托福听力题目419Word格式.docx

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托福听力题目419Word格式.docx

Section134

TOEFLiBTCompletePracticeTestv13Listening37

Section137

TPO13-L1Conversation137

TPO13-L2CityPlanning38

TPO13-L3Ecology38

Section239

TPO13-L4Conversation239

TPO13-L5MedievalPoetry40

TPO13-L6Astronomy40

TOEFLiBTCompletePracticeTestv14Listening41

Section141

TPO14-L1Conversation141

TPO14-L2Psychology42

TPO14-L3Biology42

Section243

TPO14-L4Conversation243

TPO14-L5Astronomy44

TPO14-L6Archeology45

TOEFLiBTCompletePracticeTestv15Listening45

Section145

TPO15-L1Conversation145

TPO15-L2Psychology46

TPO15-L3Geology47

Section247

TPO15-L4Conversation247

TPO15-L5ArtHistory48

TPO15-L6Biology49

TOEFLiBTCompletePracticeTestv16Listening50

Section150

TPO16-L1Conversation150

TPO16-L2Geology50

TPO16-L3MusicHistory51

Section252

TPO16-L4Conversation252

TPO16-L5Biology52

TPO16-L6ArtHistory53

TOEFLiBTCompletePracticeTestv17Listening53

Section153

TPO17-L1Conversation153

TPO17-L2Archeology54

TPO17-L3EnvironmentalScience55

Section255

TPO17-L4Conversation255

TPO17-L5History56

TPO17-L6Biology56

TOEFLiBTCompletePracticeTestv18Listening57

Section157

TPO18-L1Conversation157

TPO18-L2Astronomy58

TPO18-L3ArtHistory58

Section259

TPO18-L4Conversation259

TPO18-L5EuropeanHistory60

TPO18-L6Biology60

TOEFLiBTCompletePracticeTestv19Listening61

Section161

TPO19-L1Conversation161

TPO19-L2Linguistics62

TPO19-L3Astronomy62

Section263

TPO19-L4Conversation263

TPO19-L5MarineBiology64

TPO19-L6ArtHistory64

 

Whydoestheprofessormentionseahorses

Toexplainthattheyweredifficulttofilminthe1930s

TopointoutthatCousteaumadedocumentariesaboutthem

ToillustratePianleve’sfascinationwithunusualanimals

ToexplainwhyPainleve’sunderwaterfilmswerenotsuccessful

Q16

WhydoestheprofessorcomparethefilmstyleofJacquesCousteauandJeanPainleve

ToexplainhowPainleveinfluencedCousteau

ToemphasizetheuniquenessofPainleve’sfilmingstyle

ToemphasizetheartisticvalueofCousteau’sdocumentaryfilms

TodemonstratethesuperiorityofPainleve’sfilmmakingequipment

Q17R

Whatdoesthestudentimplywhenhesaythis:

HedoesnotlikeJeanPainleve’sfilms

HethinksthattheprofessorshouldspendmoretimediscussingJacquesCousteau’sfilm

Hebelievesthathighqualityfilmmakersareusuallywellknown

HebelievesthatJeanPainleve’sfilmhavebeenunfairlyoverlooked

Setion2

Q1

Whydoesthestudentgotoseetheprofessor

Toaskaboutaclassassignment

Tofindoutaboutamidsemesterproject

Togetinformationaboutsummerjobs

Todiscusswaystoimprovehisgrade

Q2

Whatwasoriginallylocatedonthesiteofthelecturehall

Afarmhouse

Apotteryfactory

Aclothingstore

Abottle-manufacturingplant

Q3

Whatismentionedasanadvantageofworkingonthisproject

Off-campustravelispaidoff

Studentscanleaveclassearly

Thelocationisconvenient

Itfulfillsagraduationrequirement

Q4

Whatistheprofessorconsideringdoingtogetmovevolunteers

Offeringextraclasscredit

Payingthestudentsfortheirtime

Askingforstudentvolunteersfromoutsideherclass

Providingflexibleworkschedules

Q5

Whatinformationdoesthestudentstillneedtogetfromtheprofessor

Thenameoftheseniorresearcher

Whatbookheneedstoreadbeforethenextlecture

Whenthetrainsessionwillbescheduled

Wheretheprojectislocated

Q6

Whatdoestheprofessormainlydiscuss

Theoldestknowncaveart

Howancientcaveartisdated

ThehomesofPaleolithichumans

HowPaleolithichumansthoughtaboutanimals

Q7

Whendoestheprofessormentionhisdaughter

Todescribeherreactiontoseeingthepaintings

ToexplaintheuniversalappealfortheChauvetpaintings

TodemonstratethesizeofmostPaleolithiccaveart

ToemphasizehispointabouttheageofChauvetpaintings

Q8

Whatistheprofessor’sopinionabouttheartattheChauvetcave

Itisextremelywelldone

Itprobablyreflectedartists’religiousbeliefs

ItislesssophisticatedthantheartatLascauxandAltamira

ItisprobablynotmucholderthantheareatLascauxandAltamira

Q9

Accordingtotheprofessor,whatisthesignificanceofcharcoalmarksonthewallsoftheChauvetcave

