有关电影的英语演讲稿.docx
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有关电影的英语演讲稿
有关电影的英语演讲稿
therearesomanymoviesi'velovedthattheentirelistwouldbenearlybook-length.it'stoughtopickjustafew,buti'llgiveitatry.
beforeistartanykindofnumberedlist,ihavetoincludeonefilmthat...well,it'dbeunfairtocallit(them,really)myfavoritefilm(s),astheyfloatinthestratosphereaboveanythinglikeanumericalfavoriteslist.itisn'tfairtolistitwithothers.whilei'llstillreferto#1onthelistbelowasmyfavoriteasfollow.
movie:
d'améliepoulain,directedby:
jean-pierrejeu.
jean-pierrejeuhascreatedmontagesofinsignificanceandtrivialityonlytobringoutinaneuphemisticwaythebiggestsupportonecangetinlife;love.everysinglecharacter,includingamelieherself,hassomekindofpeculiarityintheircharacteristics(whichoftenresembletheeentricityofdickensiancharacters)buttheonethingbindsthemtogetheristheiragonyofbeinglonely,unnoticedandsearchforpanionshipandappreciation.amelieisliketheangelwhorepairsthemissinglinksintheirlivesandfindsarootofherown.the"all'swellthatendswell"mottooffairy-taleshasbeenadoptedveryskilfullyinthismovieanditratherwakesupthefairygodmotherineachofus.
for20yearsjean-pierrejeucollectedsmallastonishingandintriguingmomentsinhislife,takingnotesinhisdiary,notknowingthathewasuptoco-writeanddirectoneofthemostsuessfulfilminfrenchfilmhistory.jean-pierrejeufellinlovewiththestoryandthefilmhetitledlefabuleuxdestind'améliepoulain.butit'spopularitywasevenasurprisetojean-pierrejeuhimselfasheoncestated:
iguessihavetoproduceafilmlikealienresurrection(usa1997)tomakeamovielikelefabuleuxdestind'améliepoulain',obviouslynotawareofthefilmspotential.unfortunatelythefilmdidn'twinanacademyawardforthebestforeignfilminxxwhichstillpuzzlesfilmfansallovertheworld.
iconsiderjean-pierrejeu'sfilmasamasterpiece.inmyopinion,itisanoutstandingfilminfilmhistoryforitscinematography,themusic,thestory,butabovealltheoverallatmosphere.goingtothecinemaislikemeditating.wesitforoverone-hourandfortablechair-ourbreathslowsdownandasthelightsareswitchedoff,weenteradreamworld.weseektoescapeournormalworldjustforashortperiodoftime,toexperiencesomethingtotallydifferentandyet,wewanttofindourselvesinthisworld.thankstojean-pierrejeuihadawonderfuldream,iwillneverforget.
jean-pierrejeuandhiscameraman,brunodelbonnel,wantedtomakethefilmlooklikethespanishpainterdidhisartwork.toestablishadreamlikeatmospheretheyusedmostlyredandgreen,sometimesaddingalittlebluespotinthepicturetosetthecontrast.audreytautou(améliepoulain),mostlywearseitherredorgreendresses,aswellasthehousekeeper(yolandemoreauasmadelainewallace,concierge),andamélie'smother(lorellacravottaasamandinepoulin)inthebeginningofthefilm.whenaméliepoulainsitsdowntowatchthetragedyofherlifeonhertv,thereisanoutstandingofabluelampinthebackground.sometimestheuseofcolorgetsveryobvious.amélie'sapartmentforexampleisalmostpletelyred,theundergroundstationandthetrainstationarekeptingreenandthegreengrocerystorestandsoutfromthegreybuildings.honestly,ihaven'tnoticedtheextremeuseofcolorthefirsttimeiwatchedthemovie.ijustwonderedhowjeusueededinestablishingsuchafabulousatmosphere.
theatmosphereisalsosupportedbythemagnificentmusicbyyanntiersenwhohasposed19songsin15daysforthismovie.theprincipalmotiveappearsinmanyvariationssomehowbeingjoyful,yetatthesametimesad-slowandsometimesfastandactivating.themusicsupportseverymomentinthefilmandbeesthesoundofafabulousworld.
cameramovementcertainlycontributesitsparttotheatmosphere.balancedandunbalancedpicturescontributetothemessageofeachshot.rightinthebeginningwhenamélie'smotherisintroduced,thepictureisbalancedsymbolizingherpursuitforcorrectnessandcleanliness.thesamecanbeaboutthefirstshotsofamélie'sfather.whentalkingabouthisdislikes,theshotsareunbalanced.butmoreimpressingaresomecameramovements.forexamplethereisanastonishinghighangleshotofamélieflippingstonesonlecanalinparis.thecamerashowsherleaningonafence,flyingaboveherheadthencraningtoalowangleshottoshowherflippingstonesinthedirectionofthecamera.anotheroneworthmentioningmightbethechaseoftherepairsperson.ninoisshownfallingupthestepschasingtherepairspersonforthephotomachines.thecameraturnstoshowthemangettinginthecardrivingoff.stillinalowangleninostartshismoped,tryingtofollowtheworker,almosthittingacar.amélieisenteringthepicturerunningafternino.thecamerafollowsher,thenturningalmost180°aroundhertoshowherholdnino'sredbagthathelost.whenaméliesitsinfrontofthestation,weseeherinalongshot,thecameradolliesintoflyoverherheadtoanover-the-shouldershot.someofthesecameramovementsarereallyawesome,notonlyfromatechnicalpointofview,butmoreoverfromanaestheticstandpoint.theysupportthedreamlikeatmosphere,addinginterestingaspectstoordinaryactions.
thismovieisdelightfulfromstarttofinish.althoughsomeofthecoincidencesandchancemeetingsarehighlyimprobable(bothgoingtonyc?
bothwatchingthesametvsetatthesametime?
