电影 弹簧刀 Sling Blade英文剧本Word文档格式.docx

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电影 弹簧刀 Sling Blade英文剧本Word文档格式.docx

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电影 弹簧刀 Sling Blade英文剧本Word文档格式.docx

Afewpatientssitaroundfumblingwiththemselves.Onemansitsatatablescratchingbackandforthonapieceofpaperwithacrayon.Anotherstandsinacornersmokingacigaretteandstaringatthecrayonguy.ThisisCHARLES.Anotherman,KARL,sitsinachairstaringatthefloorandrubbinghishandstogether.WecutbackandforthbetweenCharlesstaringandCrayonManscratching.Afteramoment,anattendantapproachesCharles.

ATTENDANT

Youcan'

tsmokeinhere.

Charlesstaresathimblanklyforamomentandcontinuessmoking.HelooksbacktoCrayonManagainforamomentthenlooksoveratKarlandthengoesandsitsdownbesidehim.

CHARLES

AMercuryisagoodcarandthat'

swhatIwasdrivingthatday.I'

veownedalotofcars.Differentkinds.Lotsofdifferentkindsofcars.Shewasstanding,thisgirl,onthesideofthestreetwheretherewasachickenstand,nottheColonel,mindyou,hutneverthelessachickenstand,andIpulledtheMercuryoverandrolleddownthewindowbyelectricpower.Shewaswearingaleatherskirtandshehadalotofhaironherarms.Ilikethat.Ilikeitalot.Itmeansabigbush.Ilikeabigbush.Shesaid,"

Areyoudating?

"

Isaid,"

yes,"

andshegotinthecar.Wepulledtoaremotelocation,onethatsheandIbothfeltcomfortablewithandshesaid,"

Howmuchcanyouspend?

Whatittakestoseeyourbush.Iknowit'

sabigone."

Shesaid"

twenty-fivedollars,"

whichtoaworkingmanisnotchickenfeed.Iproducedthemoneyandsheputitinhershoeandpulledupherskirt.Therebeforemelayathin,crooked,uncircumcisedpenis.YoucanimaginehowbadlyIwantedmytwenty-fivedollarsback.

INT.AHALLWAY–DAY

Twoyoungwomen,MARSHADWIGGINS,carryingabriefcase,andTHERESAEVANS,carryingtwocamerabagsarebeingleddownthehallwaybyaGUARD.

THERESA

Idon'

tknowwhyyou'

resoweirdedout,thisisnotSanQuentin,it'

sjustanuthouse.Mostofthesepeopledon'

tevenknowwheretheyare,they'

renotgonnahurtyou.

MARSHA

Inafewminuteswe'

regonnabeinaroomwithakiller.Thatdoesn'

tbotheryou?

Hey,you'

retheonethatwantedtomajorinjournalism.Anyhow,wasn'

ttheguysomethingliketwelveorthirteenwhenhedidit,itwastwenty-fiveyearsago,heprobablydoesn'

tevenrememberit.

(wrinklinghernose)

Doyousmellshit?

Yeah.

Theyreachadoorandtheguardushersthemthrough.

INT.ANOFFICE–DAY

JERRYWOOLRIDGEstandsupfrombehindthedeskastheyenter.He'

sinhisfiftiesandlookslikeaschoolteacher,shopclassorperhapseighth-gradescience.

GUARD

Thesearethepeoplefromthatnewspaperdeal.

WOOLRIDGE

Ohyeah,fromthecollege?

Yessir.

Woolridgeshakeshandswiththem.

Myname'

sJerryWoolridge.

Nicetomeetyou.I'

mMarshaDwigginsandthisisTheresaEvans.She'

sheretotakethepictures.

Y'

allhaveaseat.Isthisallofyou?

Ithinktheremusthavebeenalittlemixup.Itoldyoursponsororteacherorwhateverheis,therecouldn'

tbeanypictures.It'

ss'

posedtobejustalittlestoryorarticleorsomething,isn'

tthatright?

Well,yeah,it'

sfortheschoolnewspaper.Butithaspictures.Imeanit'

saregularpaper,youknow.

Karl'

srealsensitiveabouthavinghispicturemade.Hewouldn'

tevenbeonthebulletinboardfortheEasterCollage.

(toguard)

Melvin,wouldyougetmeagoodhotcupwithtwosugarsubstitutes?

Yougirlswantsomecoffee?

Nothankyou.

TheotherthingisItoldyourbossonthephonetosendaman.Karlwon'

ttalktowomen.

INT.RECROOM–DAY

CLOSEUPonKarl'

sface.Charleshasstartedanothermonologue.

TherewasayoungmannamedJohnLiggitHunterwhowasinthefillingstationbusinessandagoodfillingstationbusiness.Hewasoneofthoseyoungmenthatwerunacrosssoofteninlife.I'

msureyou'

verunacrossthem,thatdidn'

tdeservethethingshehad.Oneofthosethingswashisbeautifulbride,Sarah.ShewasaGeorgiaPeach.AsamatterfactshelookedmorelikethepictureI'

vehadinmyheadthananywomanI'

veeverseen.ItookituponmyselftotakeherawayfromJohnLiggitHunter,whodidn'

tdeserveher.I'

mnotsureifImentionedthathewasaFrenchmanwhoclaimedtobeanEnglishman.Ittooksomeverystrongnyloncordtotakeherawayfromhim.ShewasafighteraswellasaGeorgiaPeach.

