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碑林英语导游词0
碑林英语导游词
篇一:
西安碑林博物馆英文导游词(最新)
西安碑林
Goodmorning,Ladiesandgentlemen.Todaywearegoingtovisitthetreasurehouseofancientcalligraphyandstonecarvingartofchina,themuseumofForestofStoneTablets,whichislocatedatthesiteofconfuciantempleinSanXueStreet,Xi’an.Thismuseumwassetupin1087anditcollectedmorethan3000stonetabletsfromtheHandynastythroughtheQingdynasty.Thewholeareaconsistsof3parts:
confuciantemple,exhibitionofstonetabletsandstonecarvings.//总述
Herewecanseethismuseumisverybeautifulbecauseitusedthetradition
chinesecourtyardstyle.Socomparedwithotherplaces,thismuseumisalwaysquitepeacefulandverysilence.nowi’dliketotakethistempleasanexampletotalkalittlebitaboutconfucian,thegreatphilosopher,educationist,politicianinfeudal
society.andhewashighlyrespectedbychinese.inordertoshowtherespectforhim,alltheconfuciantemplehavenogatefacingsouth,asthisoneshowingonlythegateopentotheeastandwestwhatwecalledthegateofrighteousnessandcourtesyrespectively.//简介孔子
ok,nowthiswayplease.insidethismuseum,wecanseeawoodenmemorialarchstandinghere;itschinesenameis“PaiLou”.itissetuptohonoror
commemorateadistinguishedperson;aswecontinueourwalking,nowweareonthebridgeoverpondinhalfcirclewhichisspecialstructureofconfuciantemple,intheancienttimeonlythosestudentswhopassedstateexaminationwouldbeallowedtopasshere.//太和元气坊,畔池
nowlet’sgothroughthestonegateinthemiddlewhichwasonlyforhighranksinthepast.Herewecanseetwonationaltreasures.onthewestsidethereisastonehorsewhichwasoneoffewrelicsofdaXiashortperiod.Thedaxiaperiodisaveryshortperiodinchinesehistory,andtherearelotsofwarsatthattime.it’sdifficulttofindrelicsofthistime,soit’sveryprecious.intheeastpavilionthereistheJingYunBellwhichwascastin711adandwasmovedherefromJingLongTaoisttemple.ThisBellisuniquein3aspects:
first:
ithasexquisitelycarvingwithphoenixand
dragons.Second,ithasbeautifulsoundwhichwasrecordedbyccTVandwasplayedonnewYears’evetowelcomethenewYear’scoming.Third,ithasuniqueepigraph.//大夏石马,景云钟
nowwearegoingtovisit7majorstonetabletexhibitionrooms.infrontofthefirstexhibitionroom,wecanseethestone-baseclassicofFilialpietywhichisthelargestandearliestoneinthismuseum.itstandsabout6metershighandwasmadeupof35piecesofbluestones.itwasengravedin745adandannotatedby
LiLongJi(the7themperorofTangdynasty).HewrotetheprefacetoshowhiswishtomanagethecountrybyadvocatingtheprinciplesofFilialpiety.//石台孝经
inthefirstroom,let’sseethemostcompletedandheaviestbooksintheworld“TheKaichengstoneclassics”whichwasthedoctrineoftheconfuciusand“mustreadings”foralltheintellectualsinfeudalsociety.inthepast,copyingwasthe
popularwayforstudentswhostudythedoctrines.Topreventcopyingerrors,emperor
Tangwenzongemployedmanysculptorstocarvethe12classicsonstonetabletsforthestudentstogettherubbingsfromthem.withanotherclassic“mencius”carvedinQingdynastytogetherwecall“13classics”.//开成石经
inthesecondroom,wecanseemanystonetabletsofcalligraphyinTang
dynasty.andthemostfamousoneisthenestorianTablet.Thistabletisalsoa
nationaltreasure,asitwasthefirstoneinSyriancharactersthatrecordednestorians(onesectofchristianity)wasintroducedintochinafromRomanEmpirein635ad.itdescribesitsessence,ceremony,andactivitiesinchina.//大秦景教流行中国碑
inthethirdroom,variousstyleofchinesecalligraphycanbeseenonstonetabletssuchasthesealscript,theofficialscript,regularscript,runninghandandcursivehand.Letmegiveyouverybriefintroductionofthedevelopmentofchinesecharacters.ThesealscriptswereonlypopularinQindynasty,anditwasdifficultforustoreadingandwriting.Basedonthat,newformswerecreated:
theyaretheofficialandregularscripts.Thiswaseasytorememberbecausetodaywearestillusingitanditispopulartoeverybody.Runningandcursivehandwerealsoboldlyusedbysomecalligraphersatthattime,itisquitedifferenttocontrol.//中国文字字体发展简史
Therestexhibitionroomshousecalligraphyandpaintings,literaturesandpoemsfromdifferentdynasties,andinthecourtyardyoucanseemanystonestakeswithanimalsorfigurescarvedonthetop.inthepast,theyarefortyinghorsesaswellasfordecoration.