),theycannotspoilwhatisagenuinelytouchingandmovingexperience.
insteadofatheusualscenariowheretwopeopletrydesperatelytofindlove,thetwoleads,lichiao(maggiecheung)andlixiaojun(leonlai),trydesperatelytoavoidit.bothmainlanders,shehasetohongkongtomakeherfortune;hehasetoearnenoughmoneytomarryhislong-timefiancéebackonthemainland.throughabriefmeetinginamcdonaldswherelichiaoworksoneofherseveralpart-timejobs,andxiaojunhasetoexperiencetheunknown-in-his-hometownfood,theybeefriends.theydiscoverasharedloveforthesongsoftaiwanesesingerteresatang,whichbeethesoundtracktotheirrelationship.botharelonely,andgraduallytheyformagenuinefriendship,thenanot-so-casualintimaterelationship.theirstruggletoremaintruetotheiroriginalgoaliningtohongkongleadstoanemotionalcrisisforboththemandtheirpartners.thestruggletakesplaceoveratenyearperiod,duringwhichtheyseparateonlytokeepbumpingintooneanotherandreopeningoldwounds.theresolutionofthisstruggleissweetindeed.
theleadactorsarebothexceptional,particularlyleonlai,whoalwaysseemedtobeplayingavariationonhimselfuntilthisfilm.heispletelybelievableasthena-iv-eandtrustingxiaojun,andmaggiecheungis,asever,radiantandaffecting.thesongsofteresatangareusedtogreateffect,oneofwhichgivesthefilmit'stitle(tianmimi,thetitleofthechineseversion,roughlytranslatesassweetlikehoney).
losesapointforthenumberofcoincidences,butotherwiseunreservedlyremended.
ihavejustfinishedwatchingit.theemotionscameoutfromdeepdowninmyheart,andicouldn'tcontrolmyselftostopcrying.thisisthefilmoflove,realityanddream.ithasnothingtodopoliticallywithhongkongbeforeorafter1997.itshowsthestoryoftwoyoungpeoplewhothinktheyareyoungenoughtonotchooseandavoidloveasthedreamoflife,instead,theypretendtomaketheir'materialiseddreams'etrue.however,aftertheirdreamsdoetrue,theyarenotsatisfied.whentheyturnovertheirfaces,andrealisethathavingeachotheristhedream.thisisasoftandgentlefilmthatinsomewayaffectyourheartdeepdowninside.thestrugglethecharactersexperiencedaresomehowshowingthecontradictionsthatalltheimmigrantswouldencounter.thosetwo'immigrants'frommainlandofchinaintohongkonghavethereluctanceofchoosingbetween'dream'or'love',justlikealltheforeignersliveinacountrywouldhaveconfusedwithandtookthewrongdecision.itisdifficulttosettleintooneculture,whenmeetthepeoplefromyourhometown,youfeellikeasiftheyareclosertoyouthanyourfamily.
fromthefantasticperformancefrombothtwoactors,thewholestructureofthefilmissatisfying,andthepaceofunwrappingthestorylineisasexcitingandsurprisingasthechristmaspresents.theloveinthefilmissomehowvery'pure'and'si-mp-le'fromthedeterminationandpatiencethattookthemyearstofindeachother.
finally,thereisonlyonethingtosay:
amongtheseaofpeople,'yuan'--theinvisibleandchosenforcethatconnectyouwiththeothersinaparticularwayisunchangeableandifyoubelieveit,youwillneverbeabletomiss'theone'foryou,nomatterwhathappens,andwhereyouwillb.
justaskyourself--billionsofpeopleintheworld,whydoimeetyounotsomeoneelse?
有关电影的英语演讲稿[篇2]
《挑战星期天》:
idon'tknowwhattosayreally.threeminutes,tothebiggestbattleofourprofessionallive.allesdowntotoday.eitherwehealasateam
orwearegoingtocrumble.inchbyinchplaybyplay,tillwe'refinished.
weareinhellrightnow,gentlemen,believeme.andwecanstayhere
andgetthesh-itkickedoutofusorwecanfightourwaybackintothelight.wecanclimboutofhell.oneinch,atatime.nowican'tdoitforyou.i'mtooold.ilookaroundandiseetheseyoungfacesandithink
imean,imadeeverywrongchoiceamiddleagemancouldmake.
iuh....ipissedawayallmymoney.believeitornot.ichasedoffanyonewhohaseverlovedme.andlately,ican'tevenstandthefaceiseeinthemirror.youknowwhenyougetoldinlife,thingsg