有关电影的英语演讲稿.docx

有关电影的英语演讲稿.docx

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有关电影的英语演讲稿

有关电影的英语演讲稿

therearesomanymoviesi'velovedthattheentirelistwouldbenearlybook-length.it'stoughtopickjustafew,buti'llgiveitatry.

beforeistartanykindofnumberedlist,ihavetoincludeonefilmthat...well,it'dbeunfairtocallit（them,really）myfavoritefilm（s）,astheyfloatinthestratosphereaboveanythinglikeanumericalfavoriteslist.itisn'tfairtolistitwithothers.whilei'llstillreferto#1onthelistbelowasmyfavoriteasfollow.

movie:

d'améliepoulain,directedby:

jean-pierrejeu.

jean-pierrejeuhascreatedmontagesofinsignificanceandtrivialityonlytobringoutinaneuphemisticwaythebiggestsupportonecangetinlife;love.everysinglecharacter,includingamelieherself,hassomekindofpeculiarityintheircharacteristics（whichoftenresembletheeentricityofdickensiancharacters）buttheonethingbindsthemtogetheristheiragonyofbeinglonely,unnoticedandsearchforpanionshipandappreciation.amelieisliketheangelwhorepairsthemissinglinksintheirlivesandfindsarootofherown.the"all'swellthatendswell"mottooffairy-taleshasbeenadoptedveryskilfullyinthismovieanditratherwakesupthefairygodmotherineachofus.

for20yearsjean-pierrejeucollectedsmallastonishingandintriguingmomentsinhislife,takingnotesinhisdiary,notknowingthathewasuptoco-writeanddirectoneofthemostsuessfulfilminfrenchfilmhistory.jean-pierrejeufellinlovewiththestoryandthefilmhetitledlefabuleuxdestind'améliepoulain.butit'spopularitywasevenasurprisetojean-pierrejeuhimselfasheoncestated:

iguessihavetoproduceafilmlikealienresurrection（usa1997）tomakeamovielikelefabuleuxdestind'améliepoulain',obviouslynotawareofthefilmspotential.unfortunatelythefilmdidn'twinanacademyawardforthebestforeignfilminxxwhichstillpuzzlesfilmfansallovertheworld.

iconsiderjean-pierrejeu'sfilmasamasterpiece.inmyopinion,itisanoutstandingfilminfilmhistoryforitscinematography,themusic,thestory,butabovealltheoverallatmosphere.goingtothecinemaislikemeditating.wesitforoverone-hourandfortablechair-ourbreathslowsdownandasthelightsareswitchedoff,weenteradreamworld.weseektoescapeournormalworldjustforashortperiodoftime,toexperiencesomethingtotallydifferentandyet,wewanttofindourselvesinthisworld.thankstojean-pierrejeuihadawonderfuldream,iwillneverforget.

jean-pierrejeuandhiscameraman,brunodelbonnel,wantedtomakethefilmlooklikethespanishpainterdidhisartwork.toestablishadreamlikeatmospheretheyusedmostlyredandgreen,sometimesaddingalittlebluespotinthepicturetosetthecontrast.audreytautou（améliepoulain）,mostlywearseitherredorgreendresses,aswellasthehousekeeper（yolandemoreauasmadelainewallace,concierge）,andamélie'smother（lorellacravottaasamandinepoulin）inthebeginningofthefilm.whenaméliepoulainsitsdowntowatchthetragedyofherlifeonhertv,thereisanoutstandingofabluelampinthebackground.sometimestheuseofcolorgetsveryobvious.amélie'sapartmentforexampleisalmostpletelyred,theundergroundstationandthetrainstationarekeptingreenandthegreengrocerystorestandsoutfromthegreybuildings.honestly,ihaven'tnoticedtheextremeuseofcolorthefirsttimeiwatchedthemovie.ijustwonderedhowjeusueededinestablishingsuchafabulousatmosphere.

theatmosphereisalsosupportedbythemagnificentmusicbyyanntiersenwhohasposed19songsin15daysforthismovie.theprincipalmotiveappearsinmanyvariationssomehowbeingjoyful,yetatthesametimesad-slowandsometimesfastandactivating.themusicsupportseverymomentinthefilmandbeesthesoundofafabulousworld.

cameramovementcertainlycontributesitsparttotheatmosphere.balancedandunbalancedpicturescontributetothemessageofeachshot.rightinthebeginningwhenamélie'smotherisintroduced,thepictureisbalancedsymbolizingherpursuitforcorrectnessandcleanliness.thesamecanbeaboutthefirstshotsofamélie'sfather.whentalkingabouthisdislikes,theshotsareunbalanced.butmoreimpressingaresomecameramovements.forexamplethereisanastonishinghighangleshotofamélieflippingstonesonlecanalinparis.thecamerashowsherleaningonafence,flyingaboveherheadthencraningtoalowangleshottoshowherflippingstonesinthedirectionofthecamera.anotheroneworthmentioningmightbethechaseoftherepairsperson.ninoisshownfallingupthestepschasingtherepairspersonforthephotomachines.thecameraturnstoshowthemangettinginthecardrivingoff.stillinalowangleninostartshismoped,tryingtofollowtheworker,almosthittingacar.amélieisenteringthepicturerunningafternino.thecamerafollowsher,thenturningalmost180°aroundhertoshowherholdnino'sredbagthathelost.whenaméliesitsinfrontofthestation,weseeherinalongshot,thecameradolliesintoflyoverherheadtoanover-the-shouldershot.someofthesecameramovementsarereallyawesome,notonlyfromatechnicalpointofview,butmoreoverfromanaestheticstandpoint.theysupportthedreamlikeatmosphere,addinginterestingaspectstoordinaryactions.

thismovieisdelightfulfromstarttofinish.althoughsomeofthecoincidencesandchancemeetingsarehighlyimprobable（bothgoingtonyc?

bothwatchingthesametvsetatthesametime?