INT.WOOLRIDGE'

SOFFICE

Thegirlslookconfused.

tknowwhattotellyou.I'

msorry.ImademyselfprettyclearIthought.Heprobablygotbusyandwasn'

tthinking.Iknowhowthatis.Iusedtoteachshopandeighthgradescience.

Well,whatdowedo?

Wedroveallthewayouthere.

Let'

sjustgo,Marsha.

No,wehavetogetthisstory.

Ithoughtyou'

dbehappytoleave.

Whywon'

thetalktowomen?

Hehasproblems.Youknow.Withallthat.Hewon'

thardlytalktoanybodyreally.Justcertainpeople.He'

sverytroubled.

INT.RECROOM

(leaningintoKarl)

Ashoveljustmakestoogoddamnmuchracket.

(takesadrinkofcoffee)

tthinkhe'

stalkedtoawomanintwenty-fiveor50years.ThatIknowofanyway.That'

swhyIsaidtosendaman.Atleastmaybehe'

dansweraquestionortwoforaman.I'

mallforhelpingthecollegeout,believeme.Itmightbearealgoodarticleorstory.

Can'

tyoutalktohim?

Maybetalkhimintoit.I'

marealgoodinterviewer.Justgetmeintheroomwithhim.

Melvin,gogetKarlandtakehimdowntotheoldclassroom.

INT.HALLWAY–DAY

Woolridgeandthetwowomenwalkdownthehallway.

I'

lltalktohimandseewhatwecando.

INT.CLASSROOM–DAY

Woolridgeisopeningadoor.Heentersandthewomenfollowhimin.heflipsonalightswitchandverybrightflorescentlightsilluminatetheroom.

Yousee,Karl,growingup,onlyknewthatsexwaswrongandthatpeoplewhodiditshouldbekilledforit.Hecouldn'

treallyreadbut,well,neithercouldhismother.But,hisfathermadesurethathismotherknewwhattheBiblesaid.AndshemadesureKarlknew.Youknowhesleptinaholeinthegroundunderatoolshed,right?

Iknewhesleptinatoolshed.

Hismothertoldhimthathewastheirpunishment.Hersandhisfather'

s,fromGod,forhavingsex–

Beforetheyweremarried?

tthinkso.Justperiod,Ithink.ShetoldhimGodgavethemtheugliestcreationhecouldthinkof.Karlhasanentirebook-anotebook.Oneverypageitsays"

FranklinChapter1Versenumber1."

Hewrotethatafewyearsagoafterhe'

dlearnedtowrite.Hisfather'

snamewasFranklin.

That'

sreallystrange.Whatdoesitmean?

OneofhisDaddy'

sBiblelessonsIimagine.Y'

allpullupachair.I'

llgooutandtalktohim.

CLOSEUPonCharles'

face.

Youhavetomakesomethingexplodetotrulyunderstandit.Youhavetoexaminethetinyparticleswhilethey'

reonfire.

OffscreenwehearFOOTSTEPSapproaching.WepullbackandseeMELVINtheguard.

MELVIN

Karl,Igottatakeyoudowntotheoldclassroom.Mr.Woolridgehassomepeopleforyoutoseedownthere.Comeon.Let'

sgo.

MelvinandKarlwalkdownthehallway.Woolridgestandsoutsidethedooroftheclassroom.TheyreachhimandWoolridgetalksquietlytoKarl.

Karl,youknow,doyourememberwhenItoldyouaboutthosepeoplefromthatnewspaper?

(pause)

Theywanttoaskyousomequestionsaboutyourrelease.Theythinkitwouldmakeaninterestingstory.Willyoutalkto'

em?

Getinterviewed.

Now,they'

rewomen.IthinkitmightbeGoodforyouto.You'

regonnabeseein'

Allkindsofpeoplewhenyougoontheoutside.This'

llhelpyouIbelieve.

It'

sjustWoolridgeandthetwowomenintheroom.

Well,itsurprisedthedickensoutofme.Hesaidhe'

lltalktoyou.

MarshasmilesandlooksatTheresa.

But,here'

sthething.He'

llonlytalktoyou.Hedoesn'

twantyoutoaskhimanything.Andyoushouldn'

tstareathim.

HowamIgoingtoconductaninterviewifIcan'

taskhimanyquestions?

sthebestyou'

regonnaget.I'

msorry.

CanIaskyouaquestion?

Ifhe'

ssotroubled,whyareyoulettinghimout?

Whatifhedoesitagain?

Ithappensallthetime.

He'

sfree.Histime'

sup.That'

stherules.He'

sbeentreatedandreevaluated.Hedoesn'

tshowanysignsanymore.

Signs?

Homicidalsigns.Oh,we'

regonnachangethelightinhereforKarl.Ihopeyoucanseetowrite.

Woolridgeturnsonalamponadeskandturnsofftheoverheadlights.HeopensthedoorandMelvinbringsKarlin.InthesemidarknessWoolridgepushesachairupandmotionsforMarshatosit.KarlstandsbesideMelvinmotionless.WoolridgewhisperstoTheresa.

You'

llhavetostepoutside.

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