNewOrleanshadmanysocialclubs,paradesandpicnics.Withrags,blues,snippetsfromopera,churchmusicandwhateverelse,awidebreadthofrhythmandtunewascreatedtoaccompanyorstimulateeverykindofhumaninvolvement.Beforebecominganinstrumentalist,ArmstrongthechildwaseitherdancingforpenniesorsingingforhissupperwithastrollingquartetofotherkidswhowanderedNewOrleansfresheningupthesub-tropicaleveningwithsomesweetlyharmonizednotes.
Hehadsomeknuckleheadinhissoultoo.Whileagenialfountainofjoy,Armstrongwasastreetboy,andhehadadirtymouth.ItwashisshootingoffapistolonNewYear'sEvethatgothimthrownintotheColoredWaifs'Home,aninstitutionbentonrefiningruffians.ItwastherethatyoungLouisfirstputhislipstothemouthpieceofacomet.LikeanyAmericanboy,nomatterhispointofsocialorigin,hehadhisdreams.Atnightheusedtolieinbed,hearingthemasterlyFreddieKeppardoutinthestreetsblowingthatgoldenhorn,andhopethathetoowouldsomedayhavecommandofaclarionsound.
Thesounddevelopedveryquickly,andhewassoonknownaroundNewOrleansasformidable.Theplacesheplayedandthepeopleheknewweresweetandinnocentatoneendofthespectrumandroughattheother.HeplayedpicnicsforyoungNegrogirls,MississippiriverboatsonwhichthewhitepeoplehadneverseenNegroesintuxedosbefore,anddiveswherethecustomerscutandshotoneanother.Onetimehewitnessedtwowomenfightingtothedeathwithknives.Outofthoseexperiences,everythingfrompomptohumortoeroticcharismatogrieftomajestytotheprofoundlygruesomeandmonumentallyspiritualworkeditswayintohistone.HebecameabeaconofAmericanfeeling.
From1920on,hewashellontwofeetifsomebodywasinthemoodtochallengehim.Musiciansthenwerewonttohave"cuttingsessions"-battlesofimaginationandstamina.Fairlysoon,youngArmstrongwasleftalone.Healsodidalittlepimpingbutgotoutofthegamewhenoneofhisgirlsstabbedhim.Withatroutsandwichamonghiseffects,ArmstrongtookatraintoChicagoin1922,wherehejoinedhismentorJoeOliver,andtherevolutiontookplaceinfallform.KingOliverandhisCreoleJazzBand,featuringthedarkyoungpowerhousewiththelargemouth,broughtoutthepeopleandallthemusicians,blackandwhite,whowantedtoknowhowitwastrulydone.Themostimpressivewhitemusicianofhistime,BixBeiderbecke,jumpedupandwentglassy-eyedthefirsttimeheheardArmstrong.
WhenhewascalledtoNewYorkCityin1924bythebig-timebandleaderFletcherHenderson,Armstronglookedexactlylikewhathewas,ayoungmanwhowasnottobefooledaroundWithandmightslapthetasteoutofyourmouthifyouwenttoofar.Hisimprovisationssetthecityonitshead.Thestiffrhythmsofthetimewereslashedawaybyhiscombinationofthepercussiveandthesoaring.HesoonreturnedtoChicago,perfectedwhathewasdoingandmadeonerecordafteranotherthatreorderedAmericanmusic,suchasPotatoHeadBluesandI'maDingDongDaddy.Needingmorespaceforhisimprovisedline,ArmstrongrejectedthecontrapuntalNewOrleansfrontlineofclarinet,Trumpetandtromboneinfavorofthesingle,featuredhorn,whichsoonBecametheconvention.Hiscombinationofvirtuosity,strengthandpassionwasunprecedented.NooneinWesternmusic-notevenBach-haseversettheinnovativepaceonaninstrument,thenstooduptosingandconvertedthevocalists.Pops.SweetPapaDip.Satchmo.
ThemelodicandrhythmicvistasArmstrongopenedupsolvedthemind-bodyproblemastheworldwitnessedhowthebrainandthemusclescouldworkinperfectcoordinationontheaestheticspot.ApolloandDionysusmetinthesweatingcontainerofageniusfromNewOrleanswhosesensitivityandpassionwereepicincompletelynewterms.InhisradicalreinterpretationsArmstrongbentandtwistedpopularsongswithhishornandhisvoiceuntiltheywereshornofsentimentalityandelevatedtoseriousart.Hebroughtthechangeagentofswingtotheworld,themostrevolutionaryrhythmofhiscentury.Helearnedhowtodressandbecameafashionplate,Hisslangwasthe
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