The Politics and the English LanguageWord文档下载推荐.docx
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itisnotduesimplytothebadinfluenceofthisorthatindividualwriter.Butaneffectcanbecomeacause,reinforcingtheoriginalcauseandproducingthesameeffectinanintensifiedform,andsoonindefinitely.Amanmaytaketodrinkbecausehefeelshimselftobeafailure,andthenfailallthemorecompletelybecausehedrinks.ItisratherthesamethingthatishappeningtotheEnglishlanguage.Itbecomesuglyandinaccuratebecauseourthoughtsarefoolish,buttheslovenlinessofourlanguagemakesiteasierforustohavefoolishthoughts.Thepointisthattheprocessisreversible.ModernEnglish,especiallywrittenEnglish,isfullofbadhabitswhichspreadbyimitationandwhichcanbeavoidedifoneiswillingtotakethenecessarytrouble.Ifonegetsridofthesehabitsonecanthinkmoreclearly,andtothinkclearlyisanecessaryfirststeptowardpoliticalregeneration:
sothatthefightagainstbadEnglishisnotfrivolousandisnottheexclusiveconcernofprofessionalwriters.Iwillcomebacktothispresently,andIhopethatbythattimethemeaningofwhatIhavesaidherewillhavebecomeclearer.Meanwhile,herearefivespecimensoftheEnglishlanguageasitisnowhabituallywritten.
Thesefivepassageshavenotbeenpickedoutbecausetheyareespeciallybad--IcouldhavequotedfarworseifIhadchosen--butbecausetheyillustratevariousofthementalvicesfromwhichwenowsuffer.Theyarealittlebelowtheaverage,butarefairlyrepresentativeexamples.InumberthemsothatIcanreferbacktothemwhennecessary:
1.Iamnot,indeed,surewhetheritisnottruetosaythattheMiltonwhoonceseemednotunlikeaseventeenth-centuryShelleyhadnotbecome,outofanexperienceevermorebitterineachyear,morealien[sic]tothefounderofthatJesuitsectwhichnothingcouldinducehimtotolerate.
ProfessorHaroldLaski
(EssayinFreedomofExpression)
2.Aboveall,wecannotplayducksanddrakeswithanativebatteryofidiomswhichprescribesegregiouscollocationsofvocablesastheBasicputupwithfortolerate,orputatalossforbewilder.
ProfessorLancelotHogben(Interglossia)
3.Ontheonesidewehavethefreepersonality:
bydefinitionitisnotneurotic,forithasneitherconflictnordream.Itsdesires,suchastheyare,aretransparent,fortheyarejustwhatinstitutionalapprovalkeepsintheforefrontofconsciousness;
anotherinstitutionalpatternwouldaltertheirnumberandintensity;
thereislittleinthemthatisnatural,irreducible,orculturallydangerous.Butontheotherside,thesocialbonditselfisnothingbutthemutualreflectionoftheseself-secureintegrities.Recallthedefinitionoflove.Isnotthistheverypictureofasmallacademic?
Whereisthereaplaceinthishallofmirrorsforeitherpersonalityorfraternity?
EssayonpsychologyinPolitics(NewYork)
4.Allthe"
bestpeople"
fromthegentlemen'
sclubs,andallthefranticfascistcaptains,unitedincommonhatredofSocialismandbestialhorrorattherisingtideofthemassrevolutionarymovement,haveturnedtoactsofprovocation,tofoulincendiarism,tomedievallegendsofpoisonedwells,tolegalizetheirowndestructionofproletarianorganizations,androusetheagitatedpetty-bourgeoisetochauvinisticfervoronbehalfofthefightagainsttherevolutionarywayoutofthecrisis.
Communistpamphlet
5.Ifanewspiritistobeinfusedintothisoldcountry,thereisonethornyandcontentiousreformwhichmustbetackled,andthatisthehumanizationandgalvanizationoftheB.B.C.Timidityherewillbespeakcankerandatrophyofthesoul.TheheartofBritainmaybesoundandofstrongbeat,forinstance,buttheBritishlion'
sroaratpresentislikethatofBottominShakespeare'
sAMidsummerNight'
sDream--asgentleasanysuckingdove.AvirilenewBritaincannotcontinueindefinitelytobetraducedintheeyesorratherears,oftheworldbytheeffetelanguorsofLanghamPlace,brazenlymasqueradingas"
standardEnglish."
WhentheVoiceofBritainisheardatnineo'
clock,betterfarandinfinitelylessludicroustohearaitcheshonestlydroppedthanthepresentpriggish,inflated,inhibited,school-ma'
amisharchbrayingofblamelessbashfulmewingmaidens!