ok,thiswayplease.wearegoingtoseethestonecarvinggallery.ThestonecarvingsherearethemasterpieceofstoneartsfromHanandTangdynastythat
arrangedinchronologicalorder.itcanbedividedintotwoparts:
thosearefoundfromtombsandthosearerelatedtoreligions.Here,i’dliketointroducethesixfamoussteedsforyou.Theyaresobeautifulandvivid,also,theywerethebestfriendsof
TangemperorTaizong(thesecondemperorofTangdynasty),becausetheykepttheirmasterinsafeeachtimewhentheywoundedwitharrowsonbattle.inmemoryofhishorses,TangemperorTaizonghadthemcarvedinrelieftocompanyhistomb.
However,it’sverypitythattwoofthepiecesweremissing;nowtheyarekeptinthemuseumofuniversityofPennsylvania.//石刻艺术室(昭陵六骏)
ok,everyone,somuchforthistoday.westillhavesomefreetime.Sonext,youmaylookaroundandtakesomepictures.we’llleaveat11o’clock,sopleasedon’tbelate.Youknowiwillmissyou.andi’llstayhere,ifyouhaveanyquestion,pleaseaskme.Bytheway,watchyourstepplease!
Sonext,it’syourturn.Enjoyyourselfandthankyouforlistening.//结束
篇二:
碑林英文导游词museumofForestofStoneTablets
museumofForestofStoneTablets(ii)
StoneartGallery
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Basicallytwoparts:
mausoleumstonecarvingandreligiousstonecarving
Stonerelivos—Pictureswithlinearengraving
(汉画像石)
?
Theconceptof“livingagainafterdeath”dominatedthemindsofnoblemen.Theyengravedonthetombwallswhatevertheyused,lovedandrespectedduringtheirlifetime,sotheycouldstillenjoytheminthenetherworld.Besidessomehistoricallegends,thesubjectmatterofthepicturesoriginatedfromthereallife,suchasplowing,hunting,musicanddanceandthestyleofnoblelives.
mausoleumstonecarving
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guardinganimalsputinfrontofthetombtodeterevilspirits(镇墓兽)Thiskindofanimalneverexistedintheworld.Theyweresculptedaccordingtothecharacteristicsoflionsandtigers.Thestretchedbodies,exaggeratedlongtails,powerfullegsandmajesticlookingappearancerevealthesculptingskillsandtheingeniousabilitiesofthecraftsmen.
SixSteedsfromzhaoLingmausoleum
(昭陵六骏)
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EmperorTaizongoftheTangdynastyorderedtohavehissixwarhorsescarvedandputinfronthistombinorderto
commemoratethem.TheywerepaintedbyYanLiben,afamouspainteratthetime.
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Saluzi(飒露紫)andQuanmaogua(拳毛剐),weresmashedintosmallerpiecesandcarriedthemawaybycarlw.Bishop.Therestfourwerecutintofourpiecesandalmostpackedreadytobeshippedawaywhentheywerestoppedandmovedintothemuseum.
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TheyarenowinthemuseumofUniversityofPennsylvania.
Religiousstonecarving
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Stonesculpturingbeganinthenorthernweidynasty(386-534)andlaterwesternstylesofsculpturewereassimilatedtomakeitanewstyle.moststonecarvingsherearefiguresofBuddha.
LiEr(李耳)
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StatueofLiEr(李尔),thefounderofdaoism.itwasprobablysculptedbyYuanJia’er(元伽儿),afamoussculptoroffromwesternRegion(西域).itwasoneofthemasterpiecesoftheTangdynasty.ThisstatuewasfoundintheTempleofLaomu(老母殿)atopofLiShanhill.
whatyouhavetocover:
?
Generalintroduction:
location,value,whatit
houses
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memorialarch,Panchi,JingyunBell,StoneHorse?
