读写英语UNIT1答案.docx

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读写英语UNIT1答案.docx

读写英语UNIT1答案

UnitOne

Practice

Passage1:

1.C2.A

Passage2:

1.B2.B

Passage3:

1.C2.A3.B

Passage4:

1.D2.A3.C

 

ReadingSelectionOne

I. 1.T;2.T;3.F;4.T;5.T;6.F;7.T;8.F

II.

1.resultinginsomeone'sdeath

2.sohandsomethattheyattracteverybody

3.veryimportant

4.adjustedinsize

5.anexclamationofsurprise;howterrible

6.topull

7.helpfulpiecesofadvice

8.touse

9.veryslightly

10.notdeep;superficial

 

ReadingSelectionTwo

I.

CommunicationPatternsofMenandWomen

Men

Women

Talklessathome

Talkmoreinthefamily

Bondsbetweenmenarebasedondoingthingstogether

Intimacyisthefabricofrelationshipandtalkisthethreadfromwhichitiswoven

Whentalking,mensitatanglestoeachotherandlookelsewhereintheroom,periodicallyglancingateachother

Whentalking,womenfaceeachotherdirectly

Tendtojumpfromtopictotopic

Focusononetopic

Mendonotwanttobepushedaround

Theirgreatestfearisbeingpushedaway

 

II.DBBABC

III.BCACDADB

 

VocabularyPractice

I. communicationpatternsclosenessmaintaininteractiveindependenceconversationrelationshipsstatusmisunderstanding

II.p20MakeSentences

Foryourreferenceonly

1.     Thosedisabledpeopleareparticularlysensitiveabouttheaddresshegavethem.

2.     Thereisawidespreadreportabouttheexpectationsofsuccessfromthepublic.

3.     Theissuediscussedatthemeetingwillinfluencetheirsocialstatus.

4.     Thesocialstructureofpeerinteractionsinfluencesthedevelopmentofbothgenders.

5.     Sheexpectsherhusbandtobeanimprovedversionofabestfriendandthisexpectationbecomesevenmoreintensethesedays.

III.

1.improvementcomesnaturally

2.habitualwayofbehavior

3.attunedtoeachother

4.eyesanchoredoneachother’sface

5.jumpfromtopictotopic

6.extendafewturns

 

VocabularyExpansion

II.    1.-d,2-c,3-a,4-b,5-j,6-f,7-i,8-e,9-g,10-h

 

GuidedWritingandTranslation

I.1.Anexpositorydescription

2.Fromthegeneraltotheparticular

Fromtheexteriortointerior

Fromthemoststrikingtothelessnoticeable

Fromthecentertotheleftandthentotheright

II.1.Feelings:

securedependence,abruptend,worldofstrangers…

2.Details:

stuffedanimals,stereos,etc.,partinghugsandkisses…

Translation

Manyayoungpersontellsmehewantstobeawriter.Ialwaysencouragesuchpeople,butIalsoexplainthatthere'sabigdifferencebetween"beingawriter"andwriting.Inmostcases,theseindividualsaredreamingofwealthandfame,notthelonghoursaloneatatypewriter."You'vegottowanttowrite,"Isaytothem,"notwanttobeawriter."

Therealityisthatwritingisalonely,privateandpoor-payingaffair.Foreverywriterkissedbyfortunetherearethousandsmorewhoselongingisneverrewarded.

 

PartD:

LiteraryAppreciation

EmilyDickinson:

TheSoulSelectsHerOwnSociety

Foryourreferenceonly

1.Contrastingimages:

"theChariots","anEmperor"vs."herlowGate","herMat"

Thesecontrastingimagesillustratethegreatdifferenceofthesocialstatusbetweenthepoetherselfandthoseintheoutsideworld,andmeanwhileindicatethepoet′sdisregardofsocialcourtesyandroutineobligation.

"anamplenation"vs."One"

Thispairofcontrastingimagespresentsalonelyyetself-sufficienthumansoul.

2.Yes.Itisconveyedespeciallyfromthewordsthepoetchoseinlines3-4andlines9-12.

3.Thepoetmayusethe"divineMajority"toclaimherequalitywiththosemostpowerfulintheouterworld--theymaybeemperors,butsheis"divineMajority,"andatthesametimesheassertsherdifferencefromthem.

4.Becauseshehasalreadyselected"herownSociety",whichisthe"One"shechose"fromanamplenation".

So,"nomore"herestandsforthosefromtheoutsideworld,"anamplenation".

5.Yes.Thepoemchallengesourideasaboutwhatconstitutesasocialgroup.Consequently,theenclosedspaceofthesoul'shouseismorethanadequateforaqueenlylife,andambassadorsoftheexternalworld'sglories,evenemperors,caneasilybescorned.

6.Itrepresentsherdwellingasnotagrandpalacebutratherasimplehouse.

7.Yes.

No.The"amplenation"istheoutsideworldwhilethe"divinemajority"isherinnerworld.

 

8."Valves"and"Stone".

 

9.Valvespermittheflowofwhatevertheyregulateinonedirectiononly:

here,fromoutsidetoinside.Eitherofthehalvesofadoubledoororanyoftheleavesofafoldingdoorarevalves.Valvesseenasdoorsreinforcethepoem'shouseimagery,whiletheirassociationwithstonemakesthewallsseparatingsoulfromworldsosolidastobe,perhaps,prison-like.

Prison-likebecausetheyallownoescapefromthekindsofconflict,thekindsofterror,even,thatmustoccurwithin.