LetterinTribune
Eachofthesepassageshasfaultsofitsown,but,quiteapartfromavoidableugliness,twoqualitiesarecommontoallofthem.Thefirstisstalenessofimagery;
theotherislackofprecision.Thewritereitherhasameaningandcannotexpressit,orheinadvertentlysayssomethingelse,orheisalmostindifferentastowhetherhiswordsmeananythingornot.ThismixtureofvaguenessandsheerincompetenceisthemostmarkedcharacteristicofmodernEnglishprose,andespeciallyofanykindofpoliticalwriting.Assoonascertaintopicsareraised,theconcretemeltsintotheabstractandnooneseemsabletothinkofturnsofspeechthatarenothackneyed:
proseconsistslessandlessofwordschosenforthesakeoftheirmeaning,andmoreandmoreofphrasestackedtogetherlikethesectionsofaprefabricatedhenhouse.Ilistbelow,withnotesandexamples,variousofthetricksbymeansofwhichtheworkofproseconstructionishabituallydodged:
Dyingmetaphors.Anewlyinventedmetaphorassiststhoughtbyevokingavisualimage,whileontheotherhandametaphorwhichistechnically"
dead"
(e.g.ironresolution)hasineffectrevertedtobeinganordinarywordandcangenerallybeusedwithoutlossofvividness.Butinbetweenthesetwoclassesthereisahugedumpofworn-outmetaphorswhichhavelostallevocativepowerandaremerelyusedbecausetheysavepeoplethetroubleofinventingphrasesforthemselves.Examplesare:
Ringthechangeson,takeupthecudgelfor,toetheline,rideroughshodover,standshouldertoshoulderwith,playintothehandsof,noaxetogrind,gristtothemill,fishingintroubledwaters,ontheorderoftheday,Achilles'
heel,swansong,hotbed.Manyoftheseareusedwithoutknowledgeoftheirmeaning(whatisa"
rift,"
forinstance?
),andincompatiblemetaphorsarefrequentlymixed,asuresignthatthewriterisnotinterestedinwhatheissaying.Somemetaphorsnowcurrenthavebeentwistedoutoftheiroriginalmeaningwithouththosewhousethemevenbeingawareofthefact.Forexample,toethelineissometimeswrittenastowtheline.Anotherexampleisthehammerandtheanvil,nowalwaysusedwiththeimplicationthattheanvilgetstheworstofit.Inreallifeitisalwaystheanvilthatbreaksthehammer,nevertheotherwayabout:
awriterwhostoppedtothinkwhathewassayingwouldavoidpervertingtheoriginalphrase.
Operatorsorverbalfalselimbs.Thesesavethetroubleofpickingoutappropriateverbsandnouns,andatthesametimepadeachsentencewithextrasyllableswhichgiveitanappearanceofsymmetry.Characteristicphrasesarerenderinoperative,militateagainst,makecontactwith,besubjectedto,giveriseto,givegroundsfor,havetheeffectof,playaleadingpart(role)in,makeitselffelt,takeeffect,exhibitatendencyto,servethepurposeof,etc.,etc.Thekeynoteistheeliminationofsimpleverbs.Insteadofbeingasingleword,suchasbreak,stop,spoil,mend,kill,averbbecomesaphrase,madeupofanounoradjectivetackedontosomegeneral-purposeverbsuchasprove,serve,form,play,render.Inaddition,thepassivevoiceiswhereverpossibleusedinpreferencetotheactive,andnounconstructionsareusedinsteadofgerunds(byexaminationofinsteadofbyexamining).Therangeofverbsisfurthercutdownbymeansofthe-izeandde-formations,andthebanalstatementsaregivenanappearanceofprofunditybymeansofthenotun-formation.Simpleconjunctionsandprepositionsarereplacedbysuchphrasesaswithrespectto,havingregardto,thefactthat,bydintof,inviewof,intheinterestsof,onthehypothesisthat;
andtheendsofsentencesaresavedbyanticlimaxbysuchresoundingcommonplacesasgreatlytobedesired,cannotbeleftoutofaccount,adevelopmenttobeexpectedinthenearfuture,deservingofseriousconsideration,broughttoasatisfactoryconclusion,andsoonandsoforth.
Pretentiousdiction.Wordslikephenomenon,element,individual(asnoun),objective,categorical,effective,virtual,basic,primary,promote,constitute,exhibit,exploit,utilize,eliminate,liquidate,areusedtodressupasimplestatementandgiveanaireofscientificimpartialitytobiasedjudgements.Adjectiveslikeepoch-making,epic,historic,unforgettable,triumphant,age-old,inevitable,inexorable,veritable,areusedtodignifythesordidprocessofinternationalpolitics,whilewritingthataimsatglorifyingwarusuallytakesonanarchaiccolor,itscharacteristicwordsbeing:
realm,throne,chariot,mailedfist,trident,sword,shield,buckler,banner,jackboot,clarion.Foreignwordsandexpressionssuchasculdesac,ancienr&
eacutgime,deusexmachina,mutatismutandis,statusquo,gleichschal