自考英语本科《英美文学选读》英美文学复习笔记整理.docx
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自考英语本科《英美文学选读》英美文学复习笔记整理
英国部分
TheRenaissancePeriod
1.Renaissance:
between14thandmid-17thcentury.
2.Renaissancemeansrebirthorrevival,isactuallyamovementstimulatedbyaseriesofhistoricalevents,suchastherediscoveryofancientRomanandGreekculture,thenewdiscoveriesingeographyandastrology,thereligiousreformationandtheeconomicexpansion.
3.theRenaissance,thereforeinessenceisahistoricalperiodinwhichtheEuropeanhumanistthinkersandScholarsmadeattempttogetridofthoseoldfeudalistideasinMedievalEurope,tointroducenewideasthatexpressedthepurityoftherisingbourgeoisie,andtorecoverthepurityoftheearlychurchfromthecorruptionoftheRomanCatholicchurch.
4.HumanismistheessenceoftheRenaissance
(1)Capableofindividualdevelopmentinthedirectionofperfection.
(2)Theyinhabitedwastheirsnottodespisebytoquestion,exploreandenjoy.
(3)ByemphasizingthedignityofhumanbeingandtheImportanceofthepresentlife,theyvoicedtheirbeliefsthatmandidnotonlyhavetherighttoenjoythebeautyofthislife
(4)TomasMore,ChristopherMarlowandWilliamShakespearearethebestrepresentativeoftheEnglishhumanist.
5Metaphysicalpoetry:
Metaphysicalischaracterizedbypassionatethoughtsuccessionofconcentratedimage,exerciseofelaborateingenuityand“wit”,JohnDonewasthefamousoftheMetaphysicalpoet.TheMetaphysicalPoetsweremenoflearningandtoshowtheirlearningwastheirendeavour.
EdmundSpencer
Masterpiece:
TheFaerieQueene(allegory)
ChristopherMarlowe
Universitywits
Importantplays:
Tambulaine,Dr.Faustus,TheJewofMetaEdmundII
MarlowevoicedthesupremedesireofthemanoftheRenaissanceofinfinitepowersandauthority
(1)Perfectedtheblankverse.
(2)CreationoftheRenaissanceherotoEnglishdrama,itembodiesMarlowe’sidealofhumandignityandcapacity.
Dr.Faustus:
aspiringforknowledge,theplay’sdominantmoralishumanratherthanreligious,itcelebratesthehumanpassionforknowledge,powerandhappiness,italsorevealsman’sfrustrationinrealizingthehighaspirationinahostilemoralorderandtheconfinementtotimeisthecruelestfactofman’scondition.
WilliamShakespeare
1.Works:
154sonnets,38plays,2longpoems
Comedy:
MerchantofVenice.
24greattragedies:
Hamlet,Othello,KingLear,Macbeth
Eachportrayssomenoblehero,whofacetheinjusticeofhumanfateiscloselyconnectedwiththefateofthewholenation,eachherohashisweaknessofnature.Hamlet,themelancholicscholar-prince,facesthedilemmabetweenactionandmind:
Othello’sinnerweaknessismadeuseofbytheoutsideevilforce;theoldKingLearwhoisunwillingtototallygiveuphispowermakeshimselfsuffer,fromtreacheryandinfidelity;Macbeth’slustforpowerstirsuphisambitionandleadshimtoincessantcrime.
3MerchantofVenice
Inthisplay,Shakespearehascreatedtension:
ambiguity,aselfconsciousandself-delightingartificethatisatonceintellectuallyexistingandemotionallyengaging.Thesophisticationderivesinpartfromtheplaybetweenhigh,outstandingromanceanddarkfacesofnegatingandhatethetraditionalthemeoftheplayistopraisethefriendshipbetweenAntonioandBassanio,toidealizePortiaasaheroineofgreatbeauty,witandloyalty,andtoexploreinsuitablegreedandbrutalityoftheJew.
4Hamlet.
Theplayhasthequalitiesofa“blood-and-thunder”thrillerandaphilosophicalexplorationoflifeoflifeanddeath,thetimelessappealofhismightydramaliesinitscombinationofinjustice,emotionalconflictandsearchingphilosophicmelancholy.Hamletisobligedtoinhabitashadowworld,tolivesuspendedbetweenfactandfiction,languageandaction.Hislifeisoneoftheconstantrole-playingexaminingthenatureofactingonlytodenyitspossibility.Forsuchafigure,soliloquyisanaturalmedium,anecessaryreleaseofhisanguish;andsomeofhisquestioningmonologuepossessurpassingpowerandinsight.Byrevealingthepower-seeking,thejostlingforplace,thehiddenmotives,thecourteoussuperficialitiesthatveillustandguilty,Shakespearecondemnsthehypocrisyandtreacheryandgeneralreligiouscorruptingattheroyalcount.
FrancisBacon
1Masterpiece:
Essay;NovumOrganum.
2NovumOrganum:
mostimpressivedisplayofBeacon’sintellect.Theargumentisfortheuseofinductivenessofreasoninscientificstudy.
3Beaconsuggeststheinductivereasoning,i.e,proceedingfromtheparticulartothegeneral,inplaceoftheAristotelianmethod,thedeductivereasoning,i.e.proceedingfromthegeneraltotheparticular.
4Beacon’sessayarefamousfortheirbrevity,compactnessandpowerfulness.
