分子结构椅.docx

分子结构椅.docx

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分子结构椅

家具专业英语

课程作业

姓名张瑶

学号n101401125

专业家具设计

指导老师于娜

日期2013.5.16

RedYellowBlueMoleculeChair

SN:

n101401125NAME：

ZhangYao

[Summary]:

InthisissueIwillmainlyintroducemydesignwork,fromitsconcept,material,functionandothers.WhatIwillfocusonisitsdesigninspirations—purecolorfromRedBluechair,molecularstructureandChinesetraditionalround-backedarmchair.Sincerelyhopethatmyintroductioncanmakeyousatisfied.

[Keyword]:

RedBlueChair,MoleculesStructure,Round-backedArmchair,breezy

Fromthesummaryweallknowthatthisissueisabitlikeexposition.YesIwilltrytousethemethodofpureEnglishtointroducemywork.Pleaseforgivemeifsomeplacesarenotenough.Nowlookatthepicturebelow.ItismydesignworkcalledRedyellowbluemoleculechair.Obviously,wecanseetheshadowofotherfurnitureinit.

Following，Iwillintroducesomereferenceelementindetail.

Redbluechair

Abouttheauthor

AnoverviewoftheDutchstyle,oneoftherepresentativehouseholddesignerandarchitect,Thomas（GerritThomoasRietveld,1888-1965），（GerritThomoasRietveld,1888-1965）,themostwellknownofthedesignworkhistory.

Inthemoderndesign,theRietvelddesignconceptistocreatethemost"revolutionary"designmaster.HewasborninthecityUtrechtintheNetherlands（Utrecht）,hisfatherwasaprofessionalcarpenter.WhenRietveldwas7-year-old,hebegantolearncarpentryskillsinhisfather'sworkshop.1911heopeneditsownindependentcarpentryworkshop,atthesametimestartwayabovethenightschoolstudyarchitecturaldrawing.Rietveldisnottrainedtoarchitectureordesign,buthisanyactualknowledgeofwhattheyhavelearnedisveryattentively,andalwayshasauniqueunderstanding.Interestingly,themostrevolutionaryRietveldlifeisalsofirstinthehistoryofmodernfurnituredesignfurnituredesigner:

hedesignedandproduced"redbluechair",andbecomeafamousDutchthefollowingyearthefirstmembersofthe"DEstijlartmovement"."Style"（DeSaijl）movementisalmostwiththeGermanBauhausalongmodernartanddesignmovement,itscoreisversatiledesignersandtheoristofTheoVantucci's（TheoVanDoesburg）,famousmodernistschoolpainterpieter·Mondrian（,PietMondrian）andrietveld,includingmanywasvery"avant-garde"andadvocatinginnovationonthedesignthoughtofarchitects,designers,artistsandtheorists.Rietveldverysensational"redbluechair"seriesofthefirstbatchoffurnituredesigninthefirstplaceinthe"style"ofprofessionalartmagazines,immediatelycausedextensiveconcernofcolleaguesandsociety,thenthisbatchofworksinl923againappearedintheBauhausinGermany,formanycontemporarydesigners,includingseveralothermastershaddifferentdegreesofinfluence.Earlyinthe20s,thedevelopmentofmoderndesignmovement,rietveldpioneeringrolewasnotconfinedtothefieldoffurnituredesign,in1924,hedesignedoneofthemostimportantinhislife,isalsobuildingdesignhistoryimportantmilestone,schroderHouse,thedesignideasandmethodswith"redbluechair"foraquote,andimplementthetucci'sdesigntheoryandmondrian'sartconcept.Onlytwo,issufficienttoestablishtheRietveldthemasterpositioninmoderndesign.

However,fortheself-taughtgeniuses,"redbluechair"isjustastartinhisliferichandcolorfulfurnituredesign.Aswithseveralotherclassicalmasters,Rietveldhasalwaysfocusedonthedesignandthecombinationofindustrializationandissuitableforthemodernsociallifeoftheuseofnewmaterials.GenerallythinkthatthebrowoftheBauhauswasthefirsttousecurvedsteeltubefurnituredesign,butinfact,rietveldalmostatthesametime,evenmoreearlierthanbrowandbegantousethisfullofvitalityofthenewfurniturematerial,itcanbeseenfromtheschroderhouseeatchair.Infactatthattime,alotofcommunicationonbothsides,mutualinfluence,obviously,isher""vassilichair"ismoreelegant,morethoroughlyonthedesign.Afterseveralyears,rietveldusingbendingsteelpipeandsheetbendingagglutinationwasalsoverytrendycompletedaseriesofboldandinnovativefurnituredesign,l927yearshewasthefirstbatchofsteeltubefurnitureproductionline,fromAmsterdammezvinskycompany（Mets&Co.）production.Rietvelddesignrangeisverywide,andisverymagic,hecaninthedesignofalmosteveryserieshavefreefromvulgarity,in1919,hedesignedpurelytotherelationofthecompositionelementsoftheworkbenchisalmostmondrianpaintingathree-dimensionalinterpretation,theworkbenchinthedesign,canseeclearlythebrothersGrimml913inresidentialdesigndeskshadowofmyself.L923yearshisexpositionoftheDutchpaviliondesignforBerlinBerlin"chair"isarguablyallchairdesigncompletelyrebellioninhistory:

itconsistsofbearingrelativetothesizeoftheasymmetryofeightdifferentboardstosynthesisachair.

