完美英语作文Word文档格式.docx
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time.Manyofthemspecializeinsecond-handbooks,inartbooks,inforeignbooks,inbooksofphilosophy,politicsoranyotherofthevarioussubjectsaboutwhichbooksmaybewritten.Oneshopinthisareaspecializessolelyinbooksaboutballet!
AlthoughitmaybethemostconvenientplaceforLondonerstobuybooks,CharingCrossRoadisnotthecheapest.Forthereallycheapsecond-handvolumes,thecollectormustventureoffthebusyandcrowdedroads,toFarringdonRoadintheEastCentraldistrictofLondon.Herethereisnothingsograndasbookshops.Instead,thebooksellerscomealongeachmorningandtipouttheirsacksofbooksontobarrows(推车)whichlinethegutters(贫民区).Andthecollectors,someprofessionalandsomeamateur,whohavebeenwaitingforthem,pouncetowardsthesellers.Inplaceslikethisonecanstill,occasionally,pickupforafewpenceanoldvolumethatmaybeworthmanypounds.
BothCharingCrossRoadandFarringdonRoadarewell-knownplacesofthebookbuyer.YetalloverLondontherearebookshops,inplacesnotsowellknown,wherethebooksareequallyvariedandexciting.Itisinthesympatheticatmosphereofsuchshopsthattheloyalbookbuyerfeelsmostathome.Intheseshops,eventhelife-longbook-browserisfrequentlyrewardedbytheaccidentaldiscoveryofpreviouslyunknowndelights.Onecould,infact,easilyspendalifetimeexploringLondon'
sbookshops.Therearemanylesspleasantwaysofspendingtime!
GoingtotheTheatre
Londonisveryrichintheatres:
thereareoverfortyintheWestEndalone--morethanenoughtoensurethattherewillalwaysbeatleasttwoorthreeshowsrunningtosuiteverykindtaste,whetherseriousorlighthearted.
Someofthemarespecialisttheatres.TheRoyalOperaHouse,CoventGarden,wherethegreatoperasingersoftheworldcanbeheard,isthehomeofoperaandtheRoyalBallet.TheLondonColiseumnowhousestheEnglishNationalOperaCompany,whichencouragesEnglishsingersinparticularandperformsmostoperasinEnglishatpopularprices.
Sometheatresconcentrateontheclassicsandseriousdrama,someonlightcomedy,someonmusicals.Mosttheatreshaveapersonalityoftheirown,fromtheold,suchastheTheatreRoyal(alsocalledthe"
Haymarket"
)intheHaymarket,tothemoremodernsuchastherecentlyopenedBaibicancentreinthecity.TheNationalTheatrehasthreeseparatetheatresinitsnewbuildingbyWaterlooBridge.AtthenewBarbicancentretheRoyalShakespeareCompanyhastheirLondonhome—theirothercentreisatStratford-on-Avon.
MostoftheoldLondontheatresareconcentratedinaverysmallarea,withinastone'
sthrowofthePiccadillyandLeicesterSquaretubestations.Astheeveningperformancesnormallybegineitheratseven-thirtyoreightp.m.,thereisakindofminorrush-hourbetweenseven-fifteenandeighto'
clockinthisdistrict.Peoplestreamoutofthenearbytubestations,thepavementsarecrowded,andtaxisandprivatecarsmaneuverintopositionastheydroptheatre-goersoutsidetheentrancetoeachtheatre.Thereisanotherminorrush-hourwhentheperformancefinishes.ThetheatreinLondonisverypopularanditisnotalwayseasytogetintoseeasuccessfulplay.
BeforeWorldWarⅡ,theatreperformancesbeganlaterandavisittothetheatrewasamoreformaloccasion.Nowadaysveryfewpeople"
dress"
forthetheatre(thatis,wearformaleveningdress)exceptforfirstnightsoranimportantperformance.Thetimesofperformancewereputforwardduringthewarandhavenotbeenputback.Theexistingtimesmakethequestionofeatingarathertrickyproblem:
onehastohaveeitherearlydinnerorlatesupper.Manyrestaurantsin"
theatreland"
easethesituationbycateringspeciallyforearlyorlatedinners.
Televisionandthedifficultyoffinancingplayshavehelpedtoclosemanytheatres.Butitseemsthattheworstofthesituationisnowoverandthatthetheatre,afteraperiodofdecline,isabouttopickupagain.Althoughsomequitelargeprovincialtownsdonothaveaprofessionaltheatre,thereareothers,suchasNottingham,Hull,CoventryorNewcastle,whichhaveexcellentcompaniesandwhereaseriesofplaysareperformedduringoneseasonbyaresidentgroupofactors.SometownssuchasChichesterorEdinburghhavetheatreswhichgivesummerseasons.Eveninsmalltownsanumberoftheatreshavebeenbuiltinthelastfewyearstocaterforthelocalpopulation.