）,theycannotspoilwhatisagenuinelytouchingandmovingexperience.

insteadofatheusualscenariowheretwopeopletrydesperatelytofindlove,thetwoleads,lichiao（maggiecheung）andlixiaojun（leonlai）,trydesperatelytoavoidit.bothmainlanders,shehasetohongkongtomakeherfortune;hehasetoearnenoughmoneytomarryhislong-timefiancéebackonthemainland.throughabriefmeetinginamcdonaldswherelichiaoworksoneofherseveralpart-timejobs,andxiaojunhasetoexperiencetheunknown-in-his-hometownfood,theybeefriends.theydiscoverasharedloveforthesongsoftaiwanesesingerteresatang,whichbeethesoundtracktotheirrelationship.botharelonely,andgraduallytheyformagenuinefriendship,thenanot-so-casualintimaterelationship.theirstruggletoremaintruetotheiroriginalgoaliningtohongkongleadstoanemotionalcrisisforboththemandtheirpartners.thestruggletakesplaceoveratenyearperiod,duringwhichtheyseparateonlytokeepbumpingintooneanotherandreopeningoldwounds.theresolutionofthisstruggleissweetindeed.

theleadactorsarebothexceptional,particularlyleonlai,whoalwaysseemedtobeplayingavariationonhimselfuntilthisfilm.heispletelybelievableasthena-iv-eandtrustingxiaojun,andmaggiecheungis,asever,radiantandaffecting.thesongsofteresatangareusedtogreateffect,oneofwhichgivesthefilmit'stitle（tianmimi,thetitleofthechineseversion,roughlytranslatesassweetlikehoney）.

losesapointforthenumberofcoincidences,butotherwiseunreservedlyremended.

ihavejustfinishedwatchingit.theemotionscameoutfromdeepdowninmyheart,andicouldn'tcontrolmyselftostopcrying.thisisthefilmoflove,realityanddream.ithasnothingtodopoliticallywithhongkongbeforeorafter1997.itshowsthestoryoftwoyoungpeoplewhothinktheyareyoungenoughtonotchooseandavoidloveasthedreamoflife,instead,theypretendtomaketheir'materialiseddreams'etrue.however,aftertheirdreamsdoetrue,theyarenotsatisfied.whentheyturnovertheirfaces,andrealisethathavingeachotheristhedream.thisisasoftandgentlefilmthatinsomewayaffectyourheartdeepdowninside.thestrugglethecharactersexperiencedaresomehowshowingthecontradictionsthatalltheimmigrantswouldencounter.thosetwo'immigrants'frommainlandofchinaintohongkonghavethereluctanceofchoosingbetween'dream'or'love',justlikealltheforeignersliveinacountrywouldhaveconfusedwithandtookthewrongdecision.itisdifficulttosettleintooneculture,whenmeetthepeoplefromyourhometown,youfeellikeasiftheyareclosertoyouthanyourfamily.

fromthefantasticperformancefrombothtwoactors,thewholestructureofthefilmissatisfying,andthepaceofunwrappingthestorylineisasexcitingandsurprisingasthechristmaspresents.theloveinthefilmissomehowvery'pure'and'si-mp-le'fromthedeterminationandpatiencethattookthemyearstofindeachother.

finally,thereisonlyonethingtosay:

amongtheseaofpeople,'yuan'--theinvisibleandchosenforcethatconnectyouwiththeothersinaparticularwayisunchangeableandifyoubelieveit,youwillneverbeabletomiss'theone'foryou,nomatterwhathappens,andwhereyouwillb.

justaskyourself--billionsofpeopleintheworld,whydoimeetyounotsomeoneelse?

有关电影的英语演讲稿[篇2]

《挑战星期天》:

idon'tknowwhattosayreally.threeminutes,tothebiggestbattleofourprofessionallive.allesdowntotoday.eitherwehealasateam

orwearegoingtocrumble.inchbyinchplaybyplay,tillwe'refinished.

weareinhellrightnow,gentlemen,believeme.andwecanstayhere

andgetthesh-itkickedoutofusorwecanfightourwaybackintothelight.wecanclimboutofhell.oneinch,atatime.nowican'tdoitforyou.i'mtooold.ilookaroundandiseetheseyoungfacesandithink

imean,imadeeverywrongchoiceamiddleagemancouldmake.

iuh....ipissedawayallmymoney.believeitornot.ichasedoffanyonewhohaseverlovedme.andlately,ican'tevenstandthefaceiseeinthemirror.youknowwhenyougetoldinlife,thingsg