JohnDone
Metaphysicalpoetry
ThemoststrikingfeatureofDone’spoetryispreciselyitstangofreality,inthesensethatitseemstoreflectlifeinarealratherthanapoeticalworld..
Donefrequentlyappliesconceits.
JohnMilton
Threemajorpoeticalworks:
Paradiselost,ParadiseRegained,SamsonAgonists
ThefreedomofthewillisthekeytoneofMilton.screed.
ParadiseLost
TheepicisthemasterpieceofJohnMilton
ThestoryisdrawnfromtheOldTestamentoftheBible,whichtellshowSatan,afterbeingdefeatedinhisrebelagainstGod,tempsAdamandEvetoeattheapplesfortheForbiddenTree,andcausestheFallofMan.
Satan,intheimageofarebel,stilldeterminestofightbackagainstGodwhenheandhisfollowersarecastintotheHell.Thefeaturesofthecharacterincludehisboldness,unbendingambitionandhisunconquerablewill.Thepoem,asinotherwriting,isfullofbiblicalandclassicalallusion,andisinaLatinizedstylewithonesentencerunningperhapsacrossseverallines.But,themajestyofexpressionsuitswellthesublimityofthepoet’sthought.
TheNeoclassicPeriod
1BetweenthereturnoftheStuartstotheEnglishthronein1660andthefullassertionofRomanticismwhichcamewiththepublicationoflyricalBalladsbyWordsworthandColeridgein1798
1. EnlightenmentortheAgeofreason
TheEnlightenmentmovementwasaprogressiveintellectualmovementwhichflourishedinFranceandsweptthewholewesternEuropeatthetime
Itsproposewastoenlightenthewholeworldwiththelightofmodernphilosophicalandartisticideas.Theenlightenmenterscelebratedreasonorrationally,equalityandscience.Theycalledforareferencetoorder,reasonandrule,yieldplaceto“eternaltruth”“eternaljustice”and“naturalequality”
Theybelievedthathumanbeingswerelimited,dualisticandimperfectliteratureatthetime,heavilydidacticandmoralizing.
Theybelievedinself-restraint,self-relianceandhardwork.Towork,toeconomizeandtoaccumulatewealthconstitutethewholemeaningoftheirlife.Thisaspectofsociallifeisbest-formedintherealisticnovelsofthe18thcentury.
3Inthefieldofliterature,theybelievedthattheartisticshouldbeorder,logic,restrainedemotionandaccuracy.seekproportion,unity,harmonyandgraceinliteraryexpression,inanefforttodelight,instructandcorrecthumanbeings..
4Neoclassicism.InEnglishliteratureand,thestylistictrendbetweentheRestorationandtheadventofromanticismatthebeginningofthe19thcenturyisreferredtoasNeoclassicism.
5Heroic:
Itisapairofrhymedlinesofiambicpentameter.TheformwasintroducedintoEnglishbyChaucerandwidelyusedsubsequently.
JohnBunyan
1. Masterpiece:
Thepilgrim’sprogress
2. The“vanityfair”symbolizeshumanword,forallthatcomthisvanityEverythingandanythinginthisworldisvanity,havingnovalueandnomeaning.Thevanityfair,a“marketsellingnothingness”ofallsorts,isadirtyplaceoriginallybuiltupbydetails,but,thistown“lay”inthewaytotheCelestialCity,meaningpilgrimshadtoresistthetemptationstherewhentheymadetheirwaythrough.So,thedepictionofthe“Fair”insellingthingsworldlyandinattractingpeoplebad,representsJohnBunyan’srejectionoftheworldlyseekingsandpiouslongingforthepureandcharming“Celestialcity”,hisChristianideal.
AlexanderPope
Pope,averysensitiveman,wouldstrikebackhard,andintheconstantverbalbattleshedevelopedastyleofbitingsatire.
HewasoneofthefirsttointroducerationalismtoEngland,butwasnotentirelyblindtotherapidmoral,politicalandculturaldeterioration.
Forhimthesupremevalueswasorder-cosmicorder,politicalorder,socialorder,aestheticorder,andthisemphasisanorderexpressioninallofhisworks.PopemadehisnameasagreatpoetwiththepublicationofanEssayonCriticismin1711.
PopestronglyadvocatedNeoclassicism,emphasizingthatliteraryworksshouldbejudgedbyclassicalruleoforder,reason,logic,restrainedemotion,goodtasteanddecorum.
DanielDefoe
Masterpiece:
RobinsonCrusoe
Hislanguageissmooth,easy,colloquialandmostvernacular.Defoeglorifieshumanlaborandthepuritanfortitude.Itreferstheenterprisingspritofthemiddleclass.
JonathanSwift
1.Chiefworks:
ATaleofaTub,Thebattleofthebooks,TheDrapier’sletters,Guilliver’sTravelandaModestproposal.
2.Swiftisalmostunsurpassedinthewritingofsimple,direct,preciseprose.Hedefinedagoodstyleas“properwordsinproperplaces”clear,simple,concrete,diction,uncomplicatedsentencestructureandeconomyandconciseuseoflanguagemarkallhiswriting-essay,poemsandnovels.
3. Asawhole,thebookisoneofthemosteffectiveanddevastatingcriticismandsatiresofallaspectsinthethenEnglishandEuropeanlife-socially,politically,religiously,