Stone-baseclassicsonFilialPiety
?
ForestofStoneTablets:
ExhibitionRoomone:
KaichengStoneclassics
ExhibitionRoomTwo:
famouscalligraphersof
theTangdynasty;nestorianTablet
whatyouhavetocover:
ExhibitionRoomThree:
Evolutionof
chinesecalligraphy
TherestfourExhibitionRooms:
brief
introduction
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StoneartGallery:
mausoleumcarvings:
Sixsteeds
Religiouscarvings:
StatueofLi’er
碑林外部概图:
礼门,太和元气坊,泮池,景云钟,大夏石马,石台孝经,开成石经
多宝塔碑,曹全碑,玄密塔碑,怀素千金贴,偏旁部首源表,大秦景教流行中国碑,颜氏家庙碑
昭陵六骏,老子像
篇三:
碑林英文导游词museumofForestofStoneTablet1
museumofForestofStoneTablets
(1)
conTEnToFLEcTURE
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Generalintroduction:
location,value,whatwecanseethere
?
JingyunBellanddaxiaStoneHorse
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Stone-baseclassicsonFilialPiety
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ForestofStoneTablets:
ExhibitionRoomone-Three,theRestfourExhibitionRooms
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StoneartGallery
Generalintroduction
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ahistoryofmorethan900years
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acollectionofover3000stonetablets
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atreasurehouseofancientchina’scalligraphicmasterpieces
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aconcentrationofthebestoftheHanandTangdynastystonecarvings,relievesandsculptures
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china’slargeststonebooklibraryofancientliteratureandhistoricrecords
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oneoftheearliestnationalagenciesforthepreservationofimportantculturalrelics
Location
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ThemuseumislocatedonthesiteofaconfucianTempleonSanxueStreet,Xi’anneartheBellTower
BriefHistory
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imperialancestralTempleintheTangdynasty
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confucianTempleintheSongdynasty.
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in1950,itwasextendedintothemuseumthatgreetsustoday.
Layout
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StoneTablets
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TheExhibitionHallofStonecarvingart.
ForestofStoneTablets
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originallysetupin1087
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over3,000stonetabletsfromtheHandynastythroughtheQingdynastypreserved?
notonlyatreasurehouseofancientcalligraphy,butalsoarichcollectionoftheancient
chineseclassicsandliterature,engravingdesignsthathaverepresentedthehistoricalrecordsbetweenchinaandothercountries
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nowsevenexhibitionrooms,sixepitaphcorridorsandonetabletpavilion
Stone-baseclassicsonFilialPiety(石台孝经)
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thelargesttabletintheForestofStoneTablets
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engravedin745inthehandwritingofLiLongji,the7themperoroftheTangdynasty.
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compiledbyadiscipleofconfucius,zengSheng,afterattendingconfucius’slectures
ExhibitionRoomone
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Houseingthe“KaichengStoneclassics”,including12chineseclassicswithatotalof650,252charactersengraveddouble-sidedon114stonetablets?
Theroomalsodisplaysanotherclassicentitled“mencius”with30,000
characters,whichwereengravedon19stonetabletsintheQingdynasty.?
thecompulsoryreadingsforintellectualsoffeudalsociety.
The12classics
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《周易》“TheBookofchanges”:
itpredictsandexplainsthroughtheEightdiagramsthenaturalandsocialdevelopment.
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《尚书》“TheBookofHistory”:
itistheearliestcompilationofhistoricaldocuments.itcoversthemostimportanthistoricaldocumentsintheShangandzhoudynasties,esp.theearlywesternzhou.
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《诗经》“TheBookofSongs”:
itistheearliestcollectionsofsongsandpoemswhichwerecompiledinthespringandautumnPeriod.
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《周礼》“TheRitesofthezhoudynasty”
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《仪礼》“TheBookofceremonies”
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《礼记》“TheBookofRites”
*Thethreebooksabovearecollectionsofthelaws,ritesandceremoniesinXianQin.
The12classics
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《春秋左氏传》“zuoQiuming’scommentaryonSpringandautumnannals”
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《春秋公羊传》“GongYang’scommentaryonSpringandautumnannals”
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《春秋谷梁传》“GuLiang’scommentaryonSpringandautumnannals”
*Thethreebooksarecommentariesontheearliesthistorybook“Springandautumnannals”throughthepointsviewofhistoricaldocumentsandconfucianphilosophy.
?
《论语》“Theanalects