 

ABird

Foryourreferenceonly

1)    Personification."Bit"and"ate"arethewordswhichareemployedtosignifythedeviceasbirdseateverythingraw.

2)    Weseeverbs"ate","bit"inthefirststanzaand"drank","hopped"inthesecondstanza.Thesewordsdescribethebird'squickandirregularmovementontheground.

3)    Dickinsonusedbothsimileandmetaphortodepicttherapidmovementofthebird'seye.e.g."rapideyeslookedlikefrightenedbeads";"Hestirredhisvelvethead".

4)    No.Shefailedandthefrightenedbirdflewoff.

5)    Yes.Thereseemsashiftinthespeaker'stonefromamusementtoawewiththeshiftinperspectiveinresponsetothebird'sflight.Thebird'sflightintotheairiscomparedtooarsdividingthesilverwater.

6)    Dickinsonemployedsimplerhymeschemestoproducevividimage.Theseveral"o"sounds(oarsandocean)and"s"sounds(silver,seamandswim)inthedescriptionofthebird'sflyingawaycontributetotheimageofflight.Theblendingofsoundslike"leap","plashless"helpsconveythebird'ssmoothgraceintheair,likeafeatheredoar.

7)    Yes.Thesubjectmatterisquiteordinaryandconventional.It'sbasedonasingleimageofabird.However,Dickinson'streatmentisinnovative.Sheofferedherobservationviaoneimageandconveyedtousherpersonalfeelingandthought.

 

UnitOne

ReadingSelectionOne:

TheUglyTruthaboutBeauty

ByDaveBarry

  Ifyou'reaman,atsomepointawomanwillaskyouhowshelooks.T

  "HowdoIlook?

"she'llask.T

  Youmustbecarefulhowyouanswerthisquestion.Thebesttechniqueistoformanhonestyetsensitiveopinion,thencollapseonthefloorwithsomekindoffatalseizure.*Trustme,thisistheeasiestwayout.Becauseyouwillnevercomeupwiththerightanswer.T

  Theproblemisthatwomengenerallydonotthinkoftheirlooksinthesamewaythatmendo.Mostmenformanopinionofhowtheylookinseventhgrade,andtheysticktoitfortherestoftheirlives.Somemenformtheopinionthatareirresistiblyhandsomeandtheydonotchangethisopinionevenwhentheirnosesbloattothesizeofeggplantsandtheireyebrowsgrowtogethertoformwhatappearstobeagiantforehead-dwellingtropicalcaterpillar.*T

  Mostmen,Ibelieve,thinkofthemselvesasaverage-looking.Menwillthinkthiseveniftheirfacescauseheartfailureincattleatarangeof300yards.*Beingaveragedoesnotbotherthem;averageisfine,formen.Thisiswhymenneveraskanybodyhowtheylook.Theirprimaryformofbeautycareistoshavethemselves,whichisessentiallythesameformofbeautycarethattheygivetotheirlawns.If,attheendofhisfour-

minutedailybeautyregimen,amanhasmanagedtowipemostoftheshavingcreamoutofhishairandisnotbleedingtoobadly,hefeelsthathehasdoneallhecan,sohestopsthinkingabouthisappearanceanddevoteshismindtomorecriticalissues,suchastheSuperBowl.*T

  Womendonotlookatthemselvesthisway.IfIhadtoexpress,inthreewords,whatIbelievemostwomenthinkabouttheirappearance,thosewordswouldbe:

"notgoodenough."Nomatterhowattractiveawomanmayappeartobetoothers,whenshelooksatherselfinthemirror,shethinks:

woof.Shethinksthatatanymomentamunicipalanimal-controlofficerisgoingtothrowanetoverherandhaulherofftotheshelter.*T

  Whydowomenhavesuchlowself-esteem?

Therearemanycomplexpsychologicalandsocietalreasons,bywhichImeanBarbie.Girlsgrowupplayingwithadollproportionedsuchthat,ifitwereahuman,itwouldbesevenfeettallandweigh81pounds,ofwhich53poundswouldbebosoms.Thisisadifficultappearancestandardtoliveupto,*especiallywhenyoucontrastitwiththestandardsetforlittleboysbytheirdolls…excuseme,bytheiractionfigures.Mostoftheactionfiguresthatmysonplayedwithwhenhewaslittlewerehideous-looking.Forexample,hewasveryfondofanactionfigure(partoftheHe-Manseries)called"Buzz-Off,"whowasparthuman,partflyinginsect.Buzz-Offwasnotalooker.Buthewasextremelyself-confident.YoucouldnotimagineBuzz-Offsayingtotheotheractionfigures:

Doyouthinkthesewingsmakemyhipslookbig?

"T

  ButwomengrowupthinkingtheyneedtolooklikeBarbie,whichformostwomenisimpossible,althoughthereisamultibillion-dollarbeautyindustrydevotedtoconvincingwomenthattheymusttry.Sorry,yourbrowserdoesn'tsupportJava(tm).IoncesawanOprahshowwhereinsupermodelCindyCrawforddispensedmakeuptipstothestudioaudience.Cindyhadallthesemiddle-agedwomenapplyingbeautyproductstotheirfaces;*shestressedhowimportantitwastoapplytheminacertainway,usingthetipsoftheirfingers.Allthewomendutifullydidthis,eventhoughitwasobvioustoanysaneobserverthat,nomatterhowcarefullytheyappliedtheseproducts,theywouldneverlookremotelylikeCindyCrawford,w

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