Aboutitself

Redbluechairisoneofthemostfamousrepresentativeworkstyle.Itisafurnituredesignerintver,affectedbythejournalstyle.Gerritrietveld'sredbluechairhasagreatinfluenceontheBauhaus.Redbluechairinthedesignof1917-1918,therewerenocoloring,colorversionoftheshowforthefirsttimeandtheworlduntil1923.

Thischairarewoodframeasawhole.13sticksperpendiculartoeachother,chairofthespacestructure,betweendifferentstructurewithscrewfasteningandunconventionalWay,incaseofdamagestructure.Thischairwasoriginallycoatedwithcolored.Later,intver,throughtheuseofpurebrightcolortoreinforcestructure,makeitwithoutdisguise,completelycoatedwithcoloragain.Theresultisthecushionofgulesbackofachairandblue.

Theredbluechairhaveradicalpuregeometryformandtheformofhardtoimagine.Inform,isthepainter"Redyellowblue"ofthethree-dimensionaltranslation.Thepaintercolourrelationinbeindisequilibriumgridinordertouseachievesthevisualbalance

Abouttheconcept

"Redbluechair"intherationaldesignanddesignerreflectionsonwarandconfrontationhaveinherentconnection.Formally,itisMondrian（,PietMondrian,1872-1944）ofthe"redyellowblue"ofthethree-dimensionaltranslationworks.Thepaintercolorrelationinbeindisequilibriumgridinordertouseachievesthevisualbalance.Rietveldsaid"structurecoordination,shouldservethecomponentstoensuretheindependenceofeachmemberandcomplete.So,asawholeisfreeandclearupinspace,theformcanbeabstractedfromthematerial."Rietveldcreatedinthedesignofspatialstructureisakindofopenstructure,theopenpointtoa"total",akindofoutofthematerialformofintegrity.

Aboutthestyle

ModernismdesignmovementintheNetherlands,producedinthebeginningofthe20thcentury,earlyinternationalmodernismdesignmovementisanimportantpartof.SendthiscomesfromtheDutchpaintingartstyle（seestyle）,butithashadahugeimpactondesign,designstylewasseenasoneoftheimportantformsofmodernismdesign.BecausethefounderoftheDEstijl,paintermondrianhad"newmodel"（Neo-plasticism）publishedapapertheme,withthenewmodeltodescribethewritingstyle,andsothepeoplesentstylecalledneoplasticism.TherepresentativeworkofitsdesignhasastylemagazinecoverdesignandlalasfortofBertiecafeinteriordesign:

thedesign,theschroderhouse,redbluechair:

odadesignunnicafe,etc.Stylepaintermondrianandtucci'stheoreticalwritingsaboutstyle,styledesignisthetheorybasis.

Fordesign,newstyle,anameisparticularlyapt.Styleadvocatedstartingfromrational,expressyutrialinabstractgeometricalstructureandnatureofuniversalharmonyandorder,andtoexplorethelawoftheconcealedbytheappearanceofthings,thelawsciencetheory,amechanicalproductionandtheessenceofthemoderncityandrhythm.Thedesignsofthemainrepresentativearedesignerrietveld,architects,odaetal.Theyarguethatapplytheprinciplesofpureartstyleinarchitectureandgraphicdesign,furnitureandotherproducts,penetrateintotheworld,inordertocreateanewworldorder.Theypayattentiontotheuseandperformanceofnewmaterials,newtechnologiesandpointsoutthatthearchitecturalspaceisconsistsoftwoaspectsoffunctionandharmony,itsappearanceisdecidedbyitsinternalspace.Theysentstyleofpaintingisextremelysimpleandorderlymodeling,colorandthelineform,applicationtobuildings,thedesignofclothing,furniture,etc,anddesignedanewfontandasymmetricequilibriumprintingsurface.Stylecombinedcloselywiththedesignemphasisontheartandscienceofthoughtandstructureofthefirstprinciple,isrepresentedbytheBauhausinternationalmodernismdesignmovementlaidtheideologicalbasis.Representativesofthestyledesignstylemagazinecoverdesignandlalasfort'sMr.Bertiecafeinteriordesign;Gerririetveldschroderhouse,redbluechair'sdesign;Odadesignunnicafe,etc.StylepainterMondrianandtucci'stheoreticalwritingsaboutstylesentalsostyledesigntheorybasis.

"Redbluechair"isoneofthemostrepresentativeworksoffamousDutchstyle.Itisafurnituredesignerrietveldaffectedbythejournalstyle.

Aboutthemeaning

Therationalizationofredbluechairdesignanddesignerreflectionsonwarandconfrontationhaveinherentconnection.GerritRietveldsentthestyleartfromplaneoutspreadtotheimportanceofthree-dimensionalspace.

Abouttheevaluation

Saysfromthefunction,thischairisuncomfortable,butthroughthedemonstration,itprovesthattheproduct'sfinalformdependsonstructure.Designerscangivethefunctionthestateofpoeticflavor,thisisaesthetictoindus