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NYhbfighter
Unit1
Text
Haveyoueverbeentoanyantiqueshop?
Well,ifyouareasknowledgeableasdealer,youmaypickupsomethinguncommonbutcheap.
AHappyDiscovery
Antiqueshopsexertapeculiarfascinationonagreatmanypeople.Themoreexpensivekindofantiqueshopwhererareobjectsarebeautifullydisplayedinglasscasestokeepthemfreefromdustisusuallyaforbiddingplace.Butnoonehastomusterupcouragetoenteralesspretentiousantiqueshop.Thereisalwayshopethatinitslabyrinthofmusty,dark,disorderedroomsarealraritywillbefoundamongthepilesofassortedjunkthatlitterthefloors.
Noonediscoversararitybychance.Atrulydedicatedbargainhuntermusthavepatience,andaboveall,theabilitytorecognizetheworthofsomethingwhenheseesit.Todothis,hemustbeatleastasknowledgeableasthedealer.Likeascientistbentonmakingadiscovery,hemustcherishthehopethatonedayhewillbeamplyrewarded.
Myoldfriend,FrankHalliday,isjustsuchaperson.Hehasoftendescribedtomehowhepickedupamasterpieceforamere£
50.OneSaturdaymorning,Frankvisitedanantiqueshopinmyneighbourhood.Ashehadneverbeentherebefore,hefoundagreatdealtointeresthim,ThemorningpassedrapidlyandFrankwasabouttoleavewhenhenoticedalargepackingcaselyingonthefloor.Thedealertoldhimthatithadjustcomein,butthathecouldnotbebotheredtoopenit.Frankbeggedhimtodosoandthedealerreluctantlypriseditopen.Thecontentsweredisappointing.Apartfromaninteresting-lookingcarveddagger,theboxwasfullofcrockery,muchofitbroken.Frankgentlyliftedthecrockeryoutoftheboxandsuddenlynoticedaminiaturepaintingatthebottomofthepackingcase.AsitscompositionandlineremindedhimofanItalianpaintingheknewwell,hedecidedtobuyit.Glancingatitbriefly,thedealertoldhimthatitwasworth£
50,Frankcouldhardlyconcealhisexcitement,forheknewthathehadmadearealdiscovery-ThetinypaintingprovedtobeanunknownmasterpiecebyCorreggioandwasworthhundredsofthousandsofpounds。
Unit2
Men,womenandchildrenallfeeltheeffectoffashionintheclothestheywearaswellasinotheraspectsoftheirappearance.
PrinciplesofFashionMovement
Fashionhaskeptchanginganddeveloping.Therearefivefundamentalprinciplesoffashionservingasafoundationforfashionidentificationandmovement.Thesefashionprinciplesremainconstant;
fashionschange,buttheseprinciplesdonot.Theyarcasolidfoundationforidentifyingandpredictingfashiontrends.Thebasicprinciplesoffashionmovementincludethefollowing:
1.Fashionmovementsarcusuallyevolutionaryinnatureandarerarelyrevolutionary.Fashionsusuallyevolvegraduallyfromonestyletoanother—evolutionaryfashion—ratherthanchangingrapidly.Thisisoftenillustratedinthechanginglengthofwomen'
sskirts.Seldomisamajorchangeinskinlengthacceptedinoneseason,instead,skirtlengthusuallyinchesupordowngraduallyoveraperiodofseveralseasonsorevenyears.Inthelate1950sanddatingthesubsequentdecade,skirtlengthbeganmovingupwardapproximatelyaninchayearuntilskirtsreachedtheministyleofthelate1960s.Throughoutthe1970sskirtlengthgraduallybecamelonger.
2.Theconsumermakesfashion.Itistheconsumer,notthedesignerormanufacturer,whodetermineswhatwillbeinfashionbyacceptingonestyleandrejectinganother.Althoughdesigners,producersandretailerscanencourageorretardtheprocessofnewfashions,&
isconsumerswhoultimatelydeterminefashionacceptance.
3.Pricedoesnotdeterminefashionacceptance.Theacceptanceoffashiondoesnotdependonprice.Althoughanewstylemayoriginateatahighprice,itcanquicklybemadeavailableatvariousprices.Acustom-madedesignerdressmaybepricedatseveralthousanddollars;
however,oncethestyleiscopiedinready-to-wear,avarietyofpricesareavailabletoconsumers.Sometimescopiesaremass-producedsoquicklythattheyreachthestoresevenbeforetheoriginaldesigns.Thetrimmingsandfabricmaybedifferentandtheworkmanshipmaynotbeequalinquality,butthedressstyleisbasicallythesame.
4.Fashionmovementisnotdependentonsalespromotion.Promotionalactivities,suchasadvertising,fashionshowsandwindowdisplays,cannotsellmerchandisethatconsumersdonotwanttobuy.Althoughadvertisingandotherpromotionaleffortsbymanufacturersandretailershelptogeneratesales,theydonotdictatewhatstyleswillbeacceptedbyconsumers.Onceafashiontrendisestablished,however,promotionaleffortsdoaidthedevelopmentofthetrend.