TheysuggestthatPaleolithicpeoplecookedtheirfoodinthecave

Theyprovethatpeoplecametothecavelongafterthepaintingsweremade

TheyshowhowmuchlightthePaleolithicartistsneededfortheirwork

Theywereusedinrecenttimestodatethepaintings

Q10

ComparedtootherPaleolithicart,whatisunusualabouttheanimalspaintedatChauvet

Mostofthemarehorses

Manyofthemaredangerous

Manyofthemareshownalongsidehumans

AllofthemarespeciesthatarestillfoundinFrance

Q11

WhataretwoquestionsabouttheChauvetcaveartiststhattheprofessorraisesbutcannotanswer

Choicetwoanswersbelow

Howtheylightedtheirworkarea

Howtheyobtainedpigmentsfortheirpaints

Whytheychosetopaintcertainanimalsandnotothers

Whytheyplacedtheirartindark,uninhabitedplaces

Q12

Whatisthelecturemainlyabout

Differentwaysofmagnifyingthespectrumofastar

HowachemicalelementwasfirstdiscoveredontheSun

Howastronomersidentifythechemicalelementsinastar

Whythespectraofdifferentstarsarecomposedofdifferentcolors

Q13

Whatdoestheprofessorexplaintooneofthestudentsabouttheterm“radiation”

Itisdefinedincorrectlyinthetextbooks

Itwasfirstusedinthenineteenthcentury

Itisrarelyusedbyastronomers

Itdoesnotreferonlytoharmfulenergy

Q14

Whatcanbeinferredabouttwostarsiftheirspectrahavesimilarspectrallinepatterns

ThestarsareapproximatelythesamedistancefromtheEarth

Thestarsprobablyhavesomechemicalelementsincommon

Thestarshavenearlythesamebrightness

Thestarsareprobablyofthesamesize

Q15

Accordingtotheprofessor,whatisthepurposeofheatinganelementinaspectroscopicflametest

Tocauseanelementtoemitlight

Tostudyanelementincombinationwithotherelements

Toremoveimpuritiesfromtheelement

Tomeasureanelement’sresistancetoheat

Q16R

Whydoestheprofessorsaythis

Heisabouttoprovidesomebackgroundinformation

Heisabouttorepeatwhathejustsaid

Heintendstofocusonthehistoryofastronomy

Heintendstoexplaintwodifferentpointsofview

Whydoestheprofessoraskthis

Tocheckthestudents’understandingoftheirreadingassignment

Togivethestudentsahinttotheanswertohispreviousquestion

ToemphasizehowimportantitisforastronomerstostudyGreek

Toremindthestudentsaboutthehistoricalbackgroundofastronomy

TPO-4

Section1

1.Whydoesthemanneedthewoman’sassistance

Clickon2answers.

A.Hedoesnotknowthepublicationdateofsomereviewsheneeds.

B.Hedoesnotknowthelocationofthelibrary’svidescollectionofplays.

C.Hedoesnotknowhowtofindoutwheretheplayiscurrentlybeingperformed.

D.Hedoesnotknowhowtodeterminewhichnewspaperheshouldlookat.

2.WhatdoesthewomanimplyaboutcriticalreactiontotheplayHappyStrangers

A.Negativecriticalreactionledtoitscontentbeingrevisedafteritpremiered.

B.Theplayhasalwaysbeenquitepopularamonguniversitystudents.

C.Reactionstotheplayaremorepositivenowadaysthantheywereinthepast.

D.Theplayisrarelyperformednowadaysbecausecriticshaveneverlikedit.

3.WhatdoesthewomansayaboutherexperienceseeingaperformanceofHappyStrangerswhenshewasyounger

Clickon2answers.

A.Itwasthefirstplayshehadseenperformedprofessionally.

B.Shesawitagainstthewishesofherparents.

C.Shewassurprisedathowtraditionaltheperformancewas.

D.Shehadavarietyofemotionalreactionstotheplay.

4.Whatistheman’sattitudetowardhiscurrentassignment

A.Heisnotconfidentthathewillfindthematerialsheneeds.

B.Hefeelsthatperforminginaplayislessboringthanreadingone.

C.Hethinkshisreviewoftheplaywillbemoreobjectivethanthecontemporaryreviewswere.

D.Heisoptimisticthathewilllearntoappreciatetheplayheisresearching.

5.Replay:

Whydoesthewomansaythis

A.Toaskthemantoclarifyhisrequest.

B.Tostatetheman’srequestmoreprecisely.

C.Tomakesurethatsheheardthemancorrectly.

D.Tocorrectamistakethemanhasmade.

6.Whatisthelecturemainlyabout

A.Methodsofobservingunusualanimalbehavior.

B.Atheoryaboutwaysbirdsattractmates.

C.Waysanimalsbehavewhentheyhaveconflictingdrives.

D.Criteriaforclassifyinganimalbehaviors.

7.Indicatewhethereachoftheactivitiesbelowdescribesadisplacementactivity.

Clickinthecorrectboxforeachphrase.

Yes

No

Ananimalattacksthegroundinsteadofitsenemy.

Ananimalfallsasleepinthemiddleofamatingritual.

Ananimaleatssomefoodwhenconfrontedbyitenemy.

Ananimaltakesadrinkofwateraftergroomingitself.

8.Whatdoestheprofessorsayaboutdisinhibition

A.Itcanpreventdisplacementactivitiesfromoccurring.

B.Itcancauseanimalstoactonmorethanonedriveatatime.

C.Itisnotusefulforexplainingmanytypesofdisplacementactivities.

D.Itisresponsiblefortheappearanceofseeminglyirrelevantbehavior.

9.Acc

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