MusicinBritain
Itisdebatablewhetherthetastesofkingsreflectthoseoftheirsubjects.However,threeEnglishmonarchscertainlysharedtheirpeople'
slinkingformusic.RichardⅠ(1157-1199),the"
Lionheart"
composedsongsthathesangwithhismusician,Blondel.ItissaidthatwhenthekingwasaprisonerinAustria,Blondelfoundhimbysingingasongknownonlytohimandtheking,whotookupthetuneinthetowerofthecastleinwhichhewassecretlyimprisoned.HenryVⅢ(1491-1547),notoriousforhissixwives,wasaskilledmusicianandsomeofhissongsarestillknownandsung.QueenVictoria(1819-1901)andherhusband,PrinceAlbert,delightedinsingingballads.ThegreatcomposerandpianistFelixMendelssohn(1809-1847)wasawelcomeguestattheircourt,wherehewouldaccompanytheQueenandthePrincewhentheysang.
TheBritishloveofmusicisoftenunfamiliartoforeigners,probablybecausetherearefewrenownedBritishcomposers.ThemostfamousisHenryPurcell(1658-1695),whoseopera"
DidoandAeneas"
isaclassic.Therousingmarchingsong"
Lillibulero"
attributedtoPurcell,nowusedbyBBCasanidentificationsignalprecedingOverseasServicenewsbulletins,wassaidtohave"
sungJamesⅡoutofthreekingdoms"
whenhefledfromBritainin1688.SirEdwardElgar(1857-1934)isknownforhischoralandorchestralworks,someofwhichhavebeenmademorewidelyknownbythefamousviolinistYehudiMenuhin.BenjaminBritten(1913-1976),acomposerwithaverypersonalstyle,hasbecomeworld-famousforsuchoperaticworksas"
PeterGrimes"
and"
BillyBudd"
.RalphVaughanWilliams(1872-1958)wasdeeplyinfluencedbyEnglishfolkmusic,asisshownbyhisvariationsontheoldtune"
Green-sleeves"
(whichmostpeopleconsiderafolksong).Inrecentyearstherehasbeenagreatrevivaloffolkmusic,andgroupsspecializinginitsperformancehavesprungupalloverBritain.ThisphenomenonhasitsrootsintheworkofCecilSharp(1859-1924),whocollectedfolksongsanddances.
Present-dayconcernwithmusicisshownbytheexistenceofsomethinglikeahundredsummerschoolsinmusic,whichcaterforallgradesofmusicians,fromthemerebeginnertotheskilledperformer.Theseschools,whereafriendlyatmospherereigns,providecourseslastingfromaweekendtothreeorfourweeks,andcoverawiderange,frommedievalandclassicalmusictorock-and-rollandpop.TherearealsoimportantmusicalfestivalsintownssuchasAldeburgh,Bath,andCheltenham.Pop-musicfestivalsdrawthousandsofpeople,especiallyyoungpeople.Inthegreatcitiesthereareresidentworld-famousorchestrasandfromallovertheworldgreatperformerscometoplayorsinginBritain.Inmanytownstherearebrassbands,andtheplayersareoftensuchpeopleasminersormembersofthelocalfirebrigade,formusicinBritainisnotjustanelegantinterest,itisabovealldemocratic.
1.WhichofthefollowingdothegreatreadersinLondonprobablybuytheleast?
A)Newspaper
B)Magazine
C)Paperback
D)Hardback
2.ChafingCrossRoadisveryfamousbecause______.
A)allkindsofbookstoresarealongthestreets
B)itliesrightinthecenterofLondon
C)theyhavethecheapestbooksinLondon
D)thebiggestbookstoreintheworldisthere
3.WhatcanyoulearnaboutFarringdonRoad?
A)It'
stotheeastofLondon.
B)It'
sastreetofbookstores.
C)It'
sacenterforsecond-handbooks.
D)It'
swhereworthlessbooksaresold.
4.Whatdoestheauthormeanbysaying"
someofthemarespecialisttheatres"
?
A)Thosetheatresonlyhaveoperasshow
B)Thetheatresareespeciallygoodfortheirballetshow
C)Thesetheatresofferreallyaffordableticket
D)Theyeachholdaspecialtypeofplayorshow
5.Becauseofthetheatreperformances,theareaaroundPiccadillyandLeicesterSquaretubestationsgetscrowded______.
A)beforeseven-thirty
B)betweensevenandeight
C)atabouteighto'
clock
D)fromseven-fifteentoeight
6.WhatkindofchangedidWorldWarI1bringtothetheatres?
A)Theputtingforwardofdinner
B)Thecostumeoftheperformance
C)Thetimeoftheperformance
D)Therestaurantsnearlyofferdifferentfood
7.What,accordingtotheauthor,causedthedeclineoftheatrebusiness?
A)Therearenotprofessionaltheatresinlargeprovincialtowns.
B)DuringWorldWarⅡ,alotoftheatresweredestroyed.
C)SomepeoplebegintochoosestayathomeandwatchTV.
D)Theperformanceoftheplaysisbecomingworseandworse.
8.Accordingtotheauthor,threemusicloversoftheroyalfamilymembersare________________________
9.TheBritishloveo