5.Fashionsoftenendinexcess.PaulPoiret,awell-knownFrenchhigh-fashiondesignerofthe1910s,notedthat“allfashionsendinexcess”Thissayingistrueforfashionstodayaswell.Onceafashionhasreachedanextremeinstyling,anewanddifferentlookwilloccurForexample,inthelate1960swomenbecametiredofbouffa.nlhairstylesandsoughtnewlooks-Anotherexampleisthefashionsilhouetteofthemid-l980s,whichemphasizedshoulderwidthWhenshoulderpadsbegantomakewomenlooklikefootballplayers,thefashionforextremepaddingceased。
Unit3
Canyouimaginethatamedicalstudenthasfinallybecomeafamousfashiondesigner?
ATalentedFashionDesigner
Ifyouhadbeenaverysuccessfulbankerorbusinessmanduringthe1980s,youmightwellhavewornanArmanisuit.Anessentialfeatureinthewardrobesofthepowerdresserofthatdecade,theArmanisuitcametosymbolizetheseambitiousyoungprofessionals.Itsdesignblendedcasualandformallooks,aswellasEasternandWesternculturalinfluences.Inthe1980s,theArmanisuitbecameapowerfulfashionstatementamongthoseonthemakeandthosewhohaditmade.Itsdesignerembodiesrawtalent.
GiorgioArmaniwasbornnearMilan,Italyin1934.Aftertwoyearsofmedicalschoolandabriefperiodasaphotographer,heenteredthefashionworldasapurchaserforadepartmentStore.Buthewouldsoondisplayanaturalcreativegift.Havinghadnoformaltraining,hebroughtouthisfirstcollectionofmen'
sclothingin1904whileemployedbyatopItaliandesignhouse.HelaterestablishedhisownfirmandtheArmanibrandfirstappearedin1975.
UntilArmaniarrivedonthescreen,fashionchoiceswerelimitedtoeitherrigid,formalsuits,ortherelaxed,overlycasualhippiestylesofthe1960sArmani’sloose-stylishjacketswereseenasawelcomechange.Whenthebrandtookoffamongwomen,Armanibegandesigningforthem,too.Manyofhisgarmentsfeaturedthecolorthatnowbearshisnamethecombinationofbeigeandgreythatcametobeknownas“Armanigreige.”
Theattractivesuitsappealedtothewealthyyoungurbanprofessionals"
yuppies"
—ofthe1980s.AndwhenhisdesignswornbyRichardGereinAmericanGigolo—begantoappearinHollywoodmovies,Armani'
sreputationgotafurthershotinthearm.Agenuineartist,whoseworkhasbeenthesubjectofspecialexhibitionsattheNewYorkandBilbaoGuggenheimMuseums,Armaniisnowconsideredoneofthegiantsofthetwentieth-centurystyle.
Unit4
Wanttoknowwhatcolorsarcwarm,whatcolorsarccool,whatkindofpeoplepreferwarmcolorsandwhatkindofpeopleprefercoolcolors?
Pleasereadon.
ColorsandPeople
Ingeneral,peopletalkabouttwogroupsofcolors:
warmcolorsandcoolcolors.Researchersthinkthattherearetwogroupsofpeople;
thosewhopreferwarmcolorsandthosewhoprefercoolcolors.
Thewarmcolorsarered,orangeandyellow.Wheretherearewarmcolorsandalotoflight,peopleusuallywanttobeactive.Sociablepeople,thosewholiketobewithothers,likered.Thecoolcolorsaregreen,blueandviolet.Thesecolors,unlikewarmcolors,arerelaxing.Wheretherearecoolcolors,peopleareusuallyquiet.Peoplewholiketospendtimealoneoftenpreferblue.
Peopleassociatecolorswithdifferentobjects,feelings,andholidays.Red,forexample,isthecoloroftire,heat,blood,andlife,Peoplesayredisanexcitingandactivecolor.Theyassociateredwithafeelinglikeanger.Redisusedforsignsofdanger,suchasstopsignsandfireengines.TheholidayswhichareassociatedwithrodareNationalDayandNewYear'
sDay.
Businessmenknowthatpeoplechooseproductsbycolor.Goodbusinessmenknowthatyoungpeoplepreferdifferentcolorsfromoldpeopleandmenpreferdifferentcolorsfromwomen.
Youngchildrenreacttothecolorofanobjectbeforetheyreacttotheshape.Theypreferwarmcolors—red,Yellow,andorange.Whenpeoplegrowolder,theybegintoreacttotheshapeofanobjectratherthantoitscolor.Thefavoritecolorofadultsofallracesandnationalitiesisblue.Theirsecondfavoritecolorisred,andtheirthirdisgreen.Onthewhole,womenpreferbrightercolorsthanmendo.Itisevenpossiblethatyourfavoritecolortellsalotaboutyou.
Whatisyourfavoritecolor?
Doyoulikeyellow,orange,andred?
Ifyoudo,youmustbeanoptimist,aleader,oranactivepersonwhoenjoyslife,peopleandexcitement.Doyouprefergreensandblues?
Thenyouareprobablyquiet,shy,andyouwouldratherfollowthanlead.Youtendtobeapessimist.Atleast,thisiswhatpsychologiststellus,andtheyshouldknow,becausetheyhavebeenseriouslystudyingthemeaningofcolorpreference,aswellastheeffectthatcolorshaveonhumanbeing.Theytellus,amongotherfacts,thatwedon’tchooseourfavoritecoloraswegrowup—wearebornwithourpreference.Ifyouhappentolosebrown,youdidsoassoonasyouopenedyoureyes,